Cheshire, New Haven and engraving
Family workshop, linear drawing and engraver's work prepare a precise look at the structure of the landscape. This milestone sheds light on the "John Frederick Kensett" collection by favoring composition.
1816 -1872 · New York, New England and Long Island Sound
Discover John Frederick Kensett, hand-reproduced in oil on canvas.
1816 -1872 · New York, New England and Long Island Sound
John Frederick Kensett was born in Cheshire, Connecticut, in 1816. Trained in engraving in his father's business and then with his uncle, he acquired a linear precision which would remain sensitive in his landscapes. In 1840, he left for Europe with Thomas Rossiter and John William Casilear. For seven years he studied in England, France, Germany, Switzerland and Italy, looking at Constable, the old masters and the Alpine landscapes. Returning to New York in 1847, he became a major figure in the second generation of the Hudson River School and was elected to the National Academy in 1849. His views of mountains, lakes and especially the New England coast simplified gradually the pattern. Landing at Sabbath Day Point organizes shore, water and distance in stable light. An October day in the White Mountains retains more relief and seasonal color. After purchasing land on Contentment Island, off the coast of Darien, he painted Long Island Sound with a radical economy: sky, water, rock and tree were enough to make the air almost tangible. Trustee founder of the Metropolitan Museum of Art in 1870, Kensett actively participated in New York artistic life. Trustee founder of the Metropolitan Museum of Art in 1870, Kensett actively participated in New York artistic life. Having died in 1872, he remained one of the most subtle interpreters of American light. Died in 1872, he remained one of the most subtle interpreters of American light. Having died in 1872, Kensett actively participated in New York artistic life. Trustee founder of the Metropolitan Museum of Art in 1870, Kensett actively participated in New York artistic life. Trustee founder of the Metropolitan Museum of Art in 1870, Kensett actively participated in New York artistic life. Trustee founder of the Metropolitan Museum of Art in 1870, Kensett actively participated in New York artistic life. Trustee founder of the Metropolitan on the Sound, Darien, Connecticut and An October Day in the White Mountains. His reading favors composition.
Kensett gradually removes the anecdote from the landscape until water, stone and air become the real protagonists.
Course & style
Family workshop, linear drawing and engraver's work prepare a precise look at the structure of the landscape. This milestone sheds light on the "John Frederick Kensett" collection by favoring composition.
England, Alps and Italy expand its repertoire before returning to New York and being elected to the National Academy.
Mountains, lakes and coasts strip away until the last bright views of Long Island Sound.
A low, stable line opens the sky wide and gives the landscape meditative breathing. This line guides a composition-centered reading of "John Frederick Kensett".
Nearby values and delicate transitions make humid air almost visible above water.
Rock, tree and shore are simplified without losing their topographical identity.
The planes move away less through contrast than through progressive dissolution in the atmosphere.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to John Frederick Kensett.
Water, sky and shore come together in a light that erases the noise without erasing the place.
Landmark work by John Frederick Kensett. Reading of "John Frederick Kensett" through composition.Reliefs, foliage and clear sky give the seasonal panorama a serene monumentality.
Landmark work by John Frederick KensettCalm shots and diffused light widen the river to the sea horizon.
Landmark work by John Frederick KensettThe small human scene measures the extent of a lake ordered by shore, mountain and light.
Landmark work by John Frederick KensettA low, stable line opens the sky wide and gives the landscape meditative breathing. This line guides a composition-centered reading of "John Frederick Kensett".
Reading key for John Frederick KensettNearby values and delicate transitions make humid air almost visible above water.
Reading key for John Frederick KensettWorks to discover
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Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
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Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter takes up the composition, values, colors and materials visible in the chosen work from the John Frederick Kensett collection, with particular attention paid to composition.
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Detailed photographs are sent before shipping; you can request edits before sending.
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Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
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Yes, you can choose a standard format or ask us for a custom size to suit your space.
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
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This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
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