{"title":"La Vierge aux rochers de Léonard de Vinci","description":"\u003cp\u003eDécouvrez La Vierge aux rochers de Léonard de Vinci, une sélection de reproductions peintes à la main à l’huile sur toile d’après Léonard de Vinci.\u003c\/p\u003e\u003cp\u003eLes versions du Louvre et de Londres ainsi que leurs variantes composent cet ensemble. Cette collection se complète automatiquement lorsque de nouvelles œuvres correspondantes sont ajoutées au catalogue.\u003c\/p\u003e","products":[{"product_id":"vierge-rochers-leonard-vinci","title":"The Virgin of the Rocks - Leonardo da Vinci","description":"\u003cdiv class=\"alpha-product-editorial\"\u003e\n\u003cstyle\u003e\n .alpha-product-editorial{--ape-black:#101010;--ape-orange:#C94A24;--ape-yellow:#F2C94C;--ape-cream:#F6F0E6;--ape-soft:#FAF6EF;--ape-border:#E6D9CC;--ape-white:#fff;--ape-muted:rgba(16,16,16,.70);--ape-light:rgba(255,255,255,.76);width:100%;max-width:none;margin:0;padding:0;color:var(--ape-black);font-family:inherit;line-height:1.72;overflow:hidden;background:#fff}\n .alpha-product-editorial *{box-sizing:border-box}\n .alpha-product-editorial img{width:100%;max-width:100%;height:auto;display:block}\n .alpha-product-editorial a{color:var(--ape-orange);font-weight:850;text-decoration-thickness:1px;text-underline-offset:3px}\n .alpha-product-editorial h2{margin:0 0 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.ape-hero__content,.ape-section__inner,.ape-section__grid\u003e*,.ape-method__panel\u003e*,.ape-related-links__panel{min-width:0}\n .ape-button,.ape-btn{white-space:normal;line-height:1.25}\n .ape-nav{max-width:100%;overflow-x:auto;overflow-y:hidden;-webkit-overflow-scrolling:touch}\n .ape-nav ul{max-width:100%;overflow-x:auto;overflow-y:hidden;-webkit-overflow-scrolling:touch}\n @media(max-width:1080px){\n .ape-hero__grid{min-height:0}\n .ape-section__grid,.ape-method__panel,.ape-method__panel\u003e.ape-method__panel,.ape-method__cards,.ape-related-links__grid{grid-template-columns:minmax(0,1fr)!important}\n .ape-related-links__panel--articles,.ape-related-links__panel--hubs,.ape-related-links__panel--sources{grid-column:auto!important;grid-row:auto!important}\n }\n @media(max-width:760px){\n .alpha-product-editorial{overflow-x:hidden}\n .alpha-product-editorial h2{font-size:clamp(26px,8.6vw,40px);line-height:1.08}\n .alpha-product-editorial h3{font-size:clamp(20px,6vw,26px)}\n .ape-hero{padding:30px 14px 36px}\n .ape-hero h2{font-size:clamp(32px,11vw,48px);line-height:1}\n .ape-lead,.ape-hero .lead{font-size:16px;line-height:1.62}\n .ape-actions,.ape-hero__content\u003ediv{display:grid;grid-template-columns:1fr;gap:10px}\n .ape-button,.ape-btn{width:100%;min-height:0;padding:14px 14px;font-size:11px;letter-spacing:.08em}\n .ape-hero-card,.ape-hero figure{min-height:0!important;height:auto!important}\n .ape-hero-card img,.ape-hero figure img{height:auto!important;min-height:0!important;max-height:70vh;object-fit:contain;background:#151515}\n .ape-hero-card:before,.ape-hero figure:before{inset:10px}\n .ape-hero-card figcaption,.ape-hero figure figcaption{position:relative!important;left:auto!important;right:auto!important;bottom:auto!important;padding:14px;font-size:12.5px}\n .ape-nav{display:flex;gap:8px;padding:10px 12px}\n .ape-nav ul{width:auto;max-width:none;margin:0;gap:8px}\n .ape-nav a{min-height:34px;padding:0 12px;font-size:11px;letter-spacing:.06em}\n .ape-method,.ape-section,.ape-related-links,.ape-final{padding-left:14px;padding-right:14px}\n .ape-method__panel,.ape-related-links__panel{padding:22px 16px}\n .ape-method__card,.ape-card{padding:18px 16px;min-height:0}\n .ape-section__inner{max-width:100%}\n .ape-section-figure{margin-bottom:18px}\n .ape-section-figure img{max-height:68vh;object-fit:contain}\n .ape-facts{grid-template-columns:minmax(0,1fr)!important}\n .ape-related-links__panel h2{font-size:clamp(22px,7vw,30px)}\n .ape-related-links__panel ul{padding-left:20px}\n .ape-final h2{font-size:clamp(30px,9vw,46px)}\n .ape-final p{font-size:16px;line-height:1.62}\n }\n @media(max-width:420px){\n .ape-kicker{font-size:11px;letter-spacing:.11em}\n .ape-hero h2{font-size:clamp(30px,10.8vw,42px)}\n .alpha-product-editorial h2{font-size:clamp(25px,8.8vw,36px)}\n .ape-section p,.ape-method__card p,.ape-card p,.ape-related-links__panel li{font-size:15.5px;line-height:1.62}\n .ape-hero-card img,.ape-hero figure img,.ape-section-figure img{max-height:60vh}\n .ape-related-links__panel{padding:20px 14px}\n }\n \u003c\/style\u003e\n\n\u003csection class=\"ape-hero\" id=\"intro\"\u003e\n\u003cdiv class=\"ape-hero__grid\"\u003e\n\u003cdiv class=\"ape-hero__content\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eLeonardo da Vinci · Italian Renaissance\u003c\/span\u003e\n\u003ch2\u003eThe Virgin of the Rocks, hand-painted oil reproduction on canvas\u003c\/h2\u003e\n\u003cp class=\"ape-lead\"\u003eA silent religious scene, knotted together in a dim cave: the Virgin, the Christ Child, the young Saint John the Baptist, and the angel Uriel gathered beneath a mineral canopy. This oil reproduction restores the misty depth, the modeled flesh, and the light filtering between the rocks — the absolute signature of the Tuscan master.\u003c\/p\u003e\n\u003cdiv class=\"ape-actions\"\u003e\n\u003ca class=\"ape-btn\" href=\"#choisir-format\"\u003eOrder my reproduction\u003c\/a\u003e\n\u003ca class=\"ape-btn ape-btn--ghost\" href=\"#decor\"\u003eDiscover hanging ideas\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-tags-row\"\u003e\n\u003cspan class=\"ape-tag\"\u003eVirgin Mary\u003c\/span\u003e\n\u003cspan class=\"ape-tag\"\u003eSaint John the Baptist\u003c\/span\u003e\n\u003cspan class=\"ape-tag\"\u003eItalian Renaissance\u003c\/span\u003e\n\u003cspan class=\"ape-tag\"\u003eBiblical scene\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ape-hero-card\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/la-vierge-aux-rochers-leonard-de-vinci-image-1-tableau-peint-main_8de7902a-e5d3-4f2d-8d82-81044b079dde.webp?v=1781339301\" alt=\"The Virgin of the Rocks - Leonardo da Vinci image 1 hand-painted oil copy\" loading=\"eager\"\u003e\n\u003cfigcaption\u003eReproduction preview — oil texture and the deep palette of the original.\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003cnav class=\"ape-nav\" aria-label=\"Page contents\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"#analyse\"\u003eAnalysis\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#contexte\"\u003eContext\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#style\"\u003eStyle\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#decor\"\u003eDécor\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#huile\"\u003eOil material\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#liens\"\u003eLinks\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"#faq\"\u003eQuestions\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/nav\u003e\n\n\u003csection class=\"ape-method\" id=\"methode\"\u003e\n\u003cdiv class=\"ape-method__panel\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eReading the work\u003c\/span\u003e\n\u003ch2\u003eThree markers to enter the painting\u003c\/h2\u003e\n\u003cdiv class=\"ape-method__cards\"\u003e\n\u003cdiv class=\"ape-card\"\u003e\n\u003ch3\u003eSubject\u003c\/h3\u003e\n\u003cp\u003eThe Virgin with Child, a young Saint John the Baptist at prayer, and the angel Uriel, gathered in a rocky cave. A religious episode treated as an intimate Renaissance scene.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-card\"\u003e\n\u003ch3\u003eMaterial\u003c\/h3\u003e\n\u003cp\u003eOil copying the original depth: dark glazes, soft transitions between shadow and light, an enveloping modeling of the faces and the children's flesh.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-card\"\u003e\n\u003ch3\u003eMarkers\u003c\/h3\u003e\n\u003cp\u003ePyramidal composition, mineral canopy, detailed botanical vegetation in the foreground, openings onto a distant, misty landscape.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"analyse\"\u003e\n\u003cdiv class=\"ape-section__inner\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eVisual analysis\u003c\/span\u003e\n\u003ch2\u003eThe Virgin of the Rocks, oil painting reproduction: a sacred geometry\u003c\/h2\u003e\n\u003cp\u003eFour figures organize themselves into a pyramid at the heart of a mineral cave. At the summit, the Virgin occupies the central place: her dark robe is draped with a blue mantle with almost satin-like reflections, the folds of which follow the curve of the shoulders and arm. Her hand descends above the young seated child to protect him — a suspended gesture that structures the entire scene. To her left, the young Saint John the Baptist is depicted nude, kneeling, hands joined in prayer, his gaze turned toward the Christ Child placed in front of him. To the right, the angel Uriel — dressed in a red tunic and a blue mantle — points a finger toward the Child, sealing the mystical dialogue between the figures.\u003c\/p\u003e\n\u003cp\u003eThe cave envelops the group with steep, dark rocky masses. Lateral openings pierce the wall and reveal a distant landscape, softened by a bluish haze that accentuates the depth. The foreground, meanwhile, is occupied by finely observed vegetation: stems, foliage, and small plants that Leonardo drew with a botanist's precision. The rounded top of the panel, in a semicircular arch, crowns the whole like a natural stained-glass window. The faces receive a filtered light that stretches across the foreheads and cheekbones, blending shadow without break into a modeling of extreme softness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"contexte\"\u003e\n\u003cdiv class=\"ape-section__inner\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eContext and history\u003c\/span\u003e\n\u003ch2\u003eA Milanese commission and a double state\u003c\/h2\u003e\n\u003cp\u003eThe Virgin of the Rocks is the fruit of a commission given to Leonardo da Vinci in Milan at the end of the 15th century, intended to adorn the altar of the Confraternity of the Immacolata. The painting is part of a series of religious works long negotiated with patrons, at a time when Leonardo was multiplying parallel projects, from The Adoration of the Magi to The Last Supper. Its subject — Mary, the Christ Child, and Saint John the Baptist presented by the angel — is part of the Lombard devotional tradition.\u003c\/p\u003e\n\u003cp\u003eLeonardo executed the work twice, nearly a generation apart, giving birth to two highly accomplished versions that echo one another. This phenomenon is rare in the history of the Renaissance and reflects both the depth of the commission and the master's never-ending search around the figure of the Virgin. Both states have nourished the European imagination of the \"holy family in a cave\" and remain one of the high points of the dialogue between Leonardo and the devout patrons of Northern Italy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"style\"\u003e\n\u003cdiv class=\"ape-section__inner\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eStyle and touch\u003c\/span\u003e\n\u003ch2\u003eAn enveloping light, inherited from the Tuscan Renaissance\u003c\/h2\u003e\n\u003cp\u003eThe Virgin of the Rocks condenses Leonardo's research on light, modeling, and atmosphere. The faces melted in shadow, the imperceptible transition between illuminated flesh and tenebrous zones, as well as the way vegetation stands out in chiaroscuro against the mineral mass of the cave, define an original manner within the Italian Renaissance. Leonardo builds depth through superimposed layers: first the dark mass of the rocks, then the misty veil of the landscape, and finally the highlights of light that set the figures in place.\u003c\/p\u003e\n\u003cp\u003eHis method of direct observation of nature — each plant identifiable, each geological stratum legible — coexists here with a rigorous geometric construction, that of the human pyramid framed by the rocky vault. The palette blends deep browns, earths, reddish ochres, dark greens, and a blue tending toward sapphire, without superfluous brightness or sheen. The slowness of execution, well known from his studio, shows through in the pictorial density of the shadows and the precision of the folds. The angel Uriel, whose red and blue draperies answer those of the Virgin, illustrates Leonardesque science of chromatic parallelism.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"decor\"\u003e\n\u003cdiv class=\"ape-section__inner\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eDecorative interest\u003c\/span\u003e\n\u003ch2\u003eAn anchor piece for a silent interior\u003c\/h2\u003e\n\u003cp\u003eOn the wall, The Virgin of the Rocks acts as a contemplative anchor point. Its brown, deep, and mineral palette dialogues with wood-paneled interiors, walnut libraries, lounges in cream tones, or rooms inspired by Haussmannian and neo-Renaissance style. The dominance of dark tones makes it precious above an ecru linen sofa, behind a desk, or facing an entryway where one seeks a work that is both religious and soothing.\u003c\/p\u003e\n\u003cp\u003eIn a high corridor, the rounded top of the panel finds its full meaning: the vault of the cave extends the architectural vault. For lovers of revisited sacred art, the work harmonizes as well with a late medieval or monastic décor as with a contemporary bedroom or office where its deep shadows soothe the evening light. A single strong piece is enough: there is no need to surround it with other religious scenes. It stands on its own as a discreet altarpiece, set on a sober wall, lit obliquely by a warm lamp.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"huile\"\u003e\n\u003cdiv class=\"ape-section__inner\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eOil reproduction\u003c\/span\u003e\n\u003ch2\u003eOil on canvas reproduction: the master's material, transposed\u003c\/h2\u003e\n\u003cp\u003eThe Virgin of the Rocks is here reproduced in oil on canvas by a studio copyist. Each dark zone is built in superimposed glazes: a brown underlayer, a translucent veil, then lighter highlights that bring the faces out of the gloom. The material remains slightly raised in the flesh — the Virgin's forehead, the Child's knee, the angel's fingers — to restore the dense modeling typical of the Lombard Quattrocento.\u003c\/p\u003e\n\u003cp\u003eIn the drapery, one perceives the trace of the flat brush in the direction of the folds, as well as small transitions of blue, violet, and dark green that animate the Virgin's mantle. The rocks receive controlled impastos, where the light catches the stone, and open onto the distant landscape through washed-out blue-grays in fluid oil. The final touch respects the edges of the brush, preserves the slightly softened contours, and maintains the chromatic coherence of a painting conceived in shadow. The canvas is delivered rolled, without frame or stretcher: it is up to you to choose the environment and presentation that will restore its proper depth.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"ape-note\"\u003eThe reproduction is made on canvas and shipped rolled, without a frame provided, in order to facilitate transport and final installation.\u003c\/p\u003e\u003c\/section\u003e\n\n\u003csection class=\"ape-section ape-related-links\" id=\"liens\"\u003e\u003cdiv class=\"ape-related-links__grid\"\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--articles\"\u003e\n\u003ch2\u003eRelated articles to read next\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/products\/bacchus-leonard-vinci\"\u003eBacchus - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/adoration-mages-leonard-vinci\"\u003eThe Adoration of the Magi - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-leonard-vinci\"\u003eThe Annunciation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-san-martino-leonard-vinci\"\u003eThe Annunciation of San Martino - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/belle-ferronniere-leonard-vinci\"\u003eLa Belle Ferronnière - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/cene-leonard-vinci\"\u003eThe Last Supper - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--hubs\"\u003e\n\u003ch2\u003eUseful blog hubs\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/leonard-de-vinci\"\u003eLeonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/portraits-leonard-de-vinci\"\u003eLeonardo da Vinci portraits\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/dame-hermine-leonard-vinci\"\u003eLady with an Ermine - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/joconde-leonard-vinci\"\u003eThe Mona Lisa - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/madone-illet-leonard-vinci\"\u003eThe Madonna of the Carnation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/madone-dreyfus-leonard-vinci\"\u003eThe Dreyfus Madonna - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/scapigliata-tete-femme-leonard-vinci\"\u003eLa Scapigliata \/ Head of a Woman - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/vierge-enfant-jesus-sainte-anne-leonard\"\u003eThe Virgin, the Christ Child and Saint Anne - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--sources\"\u003e\n\u003ch2\u003eUseful sources on this topic\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/fr.wikipedia.org\/wiki\/La_C%C3%A8ne_(L%C3%A9onard_de_Vinci)\" target=\"_blank\" rel=\"noopener\"\u003eWikipedia - The Last Supper (Leonardo da Vinci)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/Auguste_Gaspard_Louis_Desnoyers\" target=\"_blank\" rel=\"noopener\"\u003eWikimedia Commons - Auguste Gaspard Louis Desnoyers\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/941909\" target=\"_blank\" rel=\"noopener\"\u003eMetropolitan Museum of Art\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/886\" target=\"_blank\" rel=\"noopener\"\u003eArt Institute of Chicago - Three Little Girls\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"ape-section ape-faq\" id=\"faq\"\u003e\n\u003cdiv class=\"ape-section__inner\"\u003e\n\u003cspan class=\"ape-kicker\"\u003eQuestions\u003c\/span\u003e\n\u003ch2\u003eEverything to know before ordering\u003c\/h2\u003e\n\u003cdetails\u003e\n\u003csummary\u003eWhat exactly does The Virgin of the Rocks represent?\u003c\/summary\u003e\n\u003cp\u003eA religious scene bringing together the Virgin Mary, the Christ Child, the young Saint John the Baptist kneeling, and the angel Uriel, in a rocky cave crossed by openings onto a misty landscape. Leonardo da Vinci produced two major versions, spaced nearly a generation apart.\u003c\/p\u003e\n\u003c\/details\u003e\n\u003cdetails\u003e\n\u003csummary\u003eIs this reproduction hand-painted?\u003c\/summary\u003e\n\u003cp\u003eYes. The copy is made in oil on canvas by a studio copyist: glazes, facial modeling, shadow transitions, and light highlights are applied by hand, panel after panel, without any mechanical process or digital printing.\u003c\/p\u003e\n\u003c\/details\u003e\n\u003cdetails\u003e\n\u003csummary\u003eWhat rendering should I expect from the oil material?\u003c\/summary\u003e\n\u003cp\u003eA density comparable to the original: superimposed layers on the dark areas, small reliefs in the flesh, perceptible brush traces in the drapery, soft chiaroscuro gradients. The canvas presents the depth and legibility of an Italian Renaissance painting.\u003c\/p\u003e\n\u003c\/details\u003e\n\u003cdetails\u003e\n\u003csummary\u003eHow to integrate this painting into a contemporary interior?\u003c\/summary\u003e\n\u003cp\u003eThe brown and mineral palette harmonizes with light or dark wood interiors, cream and taupe walls, as well as rooms inspired by neo-Renaissance style. A warm lateral light, placed obliquely, best enhances the deep shadows of the scene.\u003c\/p\u003e\n\u003c\/details\u003e\n\u003cdetails\u003e\n\u003csummary\u003eIs the canvas delivered ready to hang?\u003c\/summary\u003e\n\u003cp\u003eThe reproduction is shipped rolled in protective packaging, without a frame or hardware. You are free to choose the presentation that suits your wall and lighting.\u003c\/p\u003e\n\u003c\/details\u003e\n\u003cdetails\u003e\n\u003csummary\u003eWhy choose a copy of Leonardo da Vinci?\u003c\/summary\u003e\n\u003cp\u003eTo bring into your home a fundamental milestone of the Renaissance and of Western painting, without renouncing the precision of a virtuoso detail. A rare work, rooted in a devotional tradition, that dialogues as well with a sacred art collection as with a pared-down décor.\u003c\/p\u003e\n\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-final\"\u003e\n\u003ch2\u003eA Leonardo cave on your wall\u003c\/h2\u003e\n\u003cp\u003eBring to your interior the silent depth of The Virgin of the Rocks, transposed in oil with its shadows, its blue folds, and the filtered light of the cave.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ca class=\"ape-btn\" href=\"#choisir-format\"\u003eOrder my reproduction\u003c\/a\u003e\n\u003ca class=\"ape-btn ape-btn--ghost\" href=\"#decor\"\u003eSee decorative ambiances\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 85 cm)","offer_id":46599854555362,"sku":"LA_VIERGE_AUX_ROCHERS_50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/la-vierge-aux-rochers-leonard-de-vinci-image-1-tableau-peint-main_8de7902a-e5d3-4f2d-8d82-81044b079dde.webp?v=1781339301"},{"product_id":"vierge-rochers-leonard-vinci-2","title":"The Virgin of the Rocks - Leonardo da Vinci","description":"\u003cdiv class=\"alpha-product-editorial\"\u003e\n\u003cstyle\u003e\n .alpha-product-editorial{--ape-black:#101010;--ape-orange:#C94A24;--ape-yellow:#F2C94C;--ape-cream:#F6F0E6;--ape-soft:#FAF6EF;--ape-border:#E6D9CC;--ape-white:#fff;--ape-muted:rgba(16,16,16,.70);--ape-light:rgba(255,255,255,.76);width:100%;max-width:none;margin:0;padding:0;color:var(--ape-black);font-family:inherit;line-height:1.72;overflow:hidden;background:#fff}\n .alpha-product-editorial *{box-sizing:border-box}\n .alpha-product-editorial 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20px;color:#fff;background:radial-gradient(circle at 10% 10%,rgba(242,201,76,.14),transparent 30%),radial-gradient(circle at 90% 80%,rgba(201,74,36,.22),transparent 32%),var(--ape-black);text-align:left}\n .ape-final h2{max-width:920px;margin:0 auto;color:#fff;font-size:clamp(34px,5vw,70px);line-height:.98;font-weight:850}\n .ape-final p{max-width:860px;margin:22px auto 0;color:rgba(255,255,255,.76);font-size:18px;line-height:1.7}\n .ape-final a{color:#fff}\n @media(max-width:1080px){.ape-hero__grid{grid-template-columns:1fr}.ape-method__panel\u003e.ape-method__panel,.ape-method__cards{grid-template-columns:1fr}.ape-hero-card,.ape-hero-card img,.ape-hero figure,.ape-hero figure img{min-height:520px;height:520px}}\n @media(max-width:760px){.ape-hero{padding:34px 16px 44px}.ape-hero h2{font-size:clamp(34px,10vw,52px)}.ape-actions,.ape-hero__content\u003ediv{display:grid}.ape-button,.ape-btn{width:100%;min-height:50px;padding:0 16px;font-size:11px;text-align:center}.ape-trust{display:grid;gap:8px}.ape-trust span{padding-right:0;margin-right:0}.ape-trust span:after{display:none!important}.ape-nav ul{margin:0;width:max-content}.ape-hero-card,.ape-hero-card img,.ape-hero figure,.ape-hero figure img{min-height:390px;height:390px}.ape-hero-card figcaption,.ape-hero figure figcaption{position:relative;left:auto;right:auto;bottom:auto}.ape-section__grid,.ape-related-links__grid,.ape-facts{grid-template-columns:1fr}.ape-related-links__panel,.ape-related-links__panel--articles,.ape-related-links__panel--hubs,.ape-related-links__panel--sources{grid-column:auto;grid-row:auto;min-height:0}}\n \n .alpha-product-editorial,.alpha-product-editorial *{max-width:100%}\n .alpha-product-editorial *{min-width:0}\n .alpha-product-editorial h2,.alpha-product-editorial h3,.alpha-product-editorial p,.alpha-product-editorial li,.alpha-product-editorial summary,.alpha-product-editorial figcaption,.alpha-product-editorial a{overflow-wrap:anywhere;word-break:normal}\n .ape-hero__content,.ape-section__inner,.ape-section__grid\u003e*,.ape-method__panel\u003e*,.ape-related-links__panel{min-width:0}\n .ape-button,.ape-btn{white-space:normal;line-height:1.25}\n .ape-nav{max-width:100%;overflow-x:auto;overflow-y:hidden;-webkit-overflow-scrolling:touch}\n .ape-nav ul{max-width:100%;overflow-x:auto;overflow-y:hidden;-webkit-overflow-scrolling:touch}\n @media(max-width:1080px){\n .ape-hero__grid{min-height:0}\n .ape-section__grid,.ape-method__panel,.ape-method__panel\u003e.ape-method__panel,.ape-method__cards,.ape-related-links__grid{grid-template-columns:minmax(0,1fr)!important}\n .ape-related-links__panel--articles,.ape-related-links__panel--hubs,.ape-related-links__panel--sources{grid-column:auto!important;grid-row:auto!important}\n }\n @media(max-width:760px){\n .alpha-product-editorial{overflow-x:hidden}\n .alpha-product-editorial h2{font-size:clamp(26px,8.6vw,40px);line-height:1.08}\n .alpha-product-editorial h3{font-size:clamp(20px,6vw,26px)}\n .ape-hero{padding:30px 14px 36px}\n .ape-hero h2{font-size:clamp(32px,11vw,48px);line-height:1}\n .ape-lead,.ape-hero .lead{font-size:16px;line-height:1.62}\n .ape-actions,.ape-hero__content\u003ediv{display:grid;grid-template-columns:1fr;gap:10px}\n .ape-button,.ape-btn{width:100%;min-height:0;padding:14px 14px;font-size:11px;letter-spacing:.08em}\n .ape-hero-card,.ape-hero figure{min-height:0!important;height:auto!important}\n .ape-hero-card img,.ape-hero figure img{height:auto!important;min-height:0!important;max-height:70vh;object-fit:contain;background:#151515}\n .ape-hero-card:before,.ape-hero figure:before{inset:10px}\n .ape-hero-card figcaption,.ape-hero figure figcaption{position:relative!important;left:auto!important;right:auto!important;bottom:auto!important;padding:14px;font-size:12.5px}\n .ape-nav{display:flex;gap:8px;padding:10px 12px}\n .ape-nav ul{width:auto;max-width:none;margin:0;gap:8px}\n .ape-nav a{min-height:34px;padding:0 12px;font-size:11px;letter-spacing:.06em}\n .ape-method,.ape-section,.ape-related-links,.ape-final{padding-left:14px;padding-right:14px}\n .ape-method__panel,.ape-related-links__panel{padding:22px 16px}\n .ape-method__card,.ape-card{padding:18px 16px;min-height:0}\n .ape-section__inner{max-width:100%}\n .ape-section-figure{margin-bottom:18px}\n .ape-section-figure img{max-height:68vh;object-fit:contain}\n .ape-facts{grid-template-columns:minmax(0,1fr)!important}\n .ape-related-links__panel h2{font-size:clamp(22px,7vw,30px)}\n .ape-related-links__panel ul{padding-left:20px}\n .ape-final h2{font-size:clamp(30px,9vw,46px)}\n .ape-final p{font-size:16px;line-height:1.62}\n }\n @media(max-width:420px){\n .ape-kicker{font-size:11px;letter-spacing:.11em}\n .ape-hero h2{font-size:clamp(30px,10.8vw,42px)}\n .alpha-product-editorial h2{font-size:clamp(25px,8.8vw,36px)}\n .ape-section p,.ape-method__card p,.ape-card p,.ape-related-links__panel li{font-size:15.5px;line-height:1.62}\n .ape-hero-card img,.ape-hero figure img,.ape-section-figure img{max-height:60vh}\n .ape-related-links__panel{padding:20px 14px}\n }\n \u003c\/style\u003e\n\n\u003csection class=\"ape-hero\" id=\"intro\"\u003e\n \u003cdiv class=\"ape-hero__grid\"\u003e\n \u003cdiv class=\"ape-hero__content\"\u003e\n \u003cp class=\"ape-kicker\"\u003eLeonardo da Vinci · Italian Renaissance\u003c\/p\u003e\n \u003ch2\u003eThe Virgin of the Rocks: oil painting reproduction on canvas\u003c\/h2\u003e\n \u003cp class=\"ape-lead\"\u003eFour figures in a cave, a woman draped in blue and ochre, a child holding a slender cross, a horizon of bluish mountains. An iconic scene by Leonardo, translated into an oil painting reproduction on canvas.\u003c\/p\u003e\n \u003cdiv class=\"ape-actions\"\u003e\n \u003ca class=\"ape-btn\" href=\"#choose-format\"\u003eOrder my reproduction\u003c\/a\u003e\n \u003ca class=\"ape-btn ape-btn--ghost\" href=\"#decor\"\u003eDiscover installation ideas\u003c\/a\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cfigure class=\"ape-hero-card\"\u003e\n \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/la-vierge-aux-rochers-leonard-de-vinci-image-1-reproduction-peinture-huile.jpg?v=1780669219\" alt=\"The Virgin of the Rocks - Leonardo da Vinci image 1 oil painting on canvas\"\u003e\n \u003cfigcaption\u003eOil painting reproduction on canvas\u003c\/figcaption\u003e\n \u003c\/figure\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003cnav class=\"ape-nav\" aria-label=\"Page contents\"\u003e\n \u003cdiv class=\"ape-nav__inner\"\u003e\n \u003ca href=\"#analysis\"\u003eAnalysis\u003c\/a\u003e\n \u003ca href=\"#context\"\u003eContext\u003c\/a\u003e\n \u003ca href=\"#style\"\u003eBrushwork\u003c\/a\u003e\n \u003ca href=\"#decor\"\u003eInterior\u003c\/a\u003e\n \u003ca href=\"#oil\"\u003eOil material\u003c\/a\u003e\n \u003ca href=\"#links\"\u003eLinks\u003c\/a\u003e\n \u003ca href=\"#faq\"\u003eQuestions\u003c\/a\u003e\n \u003c\/div\u003e\n\u003c\/nav\u003e\n\n\u003csection class=\"ape-method\" id=\"method\"\u003e\n \u003cdiv class=\"ape-method__panel\"\u003e\n \u003cdiv class=\"ape-method__head\"\u003e\n \u003cp class=\"ape-kicker\"\u003eKey reference points\u003c\/p\u003e\n \u003ch2\u003eThree keys to situate the work\u003c\/h2\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"ape-method__panel\"\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eSubject\u003c\/h3\u003e\n \u003cp\u003eAn intimate religious scene, inside a cave, with four figures and an angel.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eMedium\u003c\/h3\u003e\n \u003cp\u003eOil on canvas, layered glazes, soft transitions between shadow and light.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eReference\u003c\/h3\u003e\n \u003cp\u003eLeonardo da Vinci, Italian Renaissance, version associated with the National Gallery in London.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"analysis\" class=\"ape-section\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cp class=\"ape-kicker\"\u003eAnalysis\u003c\/p\u003e\n \u003ch2\u003eOil painting reproduction: reading the composition\u003c\/h2\u003e\n \u003cp\u003eAt the center, a woman occupies the main place: a flowing blue dress, a cloak with an ochre lining drawn over her shoulder, her face turned to the right. Her hand reaches toward the child placed before her, in a gesture that is both tender and protective.\u003c\/p\u003e\n \u003cp\u003eTwo young children accompany her, as well as a winged figure standing on the right, dressed in a gown of brown and gold tones. The child on the left, kneeling, holds a slender wooden cross. Fine golden halos in the shape of circles crown the heads of the four figures, signaling their sacred nature.\u003c\/p\u003e\n \u003cp\u003eThe group stands inside a cave with brown and dark rocky walls, as if sculpted by shadow. On the ground, the foreground is meticulously detailed: grasses, plants, flowers with pale petals. In the background, openings in the rock reveal an atmospheric landscape of bluish mountains and stretches of water.\u003c\/p\u003e\n \u003cp\u003eThe painting features a vertical format and a rounded arched upper border, which echoes the pyramidal lines of the composition. The light comes from the left, wraps the faces, and brings out the draperies with a velvety softness.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"context\" class=\"ape-section ape-section--soft\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cp class=\"ape-kicker\"\u003eContext\u003c\/p\u003e\n \u003ch2\u003eA religious icon of the Italian Renaissance\u003c\/h2\u003e\n \u003cp\u003eThe Virgin of the Rocks is one of the most studied works by Leonardo da Vinci, known for two main versions of the same subject: one at the Louvre, the other at the National Gallery in London. The title and the iconographic tradition designate a scene from the childhood of Christ, with the Virgin, the Infant Jesus, the young John the Baptist, and an angel, in a rocky canvas that blends nature and symbolism.\u003c\/p\u003e\n \u003cp\u003eThe National Gallery version, later in date, is the one to which this reproduction is directly linked. The subject is part of the great attention Leonardo paid to sacred figures: idealized faces, measured gestures, a hierarchy of gazes. The cave becomes a space of contemplation, opened onto the world by the openings in the background.\u003c\/p\u003e\n \u003cp\u003eThis work has inspired centuries of reinterpretations, copies, and variations. It remains a reference for understanding the religious art of the Italian Renaissance, where spirituality is expressed through the precision of drawing, the softness of modeling, and the patient observation of nature.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"style\" class=\"ape-section\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cp class=\"ape-kicker\"\u003eBrushwork\u003c\/p\u003e\n \u003ch2\u003eLeonardo's brushwork and light\u003c\/h2\u003e\n \u003cp\u003eLeonardo da Vinci is the master of sfumato, this way of melting contours into a light haze, without any harsh line. In this scene, faces emerge from shadow through imperceptible transitions, as if lit from within. The light sculpts the draperies and makes the flesh vibrate.\u003c\/p\u003e\n \u003cp\u003eAtmospheric perspective is pushed to a rare degree: the mountains in the background shift from warm brown to a distant, almost milky blue, giving the landscape a palpable depth. The plants in the foreground, painted with near-botanical precision, anchor the scene in reality and create a striking contrast with the darkness of the cave.\u003c\/p\u003e\n \u003cp\u003eThe palette plays on muted contrasts: deep browns of the cave, blues of the dress and landscape, ochre of the lining, discreet gold of the halos and the angel. Leonardo seeks less brilliance than continuous modulation, where each tone vibrates against its neighbor in a silent dialogue.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"decor\" class=\"ape-section ape-section--soft\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cp class=\"ape-kicker\"\u003eInterior\u003c\/p\u003e\n \u003ch2\u003eIntegrating this reproduction into your wall\u003c\/h2\u003e\n \u003cp\u003eThe arched vertical format and the contemplative atmosphere of this scene make it an ideal subject for a living room wall, an office, or a passage to a reading room. The warm browns harmonize with woodwork, raw textiles, or stone tones.\u003c\/p\u003e\n \u003cp\u003eIn a contemporary interior, Leonardo's scene brings a historical depth that balances clean lines. In a more classic décor, it naturally fits into a series of figures or landscapes. The color range (brown, ochre, deep blue, discreet gold) pairs well with shades of beige, taupe, or midnight blue.\u003c\/p\u003e\n \u003cp\u003eTo fully enjoy the arched format, choose an uncluttered location where the upper arc can breathe. The pyramidal composition draws the eye toward the center: the canvas then becomes the visual anchor of the wall, around which the gaze is organized.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"oil\" class=\"ape-section ape-section--dark\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cp class=\"ape-kicker\"\u003eMedium\u003c\/p\u003e\n \u003ch2\u003eOil on canvas reproduction: gesture and relief\u003c\/h2\u003e\n \u003cp\u003eThis reproduction is worked in oil on canvas, stroke by stroke, to recapture the material of the original painting. The impastos remain measured: Leonardo sought fluidity, not thickness. The painter works with fine glazes, layered one over another, allowing the light to breathe through successive layers.\u003c\/p\u003e\n \u003cp\u003eThe dark outlines typical of the Lombard school are here softened into gentle transitions, as in the original. The blue and ochre draperies receive broad brushstrokes, while the faces and hands call for finer work, almost modeled with a dry brush, where the edge of the brush remains perceptible.\u003c\/p\u003e\n \u003cp\u003eOn the canvas, the grain of the material remains visible, giving the whole a vibration that recalls the hand of the painter. The plants in the foreground, the reflections in the water, the grain of the rock: each detail is treated to dialogue with the light, in the spirit of Leonardo's painting.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section ape-related-links\" id=\"links\"\u003e\u003cdiv class=\"ape-related-links__grid\"\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--articles\"\u003e\n\u003ch2\u003eRelated articles to read next\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/products\/bacchus-leonard-vinci\"\u003eBacchus - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/adoration-mages-leonard-vinci\"\u003eThe Adoration of the Magi - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-leonard-vinci\"\u003eThe Annunciation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-san-martino-leonard-vinci\"\u003eThe Annunciation of San Martino - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/belle-ferronniere-leonard-vinci\"\u003eLa Belle Ferronnière - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/cene-leonard-vinci\"\u003eThe Last Supper - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--hubs\"\u003e\n\u003ch2\u003eUseful blog hubs\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/leonard-de-vinci\"\u003eLeonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/portraits-leonard-de-vinci\"\u003eLeonardo da Vinci portraits\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/dame-hermine-leonard-vinci\"\u003eLady with an Ermine - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/joconde-leonard-vinci\"\u003eMona Lisa - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/madone-illet-leonard-vinci\"\u003eMadonna of the Carnation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/madone-dreyfus-leonard-vinci\"\u003eMadonna Dreyfus - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/scapigliata-tete-femme-leonard-vinci\"\u003eLa Scapigliata \/ Head of a Woman - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/vierge-rochers-leonard-vinci\"\u003eThe Virgin of the Rocks - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--sources\"\u003e\n\u003ch2\u003eUseful sources on this topic\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/fr.wikipedia.org\/wiki\/La_C%C3%A8ne_(L%C3%A9onard_de_Vinci)\" target=\"_blank\" rel=\"noopener\"\u003eWikipedia - The Last Supper (Leonardo da Vinci)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/Auguste_Gaspard_Louis_Desnoyers\" target=\"_blank\" rel=\"noopener\"\u003eWikimedia Commons - Auguste Gaspard Louis Desnoyers\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/886\" target=\"_blank\" rel=\"noopener\"\u003eArt Institute of Chicago - Three Little Girls\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection id=\"faq\" class=\"ape-section ape-faq\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cp class=\"ape-kicker\"\u003eQuestions\u003c\/p\u003e\n \u003ch2\u003eA few clarifications before ordering\u003c\/h2\u003e\n \u003cdetails\u003e\n \u003csummary\u003eWho are the figures represented in the scene?\u003c\/summary\u003e\n \u003cp\u003eThe iconographic tradition identifies the central woman as the Virgin, the two children as the young Jesus and the young John the Baptist, and the winged figure as an angel. These identifications, inherited from the title of the work and from Christian iconography, are confirmed by the fine golden halos that crown the head of each figure.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eWhat is the difference between the two versions of the work?\u003c\/summary\u003e\n \u003cp\u003eLeonardo da Vinci produced two versions of The Virgin of the Rocks: the first, kept at the Louvre in Paris, and the second, later, kept at the National Gallery in London. This reproduction is inspired by the London version, identifiable by its arched format and certain details of execution such as the palette and the treatment of the draperies.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eOn what support is this reproduction made?\u003c\/summary\u003e\n \u003cp\u003eThe reproduction is worked in oil on canvas, following traditional oil painting techniques. The grain of the canvas remains perceptible and the glaze layers give the whole the depth and luminous vibration of the original work.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eHow to care for an oil painting reproduction on canvas?\u003c\/summary\u003e\n \u003cp\u003eThe canvas should be kept away from direct humidity and intense sunlight. Occasional dusting with a soft brush is enough. Avoid any liquid product or solvent that could alter the paint layers and prefer a stable location, away from heat sources.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eIs the arched shape of the painting respected?\u003c\/summary\u003e\n \u003cp\u003eYes, the reproduction preserves the arched upper border, characteristic of the National Gallery version. This particular shape gives the work its vertical momentum and rhythm, and deserves an uncluttered wall location to be fully appreciated.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-final\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cp class=\"ape-kicker\"\u003eGo further\u003c\/p\u003e\n \u003ch2\u003eThe Virgin of the Rocks on your wall\u003c\/h2\u003e\n \u003cp\u003eAn iconic scene by Leonardo da Vinci, translated into an oil painting reproduction on canvas. Choose the format that suits your wall and order your reproduction.\u003c\/p\u003e\n \u003cdiv class=\"ape-actions\"\u003e\n \u003ca class=\"ape-btn\" href=\"#choose-format\"\u003eOrder my reproduction\u003c\/a\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46599855341794,"sku":"LA_VIERGE_AUX_ROCHERS_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/la-vierge-aux-rochers-leonard-de-vinci-image-1-reproduction-peinture-huile.jpg?v=1780669219"},{"product_id":"la-vierge-aux-rochers-version-du-louvre-leonard-de-vinci","title":"The Virgin of the Rocks, Louvre version - Leonardo da Vinci","description":"\u003cdiv class=\"alpha-product-editorial\"\u003e\n\n\u003cstyle\u003e\n 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.ape-section__inner{max-width:100%}\n .ape-section-figure{margin-bottom:18px}\n .ape-section-figure img{max-height:68vh;object-fit:contain}\n .ape-facts{grid-template-columns:minmax(0,1fr)!important}\n .ape-related-links__panel h2{font-size:clamp(22px,7vw,30px)}\n .ape-related-links__panel ul{padding-left:20px}\n .ape-final h2{font-size:clamp(30px,9vw,46px)}\n .ape-final p{font-size:16px;line-height:1.62}\n }\n @media(max-width:420px){\n .ape-kicker{font-size:11px;letter-spacing:.11em}\n .ape-hero h2{font-size:clamp(30px,10.8vw,42px)}\n .alpha-product-editorial h2{font-size:clamp(25px,8.8vw,36px)}\n .ape-section p,.ape-method__card p,.ape-card p,.ape-related-links__panel li{font-size:15.5px;line-height:1.62}\n .ape-hero-card img,.ape-hero figure img,.ape-section-figure img{max-height:60vh}\n .ape-related-links__panel{padding:20px 14px}\n }\n \u003c\/style\u003e\n\n\u003csection class=\"ape-hero\" id=\"intro\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-hero__grid\"\u003e\n \u003cdiv class=\"ape-hero__content\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eLeonardo da Vinci · Italian Renaissance\u003c\/span\u003e\n \u003ch2\u003eThe Virgin of the Rocks: oil painting reproduction on canvas\u003c\/h2\u003e\n \u003cp class=\"ape-lead\"\u003eAn intimate scene at the heart of a cave, four figures wrapped in muted light, a bluish horizon opening between the rocks. Our oil reproduction captures the mineral depth and silent tenderness of this composition.\u003c\/p\u003e\n \u003cdiv class=\"ape-actions\"\u003e\n \u003ca class=\"ape-btn\" href=\"#choisir-format\"\u003eOrder my reproduction\u003c\/a\u003e\n \u003ca class=\"ape-btn ape-btn--ghost\" href=\"#decor\"\u003eDiscover installation ideas\u003c\/a\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cfigure class=\"ape-hero-card\"\u003e\n \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/leonardo-da-vinci-vergine-delle-rocce-28louvre-29-jpg.jpg?v=1781924667\" alt=\"The Virgin of the Rocks, Louvre version - Leonardo da Vinci\" loading=\"eager\"\u003e\n \u003cfigcaption\u003eThe Virgin of the Rocks, Louvre version — Leonardo da Vinci\u003c\/figcaption\u003e\n \u003c\/figure\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003cnav class=\"ape-nav\" aria-label=\"Page summary\"\u003e\n \u003cul\u003e\n \u003cli\u003e\u003ca href=\"#methode\"\u003eKey points\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#analyse\"\u003eAnalysis\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#contexte\"\u003eContext\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#style\"\u003eStyle\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#decor\"\u003eDecoration\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#huile\"\u003eOil medium\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#liens\"\u003eLinks\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#faq\"\u003eFAQ\u003c\/a\u003e\u003c\/li\u003e\n \u003c\/ul\u003e\n\u003c\/nav\u003e\n\n\u003csection class=\"ape-method\" id=\"methode\"\u003e\n \u003cdiv class=\"ape-method__panel\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eAt a glance\u003c\/span\u003e\n \u003ch2 class=\"ape-method__title\"\u003eThree key points to place the work\u003c\/h2\u003e\n \u003cdiv class=\"ape-method__panel\"\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eSubject\u003c\/h3\u003e\n \u003cp\u003eFour figures — a woman, a winged figure, and two children — gathered at the heart of a rocky cave opening onto a distant landscape.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eMedium\u003c\/h3\u003e\n \u003cp\u003eOil painting reproduction on canvas, with impasto applied by brush, dark glazes, and soft transitions between shadow and light.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eKey points\u003c\/h3\u003e\n \u003cp\u003ePyramidal composition, mineral cave, meticulously rendered plants on the ground, misty horizon seen through a rocky gap.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"analyse\" class=\"ape-section\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eReading the composition\u003c\/span\u003e\n \u003ch2\u003eAnalysis of the oil painting reproduction by Leonardo da Vinci\u003c\/h2\u003e\n \u003cp\u003eThe composition is organized around a central woman, draped in a deep blue cloak whose golden lining warms the fabric. She stands slightly bent, her right hand resting tenderly on the shoulder of a young child kneeling in prayer, while her left hand remains open, suspended above a second seated child. To the right, a winged figure dressed in red and blue gently points toward the child on the left with a delicate gesture of the finger.\u003c\/p\u003e\n \u003cp\u003eThe group occupies the foreground of a dark cave, framed by steep rocky formations and stalactites that draw an arched curve along the upper portion. The rocky ground is scattered with small plants and flowers painted with almost botanical care, anchoring the scene in a living nature. Through the openings in the rock, a mountainous, misty landscape in bluish tones emerges, deepening the perspective and letting in a cold, almost silvery light.\u003c\/p\u003e\n \u003cp\u003eThis staging plays on contrasts: the mineral warmth of gold and childlike flesh is set against the deep blue of the drapery, while the dense shadow of the cave dialogues with the luminous horizon. The arched shape in the upper portion reinforces the sense of envelopment, as if the figures were sheltered by the rocky vault itself.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"contexte\" class=\"ape-section\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eHistory of the work\u003c\/span\u003e\n \u003ch2\u003eA religious composition disputed between two versions\u003c\/h2\u003e\n \u003cp\u003eThe composition of The Virgin of the Rocks is known through two main versions that respond to one another: one held at the Louvre, the other at the National Gallery in London. This duality is explained by a long contractual dispute between the artist and his patrons, which led to the creation of a second canvas to settle the matter. Both versions share the same overall composition but differ in the height of the format, the treatment of certain details, and the intensity of the light.\u003c\/p\u003e\n \u003cp\u003eThe subject belongs to the tradition of religious scenes of the Italian Renaissance, where the intimacy of a sacred group unfolds at the heart of a symbolic landscape. The cave evokes both a refuge and a space of revelation, while the presence of the two nude children ties the scene to themes of innocence and divine protection. The choice of a natural, misty setting — rather than a gilded interior or a classical portico — reflects the artist's interest in an atmospheric, almost secretive nature.\u003c\/p\u003e\n \u003cp\u003eBeyond the initial commission, this image has fueled numerous studies on the hand, drapery, and child anatomy, and remains one of the most discussed religious compositions in Leonardo da Vinci's body of work.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"style\" class=\"ape-section\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eWay of painting\u003c\/span\u003e\n \u003ch2\u003eAn enveloping touch and a modeled light\u003c\/h2\u003e\n \u003cp\u003eLeonardo da Vinci's composition is recognizable by its half-tone modeling, where contours fade in favor of slow transitions between shadow and light. The children's flesh, the woman's drapery, and the foreground foliage receive successive glazes that deepen the blacks and make the deep blues vibrate. The misty horizon, meanwhile, is built up in thin, almost translucent layers, to suggest atmospheric distance.\u003c\/p\u003e\n \u003cp\u003eThis way of painting demands a slow, layered rhythm, where each pass changes the perception of the subject. The contrasts between the mineral darkness of the cave and the bluish light of the opening create a sense of depth found in several religious compositions of the Italian Renaissance. The attention given to the foreground plants, the low vegetation, and the floral details also reflects the artist's patient observation of nature, which was dear to him.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"decor\" class=\"ape-section\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eInterior integration\u003c\/span\u003e\n \u003ch2\u003eA centerpiece for a quiet wall\u003c\/h2\u003e\n \u003cp\u003eThe Virgin of the Rocks is particularly well suited to hushed atmospheres: a bright living room, a library office, a softly lit bedroom, or an entryway where you want to make a statement at first glance. The dominant blue and the deep shadows call for light walls — cream, sand, or pale gray — that will let the composition breathe without overwhelming it.\u003c\/p\u003e\n \u003cp\u003eTo balance the mineral, misty atmosphere of the scene, pair it with natural materials: patinated wood, washed linen, softened stone, matte ceramic. On the lighting side, indirect, grazing, or zenithal light will enhance the dark passages of the cave while preserving the readability of the horizon. The canvas can also dialogue with other pieces in muted tones, creating a revisited Renaissance- or classical-inspired ensemble.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection id=\"huile\" class=\"ape-section\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eArtisan reproduction\u003c\/span\u003e\n \u003ch2\u003eOil painting reproduction on canvas: texture and relief\u003c\/h2\u003e\n \u003cp\u003eOur oil painting reproduction on canvas is made from the original work, with particular attention paid to the pictorial material. Impasto is applied by brush to echo the mineral density of the rocks and the softness of the children's flesh, while the shadowed areas receive successive glazes that deepen the cave's perspective.\u003c\/p\u003e\n \u003cp\u003eThe dark contours, characteristic of Leonardo's drawing, are here reproduced by superimposing fine touches, without overloading. The transitions between the deep blues of the drapery, the violets of the shadows, the subtle greens of the foliage, and the milky whites of the light happen through slow, almost invisible gradients that restore the modeling effect specific to this school. The canvas, shipped rolled, preserves the full richness of the brushwork and the relief of the impasto, ready to be stretched according to your installation.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003cp class=\"ape-note\"\u003eThe reproduction is made on canvas and shipped rolled, without a frame provided, to facilitate transport and final installation.\u003c\/p\u003e\u003c\/section\u003e\n\n\u003csection class=\"ape-section ape-related-links\" id=\"liens\"\u003e\u003cdiv class=\"ape-related-links__grid\"\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--articles\"\u003e\n\u003ch2\u003eRelated articles to read next\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/products\/bacchus-leonard-vinci\"\u003eBacchus - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/couronne-laurier-palmier-genevrier-parchemin-portant\"\u003eLaurel, Palm and Juniper Wreath with a Scroll Bearing the Inscription Virtutem Forma Decorat [reverse] - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/adoration-mages-leonard-vinci\"\u003eThe Adoration of the Magi - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-leonard-vinci\"\u003eThe Annunciation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-san-martino-leonard-vinci\"\u003eThe Annunciation of San Martino - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/belle-ferronniere-leonard-vinci\"\u003eLa Belle Ferronnière - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--hubs\"\u003e\n\u003ch2\u003eUseful blog hubs\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/leonard-de-vinci\"\u003eLeonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/portraits-leonard-de-vinci\"\u003eLeonardo da Vinci portraits\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/cene-leonard-vinci\"\u003eThe Last Supper - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/dame-hermine-leonard-vinci\"\u003eLady with an Ermine - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/joconde-leonard-vinci\"\u003eMona Lisa - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/madone-illet-leonard-vinci\"\u003eMadonna of the Carnation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/la-madone-aux-fuseaux-version-buccleuch-leonard-de-vinci\"\u003eMadonna of the Yarnwinder, Buccleuch version - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/madone-dreyfus-leonard-vinci\"\u003eDreyfus Madonna - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--sources\"\u003e\n\u003ch2\u003eUseful sources on this topic\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/fr.wikipedia.org\/wiki\/La_C%C3%A8ne_(L%C3%A9onard_de_Vinci)\" target=\"_blank\" rel=\"noopener\"\u003eWikipedia - The Last Supper (Leonardo da Vinci)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/436838\" target=\"_blank\" rel=\"noopener\"\u003eMetropolitan Museum of Art\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/886\" target=\"_blank\" rel=\"noopener\"\u003eArt Institute of Chicago - Three Little Girls\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection id=\"faq\" class=\"ape-section ape-faq\"\u003e\n \u003cdiv class=\"ape-faq__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003ePractical questions\u003c\/span\u003e\n \u003ch2\u003eAbout this reproduction\u003c\/h2\u003e\n \u003cdetails\u003e\n \u003csummary\u003eWhat support is the reproduction made on?\u003c\/summary\u003e\n \u003cp\u003eThe reproduction is painted in oil on canvas, with a pictorial material that respects the impasto, glazes, and dark contours of the original composition. The canvas is shipped rolled, ready to be stretched or mounted according to your installation.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eHow are the brushwork and shadows rendered?\u003c\/summary\u003e\n \u003cp\u003eThe dark passages of the cave are obtained by superimposing glazes, which deepen the blacks and make the blues vibrate. The flesh and foliage receive more pronounced impasto, applied by brush to preserve the relief of the material.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eIs this work suitable for a living space?\u003c\/summary\u003e\n \u003cp\u003eYes, the composition fits particularly well into a living room, office, bedroom, or entryway with light, hushed tones. Its dominant blue and deep shadows call for cream, sand, or pale gray walls and indirect lighting.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eAre there other versions of this composition?\u003c\/summary\u003e\n \u003cp\u003eThe composition is known through two main versions, which respond to one another in subject and staging. They share the same overall structure while presenting variations in format, treatment, and light intensity.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eHow long does it take to receive the canvas?\u003c\/summary\u003e\n \u003cp\u003eEach reproduction is made to order, which allows careful attention to the material and brushwork transitions. The manufacturing and shipping time is confirmed at the time of ordering, once the format is chosen.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eCan I choose a different format than the one offered?\u003c\/summary\u003e\n \u003cp\u003eFormat variations are studied to suit your wall and room. You can consult the options directly from the format selector on the product page.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-final\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003ch2\u003eAn intimate scene, an oil medium, a wall that comes alive\u003c\/h2\u003e\n \u003cp\u003eLet the bluish light of a Renaissance cave into your home. Choose your format and order your oil painting reproduction on canvas of The Virgin of the Rocks.\u003c\/p\u003e\n \u003ca class=\"ape-btn\" href=\"#choisir-format\"\u003eOrder my reproduction\u003c\/a\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003c\/div\u003e","brand":"Léonard de Vinci","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":47910047351010,"sku":"LEONARD-DE-VINCI-LA-VIERGE-AUX-ROCHERS-VERSION-DU-LOUVRE","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/leonardo-da-vinci-vergine-delle-rocce-28louvre-29-jpg.jpg?v=1781924667"},{"product_id":"la-vierge-aux-rochers-version-de-londres-leonard-de-vinci","title":"The Virgin of the Rocks, London version - Leonardo da Vinci","description":"\u003cdiv class=\"alpha-product-editorial\"\u003e\n\u003cstyle\u003e\n 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@media(max-width:1080px){.ape-hero__grid{grid-template-columns:1fr}.ape-method__panel\u003e.ape-method__panel,.ape-method__cards{grid-template-columns:1fr}.ape-hero-card,.ape-hero-card img,.ape-hero figure,.ape-hero figure img{min-height:520px;height:520px}}\n @media(max-width:760px){.ape-hero{padding:34px 16px 44px}.ape-hero h2{font-size:clamp(34px,10vw,52px)}.ape-actions,.ape-hero__content\u003ediv{display:grid}.ape-button,.ape-btn{width:100%;min-height:50px;padding:0 16px;font-size:11px;text-align:center}.ape-trust{display:grid;gap:8px}.ape-trust span{padding-right:0;margin-right:0}.ape-trust span:after{display:none!important}.ape-nav ul{margin:0;width:max-content}.ape-hero-card,.ape-hero-card img,.ape-hero figure,.ape-hero figure img{min-height:390px;height:390px}.ape-hero-card figcaption,.ape-hero figure figcaption{position:relative;left:auto;right:auto;bottom:auto}.ape-section__grid,.ape-related-links__grid,.ape-facts{grid-template-columns:1fr}.ape-related-links__panel,.ape-related-links__panel--articles,.ape-related-links__panel--hubs,.ape-related-links__panel--sources{grid-column:auto;grid-row:auto;min-height:0}}\n \n .alpha-product-editorial,.alpha-product-editorial *{max-width:100%}\n .alpha-product-editorial *{min-width:0}\n .alpha-product-editorial h2,.alpha-product-editorial h3,.alpha-product-editorial p,.alpha-product-editorial li,.alpha-product-editorial summary,.alpha-product-editorial figcaption,.alpha-product-editorial a{overflow-wrap:anywhere;word-break:normal}\n .ape-hero__content,.ape-section__inner,.ape-section__grid\u003e*,.ape-method__panel\u003e*,.ape-related-links__panel{min-width:0}\n .ape-button,.ape-btn{white-space:normal;line-height:1.25}\n .ape-nav{max-width:100%;overflow-x:auto;overflow-y:hidden;-webkit-overflow-scrolling:touch}\n .ape-nav ul{max-width:100%;overflow-x:auto;overflow-y:hidden;-webkit-overflow-scrolling:touch}\n @media(max-width:1080px){\n .ape-hero__grid{min-height:0}\n .ape-section__grid,.ape-method__panel,.ape-method__panel\u003e.ape-method__panel,.ape-method__cards,.ape-related-links__grid{grid-template-columns:minmax(0,1fr)!important}\n .ape-related-links__panel--articles,.ape-related-links__panel--hubs,.ape-related-links__panel--sources{grid-column:auto!important;grid-row:auto!important}\n }\n @media(max-width:760px){\n .alpha-product-editorial{overflow-x:hidden}\n .alpha-product-editorial h2{font-size:clamp(26px,8.6vw,40px);line-height:1.08}\n .alpha-product-editorial h3{font-size:clamp(20px,6vw,26px)}\n .ape-hero{padding:30px 14px 36px}\n .ape-hero h2{font-size:clamp(32px,11vw,48px);line-height:1}\n .ape-lead,.ape-hero .lead{font-size:16px;line-height:1.62}\n .ape-actions,.ape-hero__content\u003ediv{display:grid;grid-template-columns:1fr;gap:10px}\n .ape-button,.ape-btn{width:100%;min-height:0;padding:14px 14px;font-size:11px;letter-spacing:.08em}\n .ape-hero-card,.ape-hero figure{min-height:0!important;height:auto!important}\n .ape-hero-card img,.ape-hero figure img{height:auto!important;min-height:0!important;max-height:70vh;object-fit:contain;background:#151515}\n .ape-hero-card:before,.ape-hero figure:before{inset:10px}\n .ape-hero-card figcaption,.ape-hero figure figcaption{position:relative!important;left:auto!important;right:auto!important;bottom:auto!important;padding:14px;font-size:12.5px}\n .ape-nav{display:flex;gap:8px;padding:10px 12px}\n .ape-nav ul{width:auto;max-width:none;margin:0;gap:8px}\n .ape-nav a{min-height:34px;padding:0 12px;font-size:11px;letter-spacing:.06em}\n .ape-method,.ape-section,.ape-related-links,.ape-final{padding-left:14px;padding-right:14px}\n .ape-method__panel,.ape-related-links__panel{padding:22px 16px}\n .ape-method__card,.ape-card{padding:18px 16px;min-height:0}\n .ape-section__inner{max-width:100%}\n .ape-section-figure{margin-bottom:18px}\n .ape-section-figure img{max-height:68vh;object-fit:contain}\n .ape-facts{grid-template-columns:minmax(0,1fr)!important}\n .ape-related-links__panel h2{font-size:clamp(22px,7vw,30px)}\n .ape-related-links__panel ul{padding-left:20px}\n .ape-final h2{font-size:clamp(30px,9vw,46px)}\n .ape-final p{font-size:16px;line-height:1.62}\n }\n @media(max-width:420px){\n .ape-kicker{font-size:11px;letter-spacing:.11em}\n .ape-hero h2{font-size:clamp(30px,10.8vw,42px)}\n .alpha-product-editorial h2{font-size:clamp(25px,8.8vw,36px)}\n .ape-section p,.ape-method__card p,.ape-card p,.ape-related-links__panel li{font-size:15.5px;line-height:1.62}\n .ape-hero-card img,.ape-hero figure img,.ape-section-figure img{max-height:60vh}\n .ape-related-links__panel{padding:20px 14px}\n }\n \u003c\/style\u003e\n\n\u003csection class=\"ape-hero\" id=\"intro\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-hero__grid\"\u003e\n \u003cdiv class=\"ape-hero__content\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eLeonardo da Vinci · Italian School\u003c\/span\u003e\n \u003ch2\u003eThe Virgin of the Rocks, London version, as an oil painting reproduction on canvas\u003c\/h2\u003e\n \u003cp class=\"ape-lead\"\u003eA religious scene bathed in soft light, where four figures gather in a mineral cave opening onto a misty landscape. This oil reproduction restores the intimate atmosphere and delicate modeling conceived by Leonardo da Vinci.\u003c\/p\u003e\n \u003cdiv class=\"ape-actions\"\u003e\n \u003ca class=\"ape-btn\" href=\"#choisir-format\"\u003eOrder my reproduction\u003c\/a\u003e\n \u003ca class=\"ape-btn ape-btn--ghost\" href=\"#decor\"\u003eDiscover installation ideas\u003c\/a\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cfigure class=\"ape-hero-card\"\u003e\n \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/leonardo-da-vinci-virgin-of-the-rocks-28national-gallery-london-29-jpg.jpg?v=1781927335\" alt=\"The Virgin of the Rocks, London version - Leonardo da Vinci\" loading=\"eager\"\u003e\n \u003cfigcaption\u003eOil reproduction on canvas · visual detail of the work\u003c\/figcaption\u003e\n \u003c\/figure\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003cnav class=\"ape-nav\" aria-label=\"Page contents\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cul\u003e\n \u003cli\u003e\u003ca href=\"#analyse\"\u003eAnalysis\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#contexte\"\u003eContext\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#style\"\u003ePainting style\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#decor\"\u003eDecorative interest\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#huile\"\u003eOil material\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#liens\"\u003eLinks\u003c\/a\u003e\u003c\/li\u003e\n \u003cli\u003e\u003ca href=\"#faq\"\u003eQuestions\u003c\/a\u003e\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\u003c\/nav\u003e\n\n\u003csection class=\"ape-method\" id=\"methode\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-method__panel\"\u003e\n \u003ch2\u003eKey points at a glance\u003c\/h2\u003e\n \u003cp\u003eBefore exploring the composition, three simple points summarize the spirit of this oil reproduction on canvas.\u003c\/p\u003e\n \u003cdiv class=\"ape-method__panel\"\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eSubject\u003c\/h3\u003e\n \u003cp\u003eA religious scene of sacred inspiration, where a female figure, two young children and a winged character meet in a mineral setting.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eMaterial\u003c\/h3\u003e\n \u003cp\u003eHand-reproduced oil on canvas, with impasto, glazes and chromatic transitions characteristic of the Leonardesque technique.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"ape-method__card\"\u003e\n \u003ch3\u003eKey features\u003c\/h3\u003e\n \u003cp\u003ePyramidal composition, rocky grotto, curved top, misty landscape, fine golden halos and frontal light.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"analyse\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eReading the work\u003c\/span\u003e\n \u003ch2\u003eAnalysis of the oil painting reproduction: The Virgin of the Rocks\u003c\/h2\u003e\n \u003cp\u003eAt the exact center of the composition stands a female figure wearing a blue cloak whose lining reveals wide golden highlights, over a darker dress. Her face, slightly tilted, receives a frontal light that sets her pale features apart from the mineral background and creates the depth of the group.\u003c\/p\u003e\n \u003cp\u003eAround her, a rigorous pyramidal arrangement is organized: on the left, a young child joins his hands and holds a thin wooden cross; on the right, a second child, seated, raises his right hand in a gesture of blessing; in the background, a winged character is silhouetted, his head standing out near the curved top. Fine golden circles suggest halos above each of the heads, affirming the sacred nature of the encounter.\u003c\/p\u003e\n \u003cp\u003eThe setting is a dark cave with vertical, jagged rock formations, structured like a true natural architecture. Openings in the mineral mass reveal a distant landscape of blue-tinted mountains crossed by a body of water, whose aerial perspective merges the planes into a light mist. In the foreground, on an earthy ground, grow meticulously observed plants and flowers, which animate the base of the scene and recall Leonardo's attention to the plant world.\u003c\/p\u003e\n \u003cp\u003eThe upper part of the panel takes on a curved arch shape, which softens the composition and guides the eye toward the sky. The skillfully distributed frontal lighting contrasts the illuminated faces with the mystery of the rock, giving the whole a balance between sacred intimacy and telluric power.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"contexte\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eHistory of the work\u003c\/span\u003e\n \u003ch2\u003eContext: a religious subject revisited by Leonardo da Vinci\u003c\/h2\u003e\n \u003cp\u003eThe Virgin of the Rocks belongs to a tradition of religious scenes that bring together, in a natural and wild setting, major figures of sacred iconography. Leonardo da Vinci, a Florentine painter trained in Verrocchio's workshop, distinguished himself in the treatment of this type of subject through an approach where nature becomes the emotional extension of the scene: the cave, the rocks and the vegetation do not serve as mere decor, but dialogue with the characters.\u003c\/p\u003e\n \u003cp\u003eThis version, known as the London one, is part of the artist's continuous research on light, psychological depth and the connection between the human and the mineral world. The religious subject, brought to an intimate scale, invites silent meditation. The cross held by one of the children, the blessing gesture of the other and the discreet halos place the scene within a sacred narrative without making it a spectacular demonstration.\u003c\/p\u003e\n \u003cp\u003eThe work also testifies to Leonardo's ability to move spirituality outside traditional frameworks: here, it is in a rocky cavity, open onto a vaporous horizon, that the encounter takes place. The misty landscape in the background extends this idea of a mystery that is sensed rather than imposed, faithful to the artist's sensitivity to half-tone atmospheres.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"style\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003ePainting style\u003c\/span\u003e\n \u003ch2\u003eStyle: sfumato, glazes and soft modeling\u003c\/h2\u003e\n \u003cp\u003eLeonardo da Vinci takes his sfumato technique further here, that imperceptible transition between shadows and light that erases sharp contours. The faces seem to emerge from a colored mist, where each plane of skin receives a modulation of brown, pink and olive tones applied in very fine layers.\u003c\/p\u003e\n \u003cp\u003eThe pictorial matter is built up through superimposed glazes: translucent washes laid over a light underlayer, which restore the transparency of flesh and the silky sheen of drapery. The blue cloak of the female figure, for example, plays on the superposition of thin layers through which the golden reflections of the lining show. The hair, foliage and flowers in the foreground benefit from the same careful observation, treated in tiny, precise touches.\u003c\/p\u003e\n \u003cp\u003eThe painter also seeks depth through atmospheric perspective: the further the gaze recedes into the cave, the more the rocks become charged with blues, violets and greens that fade away. This way of painting, slow and analytical, makes every detail an autonomous subject of study while maintaining the unity of the scene.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"décor\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eInstallation and atmosphere\u003c\/span\u003e\n \u003ch2\u003eDecorative interest: a central work for a calm wall\u003c\/h2\u003e\n \u003cp\u003eThe pyramidal composition and the gentle symmetry of the scene make it a naturally central piece, ideal for dressing a clear wall in a living room, office or bedroom with a refined feel. The curved top gives it an original silhouette that stands out from classic rectangular formats.\u003c\/p\u003e\n \u003cp\u003eIts palette, rich in earth tones, deep blues and discreet golds, harmonizes with interiors in warm tones, old woodwork as well as more sober contemporary atmospheres. For a medium format, it can be considered as a centerpiece above a sofa or console; in large format, it asserts itself in a room of character where one wishes to create a contemplative focal point.\u003c\/p\u003e\n \u003cp\u003eThe general atmosphere, both intimate and monumental, invites calm and reading. Combined with soft, indirect lighting, the oil reproduction restores the depth of the cave and the luminosity of the distant landscape, giving the room an almost meditative dimension.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section\" id=\"huile\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003cdiv class=\"ape-section__inner\"\u003e\n \u003cspan class=\"ape-kicker\"\u003eArtisan reproduction\u003c\/span\u003e\n \u003ch2\u003eOil reproduction on canvas: gesture, texture and light\u003c\/h2\u003e\n \u003cp\u003eThis oil reproduction on canvas is made by hand by specialized painters who reproduce each layer of the original painting. The work begins with a precise underdrawing, followed by successive layers of oil where one finds impasto, glazes and fine highlights characteristic of the Italian school.\u003c\/p\u003e\n \u003cp\u003eThe edges of the brush remain visible in the dense material areas, particularly on the drapery and vegetation, giving the canvas a subtle relief perceptible to the naked eye. The chromatic transitions specific to Leonardo, from deep blues to violets, from dark greens to luminous whites, are obtained by superimposing wet tones on dry tones, according to a slow and rigorous protocol.\u003c\/p\u003e\n \u003cp\u003eThe final rendering preserves the depth of sfumato and the softness of Leonardesque modeling, while offering the resistance and texture of a traditional oil on canvas. It is this studio work, applied plane by plane, that allows one to rediscover the contemplative intensity and chromatic richness of the original work.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-section ape-related-links\" id=\"liens\"\u003e\u003cdiv class=\"ape-related-links__grid\"\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--articles\"\u003e\n\u003ch2\u003eRelated articles to read next\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/products\/bacchus-leonard-vinci\"\u003eBacchus - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/couronne-laurier-palmier-genevrier-parchemin-portant\"\u003eLaurel, palm and juniper wreath with a parchment bearing the inscription Virtutem Forma Decorat [reverse] - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/adoration-mages-leonard-vinci\"\u003eThe Adoration of the Magi - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-leonard-vinci\"\u003eThe Annunciation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/annonciation-san-martino-leonard-vinci\"\u003eThe Annunciation of San Martino - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/belle-ferronniere-leonard-vinci\"\u003eLa Belle Ferronnière - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--hubs\"\u003e\n\u003ch2\u003eUseful blog hubs\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/leonard-de-vinci\"\u003eLeonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/portraits-leonard-de-vinci\"\u003eportraits Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/cene-leonard-vinci\"\u003eThe Last Supper - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/dame-hermine-leonard-vinci\"\u003eLady with an Ermine - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/joconde-leonard-vinci\"\u003eThe Mona Lisa - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/la-joconde-mona-lisa-leonard-de-vinci\"\u003eThe Mona Lisa \/ Mona Lisa - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/madone-illet-leonard-vinci\"\u003eMadonna of the Carnation - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/la-madone-aux-fuseaux-version-buccleuch-leonard-de-vinci\"\u003eThe Madonna of the Yarnwinder, Buccleuch version - Leonardo da Vinci\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ape-related-links__panel ape-related-links__panel--sources\"\u003e\n\u003ch2\u003eUseful sources on this subject\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/fr.wikipedia.org\/wiki\/La_C%C3%A8ne_(L%C3%A9onard_de_Vinci)\" target=\"_blank\" rel=\"noopener\"\u003eWikipedia - The Last Supper (Leonardo da Vinci)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/941909\" target=\"_blank\" rel=\"noopener\"\u003eMetropolitan Museum of Art\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/886\" target=\"_blank\" rel=\"noopener\"\u003eArt Institute of Chicago - Three Little Girls\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"ape-section ape-faq\" id=\"faq\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003ch2\u003eFormat, material and placement\u003c\/h2\u003e\n \u003cdetails\u003e\n \u003csummary\u003eOn what support is this oil reproduction made?\u003c\/summary\u003e\n \u003cp\u003eThe reproduction is painted in oil on canvas, according to the traditional techniques of the Italian school, with superimposed layers and glazes.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eIs the reproduction delivered framed or ready to hang?\u003c\/summary\u003e\n \u003cp\u003eThe reproduction is delivered simply on canvas, shipped rolled, without hanging hardware, so that you can choose the hanging method and finish that suit your interior.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eHow are the colors and contrasts rendered?\u003c\/summary\u003e\n \u003cp\u003eThe painters work through successive glazes to restore the soft transitions of Leonardesque sfumato, as well as the marked contrasts between the illuminated faces and the dark cave.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eWhich format should I choose to showcase the work?\u003c\/summary\u003e\n \u003cp\u003eA medium format is suitable for a living room or bedroom wall as a discreet focal point. A large format is ideal for a room with a contemplative feel or an open space.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eHow long does it take to produce an oil reproduction?\u003c\/summary\u003e\n \u003cp\u003eThe production time is intentionally long, with each layer needing to dry before the next, which allows one to obtain the depth and texture characteristic of oil painting.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003cdetails\u003e\n \u003csummary\u003eHow to care for an oil reproduction on canvas?\u003c\/summary\u003e\n \u003cp\u003eSimply dust the surface gently with a soft, dry cloth, avoiding direct sun exposure and excessive humidity to preserve the pigments over time.\u003c\/p\u003e\n \u003c\/details\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\n\u003csection class=\"ape-final\"\u003e\n \u003cdiv class=\"ape-wrap\"\u003e\n \u003ch2\u003eBring Leonardo da Vinci into your home\u003c\/h2\u003e\n \u003cp\u003eChoose the format that suits you and order your oil reproduction on canvas of this major religious scene from the Italian school.\u003c\/p\u003e\n \u003ca class=\"ape-btn\" href=\"#choisir-format\"\u003eOrder my reproduction\u003c\/a\u003e\n \u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Léonard de Vinci","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":47910061474018,"sku":"LEONARD-DE-VINCI-LA-VIERGE-AUX-ROCHERS-VERSION-DE-LONDRES","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/leonardo-da-vinci-virgin-of-the-rocks-28national-gallery-london-29-jpg.jpg?v=1781927335"},{"product_id":"la-vierge-lenfant-jesus-saint-jean-baptiste-et-un-ange-dit-la-vierge-aux-rochers-leonardo-da-vinci-leonard-de-vinci","title":"La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers - Leonardo da Vinci Léonard de Vinci","description":"\u003cstyle\u003e\n 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auto 14px;font-size:clamp(32px,5vw,54px);line-height:1}.ar-final p{max-width:690px;margin:0 auto;color:#eed4ce}.ar-final strong{display:inline-block;margin-top:24px;padding:12px 20px;color:var(--ar-red2);background:white;border-radius:999px;font-size:13px}\n @media(max-width:900px){.ar-hero-grid,.ar-overview,.ar-arch,.ar-product-grid,.ar-deco,.ar-faq{grid-template-columns:1fr}.ar-cards{grid-template-columns:repeat(2,1fr)}.ar-benefits{grid-template-columns:repeat(2,1fr)}.ar-benefit:nth-child(2){border-right:0}.ar-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.ar-stats{grid-template-columns:repeat(2,1fr)}.ar-stat:nth-child(3){border-left:0;border-top:1px solid var(--ar-line)}.ar-stat:nth-child(4){border-top:1px solid var(--ar-line)}.ar-overview,.ar-product-grid,.ar-faq{gap:42px}}\n @media(max-width:600px){.ar-wrap{width:calc(100% - 28px)}.ar-section{padding:65px 0}.ar-hero{padding:48px 0 35px}.ar-hero h2{font-size:54px}.ar-art{padding-left:0}.ar-art img{min-height:285px}.ar-caption{right:0}.ar-cards{grid-template-columns:1fr}.ar-card{min-height:270px}.ar-product-panel,.ar-deco-box{padding:25px}.ar-benefit{padding:20px 15px}.ar-stat{padding:15px}.ar-table th,.ar-table td{display:block;width:100%;padding:10px 0 0}.ar-table td{padding:0 0 10px}.ar-final{padding:45px 22px}}\n.ar-leonardo .ar-dark .ar-title{color:#f5eee6}.ar-leonardo .ar-hero h2,.ar-leonardo .ar-card h3{overflow-wrap:anywhere}\u003c\/style\u003e\n\u003cdiv class=\"ar-leonardo\" data-leonardo-template=\"athens-1\"\u003e\n \u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eLéonard de Vinci · vers 1483–1494 · Première période milanaise\u003c\/p\u003e\n\u003ch2\u003eLa Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers\u003cbr\u003e\u003cem\u003eLéonard de Vinci\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eUne reproduction à l’huile peinte à la main qui restitue le modelé, la profondeur et les transitions lumineuses de la composition. Marie, l’Enfant Jésus, saint Jean-Baptiste enfant et un ange sont réunis dans une grotte humide, entourés de roches, de plantes et d’eaux lointaines.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003ePeint à la main\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eHuile sur toile\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eValidation photo\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eRetouches possibles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vierge-enfant-jesus-saint-jean-baptiste-et-ange-dit-vierge-aux-rochers-leonardo-da-vinci-leonard-louvre-large.webp?v=1783583361\" alt=\"La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers - Leonardo da Vinci Léonard de Vinci\" loading=\"lazy\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eLa Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers\u003c\/strong\u003evers 1483–1494 · Composition religieuse\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003evers 1483–1494\u003c\/strong\u003e\u003cspan\u003eDatation de l’original\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eLéonard de Vinci\u003c\/strong\u003e\u003cspan\u003eAttribution ou statut\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eVerticale\u003c\/strong\u003e\u003cspan\u003eComposition\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eMusée du Louvre, Paris\u003c\/strong\u003e\u003cspan\u003eLieu ou statut de l’original\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n \u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003ePeinture véritable\u003c\/b\u003e\u003cspan\u003eAucune impression numérique sur la toile.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCréation artisanale\u003c\/b\u003e\u003cspan\u003eChaque exemplaire est peint individuellement.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eValidation avant envoi\u003c\/b\u003e\u003cspan\u003eVous recevez les photos du tableau terminé.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eRetouches possibles\u003c\/b\u003e\u003cspan\u003eDemandez des ajustements avant expédition.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n \u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eLe sujet de l’œuvre\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLes gestes construisent le sens de la scène\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-drop\"\u003eMarie, l’Enfant Jésus, saint Jean-Baptiste enfant et un ange sont réunis dans une grotte humide, entourés de roches, de plantes et d’eaux lointaines.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eLes quatre figures forment une pyramide de gestes et de regards. La main de la Vierge domine l’Enfant, tandis que l’ange relie le groupe au spectateur.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n \u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposition, lumière \u0026amp; sfumato\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUne profondeur construite sans contour dur\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLéonard organise l’espace par les gestes, les regards, la perspective et des passages graduels entre ombre et lumière.\u003c\/p\u003e\n\u003cdiv class=\"ar-arch\"\u003e\n\u003cdiv class=\"ar-arch-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vierge-enfant-jesus-saint-jean-baptiste-et-ange-dit-vierge-aux-rochers-leonardo-da-vinci-leonard-louvre-large.webp?v=1783583361\" alt=\"Composition et lumière de La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ar-arch-list\"\u003e\n\u003carticle class=\"ar-arch-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLe motif\u003c\/h3\u003e\n\u003cp\u003eMarie, l’Enfant Jésus, saint Jean-Baptiste enfant et un ange sont réunis dans une grotte humide, entourés de roches, de plantes et d’eaux lointaines.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-arch-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa construction du regard\u003c\/h3\u003e\n\u003cp\u003eLes quatre figures forment une pyramide de gestes et de regards. La main de la Vierge domine l’Enfant, tandis que l’ange relie le groupe au spectateur.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-arch-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eLa palette et la lumière\u003c\/h3\u003e\n\u003cp\u003eBleus sombres, terres, verts et carnations voilées construisent une atmosphère minérale où la lumière semble circuler dans l’air de la grotte.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n \u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eRepères sur l’œuvre\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTrois clés pour mieux la regarder\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eCes repères distinguent l’œuvre autographe, la participation de l’atelier, les versions connues et les compositions aujourd’hui perdues.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eContexte\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003ePremière période milanaise\u003c\/h3\u003e\n\u003cp\u003eCe repère situe la composition dans le parcours florentin, milanais ou tardif de Léonard.\u003c\/p\u003e\n\u003cb\u003evers 1483–1494\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eAttribution\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eLéonard de Vinci\u003c\/h3\u003e\n\u003cp\u003eLe statut est formulé avec prudence lorsque l’atelier, une copie ou une attribution discutée intervient.\u003c\/p\u003e\n\u003cb\u003eComposition religieuse\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eConservation\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eMusée du Louvre, Paris\u003c\/h3\u003e\n\u003cp\u003eHuile sur panneau, transférée sur toile\u003c\/p\u003e\n\u003cb\u003eRéférence documentaire\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n \u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eVotre reproduction\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUne véritable peinture, réalisée pour vous\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eLe peintre adapte le niveau de détail au format commandé, puis vous soumet le tableau terminé avant son expédition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-product-panel\"\u003e\n\u003ch3\u003eCaractéristiques\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eComposition originale\u003c\/th\u003e\n\u003ctd\u003eLéonard de Vinci\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDatation\u003c\/th\u003e\n\u003ctd\u003evers 1483–1494\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePériode\u003c\/th\u003e\n\u003ctd\u003ePremière période milanaise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTechnique de la reproduction\u003c\/th\u003e\n\u003ctd\u003ePeinture à l’huile réalisée à la main sur toile\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSupport de l’original\u003c\/th\u003e\n\u003ctd\u003eHuile sur panneau, transférée sur toile\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientation\u003c\/th\u003e\n\u003ctd\u003eVerticale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eGenre\u003c\/th\u003e\n\u003ctd\u003eComposition religieuse\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eLieu ou statut de l’original\u003c\/th\u003e\n\u003ctd\u003eMusée du Louvre, Paris\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3 style=\"margin-top:32px\"\u003eDe la commande à l’expédition\u003c\/h3\u003e\n\u003cdiv class=\"ar-steps\"\u003e\n\u003cdiv class=\"ar-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePréparation\u003c\/b\u003e\u003cspan\u003eÉtude de la composition et du format.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePeinture à l’huile\u003c\/b\u003e\u003cspan\u003eRéalisation manuelle, couche après couche.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eValidation photo\u003c\/b\u003e\u003cspan\u003eContrôle du tableau et retouches possibles.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eExpédition protégée\u003c\/b\u003e\u003cspan\u003eEmballage soigné et envoi avec suivi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n \u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eConseils de présentation\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eFaire vivre la profondeur de Léonard dans votre intérieur\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eCette composition verticale trouve naturellement sa place sur un mur étroit, au-dessus d’une console ou entre deux ouvertures. Une lumière douce et latérale révèle les glacis et les transitions sans produire de reflet frontal.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers\"\u003e\n\u003ci style=\"background:#4a372c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#76533b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a77b4c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3a06d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8c4a3\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003ePour la mettre en valeur\u003c\/h3\u003e\n\u003cul class=\"ar-deco-list\"\u003e\n\u003cli\u003e\n\u003cb\u003ePièce\u003c\/b\u003esalon, chambre, bibliothèque ou espace calme\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eEmplacement\u003c\/b\u003esur un mur étroit, au-dessus d’une console ou entre deux ouvertures\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eÉclairage\u003c\/b\u003eLumière douce, chaude et indirecte\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCadre classique\u003c\/b\u003eBois sombre, doré patiné ou noyer\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eStyle moderne\u003c\/b\u003eCaisse américaine noire ou bois naturel\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n \u003csection class=\"ar-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"ar-wrap ar-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eQuestions fréquentes\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eAvant de commander\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-faq-list\"\u003e\n\u003cdetails open\u003e\u003csummary\u003eS’agit-il d’une impression sur toile ?\u003c\/summary\u003e\u003cp\u003eNon. Chaque reproduction est peinte manuellement à l’huile sur toile. Les coups de pinceau et les variations de matière font partie du rendu.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003ePourquoi le support diffère-t-il parfois de l’original ?\u003c\/summary\u003e\u003cp\u003ePlusieurs originaux sont peints sur panneau ou directement sur un mur. La reproduction transpose leur composition sur une toile destinée à être installée dans un intérieur.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003ePuis-je vérifier le résultat avant l’expédition ?\u003c\/summary\u003e\u003cp\u003eOui. Vous recevez des photographies du tableau terminé et pouvez demander des retouches avant de valider l’envoi.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eQuel emplacement convient le mieux ?\u003c\/summary\u003e\u003cp\u003eSon orientation verticale convient particulièrement sur un mur étroit, au-dessus d’une console ou entre deux ouvertures.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n \u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eUne composition de Léonard, peinte spécialement pour vous\u003c\/h3\u003e\n\u003cp\u003eCommandez votre reproduction de \u003cem\u003eLa Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers\u003c\/em\u003e et validez le résultat en photo avant son expédition.\u003c\/p\u003e\n\u003cstrong\u003eHuile sur toile · Peint à la main · Validation photo\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Leonardo da Vinci Léonard de Vinci","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":48006839632098,"sku":"LEONARDO-DA-VINCI-LEONARD-VINCI-VIERGE-ENFANT-JESUS-SAINT-JEAN-B","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vierge-enfant-jesus-saint-jean-baptiste-et-ange-dit-vierge-aux-rochers-leonardo-da-vinci-leonard-louvre-large.webp?v=1783583361"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/leonardo-da-vinci-vergine-delle-rocce-28louvre-29-jpg_01baef0b-26ca-403b-ad7d-d7522abce9ef.jpg?v=1784010169","url":"https:\/\/alphareproduction.com\/collections\/la-vierge-aux-rochers-de-leonard-de-vinci.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}