John Constable's universeStudied clouds, lively touch and attachment to Suffolk make John Constable the great romantic renovator of the English landscape.
1776 - 1837Artist's life
East Bergholt, Stour Valley, Flatford, Salisbury, Brighton, London and HampsteadMain homes
Landscape, sky study, outdoor oil, watercolor, drawing, large canvas and engravingPractical
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1776 -1837 · Suffolk, Stour Valley, Salisbury, Brighton and Hampstead
Studied clouds, lively touch and attachment to Suffolk make John Constable the great romantic renovator of the English landscape.
John Constable was born in East Bergholt, Suffolk in 1776, the son of a successful grain merchant who owned mills on the Stour. The landscape of his childhood - river, locks, meadows, willows, barges and paths - became the sustainable center of his art. Entering the Royal Academy schools in 1799, he studied the old masters, notably Ruisdael, Rubens and Claude Lorrain, but refused to reduce nature to a formula. He regularly worked outside, in pencil or oil, observing humidity, wind, tree growth and changing clouds. He then worked outside regularly, in pencil or oil, observing humidity, wind, tree growth and changing clouds. These studies were then used for large exhibition paintings produced in the workshop. The Hay Cart belongs to the group of “six-footers”, monumental landscapes of the Stour presented between 1819 and 1825. Boat construction near Flatford Mill shows rural work as a concrete activity integrated into the site. Salisbury Cathedral from Lower Marsh Close combines architecture, storm and light, while A boat passing a lock transforms the mechanics of water into a drama of movement. Constable married Maria Bicknell in 1816 after long family opposition; his illness took the couple to Brighton, whose coast renewed its touch. Elected academician only in 1829, he enjoyed greater success in France, where his paintings presented at the Salon of 1824 influenced Delacroix and the future landscape designers from Barbizon. Died in Hampstead in 1837, Constable left a modern method: painting a beloved place with enough accuracy for the landscape to become feeling, meteorology and memory. The "John Constable" selection notably compares The Hay Cart and Boat Building near Flatford Mill. His reading favors composition.
Constable does not seek ideal nature: he returns to the same river until humidity, work, cloud and memory become inseparable.
Course & style
Journey, subjects and pictorial language
Suffolk and Royal Academy
Family mills, the Stour valley and the masters' study build a landscaper attached to his own places. This milestone sheds light on the "John Constable" collection by favoring composition.
Outdoor studies and maturity
Skies, trees, oil on the motif and marriage with Maria prepare the large exhibition compositions.
Six-footers, France and last way
Hay cart, Parisian success, Brighton and Hampstead release an ever more expressive touch.
01
Weather sky
Cloud, pressure and light are studied as the active elements of the landscape. This trait guides a composition-centered reading of "John Constable".
02
Touch of dew
Small white splinters and broken matter give leaves and water noticeable moisture.
03
River work
Lock, mill, barge and construction site show a lived countryside rather than an intact setting.
04
Large, intimate format
The six-footers enlarge a familiar place without taking away its daily precision.
Explore by universe
Six readings specific to John Constable
Works, visual language and historical landmarks make up a journey exclusively devoted to John Constable.
Monumental stour01
The Hay Cart
Cart, water, cottage and sky make a rural passage a great statement on the landscape experienced.
Landmark work by John Constable. Reading of "John Constable" through composition.Waterfront work02
Boat building near Flatford Mill
Tools, hull and bank show how human activity belongs to the very rhythm of the river.
Landmark work by John ConstableStorm and hope03
Salisbury Cathedral from Lower Marsh Close
Arrow, clouds, luminous arc and meadow give the monument a spiritual and meteorological intensity.
Landmark work by John ConstableRiver mechanics04
A boat passing a lock
Water, effort and wood construction transform a daily maneuver into a dramatic movement.
Landmark work by John ConstableStyle05
Weather sky
Cloud, pressure and light are studied as the active elements of the landscape. This trait guides a composition-centered reading of "John Constable".
Reading key for John ConstableStyle06
Touch of dew
Small white splinters and broken matter give leaves and water noticeable moisture.
Reading key for John Constable
Works to discover
Works by John Constable
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Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
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3
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Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
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John Constable's subjects and tones call for a format, place and framing chosen for the precise work.
Frequently asked questions
Before choosing your John Constable
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Yes. Each reproduction is hand painted in oil on canvas, without printing.
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