Claude Monet · Argenteuil · Seine bridges
The Argenteuil Bridge condenses the entire Monet of the 1870s: the Seine, modern leisure activities, sailboats, a road bridge, reflections and clear light which transforms the Parisian suburbs into an impressionist laboratory.
Painted in 1874, kept at the Musée d'Orsay, the painting belongs to the great Argenteuil cycle, where Monet multiplies the views of bridges, basins, trains, regattas and banks.
Reading guide
Understand the main work, its versions, the Argenteuil context, the modern bridge and the role of reflections.
Quick response
What represents The Argenteuil Bridge ?
The painting shows the Argenteuil road bridge, the Seine, sailboats and their reflections. Monet not only paints a pleasant landscape: he captures a modern place where transport, leisure, industrial suburbs and outdoor light intersect.
A bridge as a modern symbol
The bridge connects the banks, structures the composition and introduces contemporary architecture into the landscape. Below, the reflections and sailboats soften this modernity through the vibration of the water.
- Artist
- Claude Monet
- Date
- 1874
- Painted place
- Argenteuil, Seine
- Museum
- Musée d'Orsay, Paris

Argenteuil
Why Argenteuil is essential at Monet
Monet lived in Argenteuil from 1871 to 1878. The place is perfect for him: quite close to Paris, but open to the Seine, water sports, bridges, workshops, factories and gardens.

A modern suburban landscape
Argenteuil is not untouched countryside. It is a passage area: bridges, trains, factories, regattas, villas, banks and boats. Monet finds there exactly what impressionism likes: a visible modernity, but also crossed by light and leisure.
The Seine
The river serves as a mirror and stage: it reflects the city, the sails and the sky.
Bridges
They give a modern geometry and structure repeated views.
Leisure
Sailboats, regattas and walks transform the industrial motif into a living landscape.
The series
Monet takes the bridge several times to compare light, sky, angle and atmosphere.
History
From Monet to Orsay: the journey of the painting
Painted in 1874, The Argenteuil Bridge was undoubtedly acquired directly from Monet in June by the baritone and collector Jean-Baptiste Faure. In 1906, Durand-Ruel bought it then sold it the same day to Antonin Personnaz, who bequeathed it to the national museums in 1937.
Faure Collection
Jean-Baptiste Faure undoubtedly acquired the painting directly from Monet in June.
Second impressionist exhibition
The painting is presented to the public under number 56.
Personnaz Collection
Durand-Ruel bought the painting from Faure on June 11 and sold it the same day to Antonin Personnaz.
Legacy to national museums
Antonin Personnaz's legacy is accepted by the State for the Louvre Museum.
Musée d'Orsay
After the Louvre and the Jeu de Paume, the work was assigned to the Musée d'Orsay under the inventory RF 1937 41.
Analysis
How Monet constructs the image
The picture is held together by a very clear balance: the bridge at the bottom, the sailboats in the foreground, the water in the center, and a succession of reflections which make the composition moving despite the stability of the architecture.

Comparison: The Argenteuil Bridge, 1874, version W312 kept at the National Gallery of Art in Washington. The point of view differs from that of version W311 of the Musée d'Orsay.
The bridge as a horizon line
It stabilizes the canvas and separates the sky from the water surface.
Sailboats as signs of leisure
They recall Argenteuil as a place for regattas and water walks.
The masts as vertical
They break the horizontals of the bridge and the bank, creating a graphic rhythm.
Reflections like painting
In water, reality unravels: shapes become touches, colors, vibration.
A peaceful modernity
The road bridge is modern, but Monet integrates it into a clear and bright atmosphere.
Versions
The Argenteuil bridges at Monet: several angles, several lights
In 1874, Monet represented the Argenteuil road bridge seven times and the railway bridge located upstream four times. These views, to which are added basins and banks, form a set of variations on water, architecture and sky.

The Argenteuil Bridge
The most famous version: bridge, sailboats, reflections and clear light.
Alpha Reproduction Image.
A gray day
The same bridge and water logic, but in a lower, silver atmosphere.
Alpha Reproduction Image.
The railway bridge
Modernity is more industrial: iron structure, train, technical crossing.
Alpha Reproduction Image.
The frontal bridge
The large span crosses the entire width of the river and dominates the boats.
Alpha Reproduction Image.
The basin
The bridge disappears, but water, boats and reflections remain the heart of the motif.
Alpha Reproduction Image.Real photo
The Argenteuil Bridge Today
The current bridge is no longer the one Monet painted. The crossing has been rebuilt, but the site remains readable: same axis of the Seine, same relationship between the bank of Argenteuil, Gennevilliers and the water.

From the painted pattern to the actual location
The 2008 photograph helps to understand what Monet was already seeing: the bridge is not a simple setting, it is a crossing point which organizes the river, the banks and the circulation.
In the 1874 painting, this technical reality becomes softer: the water blurs the lines, the sailboats humanize the place, the reflections transform the iron and the masonry into a colorful sensation.
Palette
Blues, greens, whites: the Seine as a mirror
The picture is based on a clear palette: blue sky, green water, white sails, browns of the bridge and small colored touches in the boats.
Shop
Reproductions and collections around the Pont d'Argenteuil
The pattern is very decorative: horizontal format, soft depth, luminous water, sailboats, bridge and atmosphere of the Seine.

The Argenteuil Bridge W311
Orsay's version: bridge, sailboats, Seine and reflections.
See reproduction
The Pont d'Argenteuil, gray day W316
A more muted and atmospheric reading of the motif.
Explore
The W318 Railway Bridge
Argenteuil on the train, iron and industry side.
See the workFAQs
Frequently asked questions
Quick references to the date, museum, versions and context of Argenteuil.
When does Monet paint The Argenteuil Bridge ?
Monet painted version W311 of the Musée d'Orsay in 1874, during the years he lived in Argenteuil.
Where to see the painting today?
At the Musée d'Orsay in Paris, under inventory number RF 1937 41. The official notice currently indicates the upper level, room 32; this location may change.
What are its dimensions?
The canvas measures 60.3 × 80 cm. It is an oil on horizontal canvas signed and dated "Claude Monet 74".
What is its number in the Wildenstein catalog?
The Musée d'Orsay version is numbered W311.
Why does Monet paint Argenteuil so much?
He lived there from 1871 to 1878 and found a modern landscape where Seine, bridges, trains, regattas, factories, gardens and banks meet.
How many views of the bridges did Monet paint in 1874?
The Musée d'Orsay lists seven representations of the road bridge and four of the railway bridge upstream of the village.
What is the difference between the road bridge and the railway bridge?
The road bridge connects the two banks for ordinary traffic; the railway bridge, located upstream, more directly features the train and industrial infrastructure.
Who owned The Argenteuil Bridge ?
Jean-Baptiste Faure probably acquired it from Monet in 1874. Antonin Personnaz bought it in 1906 and bequeathed it to the national museums in 1937.
Was the painting exhibited during Monet's lifetime?
Yes. It appears in particular at the second impressionist exhibition of 1876, under number 56.
Sources
Benchmarks used
Main sources for pattern date, dimensions, location, history and versions.
Musée d'Orsay
Date, dimensions, analysis, provenance, exposures, inventory and current location of W311.
Version W316National Gallery of Art
Date, dimensions and description of the Pont d'Argenteuil on a gray day.
Railway bridge W318Philadelphia Museum of Art
Industrial context and identification of the railway bridge painted in 1873.
Version W313Neue Pinakothek
Date, dimensions and reading of the road bridge rebuilt after the war of 1870.
To remember
The Argenteuil Bridge is an image of peaceful modernity: a bridge, sails, water, and the light that makes everything mobile.
In Argenteuil, Monet finds one of his great areas of invention: the modern suburbs become an impressionist landscape.
Discover reproductionReal photo of the place
The Argenteuil Bridge and the Seine
This contemporary photograph shows the Argenteuil bridge and the Seine, at the heart of a landscape profoundly transformed since Monet's stays. It provides a real reference point for comparing banks, traffic and the urban horizon to impressionist paintings.

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