Leonardo da Vinci: complete biography, life, dates and legacy

Portrait of Leonardo da Vinci attributed to Francesco Melzi

1452 -1519 · Italian Renaissance

Verified biography of Leonardo da Vinci: dates, training, major works, scientific notebooks, last years in France and heritage.

Portrait of Leonardo da Vinci attributed to Francesco Melzi
Portrait of an elderly Leonardo, attributed to his student Francesco Melzi, circa 1515 -1518.
April 15, 1452Born near Vinci, Tuscany
Around 1469Verrocchio Workshop Training
1516Installation in France with François I
May 2, 1519Died in Amboise, at 67

Who was he?

A painter before being a symbol

Leonardo da Vinci, in Italian Leonardo da Vinci, was born on April 15, 1452 in the Vinci region, in Tuscany. Natural son of notary Ser Piero and a woman named Caterina, he grew up in his paternal grandfather's house before joining Florence. There he learned drawing, painting, sculpture and workshop techniques from Andrea del Verrocchio; our file on verrocchio's workshop detail this learning.

His birth is precisely dated: his grandfather Antonio recorded the night and day of his birth. Born out of wedlock, Leonardo was nevertheless able to train in a Florentine workshop and then work for several princely courts.

His career took place between Florence, Milan, the Italian courts, Rome and finally France. An extremely slow and experimental painter, he left few unanimously recognized paintings, but thousands of pages of notes on anatomy, water, flight, mechanics, light, botany and geometry.

In one sentence: Leonard is not just the author of The Mona Lisa and of The Last Supper ; he is an artist-engineer for whom observing, drawing and understanding constitute a single activity.

Essential timeline

A life in six periods

The dates are sometimes approximate: Leonardo documented his research extensively, but several works were repeated for years. For more milestones, see chronology of Leonardo da Vinci in 20 dates.

1452 - 1482

Vinci and Florence

Tuscan childhood, Verrocchio workshop, first paintings and independent commissions.

1482 - 1499

First stay in Milan

Ludovico Sforza Service, Engineering Projects, Virgin of the rocks and Last Supper.

1500 -1506

Florence and Central Italy

Cards for Caesar Borgia, Battle of Anghiari, Saint Anne and beginning of The Mona Lisa.

1506 - 1513

Return to Milan

Serving the French, major research in anatomy, hydrology and movement.

1513 -1516

Rome

Installed at the Vatican Belvedere under the protection of Julian de Medici, he painted little and continued his experiments.

1516 - 1519

Amboise

First painter, engineer and architect to King Francis I; last years at Clos Lucé.

Leonardo da Vinci's Annunciation to the Uffizi
The Annunciation, circa 1472 -1475, Uffizi Gallery, Florence.

Florence · learning

In Verrocchio's workshop

Florence offers young Leonardo an environment where painting, sculpture, goldsmithing, architecture and party decoration are practiced together. In Verrocchio's workshop, he learns to prepare panels, grind pigments, draw from the model and construct a figure through light.

His participation in Baptism of Christ', especially the angel seen in profile, already manifests an atmospheric sweetness different from that of his master. The Annunciation, the portrait of Ginevra de' Benci and unfinished Adoration of the Magi then reveal his taste for distant landscapes, meaningful gestures and compositions in transformation.

The Virgin of the Rocks by Leonardo da Vinci, version of the Louvre
The Virgin of the Rocks, version of the Louvre, circa 1483 -1486.

Milan · 1482 -1499

Artist, engineer and court man

In Milan - a period studied in our file Leonardo da Vinci in Milan - Leonardo introduces himself to Ludovico Sforza as a designer of bridges, fortifications, weapons and shows, before mentioning his talents as a painter. He worked on a colossal equestrian monument to Francesco Sforza, never cast in bronze, and organized parties where mechanics, music and scenography met.

The order of the Virgin of the rocks inaugurates a composition enveloped in shadow and humid air. Between 1495 and 1498, The Last Supper transforms the refectory of Santa Maria delle Grazie: the real space seems to extend into the image and each apostle reacts differently to the announcement of the betrayal.

1499 -1516 · years of travel

Between war, orders and research

After the fall of Ludovico Sforza, Leonardo no longer found the stability of his first stay in Milan. This mobility, however, accelerates the circulation of his ideas.

1500 -1503

Florence and Caesar Borgia

After Mantua and Venice, he returned to Florence. In 1502, he accompanied Caesar Borgia as a military engineer, inspected fortresses and rivers, then produced remarkable maps, including the plan of Imola in vertical view.

1503 -1506

The Mona Lisa and Anghiari

He begins the portrait of Lisa Gherardini and receives the commission from the Battle of Anghiari for the Palazzo Vecchio. The technical test of the wall fails; the composition, soon lost, remains known through copies and studies.

1506 -1516

Milan, then Rome

Recalled to Milan by the French administration, he deepened anatomy, hydraulics and geology. In Rome from 1513, housed at the Belvedere, he continued his experiments; this period is developed in our investigation into the Roman years but gets fewer big projects than Michelangelo or Raphael.

Major works

Eight markers to read his painting

Fewer than twenty paintings are generally attached to Leonardo with varying degrees of attribution. This rarity explains the importance of each panel.

Portrait of Ginevra de' Benci by Leonardo da Vinci
Around 1474 -1478 · Washington

Ginevra de' Benci

An early portrait where the face, the juniper tree and the landscape form a psychological unit.

Leonardo da Vinci's Lady and the Ermine
Around 1489 -1490 · Krakow

The Lady with the Ermine

Cecilia Gallerani turns her chest and gaze, giving the portrait the rhythm of a captured moment.

Leonardo da Vinci's Last Supper in Milan
1495 -1498 · Milan

The Last Supper

A central perspective, thirteen figures and a wave of human reactions around the silence of Christ.

The Mona Lisa by Leonardo da Vinci
Around 1503 -1519 · Louvre

The Mona Lisa

The sfumato connects the face to the landscape and makes the expression deliberately unstable.

The Virgin, Child Jesus and Saint Anne by Leonardo da Vinci
Around 1503 -1519 · Louvre

The Saint Anne

Three generations fit into a moving pyramid, softened by the atmosphere.

Saint John the Baptist by Leonardo da Vinci
Around 1508 -1519 · Louvre

Saint John the Baptist

A figure emerges from the shadows and transforms the religious gesture into a luminous enigma.

Leonardo da Vinci's Unfinished Adoration of the Magi
1481 -1482 · Offices

The Adoration of the Magi

The unfinished work makes the elaboration visible in layers, repeats and movements.

Leonardo da Vinci's unfinished Saint Jerome at the Vatican Museums
Around 1480 -1490 · Vatican

Saint Jerome

The interrupted panel exposes the anatomical construction of the body, the underlying design and the first layers of paint.

Leonardo da Vinci's Vitruvian Man
Vitruvian Man : body proportions and geometry.
Study of the fetus in the womb by Leonardo da Vinci
Study of the fetus in the womb, circa 1511, Royal Collection.

Notebooks and sciences

Draw to understand

In Leonardo, drawing is not limited to preparing a painting. His notebooks and codices bring together text, diagram, calculation and observation. It is used to break down a mechanism, compare proportions, follow a whirlwind, memorize a plant or imagine a machine.

1
AnatomyBones, muscles, organs, heart and fetal development studied during dissection campaigns, now illuminated by its anatomical drawings.
2
Water and geologyCurrents, waves, erosion, fossils and landscape formation are observed as systems.
3
Flight and mechanicsWings, gears, bearings, winches and transmissions: several projects remain paper research.
4
OpticsLight, shadow, atmospheric perspective and perception directly nourish his painting.

Facts and legends

What needs to be qualified

Leonardo's fame produced an image of a prophetic inventor that sometimes goes beyond what the documents show.

To qualify

"He made it all up"

His notebooks combine personal observations, repetitions of previous ideas and speculative projects. A machine drawing does not always prove that it was built or that it could work.

False shortcut

"He wrote backwards to hide his secrets"

Left-handed, Leonardo often employs specular writing, probably handy for writing without spreading ink. He also uses ordinary writing when speaking to others.

Legend

"He died in the arms of Francis I"

The scene, popularized by later accounts and paintings, is undocumented. The king was probably elsewhere on May 2, 1519.

The Château du Clos Lucé in Amboise, Leonardo da Vinci's final home

France · 1516 -1519

The last years at Clos Lucé

Invited by François I, Leonardo crossed the Alps with several paintings and his manuscripts. He settled at the Cloux manor, today Clos Lucé, near the royal castle of Amboise. His title of "first painter, engineer and architect to the king" guaranteed him a prestigious position.

His health declined, but he continued to design architecture, festivals and hydraulic projects. He wrote his will on April 23, 1519 and died on May 2. His manuscripts and drawings mainly go to Francesco Melzi. After the disappearance of the Saint-Florentin collegiate church, the bones attributed to Leonardo were transferred to the Saint-Hubert chapel of the Château d'Amboise; their identification is not absolutely certain. Our file on the tomb of Leonardo da Vinci trace this story.

Legacy

Why Leonardo remains modern

Its importance lies not in an accumulation of isolated discoveries, but in a visual method based on observation, comparison and doubt.

01

The sfumato

Almost imperceptible transitions replace hard contours and give faces a breathable presence.

02

Drawing as thought

The sheet becomes a laboratory: it simultaneously accommodates text, diagram, test, correction and invention.

03

Art and science combined

Anatomy, optics and movement are not ancillary hobbies; they deepen his way of representing living things.

04

The power of the unfinished

His interrupted works reveal an open creative process, which has become essential for understanding his method.

In the store

Find Leonardo da Vinci

A selection of hand-painted reproductions and contemporary reinterpretations related to the works discussed in this biography.

Leonardo da Vinci CollectionDiscover the works →

Frequently asked questions

Leonardo da Vinci in brief

What is Leonardo da Vinci's real name?

Leonardo di ser Piero da Vinci approximately means "Leonardo, son of master Piero, da Vinci". "Da Vinci" indicates its geographical origin; it is not a modern surname.

When and where was Leonardo da Vinci born?

Leonardo was born on April 15, 1452 in the countryside around Vinci, Tuscany. Anchiano's house is traditionally presented as his birthplace, without certainty of the exact address.

What are Leonardo da Vinci's most famous works?

The Mona Lisa, The Last Supper, The Virgin of the Rocks, The Lady with the Ermine, Saint Anne, Saint John the Baptist and The Vitruvian Man are among his best-known works.

How many paintings by Leonardo da Vinci remain?

The figure depends on the attribution criteria, but specialists generally retain fewer than twenty paintings. Some were made with the workshop or remain disputed.

Why did Leonardo da Vinci write backwards?

Left-handed, Leonardo often used specular writing, probably practical so as not to slide his hand over the fresh ink. The idea of a systematic secret code is too simplistic.

Where did Leonardo da Vinci die and be buried?

He died at Clos Lucé, in Amboise, on May 2, 1519. First buried in the Saint-Florentin collegiate church, he rests today in the Saint-Hubert chapel of the Château d'Amboise, subject to historical identification bones transferred.

Why does Leonardo da Vinci embody the Renaissance?

It combines artistic practice, nature observation, anatomy, mechanics, optics and engineering. This constant circulation between arts and sciences corresponds to the humanist ideal of the Renaissance.

Where to see the main works of Leonardo da Vinci?

The Louvre notably preserves The Mona Lisa, Saint Anne, Saint John the Baptist and a version of The Virgin of the Rocks. The Last Supper is in Milan, Ginevra de' Benci in Washington, The Lady with the Ermine in Krakow and The Vitruvian Man in Venice.

Reference sources

Images of public-domain works via Wikimedia Commons; captions and dates cross-checked against the catalogue entries of the institutions holding the works. Last editorial check: September 30, 2026.

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