{"title":"Suprematism","description":"\u003cstyle\u003e\n .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n \u003csection class=\"rr-hero\" style=\"--rr-watermark:'LE SUPRÉMATISME'\"\u003e\n \u003cdiv class=\"rr-wrap\"\u003e\n \u003cdiv class=\"rr-hero-grid\"\u003e\n \u003cdiv\u003e\n \u003cp class=\"rr-eyebrow\"\u003e1913 -1922 · square, color and non-objective space\u003c\/p\u003e\n \u003ch2\u003eSuprematism\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n \u003cp class=\"rr-lead\"\u003eDiscover Suprematism, hand reproduced in oil on canvas.\u003c\/p\u003e\n \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eSee reproductions\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#suprematisme-guide\"\u003eChoose a work\u003c\/a\u003e\n\u003c\/div\u003e\n \u003c\/div\u003e\n \u003cfigure class=\"rr-art\"\u003e\n \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/Carr_C3_A9_noir__28MNAM_29.jpg?v=1784016739\" alt=\"Suprematism - Black Square by Kazimir Malevich\" loading=\"lazy\"\u003e\n \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eThe Suprematism Universe\u003c\/strong\u003eWith the Black Square, the Red Square, the Black Cross and the moving compositions, Malevich abandons representation to make form and color float in a field without horizon.\u003c\/figcaption\u003e\n \u003c\/figure\u003e\n \u003c\/div\u003e\n \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1915\u003c\/strong\u003e\u003cspan\u003eSuprematism term and exposure 0.10\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1918\u003c\/strong\u003e\u003cspan\u003eDevelopment of white on white works\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1919 - 1922\u003c\/strong\u003e\u003cspan\u003eBroadcast by UNOVIS in Vitebsk\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e°1,000\u003c\/strong\u003e\u003cspan\u003eMalevich's paintings, drawings, models, sets and projects - overall estimate\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/section\u003e\n\n \u003cdiv class=\"rr-benefits\"\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eHand painted\u003c\/b\u003e\u003cspan\u003eReal oil painting, no print.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFormats of your choice\u003c\/b\u003e\u003cspan\u003eA composition adapted to the dimensions ordered.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eExamine your board before shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eRequest adjustments before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n \u003c\/div\u003e\n\n \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003e1913 -1922 · square, color and non-objective space\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eWith the Black Square, the Red Square, the Black Cross and the moving compositions, Malevich abandons representation to make form and color float in a field without horizon.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eKazimir Malevich coined the term \"suprematism\" in 1915 to designate a painting that claims the primacy of pure sensation. Presented at the 0.10 exhibition in Petrograd, the Black Square traditionally occupies the upper corner reserved for the icon; its shape is neither perfectly geometric nor empty, but loaded with material and spiritual ambition. The Red Square bears the provocative subtitle of \"pictorial realism of a peasant woman in two dimensions\", now an ironic connection to the abandoned world. The Black Cross expands the shape in two axes and transforms white into four active fields. In complex compositions, rectangles, trapezoids and lines seem to fall, rise or turn diagonals. After 1918, white on white pushes the reduction further; in Vitebsk, UNOVIS then disseminated suprematist language towards books, posters, architecture and objects. The \"Suprematism\" selection includes opposite Black Square and Red Square: pictorial realism of a peasant woman in two dimensions. His reading favors figures.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eSuprematism does not reduce painting to geometry: it uses few shapes to intensify the sensation of a space without an object.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eCourse \u0026amp; style\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eJourney, subjects and pictorial language\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eKazimir Malevich coined the term \"suprematism\" in 1915 to designate a painting that claims the primacy of pure sensation. Presented at the 0.10 exhibition in Petrograd, the Black Square traditionally occupies the upper corner reserved for the icon; its shape is neither perfectly geometric nor empty, but loaded with material and spiritual ambition. The Red Square bears the provocative subtitle of \"pictorial realism of a peasant woman in two dimensions\", now an ironic connection to the abandoned world. The Black Cross expands the shape in two axes and transforms white into four active fields. In complex compositions, rectangles, trapezoids and lines seem to fall, rise or turn diagonals. After 1918, white on white pushes the reduction further; in Vitebsk, UNOVIS then spread supremacist language towards books, posters, architecture and objects.\u003c\/p\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1913 - 1915\u003c\/time\u003e\u003ch3\u003eGet out of cubo-futurism\u003c\/h3\u003e\n\u003cp\u003eDecors of Victory over the Sun and colored masses prepare the square. This milestone illuminates the \"Suprematism\" collection by favoring figures.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1915 - 1918\u003c\/time\u003e\u003ch3\u003eBuild the non-objective\u003c\/h3\u003e\n\u003cp\u003eSquare, cross, circle and diagonals organize a space without horizon.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1919 - 1922\u003c\/time\u003e\u003ch3\u003eExpand the system\u003c\/h3\u003e\n\u003cp\u003eUNOVIS moves signs to books, posters, porcelain and architecture.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eImperfect square\u003c\/h3\u003e\n\u003cp\u003eThe painted form retains material and manual tension. This line guides a reading of \"Suprematism\" centered on the figures.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eActive white background\u003c\/h3\u003e\n\u003cp\u003eWhite is not empty: it gives distance and energy to shapes.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eDiagonal axis\u003c\/h3\u003e\n\u003cp\u003eTilt produces movement, fall or ascent without narrative.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eConcrete subtitle\u003c\/h3\u003e\n\u003cp\u003ePeasant, football or plane remain as sensations, not as images.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eExplore by universe\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eLearn to read without recognizing\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eSquare, cross, diagonal and colored constellation replace objects with relationships of weight, direction and intensity.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eBlack\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eConcentrate the sensation\u003c\/h3\u003e\n\u003cp\u003eThe square acts as a dense mass on a white field.\u003c\/p\u003e\n\u003cb\u003eFor 1915. Reading of \"Suprematism\" by the figures.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eRed\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eMaintain a trace of reality\u003c\/h3\u003e\n\u003cp\u003eThe peasant subtitle links color and memory without representation.\u003c\/p\u003e\n\u003cb\u003eFor irony\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eCross\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eExtend the axes\u003c\/h3\u003e\n\u003cp\u003eThe shape shares white and simultaneously stabilizes four directions.\u003c\/p\u003e\n\u003cb\u003eFor structure\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eMovement\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eFree the masses\u003c\/h3\u003e\n\u003cp\u003eRectangles and trapezoids seem to circulate in infinite space.\u003c\/p\u003e\n\u003cb\u003eFor dynamics\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eThe Black Square acts as a modern icon\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eBlack square\u003c\/h3\u003e\n\u003cp\u003eHanging in 1915 in the symbolic corner of the room, it affirms a non-objective rupture without becoming a cold form.\u003c\/p\u003e\n\u003cb\u003eLandmark work of Suprematism\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eLe Carré rouge keeps a peasant woman in subtitles\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eRed square: pictorial realism of a peasant woman in two dimensions\u003c\/h3\u003e\n\u003cp\u003eThe allusion to reality survives as a pictorial sensation rather than as a recognizable figure.\u003c\/p\u003e\n\u003cb\u003eLandmark work of Suprematism\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eWorks to discover\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eFour benchmarks of suprematism\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eThe selection brings together Black Square, Red Square, Black Cross and a composition of moving pictorial masses.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"4\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/carre-noir-kazimir-malevitch\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/Carr_C3_A9_noir__28MNAM_29.jpg?v=1781826634\" alt=\"Black square - Kazimir Malevich\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eThe Black Square acts as a modern icon\u003c\/small\u003e\u003ch3\u003eBlack square\u003c\/h3\u003e\n\u003cspan\u003eHanging in 1915 in the symbolic corner of the room, it affirms a non-objective rupture without becoming a cold form.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/carre-rouge-realisme-pictural-d-une-paysanne-en-deux-dimensions-kasimir-malevitch\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/red-square-visual-realism-of-a-peasant-woman-in-two-dimensions-jpg.jpg?v=1783005667\" alt=\"Red square: pictorial realism of a peasant woman in two dimensions - Kasimir Malevich\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eLe Carré rouge keeps a peasant woman in subtitles\u003c\/small\u003e\u003ch3\u003eRed square: pictorial realism of a peasant woman in two dimensions\u003c\/h3\u003e\n\u003cspan\u003eThe allusion to reality survives as a pictorial sensation rather than as a recognizable figure.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/croix-noire-kazimir-malevich-2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/croix-noire-kazimir-malevich-image-1-reproduction-tableau.jpg?v=1780696358\" alt=\"Black Cross - Kazimir Malevich image 1 reproduction of oil artwork\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eThe Black Cross divides the white field\u003c\/small\u003e\u003ch3\u003eBlack Cross\u003c\/h3\u003e\n\u003cspan\u003eTwo simple axes make the bottom four active spaces and give the shape frontal stability.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/masses-picturales-mouvement-composition-suprematiste-kazimir\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/masses-picturales-en-mouvement-composition-suprematiste-kazimir-malevich-image-1.jpg?v=1780696297\" alt=\"Pictorial masses in motion. Suprematist composition - Kazimir Malevich image 1 reproduction of oil artwork\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eThe pictorial masses come into movement\u003c\/small\u003e\u003ch3\u003ePictorial masses in movement. Suprematist composition\u003c\/h3\u003e\n\u003cspan\u003eDiagonals, gaps and differences in size produce dynamics without sky, ground or history.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eOur method\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eA painted reproduction, not an impression\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eEach painting is made in oil on canvas by a specialized artist, then checked with you before shipping.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eFrom the work to your interior\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eChoice of work\u003c\/b\u003e\u003cspan\u003eSubject, orientation and dimensions adapted to your wall.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eYou examine the finished table.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRetouching\u003c\/b\u003e\u003cspan\u003eAdjustments remain possible before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eEach reproduction is unique.\u003c\/strong\u003e Slight variations of touch and material testify to the painter's manual work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section\" id=\"suprematisme-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eChoose wisely\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eChoosing a supremacist reproduction\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eSquare or vertical format, white frame, fine black or American box. Leave plenty of wall space: the field around the work extends its relationship to emptiness.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Suprématisme\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eOur benchmarks\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eLounge\u003c\/b\u003eInstall \"Black Square\" as a focal point, with a look at the figures.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOffice\u003c\/b\u003eChoose a framing or detail linked to \"Red square: pictorial realism of a peasant woman in two dimensions\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFormat\u003c\/b\u003eKeep the proportions of the work chosen from the Suprematism collection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePalette\u003c\/b\u003eMatch the piece to the tones specific to Suprematism.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinish\u003c\/b\u003eOil on canvas highlights the effects of imperfect square.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFrame\u003c\/b\u003eChoose wood, black or gold depending on the atmosphere of Suprematism.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eBefore choosing your Suprematism\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eAre reproductions painted with oil paint?\u003c\/summary\u003e\u003cp\u003eYes. Each reproduction is hand painted in oil on canvas, without printing.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eHow to restore the figures in a reproduction of Suprematism?\u003c\/summary\u003e\u003cp\u003eThe painter uses the composition, values, colors and materials visible in the chosen work from the Suprematisme collection, with particular attention paid to the figures.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCan I order a work of Suprematism in a custom format?\u003c\/summary\u003e\u003cp\u003eYes. The dimensions are adapted respecting the proportions and balance of the selected work.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eHow do I validate my reproduction of Suprematism?\u003c\/summary\u003e\u003cp\u003eDetailed photographs are sent before shipping; you can request edits before sending.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eExplore Suprematism\u003c\/h3\u003e\n\u003cp\u003eChoose a work of Suprematism and receive an oil painting made especially for your interior.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eSee all reproductions\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"portrait-pere-artiste-kazimir-malevich","title":"Portrait of the artist's father - Kazimir Malevich","description":"\u003cp\u003e\u003cstrong\u003eWork :\u003c\/strong\u003e Portrait of the artist's father\u003cbr\u003e\u003cstrong\u003eArtist :\u003c\/strong\u003e \u003ca href=\"https:\/\/alphareproduction.com\/collections\/kazimir-malevich\"\u003eKazimir Malevich\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eYear :\u003c\/strong\u003e 1902\u003cbr\u003e\u003cstrong\u003eMuseum :\u003c\/strong\u003e Stedelijk Museum Amsterdam\u003cbr\u003e\u003cstrong\u003eDimensions :\u003c\/strong\u003e 34.8 x 44.8 cm\u003cbr\u003e\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Salon Format (100 x 120 cm)","offer_id":46713946407138,"sku":"PORTRAIT_DU_P_RE_DE_L_ARTISTE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/portrait-du-pere-de-l-artiste-kazimir-malevich-image-1-copie-peinte_f68746e0-2c18-485e-ad34-58ec4ce976c2.webp?v=1781436343"},{"product_id":"femme-lisant-journal-kazimir-malevich","title":"Woman reading a newspaper - Kazimir Malevich","description":"\u003cp\u003e\u003cstrong\u003eWork :\u003c\/strong\u003e Woman reading a newspaper\u003cbr\u003e\u003cstrong\u003eArtist :\u003c\/strong\u003e \u003ca href=\"https:\/\/alphareproduction.com\/collections\/kazimir-malevich\"\u003eKazimir Malevich\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eYear :\u003c\/strong\u003e 1905\u003cbr\u003e\u003cstrong\u003eMuseum :\u003c\/strong\u003e Stedelijk Museum Amsterdam\u003cbr\u003e\u003cstrong\u003eDimensions :\u003c\/strong\u003e 99 x 68 cm\u003cbr\u003e\u003c\/p\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46713946538210,"sku":"FEMME_LISANT_UN_JOURNAL_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/femme-lisant-un-journal-kazimir-malevich-image-1-reproduction-huile-sur-toile_272d763c-7f21-449f-8085-e6f3810626b1.webp?v=1781404469"},{"product_id":"ferme-kazimir-malevich","title":"Farm - 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