Florence, Assisi and narrative affirmation
Tuscan tradition, volume of Franciscan figures and stories lead to a more human painting. This milestone sheds light on the "Giotto di Bondone" collection by favoring the material.
around 1267 -1337 · Florence, Padua and birth of a modern space
Discover Giotto di Bondone, hand reproduced in oil on canvas.
around 1267 -1337 · Florence, Padua and birth of a modern space
Giotto di Bondone was probably born around 1267 near Florence. The stories of his apprenticeship with Cimabue are late, but his training fits well with the renewal of Tuscan painting at the end of the 13th century. Giotto gradually breaks with the frontality and abstraction of the Byzantine tradition. His figures have weight, occupy a floor, turn, embrace, cry and react to each other. The architectures become small, coherent spaces that guide the reading of the story. His figures become small, coherent spaces that guide the reading of the story. His most famous masterpiece is the cycle of the Scrovegni Chapel in Padua, painted around 1303 -1305. In a series of scenes dedicated to Joachim, Anne, the Virgin and the Christ, Giotto organizes gestures, looks, colors and silences with remarkable clarity. The Lamentation concentrates the lines of the landscape and the bodies around the dead Christ; The Kiss of Judas directly opposes betrayal and authority. In Florence, the Maestà of Ognissanti gives the throne and the Virgin a new volumetric presence. The Bardi and Peruzzi chapels of Santa Croce then recount the lives of Saint Francis and Saints John in more complex architectural settings. The Bardi and Peruzzi chapels of Santa Croce then recount the lives of Saint Francis and Saints John in more complex architectural settings. The Bardi and Peruzzi chapels of Santa Croce then recount the lives of Saint Francis and Saints John in more complex architectural settings. Giotto also works in Assisi, Rome, Naples and probably Avignon, leading an important workshop. Giotto also works in Assisi, Rome, Naples and probably Avignon, leading an important workshop. Giotto also works in Assisi, Rome, Naples and probably Avignon, leading an important workshop. Giotto also works in Assisi, Rome, Naples and probably Avignon, leading an important workshop. Giotto also works in Assisi, Rome, Naples and probably Avignon, leading an important workshop. Giotto also works in Assisi, Rome, Naples and probably Avignon, leading an important workshop. Giotto also works in Died in 1337, he became the symbol of the revival of painting from Dante then Vasari. His influence runs through Masaccio, Michelangelo and the entire Western narrative tradition. The "Giotto di Bondone" selection notably compares Saint Francis receiving the stigmata and Stefaneschi Triptych. His reading favors the material.
Giotto gives weight to faith: saints occupy a floor, families touch and emotion becomes architecture as clear as the decor.
Course & style
Tuscan tradition, volume of Franciscan figures and stories lead to a more human painting. This milestone sheds light on the "Giotto di Bondone" collection by favoring the material.
Padua then the Florentine chapels establish a dramatic, spatial and immediately readable language.
International workshop, royal commissions and campanile bring together painting, architecture and civic prestige.
Bodies and drapes form solid volumes which really occupy the ground and space. This line guides a reading of "Giotto di Bondone" centered on the material.
Hand, gaze, embrace and step back translate emotion without depending on a written symbol.
Each group and each architecture clearly leads the gaze towards the main action.
Blues, reds and ochres differentiate the figures while unifying the monumental rhythm of the cycle.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to Giotto di Bondone.
Mountain, seraph and gesture of the saint give the miracle a clear structure and bodily intensity.
Landmark work by Giotto di Bondone. Reading of "Giotto di Bondone" through the material.Sacred hierarchy, donor and narrative scenes organize a complex image intended for ancient St. Peter's Basilica.
Landmark work by Giotto di BondoneIndividualized saints, gold backgrounds and calm volumes renew the tradition of the medieval altarpiece.
Landmark work by Giotto di BondoneProcession, comet and measured gestures make the arrival of kings both solemn and immediately human.
Landmark work by Giotto di BondoneBodies and drapes form solid volumes which really occupy the ground and space. This line guides a reading of "Giotto di Bondone" centered on the material.
Reading key for Giotto di BondoneHand, gaze, embrace and step back translate emotion without depending on a written symbol.
Reading key for Giotto di BondoneWorks to discover
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Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter uses the composition, values, colors and materials visible in the chosen work from the Giotto di Bondone collection, with particular attention paid to the material.
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The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
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