The Cimabue UniverseSacred humanized figures, more credible spaces and new emotions make Cimabue one of the decisive artists of the 13th century, between Byzantine heritage and the birth of Western naturalism.
around 1240 -1301/1302Artist's life
Florence, Assisi, Rome, Bologna and PisaMain homes
Tempera on wood, gold background, fresco and mosaicPractical
°15Works preserved or attributed today - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
around 1240 -1301/1302 · At the origins of Italian painting
Sacred humanized figures, more credible spaces and new emotions make Cimabue one of the decisive artists of the 13th century, between Byzantine heritage and the birth of Western naturalism.
Cenni di Pepo, known as Cimabue, was born in Florence around 1240 and is documented between 1272 and 1302. Information about his life remains rare, but the works attributed to him testify to an exceptional ambition. Active in Florence, Rome, Assisi, Bologna and Pisa, he works for large religious establishments, notably the Franciscans. His painted crucifixes, frescoes and monumental Maestà preserve the gold background and majesty of Byzantine tradition while giving bodies more volume, thrones architectural depth and faces more direct emotion. The Maestà of the Louvre and that of Santa Trinita at the Uffizi are among the major milestones of this transformation. Tradition makes him Giotto's master; whatever the exact nature of their relationship, Cimabue's influence on Giotto and Duccio is fundamental. Only around fifteen works are preserved or recognized today, which makes each attribution essential to the understanding of his pictorial revolution. The "Cimabue" selection notably compares Virgin and Child and Maestà de Santa Maria dei Servi. Its reading favors space.
Cimabue does not deny the icon: he opens it to space, body weight and human emotion, preparing a new history of painting.
Course & style
Journey, subjects and pictorial language
Cenni di Pepo, known as Cimabue, was born in Florence around 1240 and is documented between 1272 and 1302. Information about his life remains rare, but the works attributed to him testify to an exceptional ambition. Active in Florence, Rome, Assisi, Bologna and Pisa, he works for large religious establishments, notably the Franciscans. His painted crucifixes, frescoes and monumental Maestà preserve the gold background and majesty of Byzantine tradition while giving bodies more volume, thrones architectural depth and faces more direct emotion. The Maestà of the Louvre and that of Santa Trinita at the Uffizi are among the major milestones of this transformation. Tradition makes him Giotto's master; whatever the exact nature of their relationship, Cimabue's influence on Giotto and Duccio is fundamental. Only around fifteen works are preserved or recognized today, which makes each attribution essential to the understanding of his pictorial revolution.
The first documented works
Between Rome and Florence, Cimabue asserts a monumental way still linked to Byzantium but attentive to volume and presence. This milestone sheds light on the "Cimabue" collection by favoring space.
Assisi and the great Maestà
Franciscan frescoes, crucifixes and Virgins in majesty renew the sacred space and the expression of the figures.
Pisa and Legacy
The latest achievements confirm a decisive influence on the generation of Giotto and Duccio.
01
Volume
Degraded, folds and joints give bodies a new mass under sacred fabrics. This line guides a space-centered reading of "Cimabue".
02
Emotion
Face tilts, looks and gestures bring the religious narrative closer to human experience.
03
Space
Oblique thrones and architectures suggest a depth that is still symbolic but increasingly coherent.
04
Gold
The gold background retains the celestial dimension while the figures actually gain physical reality.
Explore by universe
Six readings specific to Cimabue
Works, visual language and historical landmarks make up a route exclusively devoted to Cimabue.
Humanized icon01
Virgin and Child
The frontal majesty is nuanced by the modeling of the faces, the relationship of the looks and the physical presence of the Child.
Cimabue's landmark work. Reading "Cimabue" through space.Virgin in majesty02
Maestà de Santa Maria dei Servi
The throne, the angels and the golden background order a solemn vision where the figure of Mary acquires weight and depth.
Cimabue's landmark workFlorentine masterpiece03
Maestà de Santa Trinita
The imposing architectural throne and the prophets placed at its base announce a more constructed pictorial space.
Cimabue's landmark workMaestà of the Louvre04
The Virgin and Child in majesty
The throne seen at an angle, the superimposed angels and the subtle models transform the icon into an inhabited space.
Cimabue's landmark workStyle05
Volume
Degraded, folds and joints give bodies a new mass under sacred fabrics. This line guides a space-centered reading of "Cimabue".
Reading key for CimabueStyle06
Emotion
Face tilts, looks and gestures bring the religious narrative closer to human experience.
Reading key for Cimabue
Works to discover
Works of Cimabue
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Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
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Hang a work by Cimabue
Cimabue's subjects and tones call for a format, place and framing chosen for the precise work.
Frequently asked questions
Before choosing your Cimabue
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore space in a reproduction of Cimabue?
The painter uses the composition, values, colors and materials visible in the chosen work from the Cimabue collection, with particular attention paid to space.
Can I order a work by Cimabue in a personalized format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Cimabue?
Detailed photographs are sent before shipping; you can request edits before sending.
Find answers to frequently asked questions and essential information about our hand-painted reproductions.
Frequently Asked Questions
These answers reassure visitors who are discovering the concept of hand-painted reproductions.
Are the reproductions hand-painted?
Yes, our reproductions are oil paintings on canvas by experienced artists. Each canvas is hand-painted, not printed.
Can I request touch-ups?
Yes. Before shipping, we send you a photo of the completed painting. You can then request adjustments if necessary.
How long does it take to receive the canvas?
The time depends on the format and complexity of the artwork. The painting generally takes several weeks, then the canvas is shipped with tracking.
Can I order a custom size?
Yes, you can choose a standard format or request a custom size adapted to your space.
Are the paintings delivered framed?
Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
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Yes. You can send us an image, a museum reference, the name of an artwork, or a photo to request a custom reproduction.
Guide to the Cimabue collection
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
Why choose a reproduction from this collection?
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
A canvas prepared for your home
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
Touch‑ups and custom requests
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.
