{"title":"Van Gogh Still Life","description":"\u003cstyle\u003e\n  .ar-sub{--ink:#071f46;--blue:#2677ff;--orange:#ff6b16;--muted:#61748f;--line:#d8e5f5;--wash:#f4f8ff;--peach:#fff3eb;position:relative;width:100%;max-width:1440px;margin:0 auto;padding:0 clamp(14px,3vw,46px) clamp(12px,2vw,28px);font-family:inherit;color:var(--ink)}.ar-sub *{box-sizing:border-box}.ar-sub a{text-decoration:none}\n  .ar-sub__hero{position:relative;isolation:isolate;display:grid;grid-template-columns:minmax(0,1.05fr) minmax(300px,.95fr);gap:clamp(24px,4vw,56px);align-items:center;padding:clamp(28px,3vw,48px) clamp(20px,4vw,56px)}.ar-sub__hero:after{content:\"\";position:absolute;z-index:-1;inset:0;left:50%;width:100vw;transform:translateX(-50%);background:linear-gradient(120deg,var(--wash) 0 65%,var(--peach) 100%)}\n  .ar-sub__eyebrow{display:inline-flex;align-items:center;gap:10px;margin:0 0 18px;padding:8px 13px;border:1px solid #c9dcf4;border-radius:999px;background:#fff;color:var(--blue);font-size:11px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-sub__eyebrow:before{content:\"\";width:9px;height:9px;border-radius:50%;background:#20b779;box-shadow:0 0 0 6px #def6ec}\n  .ar-sub h2{margin:0;font-size:clamp(32px,3.8vw,54px)!important;line-height:1;letter-spacing:-.05em}.ar-sub__gradient{display:block;margin-top:7px;background:linear-gradient(90deg,var(--blue),#6c7cd3 52%,var(--orange));-webkit-background-clip:text;background-clip:text;color:transparent}.ar-sub__lead{max-width:700px;margin:20px 0 0;color:var(--muted);font-size:clamp(16px,1.45vw,20px);line-height:1.65}.ar-sub__detail{margin:14px 0 0;color:var(--ink);font-size:14px;line-height:1.6}\n  .ar-sub__actions{display:flex;flex-wrap:wrap;gap:12px;margin-top:24px}.ar-sub__btn{display:inline-flex;align-items:center;justify-content:center;min-height:50px;padding:0 21px;border-radius:999px;font-weight:800}.ar-sub__btn--main{background:var(--blue);color:#fff;box-shadow:0 12px 26px rgba(38,119,255,.2)}.ar-sub__btn--text{color:var(--orange)}\n  .ar-sub__timing{display:flex;flex-wrap:wrap;gap:9px 18px;margin-top:18px;font-size:13px;font-weight:750}.ar-sub__timing span:before{content:\"✓\";margin-right:7px;color:#20a871;font-weight:900}.ar-sub__note{margin:5px 0 0;color:var(--muted);font-size:11px}\n  .ar-sub__visual{position:relative;min-height:390px}.ar-sub__visual:before{content:\"\";position:absolute;inset:10% -6% 2% 10%;border-radius:50%;background:#f6d8c6}.ar-sub__image{position:absolute;inset:0 0 0 12%;overflow:hidden;border:10px solid #fff;border-radius:26px;background:#dce8f7;box-shadow:0 24px 55px rgba(7,31,70,.18)}.ar-sub__image img{display:block;width:100%;height:100%;object-fit:cover}.ar-sub__badge{position:absolute;left:0;bottom:8%;padding:13px 17px;border-radius:999px;background:#fff;color:var(--blue);font-size:11px;font-weight:850;letter-spacing:.08em;text-transform:uppercase;box-shadow:0 12px 28px rgba(7,31,70,.12)}\n  @media(max-width:900px){.ar-sub__hero{grid-template-columns:1fr}.ar-sub__visual{min-height:360px}}@media(max-width:680px){.ar-sub{padding-inline:12px}.ar-sub__hero{padding:26px 16px}.ar-sub__visual{min-height:300px}.ar-sub__image{border-width:7px}}\n\n  .ar-sub h2.ar-title--long{font-size:clamp(29px,3.4vw,48px)!important;line-height:1.06}.ar-sub h2.ar-title--xlong{font-size:clamp(26px,2.8vw,40px)!important;line-height:1.09;letter-spacing:-.035em}\n  @media(max-width:680px){.ar-sub h2{font-size:clamp(30px,9vw,40px)!important}.ar-sub h2.ar-title--long{font-size:clamp(27px,8vw,36px)!important}.ar-sub h2.ar-title--xlong{font-size:clamp(24px,7vw,32px)!important}}\n\u003c\/style\u003e\n\n\u003csection class=\"ar-sub\" aria-label=\"Nature morte Van Gogh\"\u003e\n  \u003cdiv class=\"ar-sub__hero\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"ar-sub__eyebrow\"\u003eVincent van Gogh · Postimpressionnisme\u003c\/p\u003e\n\u003ch2\u003eStill life Van Gogh \u003cspan class=\"ar-sub__gradient\"\u003ehand-painted\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-sub__lead\"\u003eDiscover our reproductions of tables from Vincent van Gogh dedicated to \u003cstrong\u003eStill life Van Gogh\u003c\/strong\u003e. Each reproduction from painting is carried out entirely by hand, at painting is carried out entirely by hand, at painting is carried out entirely by hand, at oil on canvas https:\/\/lfdg.invalid\u003c\/p\u003e\n\u003cp class=\"ar-sub__detail\"\u003eFlowers, trees and landscapes become here patterns of color and material, chosen for their decorative force as much as for their place in the work of Vincent van Gogh. The painter takes care to rediscover the directional touch, the color contrasts and the energy of the pattern specific to Van Gogh.\u003c\/p\u003e\n\u003cdiv class=\"ar-sub__actions\"\u003e\n\u003ca class=\"ar-sub__btn ar-sub__btn--main\" href=\"#ResultsList\"\u003eSee tables →\u003c\/a\u003e\u003ca class=\"ar-sub__btn ar-sub__btn--text\" href=\"\/collections\/vincent-van-gogh\"\u003eEntire collection Vincent van Gogh \u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-sub__timing\"\u003e\n\u003cspan\u003eCreation in 14 working days*\u003c\/span\u003e\u003cspan\u003eDelivery in 5 days\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"ar-sub__note\"\u003e*The creation time depends on the size of the painting.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"ar-sub__visual\"\u003e\n\u003cspan class=\"ar-sub__image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/chaise-de-vincent-avec-une-pipe-van-gogh-reproductions-tableaux-a-la-peinture-lhuile-908.webp?v=1745933913\u0026amp;width=1100\" alt=\"Still life Van Gogh, reproduction of oil painting on canvas\" width=\"1100\" height=\"825\" loading=\"eager\"\u003e\u003c\/span\u003e\u003cspan class=\"ar-sub__badge\"\u003e100% oil on canvas\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/section\u003e","products":[{"product_id":"nature-morte-cafetiere-cuivre-deux-bols","title":"Still life in the copper coffee maker, F202 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page 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24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · April 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eStill life in the copper coffee maker, F202\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA dented copper coffee maker stands between two white bowls on an almost black table. Van Gogh transforms these ordinary objects into a study of reflections, volumes and muted tones a few weeks before the Potato Eaters.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cafetiere-cuivre-f202-jh738-van-gogh.webp?v=1785376840\u0026amp;format=webp\" alt=\"Still life in the copper coffee maker F202 JH738 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life in the copper coffee maker, F202\u003c\/strong\u003eVincent van Gogh · April 1885 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eApril 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e23 × 34 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThree objects emerge from a dark background\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe coffee maker dominates the center with its left-facing spout, stacked lid and large irregular handle. Its warm silhouette stands out in small yellow and brown glows.\u003c\/p\u003e\n\u003cp\u003eThe two bowls are not symmetrical: the one on the left, lower and closer, appears gray-green; the one on the right receives more light. A dark blue fabric runs through the table and connects objects.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with copper coffee maker and two white bowls F202\/JH738 is a 23 × 34 cm oil on canvas painted in Nuenen in April 1885. It is kept in a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe painting is constructed with a deliberately narrow range. Copper, earthenware and fabric are not described by polished contours, but by thick touches that vary the light.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe coffee maker forms a monumental silhouette\u003c\/h3\u003e\n\u003cp\u003eIts broad body, short beak and high handle occupy the center. Despite the small format, the object has the presence of a character.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe bowls punctuate the composition\u003c\/h3\u003e\n\u003cp\u003ePlaced on either side, they prevent the central mass from becoming too heavy. Their clear ovals open two breaths in the dark.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBlack contains several colors\u003c\/h3\u003e\n\u003cp\u003eThe background and table combine green, blue, brown and purple. These shades allow the reflections of copper to remain visible without a shiny metallic effect.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReferences F202\/JH738, the date April 1885 and the small format of 23 × 34 cm identify this still life. It is not in the Van Gogh Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eNuenen\u003c\/span\u003e\u003ch3\u003eA study of familiar objects\u003c\/h3\u003e\n\u003cp\u003eVan Gogh then painted modest jugs, bottles, jars and utensils in order to control volumes and color relationships in low light.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDate\u003c\/span\u003e\u003ch3\u003eApril 1885\u003c\/h3\u003e\n\u003cp\u003eStill life belongs to the same month as the preparations of the Potato Eaters. Its dark range joins that of the peasant interiors of this period.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003ch3\u003eA work in a private collection\u003c\/h3\u003e\n\u003cp\u003eThe painting has circulated on the art market and remains outside of a permanent public collection. The catalogs follow it under F202 and JH738.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0202.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F202\/JH738 of the Van Gogh Gallery catalog →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the bumpy silhouette of the coffee maker, the very measured yellow reflections, the two white ovals, the blue-green fabric and the depth of the black-brown background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large irregular handle of the coffee maker\u003c\/li\u003e\n\u003cli\u003eThe beak turned to the left\u003c\/li\u003e\n\u003cli\u003eThe two bowls of different shape and light\u003c\/li\u003e\n\u003cli\u003eThe blue-green fabric placed on the table\u003c\/li\u003e\n\u003cli\u003eThe warm reflections retained in the copper\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life in the copper coffee maker, F202\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eApril 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e23 × 34 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF202· JH738\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA deep still life in copper, black and blue green\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIts small size and dark values are suitable for an elegant kitchen, dining room, bookcase or frame composition. Copper responds to dark wood and weathered metal.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte à la cafetière en cuivre, F202\"\u003e\n\u003ci style=\"background:#141712\"\u003e\u003c\/i\u003e\u003ci style=\"background:#242923\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e4937\"\u003e\u003c\/i\u003e\u003ci style=\"background:#756044\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a48c68\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA black brown, walnut or aged copper frame reinforces the intimacy of the scene. Warm but dim light is enough to make both bowls stand out.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe color reference measures 2,307 × 1,568 px. It has been converted into a real WebP with its native definition, without enlargement or invented detail.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with copper coffee maker, F202, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594807464162,"sku":"NATURE_MORTE_CAFETI_RE_EN_CUIVRE_ET_DEUX_BOLS_BLANCS_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-cafetiere-cuivre-f202-jh738-van-gogh.webp?v=1785376840"},{"product_id":"nature-morte-legumes-fruits-vincent-van","title":"Still life with vegetables and fruits, F103 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eStill life with vegetables and fruits, F103\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo pears rest on a small block behind a cabbage, an orange squash, onions and several green vegetables. Each shape receives its own color, but the whole remains enveloped in the brown light of Nuenen.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-legumes-fruits-f103-jh928-van-gogh.webp?v=1785317011\u0026amp;format=webp\" alt=\"Still life with vegetables and fruits F103 JH928 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with vegetables and fruits, F103\u003c\/strong\u003eVincent van Gogh · September 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e32.3 × 43.2 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eRound vegetables spread out in front of two pears\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe two erect pears form the top of the composition. The largest, deep green, advances slightly; the smallest, brown, stands out with an oblique reflection on its belly.\u003c\/p\u003e\n\u003cp\u003eIn the foreground, the cabbage spreads its crumpled leaves in front of a large orange squash. On the right, several cut or turned onions show their light roots and dark cavities.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with vegetables and fruits F103\/JH928 is a 32.3 × 43.2 cm oil on canvas painted in Nuenen in September 1885. It is kept at the Van Gogh Museum under number s0070V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh organizes food by layers and volumes: vertical pears, round squash, broad leaves and small onions. The palette gains variety without leaving the land and dark greens.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003ePears dominate from their base\u003c\/h3\u003e\n\u003cp\u003eThe small block raises them above the vegetables. Their stems extend the vertical and give a counterpoint to the spreading masses in the foreground.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eCabbage provides crumpled material\u003c\/h3\u003e\n\u003cp\u003eIts leaves are described by green and cream ribbons. This complex texture contrasts with the smoother surfaces of pears and squash.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eOrange warms center\u003c\/h3\u003e\n\u003cp\u003eThe large orange-red squash is the brightest color. It connects the greens on the left to the browns and ochres of the onions placed on the right.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory s0070V1962 and numbers F103\/JH928 distinguish this still life from baskets of vegetables and potatoes painted in the same month.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eComposition\u003c\/span\u003e\u003ch3\u003eA very calculated tier\u003c\/h3\u003e\n\u003cp\u003eThe pears are placed on a raised support, then come the squash, cabbage and onions. This succession makes a space of only 32.3 × 43.2 cm deep.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eSeptember 1885 in Nuenen\u003c\/h3\u003e\n\u003cp\u003eVan Gogh then painted numerous harvests and garden products in order to work on color, texture and modeling before his departure for Antwerp.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseum\u003c\/span\u003e\u003ch3\u003eInventory s0070V1962\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the Vincent van Gogh Foundation and is kept at the Van Gogh Museum in Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0070V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum notice s0070V1962 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the two raised pears, the cabbage with ribbed leaves, the large orange squash, the onions in the foreground and the broad brush strokes at the bottom.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two pears standing on the left\u003c\/li\u003e\n\u003cli\u003eThe rectangular base under the fruit\u003c\/li\u003e\n\u003cli\u003eThe light leaves of cabbage\u003c\/li\u003e\n\u003cli\u003eOrange squash in the center\u003c\/li\u003e\n\u003cli\u003eOnions cut in the foreground straight\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with vegetables and fruits, F103\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e32.3 × 43.2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF103· JH928· s0070V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA warm harvest in deep green, orange and earth\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThis horizontal format is suitable for a kitchen, dining room, office or still life wall. Colors accompany wood, terracotta, olive green and natural textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux légumes et aux fruits, F103\"\u003e\n\u003ci style=\"background:#25261c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3f4727\"\u003e\u003c\/i\u003e\u003ci style=\"background:#696044\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9f5d34\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c19057\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, weathered brown or black green frame supports the density of the painting. Warm light reveals orange and leaves without flattening the browns at the bottom.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum reference of 7,437 × 5,502 px has been reduced to 3,000 × 2,219 px and converted to a true high definition WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with vegetables and fruits, F103, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594816475362,"sku":"NATURE_MORTE_AUX_L_GUMES_ET_AUX_FRUITS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-legumes-fruits-f103-jh928-van-gogh.webp?v=1785317011"},{"product_id":"panier-pommes-terre-vincent-van-gogh","title":"Potato basket, F100 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003ePotato basket, F100\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA basket is overflowing with potatoes, while around twenty tubers roll on the table around him. Van Gogh transforms this humble subject into a study of weight, texture and brown values.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-f100-jh931-van-gogh.webp?v=1785317003\u0026amp;format=webp\" alt=\"Potato basket F100 JH931 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePotato basket, F100\u003c\/strong\u003eVincent van Gogh · September 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45 × 60.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA full basket surrounded by scattered potatoes\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe basket occupies the center and is read by its light wicker bands. The potatoes rise in a pyramid above the edge, with irregular shapes that the light brings out one by one.\u003c\/p\u003e\n\u003cp\u003eIn the foreground, the scattered tubers form a wide curve. The green-brown background, almost empty, isolates the harvest and extends the shadows of the table without creating a clear break.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eBasket of potatoes F100\/JH931 is an oil on canvas of 45 × 60.5 cm painted in Nuenen in September 1885. It is kept at the Van Gogh Museum under number s0153V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis still life is based on a very limited range. Van Gogh, however, differentiates each tuber by its silhouette, its eyes, its reflections and its position, while giving the basket a solid horizontal architecture.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe basket builds the center\u003c\/h3\u003e\n\u003cp\u003eIts braided strands alternate light lines and deep shadows. This regular structure contrasts with the bumpy potatoes which overflow on all sides.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe tubers form a circular rhythm\u003c\/h3\u003e\n\u003cp\u003eThose in the foreground lead the gaze from left to right before bringing it back towards the central pile. The differences between the shapes prevent the whole thing from becoming a compact mass.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe color remains inland\u003c\/h3\u003e\n\u003cp\u003eBrown, olive, ocher and gray make up almost the entire canvas. The small cream reflections are enough to shape the volumes without breaking the dark unity.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReferences F100\/JH931 and inventory s0153V1962 distinguish this version from F116\/JH934, another basket of potatoes from the Van Gogh Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eF100, not F116\u003c\/h3\u003e\n\u003cp\u003eF100 shows a central basket surrounded by numerous scattered potatoes. F116 has a different format and layout; catalog numbers avoid confusion.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eExercise\u003c\/span\u003e\u003ch3\u003eA study of dark values\u003c\/h3\u003e\n\u003cp\u003eThe reduced palette allows Van Gogh to study how small variations of brown, green and ocher can render volume and material.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseum\u003c\/span\u003e\u003ch3\u003eInventory s0153V1962\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the Vincent van Gogh Foundation and is kept at the Van Gogh Museum in Amsterdam with its original format of 45 × 60.5 cm.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0153V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum notice s0153V1962 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must preserve the wicker strips, the pyramid of tubers, the isolated potatoes in the foreground, the small cream reflections and the very deep olive background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe irregular edge of the basket\u003c\/li\u003e\n\u003cli\u003eHorizontal wicker strands\u003c\/li\u003e\n\u003cli\u003eOverflowing potatoes\u003c\/li\u003e\n\u003cli\u003eThe curve of the tubers in the foreground\u003c\/li\u003e\n\u003cli\u003eThe olive nuances of the background and the table\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003ePotato basket, F100\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e45 × 60.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF100· JH931· s0153V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA rustic still life in olive, earth and ocher\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThis horizontal format is suitable for a kitchen, dining room, office or country interior. Dark tones accompany old wood, stone, linen and ceramics.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Panier de pommes de terre, F100\"\u003e\n\u003ci style=\"background:#171a13\"\u003e\u003c\/i\u003e\u003ci style=\"background:#303421\"\u003e\u003c\/i\u003e\u003ci style=\"background:#51452e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#765b36\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a17b4a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, tobacco brown or black green frame highlights the basket. A warm, side light reveals the variety of tubers without artificially lightening the bottom.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum reference of 7,320 × 5,401 px has been reduced to 3,000 × 2,214 px and converted to a true high definition WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePotato basket, F100, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594817196258,"sku":"PANIER_DE_POMMES_DE_TERRE_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-f100-jh931-van-gogh.webp?v=1785317003"},{"product_id":"nature-morte-deux-bocaux-citrouilles-vincent","title":"Still 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18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eStill life with two jugs and pumpkins, F59\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo jugs of green sandstone stand behind two pumpkins, one pale yellow and the other orange. The apparent symmetry is broken by the differences in size, handle and lighting of each object.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-deux-cruches-citrouilles-f59-jh921-van-gogh.webp?v=1785316266\u0026amp;format=webp\" alt=\"Still life with two jugs and two pumpkins F59 JH921 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with two jugs and pumpkins, F59\u003c\/strong\u003eVincent van Gogh · September 1885 · Private collection, Switzerland\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e58 × 85 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas mounted on panel\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection, Switzerland\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwo vertical jugs behind two heavy fruits\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe largest jug occupies the left; its round handle is cut out on the bottom and a brown pattern animates its belly. On the right, the second container, slightly smaller, recedes in a green shadow.\u003c\/p\u003e\n\u003cp\u003eThe two pumpkins form a second pair in the foreground. The first, greenish yellow, is seen almost from the front; the second, more orange, shows powerful ribs and a dark stem directed towards the viewer.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with two jugs and two pumpkins F59\/JH921 is an oil on canvas mounted on a panel measuring 58 × 85 cm, painted in Nuenen in September 1885 and kept in a private collection in Switzerland.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe composition is based on four very readable volumes, but Van Gogh avoids mechanical repetition. The curves of the handles, the narrow necks and the ribs of the fruits multiply the rhythms in a shallow space.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe jugs form an uneven pair\u003c\/h3\u003e\n\u003cp\u003eThe left container is more massive and lighter. The one on the right, slightly offset backwards, gives sufficient depth to the row of objects.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003ePumpkins concentrate color\u003c\/h3\u003e\n\u003cp\u003eThe lemon yellow of the left fruit and the orange of the right fruit break the dominant green-brown. Their ribs are shaped by curved and thick touches.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe background connects all the shadows\u003c\/h3\u003e\n\u003cp\u003eVery dark greens extend into the table and around the containers. The contours appear or disappear depending on the light, which avoids too rigid a design.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe title, references F59\/JH921 and the format of 58 × 85 cm identify this composition with two jugs, distinct from Nuenen's numerous pot and bottle studies.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eA canvas mounted on panel\u003c\/h3\u003e\n\u003cp\u003eThe support is documented as a canvas fixed to wood. The paint thus retains the texture of the canvas while resting on a rigid base.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eA work reported in Switzerland\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to a private Swiss collection. It therefore does not carry a museum inventory number accessible to the public.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eSandstone and vegetables as an exercise in color\u003c\/h3\u003e\n\u003cp\u003eCold green ceramics and orange-yellow pumpkins allow Van Gogh to compare matte surfaces, rounded volumes and complementary colors.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0059.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F59\/JH921 of the Van Gogh Gallery catalog →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must respect the two handles, the small patterns on the jugs, the yellow pumpkin in the center, the orange pumpkin on the right and the subtle green reflections on the table.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe round handle of the large jug\u003c\/li\u003e\n\u003cli\u003eThe brown pattern on each container\u003c\/li\u003e\n\u003cli\u003eThe yellow pumpkin seen from the front\u003c\/li\u003e\n\u003cli\u003eThe orange ribs of the right fruit\u003c\/li\u003e\n\u003cli\u003eThe green shadows that unite background and table\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with two jugs and pumpkins, F59\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas mounted on panel\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e58 × 85 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF59 · JH921\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection, Switzerland\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA still life structured in moss green, yellow and orange\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIts panoramic format is suitable for a kitchen, dining room or base unit. The deep palette matches dark wood, terracotta, olive green and patinated metals.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux deux cruches et citrouilles, F59\"\u003e\n\u003ci style=\"background:#20231b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3e4b2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b7040\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c09d38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#cb7b2b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, green, black or patinated bronze frame accompanies the jugs without competing with the pumpkins. Warm light reveals the yellows while keeping the background deep.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reference of 3870 × 2634 px has been reduced to 3000 × 2042 px and converted to true high definition WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with two jugs and pumpkins, F59, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594817655010,"sku":"NATURE_MORTE_AVEC_DEUX_BOCAUX_ET_DEUX_CITROUILLES_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-deux-cruches-citrouilles-f59-jh921-van-gogh.webp?v=1785316266"},{"product_id":"nature-morte-panier-pommes-terre-entoure","title":"Basket of potatoes, leaves and vegetables, F102 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eBasket of potatoes, leaves and vegetables, F102\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA basket of potatoes almost disappears under the autumn leaves, cabbages and roots. In this large still life, the light catches a few vegetables and brings out an abundant harvest from a black-brown background.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-feuilles-legumes-f102-jh937-van-gogh.webp?v=1785316263\u0026amp;format=webp\" alt=\"Basket of potatoes, autumn leaves and vegetables F102 JH937 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eBasket of potatoes, leaves and vegetables, F102\u003c\/strong\u003eVincent van Gogh · September 1885 · Private collection, Liège\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e75 × 93 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection, Liège\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA bountiful harvest spread out in the shadows\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe basket is in the center left, but its contours merge with the foliage. On the right, the veins of a large light cabbage unfold like a fan above several round vegetables.\u003c\/p\u003e\n\u003cp\u003eIn the foreground, carrots, onions, yellow leaves and potatoes form an irregular frieze. A bright area in the upper right opens up the space without revealing any real decor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eBasket of potatoes, leaves and vegetables F102\/JH937 is an oil on canvas measuring 75 × 93 cm, painted in Nuenen in September 1885 and today listed in a private collection in Liège.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh constructs less a botanical inventory than a network of materials and directions. Linear roots, crumpled leaves and round volumes become entangled in an autumnal range.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe basket remains deliberately buried\u003c\/h3\u003e\n\u003cp\u003eIts shape is never isolated. The stems and leaves pass through its edges, so that the container and the harvest become a single organic mass.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe light cabbage stares\u003c\/h3\u003e\n\u003cp\u003eIts cream and gray-green leaves are the brightest accent. Their concentric design slows down the diagonal of the carrots and roots.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eAutumn colors liven up the foreground\u003c\/h3\u003e\n\u003cp\u003eThe yellows, reds and reds are placed in small touches in front of an almost black depth. This warm band gives weight to the lower part of the painting.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe unusually large format, the references F102\/JH937 and the full description of the subject distinguish this canvas from the small baskets of potatoes painted the same year.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003ch3\u003eA large still life of 75 × 93 cm\u003c\/h3\u003e\n\u003cp\u003eThe breadth of the support allows Van Gogh to multiply vegetables, leaves and roots without reducing the pattern to a simple central basket.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eA private collection in Liège\u003c\/h3\u003e\n\u003cp\u003eThe catalog locates the work in Liège, Belgium. It is therefore not associated with a public museum or an institutional inventory number.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eSeptember 1885 in Nuenen\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the group of autumnal still lifes in which Van Gogh studies dark values before leaving for Antwerp.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0102.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F102\/JH937 of the Van Gogh Gallery catalog →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction should make the basket and leaves overlay, the large light cabbage, the diagonal roots, the red touches in the foreground and the nuanced blacks in the background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe partially hidden basket on the left\u003c\/li\u003e\n\u003cli\u003eThe large light cabbage on the right\u003c\/li\u003e\n\u003cli\u003eCarrots and diagonal roots\u003c\/li\u003e\n\u003cli\u003eThe yellow and red leaves of the lower edge\u003c\/li\u003e\n\u003cli\u003eThe light gap at the top right\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eBasket of potatoes, leaves and vegetables, F102\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e75 × 93 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF102· JH937\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection, Liège\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA rustic abundance of earth, dark green and ocher\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThis generous horizontal format is suitable for a dining room, kitchen, living room or stone wall. Its richness of material accompanies old woods, ceramics and natural textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Panier de pommes de terre, feuilles et légumes, F102\"\u003e\n\u003ci style=\"background:#181a16\"\u003e\u003c\/i\u003e\u003ci style=\"background:#34372b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5c5137\"\u003e\u003c\/i\u003e\u003ci style=\"background:#95612f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c49a54\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA wide walnut, weathered brown or black green frame supports the density of the composition. Side lighting reveals light leaves without erasing the many halftones.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reference of 2,526 × 1,986 px has been retained at its native size and converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eBasket of potatoes, leaves and vegetables, F102, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594817917154,"sku":"NATURE_MORTE_AVEC_UN_PANIER_DE_POMMES_DE_TERRE_ENTOUR_DE_FEUILLES_D_AUTOMNE_ET_DE_L_GUMES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-pommes-terre-feuilles-legumes-f102-jh937-van-gogh.webp?v=1785316263"},{"product_id":"nature-morte-pot-gingembre-pommes-vincent","title":"Still life with ginger pot and apples, F104 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eStill life with ginger pot and apples, F104\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA tall stoneware pot dominates three apples placed on an almost black table. Van Gogh creates volumes with a very narrow range of brown, bluish green and silver gray.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pot-gingembre-pommes-f104-jh923-van-gogh.webp?v=1785316256\u0026amp;format=webp\" alt=\"Still life with ginger pot and apples F104 JH923 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with ginger pot and apples, F104\u003c\/strong\u003eVincent van Gogh · September 1885 · Private collection, United States\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30.5 × 47 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas mounted on panel\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection, United States\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA stoneware pot set up behind three apples\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe container occupies the right half of the composition. Its light collar, its blue-gray belly and its small handle stand out in fragments, as if the light were sliding on a matte and irregular surface.\u003c\/p\u003e\n\u003cp\u003eIn the foreground, a large round apple is framed by two smaller fruits. The table tilts slightly towards the viewer, while the background without detail absorbs the darker contours.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with ginger pot and apples F104\/JH923 is an oil on canvas mounted on panel measuring 30.5 × 47 cm, painted in Nuenen in September 1885 and kept in private collections in the United States.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe interest of this canvas lies in its economy. With only four objects and very little light, Van Gogh studies the differences between fruit skin, ceramics and the rough plan of the table.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe pot establishes the vertical axis\u003c\/h3\u003e\n\u003cp\u003eIts high silhouette stabilizes the horizontal format. The collar and handle, the only truly readable details in the upper part, prevent the large dark mass from becoming flat.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eApples form a triangular base\u003c\/h3\u003e\n\u003cp\u003eThe central fruit advances towards the lower edge, while the other two move back on either side. This simple arrangement gives depth to the table.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLight remains deliberately rare\u003c\/h3\u003e\n\u003cp\u003eA few cream touches on the fruit and the pot are enough to separate the materials. The brown and blue-black shadows maintain the muted atmosphere specific to Nuenen's still lifes.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe references F104\/JH923, the support, the format and the dating make it possible to distinguish this composition from the other sandstone pots painted by Van Gogh at the same time.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF104 and JH923\u003c\/h3\u003e\n\u003cp\u003eThe generic title varies between catalogs, but numbers F104 and JH923 precisely identify the version showing a single pot of ginger behind three apples.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eA canvas fixed on a panel\u003c\/h3\u003e\n\u003cp\u003eThe catalog describes an oil on canvas mounted on a panel. This assembly gives this small horizontal format a rigid surface.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservation\u003c\/span\u003e\u003ch3\u003eA work in a private collection\u003c\/h3\u003e\n\u003cp\u003eThe painting is reported in the United States and does not have a public museum inventory number. Its documented dimensions remain 30.5 × 47 cm.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0104.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F104\/JH923 of the Van Gogh Gallery catalog →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe reproduction must retain the vertical silhouette of the pot, the three unevenly lit apples, the blue-gray reflections of the ceramic and the black-brown background without making it uniformly opaque.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe clear collar and pot handle\u003c\/li\u003e\n\u003cli\u003eThe round apple in the foreground\u003c\/li\u003e\n\u003cli\u003eThe two fruits placed back\u003c\/li\u003e\n\u003cli\u003eThe blue-gray reflections on the belly\u003c\/li\u003e\n\u003cli\u003eThe table blending into the background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with ginger pot and apples, F104\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas mounted on panel\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e30.5 × 47 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF104· JH923\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection, United States\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn intimate still life in brown, gray blue and cream\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIts small horizontal format is suitable for a kitchen, bookcase, office or wall composition. The muted range accompanies dark wood, sandstone, natural linen and mineral walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au pot de gingembre et aux pommes, F104\"\u003e\n\u003ci style=\"background:#171516\"\u003e\u003c\/i\u003e\u003ci style=\"background:#302c2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#514f4c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#827d72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c0b8a6\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, weathered black or dark bronze frame highlights the restraint of the canvas. Soft, slightly side lighting allows you to read the apples without whitening the grays in the pot.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best public reference available measures 1,218 × 792 px. It has been kept at its native size and converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with ginger pot and apples, F104, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594818179298,"sku":"NATURE_MORTE_AVEC_POT_DE_GINGEMBRE_ET_POMMES_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pot-gingembre-pommes-f104-jh923-van-gogh.webp?v=1785316256"},{"product_id":"nature-morte-panier-pommes-vincent-van","title":"Still life in apple basket, F115 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eStill life in apple basket, F115\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eAn inverted or very low basket lets around fifteen red, green and brown apples roll on a table. The almost black background concentrates all the light on the fruit and on a few wicker fibers.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-pommes-f115-jh935-van-gogh.webp?v=1785315441\u0026amp;format=webp\" alt=\"Still life in apple basket F115 JH935 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life in apple basket, F115\u003c\/strong\u003eVincent van Gogh · September 1885 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30.5 × 47.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eHeavy apples gathered in chiaroscuro\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe fruits form two groups: a row placed in the foreground and a cluster higher in the center. Several apples partially disappear into the shade, giving depth to the arrangement.\u003c\/p\u003e\n\u003cp\u003eThe wicker appears mainly under the fruits and through a few light strands which pass through the composition. Two yellow-green apples, placed at the ends, frame the reds and browns in the center.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill Life in Apple Basket F115\/JH935 is an oil on canvas painted in Nuenen in September 1885. The support measures approximately 30.5 × 47.7 cm and the work belongs to a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe composition is based less on the basket than on the weight of the fruit. Van Gogh varies each apple by color, peduncle orientation and light, while maintaining a very consistent earthy range.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe apples are painted like heavy volumes\u003c\/h3\u003e\n\u003cp\u003eThe yellow reflections remain small and the shadows very deep. This opposition gives the fruits an almost mineral density.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGreens frame reds\u003c\/h3\u003e\n\u003cp\u003eThe light apple on the right and the greenish fruits on the left open the palette. Between them, the brown reds make up the warm core.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe basket remains deliberately discreet\u003c\/h3\u003e\n\u003cp\u003eA few wicker lines are enough to suggest its shape. Its brown blends in with the table and lets the fruits dominate the scene.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe references F115\/JH935 and the elongated format distinguish this version from the apple baskets F99 and F101 kept at the Van Gogh Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eSeveral baskets of apples in September 1885\u003c\/h3\u003e\n\u003cp\u003eVan Gogh uses the same fruit in different arrangements. The three versions change format, collection and basket position.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003ch3\u003eA long history in private collection\u003c\/h3\u003e\n\u003cp\u003eThe painting has circulated through several galleries and public sales, while remaining outside the permanent museum collections.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMatter\u003c\/span\u003e\u003ch3\u003eAn exercise on weight and surface area\u003c\/h3\u003e\n\u003cp\u003eBrush strokes follow the roundness of the apples and the fibers of the basket. The simple subject becomes a precise study of volumes and textures.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0115.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F115\/JH935 from the Van Gogh Gallery catalog →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must preserve the two groups of fruits, the yellow-green apples at the ends, the red-browns in the center, the few sprigs of wicker and the nuanced black background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe row of apples in the foreground\u003c\/li\u003e\n\u003cli\u003eThe fruit cluster in the center\u003c\/li\u003e\n\u003cli\u003eThe yellow-green apple on the right\u003c\/li\u003e\n\u003cli\u003eThe light strands of the basket\u003c\/li\u003e\n\u003cli\u003eSpot reflections on the skin\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life in apple basket, F115\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e30.5 × 47.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF115· JH935\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA warm still life in red, brown, green and ocher\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is easily installed in a kitchen, dining room, office or above a base unit. The palette accompanies walnut, terracotta and unbleached textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au panier de pommes, F115\"\u003e\n\u003ci style=\"background:#201b17\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4c3425\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b3f2a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#99824b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c3a84d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark walnut, red-brown or patinated black frame extends the chiaroscuro. Warm light reveals greens and reds without flattening the shadows.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reference of 3848 × 2469 px has been reduced to 3000 × 1925 px and converted to true high definition WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with apple basket, F115, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594818441442,"sku":"NATURE_MORTE_AU_PANIER_DE_POMMES_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-pommes-f115-jh935-van-gogh.webp?v=1785315441"},{"product_id":"nature-morte-panier-legumes-vincent-van","title":"Still life in vegetable basket, F212a - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eStill life in vegetable basket, F212a\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA low basket is overflowing with freshly harvested vegetables: red carrots, leeks, turnips and green leaves mingle on a dark table. A few roots placed in the foreground lead the eye towards the inside of the basket.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-legumes-f212a-jh929-van-gogh.webp?v=1785315434\u0026amp;format=webp\" alt=\"Still life in vegetable basket F212a JH929 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life in vegetable basket, F212a\u003c\/strong\u003eVincent van Gogh · September 1885 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e35.5 × 45 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA vegetable harvest lit flush with the table\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe basket occupies the left half and can be read thanks to its long horizontal sticks. On the right, the tops and leaves extend the arrangement into a much darker area.\u003c\/p\u003e\n\u003cp\u003eTwo large orange carrots cross the center diagonally. In front of them, the white roots of the leeks and several small red bulbs capture the clearest accents of light.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life in the vegetable basket F212a\/JH929 is an oil on canvas measuring 35.5 × 45 cm, painted in Nuenen in September 1885. The work is today listed as a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh transforms a domestic motif into a study of materials: braided wood, crumpled leaves, fibrous roots and smooth skins. The dark range makes reds and whites particularly intense.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe carrots establish the main diagonal\u003c\/h3\u003e\n\u003cp\u003eTheir warm orange crosses the deep greens and directs the basket's gaze towards the foreground. They prevent the composition from remaining purely horizontal.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe basket merges with its contents\u003c\/h3\u003e\n\u003cp\u003eIts green-brown fibers and vegetable stems use similar touches. The objects thus seem to form a single organic cluster.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eWhite roots become accents\u003c\/h3\u003e\n\u003cp\u003eA few leeks and turnips receive a cream light. These small light areas give relief to the whole without illuminating the background.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe numbers F212a\/JH929, the format and the dating of September 1885 make it possible to identify this version among the numerous still lifes of vegetables painted in Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContext\u003c\/span\u003e\u003ch3\u003eProducts from the presbytery garden\u003c\/h3\u003e\n\u003cp\u003eVan Gogh then arranges the vegetables and fruits grown behind his parents' house. He uses them for color, weight and texture exercises.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eA work passed into a private collection\u003c\/h3\u003e\n\u003cp\u003eThe catalogs notably associated it with the Anneliese Brand collection, then with a private Swiss collection. It is not kept in a public museum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF212a and JH929\u003c\/h3\u003e\n\u003cp\u003eThese historical references remain essential because the generic title can easily be confused with F103, another still life with vegetables and fruits.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0212a.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F212a\/JH929 from the Van Gogh Gallery catalog →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must retain the structure of the basket, the two diagonal carrots, the light leeks, the red bulbs, the green tops and the almost black brown background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe horizontal sticks of the basket\u003c\/li\u003e\n\u003cli\u003eThe two orange carrots in the center\u003c\/li\u003e\n\u003cli\u003eThe white roots in the foreground\u003c\/li\u003e\n\u003cli\u003eThe small red bulbs on the right\u003c\/li\u003e\n\u003cli\u003eDark foliage closing background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life in vegetable basket, F212a\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e35.5 × 45 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF212a· JH929\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA rustic still life in deep green, orange and earth\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThis horizontal format is suitable for a kitchen, dining room, office or country interior. Earthy colors interact with raw wood, stone and linen.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte au panier de légumes, F212a\"\u003e\n\u003ci style=\"background:#1d2019\"\u003e\u003c\/i\u003e\u003ci style=\"background:#38422d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#675238\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a64f2b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1b879\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, patinated brown or black green frame accompanies the tones of the basket. Warm, side light reveals the roots without excessively lightening the background.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reference of 2514 × 1830 px has been retained at its native size and converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life in vegetable basket, F212a, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594818703586,"sku":"NATURE_MORTE_AVEC_UN_PANIER_DE_L_GUMES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-panier-legumes-f212a-jh929-van-gogh.webp?v=1785315434"},{"product_id":"cineraire-vincent-van-gogh","title":"Cineraries in a pot, F282 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Around 1885 -1886 · Nuenen or Paris\u003c\/p\u003e\n        \u003ch2\u003eCineraries in a pot, F282\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA pot of cineraria visually spills into a network of large green leaves. Dark blue and pale pink flowers cluster at the top, while leaves invade the canvas all the way to the bottom edge.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cineraires-pot-f282-jh1165-van-gogh.webp?v=1785308989\u0026amp;format=webp\" alt=\"Cineraries in a pot F282 JH1165 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCineraries in a pot, F282\u003c\/strong\u003eVincent van Gogh · Around 1885 -1886 · Museum Boijmans Van Beuningen, Rotterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAround 1885 -1886\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e54.5 × 45.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseum Boijmans Van Beuningen, Rotterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA plant observed as a tangle of flowers and leaves\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe bouquet is neither centered nor frontal. It tilts to the left, while the large leaves fan out and almost make the pot disappear among the stems.\u003c\/p\u003e\n\u003cp\u003eThe flowers are indicated by short touches of petrol blue, gray and pink. The leaves, wider, contrast olive, yellow green and red brown on a deep background.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCineraria in a pot F282\/JH1165 is a 54.5 × 45.5 cm oil on canvas kept at the Museum Boijmans Van Beuningen under the inventory St 92. Its dating and precise location remain debated.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe diagonal cut and the almost unbalanced pot distinguish this still life from the more symmetrical Parisian bouquets. The plant appears to grow beyond the limits of the frame.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe bouquet slides to the left edge\u003c\/h3\u003e\n\u003cp\u003eThe flower mass occupies the upper left quarter, while the leaves facing right create an opposite thrust and maintain balance.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe leaves are constructed in large planes\u003c\/h3\u003e\n\u003cp\u003eVan Gogh places olive green, yellow and brown bands that follow the veins. Their width contrasts with the small tight touches of the flowers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe red of the signature wakes up the bottom\u003c\/h3\u003e\n\u003cp\u003eThe name Vincent, painted red in the lower left corner, responds to rust accents scattered among the leaves and stems.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF282\/JH1165, the 54.5 × 45.5 cm format and the St 92 inventory identify the work. Its chronology deserves careful formulation.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDating\u003c\/span\u003e\u003ch3\u003eBetween 1885 and 1886\u003c\/h3\u003e\n\u003cp\u003eThe Museum Boijmans Van Beuningen lists 1885, while the F and JH catalogs generally classify it as a still life of 1886.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eResearch\u003c\/span\u003e\u003ch3\u003eNuenen or Paris\u003c\/h3\u003e\n\u003cp\u003eA technical study by the Van Gogh Museum highlighted that his style might correspond more to Nuenen than to Paris. The exact location is therefore not presented as certain.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eThe St 92 number\u003c\/h3\u003e\n\u003cp\u003eThe painting is on loan from the Stichting Museum Boijmans Van Beuningen, resulting from the donation of Mrs. EY van Beek-van Hoorn Janssen in 1951.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.boijmans.nl\/en\/collection\/artworks\/101540\/cineraria\" target=\"_blank\" rel=\"noopener\"\u003eConsult the instructions for the Museum Boijmans Van Beuningen →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the diagonal of the bouquet, the dark blue and pink petals, the widely brushed leaves, the intertwined stems, the partially hidden pot and the red signature.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe compact bouquet in the upper left corner\u003c\/li\u003e\n\u003cli\u003eBlue petals punctuated with pale pink\u003c\/li\u003e\n\u003cli\u003eLarge olive green leaves with visible veins\u003c\/li\u003e\n\u003cli\u003eThe pot absorbed by the stems and shadows\u003c\/li\u003e\n\u003cli\u003eThe Vincent signature in red\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eCineraries in a pot, F282\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAround 1885 -1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen or Paris\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e54.5 × 45.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF282 · JH1165 · St 92\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eMuseum Boijmans Van Beuningen, Rotterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA plant still life of olive green and deep blue\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eOlive green, petrol blue, black brown, faded pink and rust create a dense botanical canvas for a living room, dining room, bedroom or interior with earthy tones.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Cinéraires dans un pot, F282\"\u003e\n\u003ci style=\"background:#676b33\"\u003e\u003c\/i\u003e\u003ci style=\"background:#24454b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#211f1c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b78576\"\u003e\u003c\/i\u003e\u003ci style=\"background:#884c30\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA brown, patinated bronze or very dark green frame accompanies the foliage. Soft light reveals the petals without reducing the shades of the black-brown background.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe digitization of 3,797 × 5,339 px was prepared in 2,134 × 3,000 px and then converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCineraries in a pot, F282, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594826600674,"sku":"CIN_RAIRE_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cineraires-pot-f282-jh1165-van-gogh.webp?v=1785308989"},{"product_id":"crevettes-moules-vincent-van-gogh","title":"Shrimp and mussels, F256 - 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18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September -November 1886 · Paris\u003c\/p\u003e\n        \u003ch2\u003eShrimp and mussels, F256\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSix red shrimp mingle with blue-black mussels, algae and a few light fragments. The small format is painted with a quick gesture: antennae, shells and legs remain readable in the middle of a very free material.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/crevettes-moules-f256-jh1169-van-gogh.webp?v=1785304363\u0026amp;format=webp\" alt=\"Shrimp and mussels F256 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eShrimp and mussels, F256\u003c\/strong\u003eVincent van Gogh · September -November 1886 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember-november 1886\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e26.5 × 34.8 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA seafood meal becomes a color study painted on the first try\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe shrimp form a red diagonal from the upper center to the lower left edge. The mussels, heavier and darker, are distributed around them and stabilize the composition.\u003c\/p\u003e\n\u003cp\u003eGreen, pink and brown touches suggest algae and support. The long antennae cross these areas in fine lines, giving movement to a still life without containers or horizons.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eShrimp and mussels F256\/JH1169 is a 26.5 × 34.8 cm oil on canvas painted in Paris between September and November 1886. The Van Gogh Museum preserves it under the inventory s0122V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh combines the orange-red of the crustaceans with the gray blue of the shells, then enlivens the background with greens and pinks placed very quickly.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eRed organizes the whole group\u003c\/h3\u003e\n\u003cp\u003eThe curved bodies of the shrimp form a central chain. Their claws and antennae extend this movement into the margins.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe mussels introduce cold accents\u003c\/h3\u003e\n\u003cp\u003eThe blue-black of the shells contrasts with the reds and receives some light gray reflections which indicate the smooth surface.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe painting maintains the speed of the gesture\u003c\/h3\u003e\n\u003cp\u003eA layer of medium applied to the canvas made it easier to slip in the fresh touches, a feature studied by the Van Gogh Museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF256\/JH1169, the format of 26.5 × 34.8 cm and the inventory s0122V1962 identify this small Parisian still life from the Van Gogh Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eSix shrimp and nine mussels\u003c\/h3\u003e\n\u003cp\u003eVan Gogh chooses everyday products rather than a bouquet and observes their differences in color, shell and shell.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTestimony\u003c\/span\u003e\u003ch3\u003eA work later mentioned by Gauguin\u003c\/h3\u003e\n\u003cp\u003ePaul Gauguin remembers this little painting and says that Van Gogh sold it for five francs before giving the money to a destitute young woman.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTechnique\u003c\/span\u003e\u003ch3\u003eQuick execution on an oiled surface\u003c\/h3\u003e\n\u003cp\u003eThe technical study reveals a layer of medium under the paint, allowing wet touches to slide and blend flexibly.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0122V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum instructions →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the six red shrimp, the blue-gray mussels, the fine antennae, the green algae and the variety of brown and pink touches on the bottom.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large curved shrimp at the top right\u003c\/li\u003e\n\u003cli\u003eThe red chain in the center\u003c\/li\u003e\n\u003cli\u003eBlue reflections on the shells\u003c\/li\u003e\n\u003cli\u003eThe long antennae that cross the bottom\u003c\/li\u003e\n\u003cli\u003eSmall light shapes in the corners\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eShrimp and mussels, F256\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember-november 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e26.5 × 34.8 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF256· JH1169· s0122V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA living still life of red, blue and brown\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eCoral red, slate blue, olive green, earth pink and deep brown make up an expressive work for a kitchen, dining room or bold interior.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Crevettes et moules, F256\"\u003e\n\u003ci style=\"background:#b94f32\"\u003e\u003c\/i\u003e\u003ci style=\"background:#415767\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b653d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9d6e63\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3b2924\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA black, slate blue or brown wood frame concentrates the composition. Neutral light retains the warmth of the reds and the cold reflections of the shells.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe institutional image of 7092 × 5424 px was reduced to 3000 × 2294 px and then converted to real WebP for a sharp zoom.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eShrimp and mussels, F256, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594832072930,"sku":"CREVETTES_ET_MOULES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/crevettes-moules-f256-jh1169-van-gogh.webp?v=1785304363"},{"product_id":"nature-morte-vincent-van-gogh","title":"Still life with pottery and two bottles, F57 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark .vg-intro{color:#bdb4ab}.vg-points{display:grid;grid-template-columns:repeat(3,1fr);gap:14px;margin-top:42px}.vg-point{min-height:300px;padding:27px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.11)}.vg-point b{display:block;color:#e0a77e;font:30px Georgia,serif}.vg-point h3{margin:42px 0 10px;color:white;font-size:25px;line-height:1.05}.vg-point p{margin:0;color:#bdb4ab;font-size:14px}\n.vg-facts{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:42px}.vg-fact{position:relative;min-height:300px;padding:27px;background:var(--vg-paper2)}.vg-fact:first-child{color:white;background:var(--vg-brown)}.vg-fact span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · November 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eStill life with pottery and two bottles, F57\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo bottles rise behind three ceramic containers: a decorated pot placed in a large terrine, a yellow jug and a white bowl. Greens, ochres and blacks give these ordinary objects an almost monumental presence.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-poteries-deux-bouteilles-f57-jh539-van-gogh.webp?v=1785303170\u0026amp;format=webp\" alt=\"Still life with pottery and two F57 bottles - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with pottery and two bottles, F57\u003c\/strong\u003eVincent van Gogh · November 1884 · Norton Simon Museum, Pasadena\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovember 1884\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40 × 56.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNorton Simon Museum, Pasadena\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eContainers fit together and respond to each other in two rows\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eOn the left, the small green pot is placed inside a large ocher terrine. On the right, the white bowl advances in the foreground; between them, the black bottle and the yellow jug occupy the back row.\u003c\/p\u003e\n\u003cp\u003eThe black green background remains very active, covered with visible brushstrokes. The white reflections on the glass, the yellow handle and the light outline of the bowl cut out the objects without isolating them from this dark material.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with pottery and two bottles F57\/JH539 is a 40 × 56.5 cm oil on canvas painted in Nuenen in November 1884. The Norton Simon Museum preserves it under inventory F.1972.44.P.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh constructs the whole thing with interlocking shapes and angular contours. The museum brings this simplification closer to the painter's interest in Japanese prints.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe pot placed in the terrine creates a double shape\u003c\/h3\u003e\n\u003cp\u003eTheir two handles and two openings overlap. This complex structure balances the much simpler white bowl on the right.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eBoth bottles do not have the same weight\u003c\/h3\u003e\n\u003cp\u003eThe black glass is narrow and shiny; the yellow jug is matte, wide and has a handle. Their contrast animates the background.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe white bowl opens a breath\u003c\/h3\u003e\n\u003cp\u003eIts gray green interior receives several reflections. Placed in front of the containers, it prevents the composition from becoming a single dark mass.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Norton Simon Museum notice confirms November 1884, the format of 40 × 56.5 cm, the inventory F.1972.44.P and the references F57\/JH539.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAtelier\u003c\/span\u003e\u003ch3\u003eA still life painted during Nuenen's classes\u003c\/h3\u003e\n\u003cp\u003eThe museum recalls that Van Gogh then gave lessons to a few students and sometimes painted compositions of objects alongside them.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eShapes\u003c\/span\u003e\u003ch3\u003eDeliberately simplified contours\u003c\/h3\u003e\n\u003cp\u003eThe pots and bottles are described by firm lines and irregular flat areas. This simplification reinforces their weight rather than seeking a perfect illusion.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eA work that entered the foundation in 1972\u003c\/h3\u003e\n\u003cp\u003eThe painting was acquired by the Norton Simon Foundation in September 1972 and has since been listed in inventory F.1972.44.P.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nortonsimon.org\/art\/detail\/F.1972.44.P\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Norton Simon Museum instructions →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the decorated pot in the terrine, the black bottle, the yellow jug, the white bowl, the reflections and brushstrokes of the green background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe green pot decorated with blue patterns\u003c\/li\u003e\n\u003cli\u003eThe large handle of the ocher terrine\u003c\/li\u003e\n\u003cli\u003eThe clear black bottle label\u003c\/li\u003e\n\u003cli\u003eThe yellow jug placed at the bottom\u003c\/li\u003e\n\u003cli\u003eThe irregular white edge of the straight bowl\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with pottery and two bottles, F57\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eNovember 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e40 × 56.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF57 · JH539 · F.1972.44.P\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNorton Simon Museum, Pasadena\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA deep still life of green, ocher and ivory\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eBottle green, olive green, ocher, ivory and black make up a dense work for a dining room, a kitchen or an interior with raw materials.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux poteries et deux bouteilles, F57\"\u003e\n\u003ci style=\"background:#1d2e24\"\u003e\u003c\/i\u003e\u003ci style=\"background:#50633d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b28a43\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5d2b0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#151a17\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA black, very dark green or brown oak frame extends the background. A warm but soft light brings out the white bowl and the yellow jug.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary reproduction was preserved at its native resolution of 2155 × 1496 px then converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with pottery and two bottles, F57, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594834137314,"sku":"NATURE_MORTE_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-poteries-deux-bouteilles-f57-jh539-van-gogh.webp?v=1785303170"},{"product_id":"vase-feuilles-mortes-vincent-van-gogh","title":"Vase with dead leaves, F200 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · November 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eVase with dead leaves, F200\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA blue-gray cylindrical vase bears a bouquet of scorched leaves, already curled up. On the table, other fallen leaves and a few small yellow touches extend the still life into the foreground.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-feuilles-mortes-f200-jh541-van-gogh.webp?v=1785302560\u0026amp;format=webp\" alt=\"Vase with dead leaves F200 - still life by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVase with dead leaves, F200\u003c\/strong\u003eVincent van Gogh · November 1884 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovember 1884\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41.5 × 31 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas mounted on panel\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDry leaves form a red mass above a cold vase\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe vase is placed slightly to the left of the central axis. Its vertical silhouette, decorated with a small dark pattern, contrasts with the oblique stems and irregular leaves that extend towards the edges.\u003c\/p\u003e\n\u003cp\u003eThe background and the table are not separated by a clear line: the same browns and blacks circulate around the bouquet. A few brighter yellows, particularly near the center and at the lower edge, awaken this autumnal range.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVase with dead leaves F200\/JH541 is an oil on canvas mounted on a panel measuring 41.5 × 31 cm, painted in Nuenen in November 1884 and kept in a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe main contrast is the simple, cold shape of the container against the warm, broken, moving material of the dead leaves.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe vase stabilizes the composition\u003c\/h3\u003e\n\u003cp\u003eIts straight wall and blue-gray color offer visual rest in the center of a very irregular bouquet. The small black decor accentuates its verticality.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe leaves are painted like fragments\u003c\/h3\u003e\n\u003cp\u003eBrown, orange and ocher are juxtaposed in angular touches. The broken contours make their dry and wrinkled state visible.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe foreground extends the fall\u003c\/h3\u003e\n\u003cp\u003eScattered leaves surround the base of the vase. They connect the bouquet to the table and prevent the object from appearing isolated.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe references F200\/JH541, the format of 41.5 × 31 cm and the date of November 1884 place precisely this still life in the Nuenen period.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eAutumn still life\u003c\/h3\u003e\n\u003cp\u003eVan Gogh chooses faded leaves rather than a bright bouquet. Their distorted shapes allow him to study a wide variety of browns and ochres.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eA still Dutch palette\u003c\/h3\u003e\n\u003cp\u003eIn 1884, his still lifes often used dark earths and restrained light. Ordinary objects are described by matter and tone relationships.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eA canvas mounted on a panel\u003c\/h3\u003e\n\u003cp\u003eThe documentation of the work indicates an oil on canvas mounted on wood, a compact support adapted to this small vertical format.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Vase_mit_verwelkten_Bl%C3%A4tter.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eConsult the F200 documentary sheet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the blue-gray vase, its small black pattern, the dispersion of the stems, the red leaves with broken contours and the yellow accents of the foreground.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe cylindrical silhouette of the vase\u003c\/li\u003e\n\u003cli\u003eThe small dark floral pattern on the belly\u003c\/li\u003e\n\u003cli\u003eOrange leaves in the center\u003c\/li\u003e\n\u003cli\u003eThe oblique rods rising to the right\u003c\/li\u003e\n\u003cli\u003eLeaves fallen around the base\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eVase with dead leaves, F200\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eNovember 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas mounted on panel\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e41.5 × 31 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF200 · JH541\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn autumnal still life of rust, brown and blue-gray\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eRust, shadow earth, ocher, blue gray and faded yellow make up a warm work for a dining room, a library or an interior with natural woods.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase avec feuilles mortes, F200\"\u003e\n\u003ci style=\"background:#6e392b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b5733\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b1763c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#536269\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8a542\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark wood, patinated bronze or black-brown frame accompanies the fall palette. A warm light brings out the vase and the orange touches without excessively lightening the background.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best reliable documentary reproduction was preserved at its native resolution of 612 × 798 px then converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVase with dead leaves, F200, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594835513570,"sku":"VASE_AVEC_FEUILLES_MORTES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-feuilles-mortes-f200-jh541-van-gogh.webp?v=1785302560"},{"product_id":"nature-morte-chaudron-cruche-laiton-vincent","title":"Still life with cauldron and jug, F51 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eCauldron and jug, F51\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA large sloping brass cauldron captures the light to the left of a green sandstone jug. In the foreground, potatoes spread out on a brown cloth and connect the two containers to the peasant world of Nuenen.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaudron-cruche-laiton-f51-jh925-van-gogh-museum.webp?v=1785300035\u0026amp;format=webp\" alt=\"Still life with cauldron and jug F51 - copper, stoneware and potatoes painted by Van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCauldron and jug, F51\u003c\/strong\u003eVincent van Gogh · September 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e65.5 × 80.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eDented metal, matte stoneware and potatoes come in three different materials\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe cauldron tilts towards the viewer and shows its dark interior. Its handle, edge and bumps receive yellow-green touches; on the contrary, the jug remains straight, compact and almost monochrome.\u003c\/p\u003e\n\u003cp\u003ePotatoes form an irregular band in the foreground. Their small ocher accents create a transition between the brown fabric, the copper of the cauldron and the black-green background.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eCauldron and jug F51\/JH925 is a 65.5 × 80.5 cm oil on canvas painted in Nuenen in September 1885. The Van Gogh Museum preserves it under inventory s0052V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe light does not illuminate the entire scene: it selects the edge of the cauldron, the shoulder of the jug and a few potatoes. Van Gogh thus constructs the volumes with an extremely limited palette.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe cauldron is deliberately unbalanced\u003c\/h3\u003e\n\u003cp\u003eIts oval opening is inclined and its body appears to rest on the fabric. This position makes the interior, the metal edge and the dented wall visible.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe jug provides a stable vertical\u003c\/h3\u003e\n\u003cp\u003eIts short collar and round handle stand out from the bottom with faint green undertones. It acts as a calm counterweight to the large overturned container.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003ePotatoes bring still life closer to everyday life\u003c\/h3\u003e\n\u003cp\u003eThey are neither aligned nor idealized. Their dispersion, eyes and irregular shapes add terrestrial matter to the surfaces of metal and sandstone.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF51\/JH925, inventory s0052V1962 and format of 65.5 × 80.5 cm identify this large still life from September 1885.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLetter\u003c\/span\u003e\u003ch3\u003eVan Gogh mentions his still lifes at the end of September\u003c\/h3\u003e\n\u003cp\u003eIn his correspondence with Theo, he points out several studies including potatoes, which places the work in an intensive phase of the genre.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTechnique\u003c\/span\u003e\u003ch3\u003eAnother image is below the visible layer\u003c\/h3\u003e\n\u003cp\u003eThe technical catalog of the Van Gogh Museum indicates an earlier composition under the current painting, testimony to the reuse of the canvas.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMaterials\u003c\/span\u003e\u003ch3\u003eThe subject puts the painting to the test\u003c\/h3\u003e\n\u003cp\u003eReflective brass, matte sandstone, tuber skin and fabric absorb light in different ways that Van Gogh translates without vibrant colors.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0052V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum instructions →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the inclination of the cauldron, its yellow-green reflections, the right jug, the scattered potatoes, the brown fabric and the black-green background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe Oval, Dark Cauldron Opening\u003c\/li\u003e\n\u003cli\u003eThe metallic edge highlighted with yellow-green\u003c\/li\u003e\n\u003cli\u003eThe round handle of the sandstone jug\u003c\/li\u003e\n\u003cli\u003eThe potatoes distributed in the foreground\u003c\/li\u003e\n\u003cli\u003eThe very smooth transition between objects and background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eCauldron and jug, F51\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e65.5 × 80.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF51· JH925· s0052V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA deep still life of brass, sandstone and earth\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eBronze green, brown, ocher, black and stone gray make up a strong work for a kitchen, a dining room or a contemporary rustic interior.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Chaudron et cruche, F51\"\u003e\n\u003ci style=\"background:#62613a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b4930\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a7541\"\u003e\u003c\/i\u003e\u003ci style=\"background:#202622\"\u003e\u003c\/i\u003e\u003ci style=\"background:#747260\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA black, smoky brown or dark bronze frame highlights the cauldron. Warm, side light reveals the bumps in the metal without excessively lightening the bottom.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reproduction of the Van Gogh Museum was converted into a real WebP of 3,000 × 2,429 px from a file of 7,003 × 5,669 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCauldron and jug, F51, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594843312354,"sku":"NATURE_MORTE_AVEC_CHAUDRON_ET_CRUCHE_EN_LAITON_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaudron-cruche-laiton-f51-jh925-van-gogh-museum.webp?v=1785300035"},{"product_id":"nature-morte-faience-bouteilles-vincent-van","title":"Still life with earthenware and bottles, F53 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September -October 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eEarthenware and bottles, F53\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eThree black green bottles stand behind a large brown terrine, a decorated stoneware pot and two light bowls. The objects are tight on a rustic table in front of an almost black background.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/faience-bouteilles-f53-jh538-van-gogh-museum.webp?v=1785300033\u0026amp;format=webp\" alt=\"Still life with earthenware and F53 bottles - dark tableware painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eEarthenware and bottles, F53\u003c\/strong\u003eVincent van Gogh · September -October 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember - October 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39.5 × 56 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe dishes are ordered by height, color and material in a retained light\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe round terrine occupies the center and contains a spoon placed diagonally. On the left, a small white cup advances towards the edge; on the right, the light blue bowl and the decorated pot form a second group.\u003c\/p\u003e\n\u003cp\u003eThe three vertical bottles close the background. Their green reflections are very limited, but they are enough to separate the glass from the dark background and extend the lines of the pot and spoon.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eEarthenware and bottles F53\/JH538 is a 39.5 × 56 cm oil on canvas painted in Nuenen in September - October 1885. The Van Gogh Museum preserves it under inventory s0138V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh contrasts several materials without changing tonal register: dark glass, red terracotta, beige stoneware, blue ceramic and table wood are all modeled in a brown and green range.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe containers create a series of nested volumes\u003c\/h3\u003e\n\u003cp\u003eSmall cup, terrine, bowl and pot gradually rise to the right. The bottles repeat this rise at the back and give a stable structure to the whole.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe spoon passes through round shapes\u003c\/h3\u003e\n\u003cp\u003eIts diagonal starts from the terrine and goes up towards the bottles. It introduces a clear direction in the middle of bowls, pots and collars, mainly circular or vertical.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLight blue acts as a measured accent\u003c\/h3\u003e\n\u003cp\u003eThe right bowl is the coldest and brightest area. It balances the beige of the decorated pot and the red-browns of the large terrine.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF53\/JH538, the format of 39.5 × 56 cm and the inventory s0138V1962 identify this still life of the Van Gogh Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDating\u003c\/span\u003e\u003ch3\u003eThe work is now placed in September - October 1885\u003c\/h3\u003e\n\u003cp\u003eThe museum's technical research has led to a re-examination of the dating of several still lifes of tableware formerly located earlier in the Nuenen period.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eExercise\u003c\/span\u003e\u003ch3\u003eObjects allow you to study values\u003c\/h3\u003e\n\u003cp\u003eWithout a live model or rapid light change, Van Gogh can compare the brilliance of glass, the dullness of sandstone and the reflections of ceramic.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eThe number s0138V1962 sets the identification\u003c\/h3\u003e\n\u003cp\u003eHe distinguished F53 from the many close sets combining bottles, pots, clogs and mugs in the years 1884 -1885.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0138V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum instructions →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the three dark bottles, the large terrine, the diagonal of the spoon, the decorated pot, the blue bowl, the small cup and the very restrained reflections.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe three bottle necks lined up backwards\u003c\/li\u003e\n\u003cli\u003eThe large brown terrine in the center\u003c\/li\u003e\n\u003cli\u003eThe spoon that rises diagonally\u003c\/li\u003e\n\u003cli\u003eThe blue-green patterns of the sandstone pot\u003c\/li\u003e\n\u003cli\u003eThe light blue bowl placed at the right edge\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eEarthenware and bottles, F53\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember - October 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e39.5 × 56 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF53 · JH538 · s0138V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA rustic harmony of brown, green and gray blue\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eEarth brown, bottle green, beige, gray blue and black make up a sober still life for a kitchen, a dining room or a country house.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Faïence et bouteilles, F53\"\u003e\n\u003ci style=\"background:#67472f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263428\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b1a17c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#637b79\"\u003e\u003c\/i\u003e\u003ci style=\"background:#252621\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark brown, matte black or smoked oak frame extends the background. Warm, grazing light reveals the differences in material between glass and ceramic.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reproduction of the Van Gogh Museum was converted into a real WebP of 3,000 × 2,107 px from a file of 7,206 × 5,060 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eEarthenware and bottles, F53, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594843574498,"sku":"NATURE_MORTE_AVEC_FA_ENCE_ET_BOUTEILLES_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/faience-bouteilles-f53-jh538-van-gogh-museum.webp?v=1785300033"},{"product_id":"nids-oiseaux-vincent-van-gogh-2","title":"Still life with five bird nests, F111 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September -October 1885 · Nuenen, Netherlands\u003c\/p\u003e\n        \u003ch2\u003eStill life with five bird nests, F111\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eFive nests are arranged at ground level among grasses, twigs and dry leaves. Two round structures tighten at the top, while a small nest containing light eggs opens the composition on the right.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cinq-nids-oiseaux-f111-jh939-van-gogh-museum.webp?v=1785298171\u0026amp;format=webp\" alt=\"Still life with five bird nests F111 - moss, twigs and eggs painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with five bird nests, F111\u003c\/strong\u003eVincent van Gogh · September -October 1885 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember - October 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39.3 × 46.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eEach nest has its construction, its material and its place in the undergrowth\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe large nests at the bottom are made of tangled dark strands; the one on the left opens like a deep cavity. At the top, the more compact shapes recall the closed nests of the troglodyte.\u003c\/p\u003e\n\u003cp\u003eThe little egg nest brings the only light circle. Around it, greens, ochres and browns do not describe a precise decoration: they bring together moss, foliage and fragments of branches in a continuous surface.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with five bird nests F111\/JH939 is a 39.3 × 46.5 cm oil on canvas painted in Nuenen in September - October 1885. The Van Gogh Museum preserves it under inventory s0001V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh collects abandoned nests and considers them natural architecture. He does not align them like scientific specimens: he installs them in an environment of moss and leaves that highlights their variety.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe openings give several depths\u003c\/h3\u003e\n\u003cp\u003eThe large black cavity on the left, the more discreet hollows in the center and the light nest on the right offer successive degrees of darkness.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe fibers are translated by short gestures\u003c\/h3\u003e\n\u003cp\u003eTwigs, grasses and leaves are painted with lines that change direction. The tangle remains readable without becoming a meticulous drawing.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe eggs form a resting point\u003c\/h3\u003e\n\u003cp\u003eTheir cream light contrasts with the dark earths. Placed on the right edge rather than in the center, they balance the two large nests on the left side.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF111\/JH939, s0001V1962 and the 39.3 × 46.5 cm format distinguish the five nests of the Van Gogh Museum from other still lifes of nests painted in Nuenen.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLetter\u003c\/span\u003e\u003ch3\u003eVan Gogh says he had already painted four in September 1885\u003c\/h3\u003e\n\u003cp\u003eHe explains to Theo that nature watchers might like the colors of the moss, dry leaves and grasses gathered around the nests.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSymbol\u003c\/span\u003e\u003ch3\u003eThe nest also evokes human habitation\u003c\/h3\u003e\n\u003cp\u003eIn the same correspondence, Van Gogh brings together the nests of the cottages of the moor and their inhabitants, to whom he feels deeply attached.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eObservation\u003c\/span\u003e\u003ch3\u003eThe shapes correspond to several types of construction\u003c\/h3\u003e\n\u003cp\u003eThe two closed nests at the top differ from the small open nest containing the eggs and the large twig structures placed in the foreground.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vogelnesten_-_s0001V1962_-_Van_Gogh_Museum.jpg\" target=\"_blank\" rel=\"noopener\"\u003eConsult the reproduction of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy should preserve the five distinct nests, the large dark cavity on the left, the two round shapes at the top, the light eggs, the twigs and the moss green passages.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large black opening of the lower left nest\u003c\/li\u003e\n\u003cli\u003eThe two closed nests aligned high up\u003c\/li\u003e\n\u003cli\u003eThe small light nest containing the eggs on the right\u003c\/li\u003e\n\u003cli\u003eThe branches that cross the edges of the composition\u003c\/li\u003e\n\u003cli\u003eGreen touches mixed with ocher and brown leaves\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with five bird nests, F111\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember - October 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen, Netherlands\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e39.3 × 46.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF111· JH939· s0001V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn undergrowth of brown, moss, ocher and cream\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDeep brown, moss green, ocher, black and cream make up an organic still life for a contemporary library, office or rustic interior.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte avec cinq nids d’oiseaux, F111\"\u003e\n\u003ci style=\"background:#4b3a29\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66704e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b7848\"\u003e\u003c\/i\u003e\u003ci style=\"background:#24251d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1c69c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA frame in raw wood, smoked oak or very dark green extends the fibers of the nests. A soft, grazing light reveals the touches without crushing the cavities.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reproduction of the Van Gogh Museum was converted into a real WebP of 3,000 × 2,535 px from a file of 6,420 × 5,424 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with five bird nests, F111, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594849833186,"sku":"NIDS_D_OISEAUX_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cinq-nids-oiseaux-f111-jh939-van-gogh-museum.webp?v=1785298171"},{"product_id":"nature-morte-trois-nids-oiseaux-vincent-2","title":"Still Life with Three Bird's Nests, F108 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · End of September - beginning of October 1885 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eStill Life with Three Bird Nests, F108\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eThree nests are removed from the vegetation and placed on a black background. The central nest, open in a half-moon and garnished with eggs, receives all the light; the two lateral shapes, taller and darker, blend into moss and grass.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/trois-nids-oiseaux-f108-van-gogh-kroller-muller.webp?v=1785293281\u0026amp;format=webp\" alt=\"Still Life with Three Bird Nests F108 - Three Isolated Nests on a Black Background by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill Life with Three Bird Nests, F108\u003c\/strong\u003eVincent van Gogh · End of September - beginning of October 1885 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEnd of September - beginning of October 1885\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e33.5 × 50.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eNeutral black transforms found nests into objects of study\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe swallow's nest in the center is the only one that clearly shows its inner cut. Its twig edge draws a pale line around the eggs, while a diagonal of dry grass accompanies it to the right.\u003c\/p\u003e\n\u003cp\u003eTo the left and right, two piriform nests remain almost closed. Their silhouette can be seen thanks to a few light strands; between them, the greens and browns of the moss create a depth without an identifiable landscape.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with three bird nests F108\/JH940 is an oil on canvas of 33.5 × 50.5 cm made in Nuenen between the end of September and the beginning of October 1885. It bears the number KM 109.945.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh deliberately chose a black background in order to show that these nests were extracted from their environment. The light therefore does not describe an undergrowth, but compares three natural constructions.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe central nest functions as a bright focus\u003c\/h3\u003e\n\u003cp\u003eIts cavity, eggs and light rim immediately catch the eye. The side nests then form two more discreet masses which expand the composition.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe twigs are rendered by directional lines\u003c\/h3\u003e\n\u003cp\u003eLong, fine strokes intersect, bend and overflow shapes. Their rhythm makes you feel the diversity of the materials assembled without detailing each strand.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe black background isolates the subject without removing the material\u003c\/h3\u003e\n\u003cp\u003eEarthy greens, browns and grays remain visible around the nests. These passages connect objects while maintaining the impression of a neutral space.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF108\/JH940 and KM 109.945 identify this precise version, distinct from the Still Life with Three Nests F112 also kept at the Kroeller-Müller Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eVan Gogh owned up to thirty species of nests\u003c\/h3\u003e\n\u003cp\u003eHe collected them during his walks or bought them from the neighborhood boys, then kept them with moss, stuffed birds and other objects in two cupboards.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSpecies\u003c\/span\u003e\u003ch3\u003eThe three shapes correspond to different constructions\u003c\/h3\u003e\n\u003cp\u003eThe central half-moon nest is attributed to the barn swallow. The two piriform nests on the sides could be unfinished works of remiz pendulin.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLetter\u003c\/span\u003e\u003ch3\u003eNatural colors mattered as much as pattern\u003c\/h3\u003e\n\u003cp\u003eVan Gogh wrote to Theo that mosses, dry leaves, grasses and clay could please those who observe nature well.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/vincent-van-gogh-vogelnesten-1\" target=\"_blank\" rel=\"noopener\"\u003eConsult the instructions for the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the luminous opening of the central nest, the two almost absorbed lateral silhouettes, the fineness of the twigs and the brown greens visible inside the black.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eHalf-moon swallow's nest placed in the center\u003c\/li\u003e\n\u003cli\u003eClear eggs squeezed into the cavity\u003c\/li\u003e\n\u003cli\u003eThe two darker piriform nests on the sides\u003c\/li\u003e\n\u003cli\u003eThe long dry grass that crosses the bottom\u003c\/li\u003e\n\u003cli\u003eShades of green and brown foam in the dark\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill Life with Three Bird Nests, F108\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEnd of September - beginning of October 1885\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e33.5 × 50.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF108· JH940· KM 109,945\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA silent still life of straw, moss and deep black\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eWarm black, earth brown, moss green, straw beige and egg gray create a meditative work for a library, a cabinet of curiosities or a natural interior.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux trois nids d’oiseaux, F108\"\u003e\n\u003ci style=\"background:#1c1d19\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4a4030\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e5640\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a896a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8bca0\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA matte black, deep brown or smoked oak frame maintains the atmosphere. Soft, oblique lighting allows side nests to be read without whitening the bottom.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image has been converted to a true WebP of 1974 × 1350 px in its available resolution, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with three bird nests, F108, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594862973154,"sku":"NATURE_MORTE_AUX_TROIS_NIDS_D_OISEAUX_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/trois-nids-oiseaux-f108-van-gogh-kroller-muller.webp?v=1785293281"},{"product_id":"nature-morte-fruits-chataignes-vincent-van","title":"Chestnuts and pears, 1886 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autumn 1886 · Paris\u003c\/p\u003e\n        \u003ch2\u003eChestnuts and pears\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eThree fruits in bold colors - green, orange-red and pink - are placed among open chestnuts. On the brown table, Van Gogh contrasts the smooth volumes of pears and apples with the dark, angular and streaked shells.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chataignes-poires-1886-van-gogh-legion-honor.webp?v=1785293278\u0026amp;format=webp\" alt=\"Chestnuts and pears - green and red fruits among chestnuts painted by Vincent van Gogh in 1886\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eChestnuts and pears\u003c\/strong\u003eVincent van Gogh · Fall 1886 · Legion of Honor, Fine Arts Museums of San Francisco\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutumn 1886\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e27 × 35.6 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eLegion of Honor, Fine Arts Museums of San Francisco\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThree colorful fruits emerge from a chestnut seedling\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe green pear occupies exactly the center and serves as a pivot. On the right, a higher red pear leads the eye towards the upper edge; on the left, the orange apple closes a simple and stable triangle.\u003c\/p\u003e\n\u003cp\u003eChestnuts surround the fruits without forming a uniform carpet. Some show their cream flesh, others are only black-brown masses; their intervals let the wooden base worked by long horizontal touches breathe.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eChestnuts and pears is an oil on canvas of 27 × 35.6 cm painted in Paris in the fall of 1886. Authenticated as the work of Van Gogh in 2019, it is kept in the Legion of Honor under number 1960.41.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe composition is based on a contrast of scale, color and texture. Three large, saturated volumes dominate a multitude of small brown shapes, all connected by a very visible touch.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe three fruits form a triangular architecture\u003c\/h3\u003e\n\u003cp\u003eThe low apple, central green pear, and taller red pear create three peaks. This clear construction maintains order despite the dispersion of the chestnuts.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eEach surface has its own brush direction\u003c\/h3\u003e\n\u003cp\u003eThe curved touches follow the fruits, the small light lines open the shells, and the almost horizontal lines describe the table. The material makes objects tactile.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe Parisian palette still illuminates the dark lands\u003c\/h3\u003e\n\u003cp\u003eAcid green and orange-red break with table browns, but these remain active thanks to passages of purple, ocher and colored black.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis painting does not bear any number in the De la Faille or Hulsker catalogs: its attribution was accepted by specialists at the Van Gogh Museum in January 2019.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStudy\u003c\/span\u003e\u003ch3\u003eAnalysis places execution in fall 1886\u003c\/h3\u003e\n\u003cp\u003eThe canvas, the material and the way of painting correspond to the small still lifes created by Van Gogh in Paris between October and December 1886.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBeneath the surface\u003c\/span\u003e\u003ch3\u003eA female portrait is located under the still life\u003c\/h3\u003e\n\u003cp\u003eInfrared reflectography revealed a woman wearing a scarf. Van Gogh therefore reused an already painted canvas, a practice consistent with his limited means.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseum\u003c\/span\u003e\u003ch3\u003eThe work entered the collection in 1960\u003c\/h3\u003e\n\u003cp\u003eBruno and Sadie Adriani donated it to the Fine Arts Museums of San Francisco. It has acquisition number 1960.41 and is attached to the Legion of Honor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.famsf.org\/artworks\/chestnuts-and-pears\" target=\"_blank\" rel=\"noopener\"\u003eConsult the instructions for the Fine Arts Museums of San Francisco →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must find the triangle of fruits, the luminous olive green, the almost coral red, the cream reflections of the open chestnuts and the direction of the touches on the wood.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe green pear placed in the center of the composition\u003c\/li\u003e\n\u003cli\u003eThe tall red pear with its vertical reflection\u003c\/li\u003e\n\u003cli\u003eThe orange apple partially cut by the chestnuts\u003c\/li\u003e\n\u003cli\u003eThe cream shards at the heart of the dark shells\u003c\/li\u003e\n\u003cli\u003eThe long horizontal touches of the brown table\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eChestnuts and pears\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAutumn 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e27 × 35.6 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003e1960.41 · without F or JH number\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eLegion of Honor, Fine Arts Museums of San Francisco\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA compact still life of olive green, coral and chestnut brown\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eOlive green, coral red, ocher, mahogany brown and cream make up a warm palette for a kitchen, a dining room or an interior with natural materials.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Châtaignes et poires\"\u003e\n\u003ci style=\"background:#8b8b29\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c94f32\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b46a31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#573521\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2b58e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, smoked oak or red-brown frame responds to chestnuts. Moderate side lighting highlights the touch and reflections of the fruit.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image has been converted to a true high definition WebP of 2739 × 2051 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eChestnuts and pears, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594863104226,"sku":"NATURE_MORTE_AVEC_DES_FRUITS_ET_DES_CH_TAIGNES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chataignes-poires-1886-van-gogh-legion-honor.webp?v=1785293278"},{"product_id":"pot-gingembre-rempli-chrysanthemes-vincent-van","title":"Ginger pot with chrysanthemums, F198 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Summer 1886 · Paris\u003c\/p\u003e\n        \u003ch2\u003ePot of ginger with chrysanthemums, F198\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA compact bouquet of yellow, white, pink and orange chrysanthemums fills a jar with blue-green ginger. The very dark brown background tightens the composition around the flowers and the oval decoration of the pot, whose enameled surface contrasts with the thick petals.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pot-gingembre-chrysanthemes-f198-van-gogh.webp?v=1785290521\u0026amp;format=webp\" alt=\"Pot of ginger with chrysanthemums F198 - yellow and orange flowers in a jar decorated by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePot of ginger with chrysanthemums, F198\u003c\/strong\u003eVincent van Gogh · Summer 1886 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSummer 1886\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40 × 29.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas mounted on panel\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA tight bouquet stands out against a decorated jar and an almost black background\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe small flowers occupy the entire upper part and form an irregular crown. Yellows, ochres and whites concentrate in the center, while a few pink and red tones appear at the edges.\u003c\/p\u003e\n\u003cp\u003eThe blue-green jar is painted as a dense volume. Its oval medallion and light reflections remain visible despite the shadow; the enlarged base stabilizes the very lively mass of the bouquet.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eGinger pot with chrysanthemums F198\/JH1125 is an oil on canvas mounted on a panel of 40 × 29.5 cm, painted in Paris during the summer of 1886. The work is kept in a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh combines two opposing textures: the hard, decorated surface of the enameled sandstone, then the soft accumulation of small corollas. The dark background intensifies this confrontation of matter.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe chrysanthemums are assembled in brief touches\u003c\/h3\u003e\n\u003cp\u003eEach flower is suggested by a few light accents around a darker heart. Repetition creates a compact vibration rather than a botanical inventory.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe blue-green of the jar cools the yolks of the bouquet\u003c\/h3\u003e\n\u003cp\u003eThe complementary colors reinforce each other. Turquoise, gray and cream reflections advance the container in front of the brown at the bottom.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe oval medallion gives a second pattern to look at\u003c\/h3\u003e\n\u003cp\u003eThis decorated area enlivens the center of the pot and responds to the round shapes of the flowers. It transforms a utilitarian object into an essential element of the composition.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF198\/JH1125, the dimensions of 40 × 29.5 cm and the panel-mounted support make it possible to precisely identify this Parisian still life.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003ch3\u003eThe ginger jar introduces a decorative object into still life\u003c\/h3\u003e\n\u003cp\u003eIts blue-green glaze, short collar and oval panel give Van Gogh a complex surface to combine contour, reflection and pattern.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eThe painting belongs to the floral research of 1886\u003c\/h3\u003e\n\u003cp\u003eIn Paris, Van Gogh uses bouquets and familiar objects to lighten his palette and test clearer oppositions between warm and cold colors.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eThe canvas is today marked as panel mounted\u003c\/h3\u003e\n\u003cp\u003eThis material clarification concerns the current state of the original. The proposed reproduction remains an oil painting made by hand on canvas.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghworldwide.org\/artwork\/F198\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Worldwide reference sheet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the narrow silhouette of the bouquet, the variety of small corollas, the brown background, the blue-green reflections of the jar, its oval medallion and the visible thickness of the keys.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eYellow and white chrysanthemums grouped at the top\u003c\/li\u003e\n\u003cli\u003ePink and orange accents placed on the periphery\u003c\/li\u003e\n\u003cli\u003eThe short collar of the blue-green jar\u003c\/li\u003e\n\u003cli\u003eThe oval medallion painted in the center of the container\u003c\/li\u003e\n\u003cli\u003eThe dark brown background which isolates each outline\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003ePot of ginger with chrysanthemums, F198\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSummer 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas mounted on panel\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e40 × 29.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF198· JH1125\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn intimate still life with golden yellows and enameled blue-green\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eYellow ocher, cream, earth pink, blue green and cocoa brown give depth to a dining room, a library or an interior with old objects.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Pot de gingembre aux chrysanthèmes, F198\"\u003e\n\u003ci style=\"background:#b28a3d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0c5a7\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a685d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f6c65\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3f2b25\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA very dark brown, bottle green or patinated gilded wood frame takes up the contrast of the work. A slightly grazing light reveals the flowers and reflections of the jar.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best color reproduction available was prepared in real WebP of 2,196 × 3,000 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eGinger pot with chrysanthemums, F198, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594868838626,"sku":"POT_DE_GINGEMBRE_REMPLI_DE_CHRYSANTH_MES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pot-gingembre-chrysanthemes-f198-van-gogh.webp?v=1785290521"},{"product_id":"moulage-platre-torse-femme-vincent-van","title":"Plaster casting of a woman's torso, F216h - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · February -March 1887 · Paris\u003c\/p\u003e\n        \u003ch2\u003ePlaster casting of a woman's torso, F216h\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA white cast without head or arms stands on a circular base in front of a blue-green background. Van Gogh treats this workshop object like a true still life, attentive to the volume, reflections and color of shadows.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moulage-torse-femme-f216h-van-gogh.webp?v=1785282946\u0026amp;format=webp\" alt=\"Plaster casting of a woman's torso, F216h - white study on a blue-green background painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePlaster casting of a woman's torso, F216h\u003c\/strong\u003eVincent van Gogh · February - March 1887 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eFebruary - March 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41 × 32.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA volume exercise where white plaster absorbs all colors\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe torso is seen almost from the front, turned slightly to the right. Its narrow waist and truncated thighs form a continuous silhouette that the round base stabilizes in the small vertical format.\u003c\/p\u003e\n\u003cp\u003eNo part of the plaster is actually white: cream, bluish gray, pale green and pink shape the shoulders, chest, abdomen and hips. The cold background accentuates these very fine variations.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePlaster casting of a woman's torso is an oil on canvas of 41 × 32.7 cm painted in Paris in February - March 1887. The work F216h\/JH1058 is kept at the Van Gogh Museum under the number s0200V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh painted several plaster casts during his Parisian period. Here, the academic object is not drawn by a hard outline: the color passages and directions of the brush give it weight, roundness and presence.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eLight reveals anatomy without a living model\u003c\/h3\u003e\n\u003cp\u003eShadows under the chest, around the stomach and between the thighs describe the structure of the body. Plaster allows you to study these volumes in a completely stable pose.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe blue-green background colors the shadows of white\u003c\/h3\u003e\n\u003cp\u003eCool tones slide down the left side and around the truncated limbs. The torso thus belongs to the atmosphere of the room instead of seeming cut out in front of it.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe base transforms the study into an object portrait\u003c\/h3\u003e\n\u003cp\u003eIts oval occupies almost the entire base and gives the casting a monumental verticality. Even deprived of head and arms, he becomes the complete subject of the painting.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF216h\/JH1058, dimensions 41 × 32.7 cm and inventory s0200V1962 distinguish this frontal view on a blue-green background from other studies of plaster torsos painted by Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eSeveral castings, several angles and several supports\u003c\/h3\u003e\n\u003cp\u003eVan Gogh varies the front, back or profile views. Each canvas allows him to take up the anatomy, light and harmony of white with a colored background.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGender\u003c\/span\u003e\u003ch3\u003eA sculpture treated like a still life\u003c\/h3\u003e\n\u003cp\u003eThe model remains motionless like a bottle or a vase, but its volumes require a much more complex study of curves and shadows.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eParis\u003c\/span\u003e\u003ch3\u003eResearch carried out at the heart of its chromatic evolution\u003c\/h3\u003e\n\u003cp\u003eIn 1887, Van Gogh clarified his palette and experimented more with color oppositions. Even a white plaster here becomes a set of colored tones.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0200V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the frontal silhouette, the volumes of the plaster, the blue-gray shadows, the circular base, the light table and the blue-green background with visible brushstrokes.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eTruncated shoulders and arms\u003c\/li\u003e\n\u003cli\u003eThe cream and blue-gray shades of the plaster\u003c\/li\u003e\n\u003cli\u003eThe modeling of the stomach and hips\u003c\/li\u003e\n\u003cli\u003eThe oval base with several rings\u003c\/li\u003e\n\u003cli\u003eThe slightly nuanced blue-green background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003ePlaster casting of a woman's torso, F216h\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eFebruary - March 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e41 × 32.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF216h· JH1058· s0200V1962\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA sober and sculptural study with cold harmonies\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eCream white, blue gray, verdigris, beige and dark gray create a calm presence for a minimalist office, bedroom or interior.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Moulage en plâtre d’un torse de femme, F216h\"\u003e\n\u003ci style=\"background:#c9c8b2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#82949a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6d8f89\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b9ab8d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#505c59\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA slate gray, light wood or verdigris frame accompanies the sobriety of the study. Soft white light reveals the nuances of the plaster without crushing them.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official high definition image from the Van Gogh Museum was prepared as a real WebP of 2,386 × 3,000 px.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePlaster molding of a woman's torso, F216h, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594881061090,"sku":"MOULAGE_EN_PL_TRE_DU_TORSE_D_UNE_FEMME_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moulage-torse-femme-f216h-van-gogh.webp?v=1785282946"},{"product_id":"nature-morte-pommes-terre-vincent-van-2","title":"Still life with potatoes, F386 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Mid-January 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eStill life with potatoes, F386\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA yellow dish filled with potatoes occupies the center of a very light table. However, the brown tubers receive red and blue touches, while a bright blue shadow slips under the container.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pommes-terre-f386-van-gogh.webp?v=1785282387\u0026amp;format=webp\" alt=\"Still life with potatoes, F386 - potatoes in a yellow dish painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with potatoes, F386\u003c\/strong\u003eVincent van Gogh · Mid-January 1889 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMid-january 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39.5 × 47.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA rustic subject becomes an experience of color and material\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe dish is seen slightly from above, close enough that the potatoes form an irregular mass. The yellow edge, the blue-purple contours and the almost white tablecloth organize three clearly readable areas.\u003c\/p\u003e\n\u003cp\u003eThe table is constructed by small impasto horizontal touches. Behind it, wider brushstrokes change direction and compose a braided background that seeks neither precise wall nor illusionistic depth.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life with potatoes is an oil on canvas measuring 39.5 × 47.5 cm dated mid-January 1889 in Arles. Referenced F386\/JH1365, it is kept at the Kroeller-Müller Museum under number KM 108.951.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe instructions from the Kroeller-Müller Museum emphasize two essential choices: colors freed from realism and a touch that becomes as important as objects. Van Gogh uses the familiar potato motif to test these new solutions.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eYellow and blue replace traditional modeling\u003c\/h3\u003e\n\u003cp\u003eThe yellow dish casts a blue shadow instead of a neutral gray. This opposition of complements strongly detaches the container from the tablecloth without resorting to academic chiaroscuro.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003ePotatoes are never just brown\u003c\/h3\u003e\n\u003cp\u003eRed, ocher, blue and green mingle in their skins. The colored touches give each tuber a rough surface and its own orientation.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe background adopts a so-called \"varnery\" touch\u003c\/h3\u003e\n\u003cp\u003eVertical and horizontal lines intersect like fibers. This visible network transforms the background into an active surface rather than an erased decoration.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe dimensions 39.5 × 47.5 cm, the KM 108.951 inventory and the references F386\/JH1365 identify this composition with the yellow dish among Van Gogh's numerous still lifes of potatoes.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDating\u003c\/span\u003e\u003ch3\u003eA work now set in mid-January 1889\u003c\/h3\u003e\n\u003cp\u003eThe museum adopts this dating for a canvas long close to the first studies of Arles. The sheet follows the current institutional notice.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBack\u003c\/span\u003e\u003ch3\u003eA motif linked to research from the Dutch period\u003c\/h3\u003e\n\u003cp\u003eVan Gogh had studied baskets, dishes and potato meals in Nuenen. Here he takes up this humble subject with the clear palette and autonomous touch developed in France.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTechnique\u003c\/span\u003e\u003ch3\u003eThe material of the brush structures each area\u003c\/h3\u003e\n\u003cp\u003eTight touches on the table, wider lines in the background and curved accents on the tubers differentiate the surfaces without smoothing them.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/en\/vincent-van-gogh-still-life-with-potatoes\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the yellow dish, the potatoes with red and blue accents, the blue shade, the light tablecloth and the very visible changes of direction in the background.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe yellow dish highlighted with purple-blue\u003c\/li\u003e\n\u003cli\u003eBrown potatoes crossed with red and blue\u003c\/li\u003e\n\u003cli\u003eBlue shadow on the tablecloth\u003c\/li\u003e\n\u003cli\u003eThe small horizontal touches of the table\u003c\/li\u003e\n\u003cli\u003eThe background with crossed brushstrokes\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with potatoes, F386\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMid-january 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e39.5 × 47.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF386 · JH1365 · KM 108.951\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA warm, rustic and surprisingly modern still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eOcher yellow, earth brown, lavender blue, ivory and gray green create a balanced pairing for a kitchen, dining room or interior with natural materials.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux pommes de terre, F386\"\u003e\n\u003ci style=\"background:#b99a52\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8a6848\"\u003e\u003c\/i\u003e\u003ci style=\"background:#61728a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1c7a9\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b806d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA medium blond or brown wooden frame extends the tones of the dish and potatoes. Neutral light reveals the blue shadow and the thickness of the keys without yellowing the tablecloth.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official high definition image of the Kroeller-Müller Museum was prepared as a real WebP of 3,000 × 2,478 px.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with potatoes, F386, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594882142434,"sku":"NATURE_MORTE_AUX_POMMES_DE_TERRE_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-pommes-terre-f386-van-gogh.webp?v=1785282387"},{"product_id":"branche-amandier-fleurs-verre-livre-vincent","title":"Almond Branch, Glass and Book, F393 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · March 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eAlmond Branch, Glass and Book, F393\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA small dark branch bears white and pink flowers in transparent glass. Behind her, a thick book placed at an angle transforms this intimate study into a composition of colorful shots.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branche-amandier-verre-livre-f393-van-gogh.webp?v=1785281571\u0026amp;format=webp\" alt=\"Almond tree branch in bloom in a glass with a book, F393 - small still life painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eAlmond Branch, Glass and Book, F393\u003c\/strong\u003eVincent van Gogh · March 1888 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMarch 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e24 × 19 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eAn early branch announces spring in the middle of the cold of Arles\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe cylindrical glass occupies the lower left, constructed by some blue-gray, green and pink contours. The branch rises diagonally then divides into bouquets of flowers which stand out against a blue-green background.\u003c\/p\u003e\n\u003cp\u003eThe book, seen almost from above, introduces large pink, white and green bands behind the fineness of the branches. Its angle extends the momentum of the branch and gives depth to the small vertical format.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eAlmond tree branch in bloom in a glass with a book is an oil on canvas of 24 × 19 cm painted in Arles in March 1888. The work F393\/JH1362, signed \"Vincent\", is in a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe annotated correspondence brings together F393 with the bookless version F392. These two small studies were carried out at the start of the stay in Arles, while the frost and snow contrasted with the first almond buds.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe book functions as a second background\u003c\/h3\u003e\n\u003cp\u003eIts pages and pink cover separate the glass from the blue-green wall. The branch thus stands out successively on several light and colored surfaces.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTransparency is suggested by very few traits\u003c\/h3\u003e\n\u003cp\u003eVan Gogh does not fill the glass with a continuous pattern. A few vertical lines, green reflections and dark accents are enough to reveal the table and the stem.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe flowers alternate white, pink and red\u003c\/h3\u003e\n\u003cp\u003eLight petals are never uniform. Red hearts and pink outlines give each small bouquet a distinct presence.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF393\/JH1362 designates the small vertical version of 24 × 19 cm comprising a book. It differs from F392\/JH1361, of similar dimensions but without this object behind the glass.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDuo\u003c\/span\u003e\u003ch3\u003eTwo close studies, but two different compositions\u003c\/h3\u003e\n\u003cp\u003eF392 further isolates the branch and glass. F393 adds the book, multiplies the diagonals and densifies the center of still life.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeason\u003c\/span\u003e\u003ch3\u003eFlowers observed despite the frost\u003c\/h3\u003e\n\u003cp\u003eUpon his arrival in Arles, Van Gogh still reported the snow and cold, while already noticing an almond tree branch in bloom: a brief pattern worked inside.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSending\u003c\/span\u003e\u003ch3\u003eA small canvas included in the first batch of Arles\u003c\/h3\u003e\n\u003cp\u003eThe notes in letter 606 count F393 among the studies sent to Theo along with the other almond branch, orange basket and snowy landscapes.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghletters.org\/vg\/letters\/let585\/letter.html\" target=\"_blank\" rel=\"noopener\"\u003eView the scientific edition of Van Gogh's correspondence →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the transparent glass, the diagonal black branch, the white and pink flowers, the thick book, the blue-green background and the small signature at the top left.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eTransparent glass with blue-green reflections\u003c\/li\u003e\n\u003cli\u003eThe dark branch that rises diagonally\u003c\/li\u003e\n\u003cli\u003eWhite petals with red hearts\u003c\/li\u003e\n\u003cli\u003eThe pink and white book placed at an angle\u003c\/li\u003e\n\u003cli\u003eThe signature \"Vincent\" at the top left\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eAlmond Branch, Glass and Book, F393\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMarch 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e24 × 19 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF393 · JH1362\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn intimate still life, light and full of signs of spring\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eBlue green, powder pink, cream white, sage green and black brown create a poetic note for a bedroom, an office or a small collector's wall.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Branche d’amandier, verre et livre, F393\"\u003e\n\u003ci style=\"background:#6f8c86\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c99691\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8d2bc\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d8b70\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3d4038\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light wood, sage green or off-white frame respects the delicacy of the small format. Neutral light helps distinguish the background glass and pinkish undertones of the book.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best available faithful image, 723 × 896 px, has been preserved at its native definition and encoded in real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eAlmond tree branch, glass and book, F393, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594882273506,"sku":"BRANCHE_D_AMANDIER_EN_FLEURS_DANS_UN_VERRE_AVEC_UN_LIVRE_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branche-amandier-verre-livre-f393-van-gogh.webp?v=1785281571"},{"product_id":"nature-morte-panier-oranges-vincent-van","title":"Basket with six oranges, F395 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · March 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eBasket with six oranges, F395\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eSix orange-red oranges rest in a basket of yellow wicker. The basket is placed diagonally on a very light table, in front of a blue background covered with vertical touches.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-six-oranges-f395-van-gogh.webp?v=1785281566\u0026amp;format=webp\" alt=\"Basket with six oranges, F395 - bright orange fruits in a yellow basket painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eBasket with six oranges, F395\u003c\/strong\u003eVincent van Gogh · March 1888 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMarch 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45 × 54 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSix fruits are enough to make orange vibrate against blue\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe elongated basket occupies almost the entire width. Its edge and braided strands follow yellow curves that surround the fruits, while its blue-purple shadow anchors it on the tray.\u003c\/p\u003e\n\u003cp\u003eOranges are not painted like smooth spheres: red, yellow, pink and small green touches remain visible. Behind them, the cold blue of the wall intensifies their warmth by contrast.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eBasket with six oranges is an oil on canvas of 45 × 54 cm painted in Arles in March 1888. Still life signed \"Vincent\" bears the references F395\/JH1363 and is in a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis composition belongs to the very first studies completed in Arles. Van Gogh takes up the principle of a basket of fruits already explored in Paris, but radically brightens the decor and organizes the entire canvas around the orange-blue contrast.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe diagonal prevents still life from remaining static\u003c\/h3\u003e\n\u003cp\u003eThe basket moves from left to right and the fruits are distributed over several depths. This orientation gives movement to a very simple subject.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eShadow is painted blue rather than gray\u003c\/h3\u003e\n\u003cp\u003eThe cold lines under the wicker respond to the background and bring out the yellows of the basket. The color thus describes the light as much as the shape.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eSignature contributes to balance\u003c\/h3\u003e\n\u003cp\u003eThe name \"Vincent\", drawn in orange at the lower left corner, extends the range of fruits into the large light area of the table.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF395\/JH1363 precisely designates the still life of 45 × 54 cm containing six oranges. The annotated correspondence places it among the first studies of Arles and distinguishes it from baskets of citrus fruits or apples painted at other periods.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eArles\u003c\/span\u003e\u003ch3\u003eA study carried out after arrival in the South\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted this canvas in March 1888, when the cold and snow still limited his outings and encouraged him to work on interior subjects.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eComparison\u003c\/span\u003e\u003ch3\u003eAn echo of the basket of apples from Paris\u003c\/h3\u003e\n\u003cp\u003eIn his letters, he compares this study to a basket of apples offered to Lucien Pissarro. The new painting replaces apples with a much more sunny orange range.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSending\u003c\/span\u003e\u003ch3\u003eA work preserved in the first ensemble of Arles\u003c\/h3\u003e\n\u003cp\u003eThe notes in letter 606 count F395 among the studies sent to Theo with snowy landscapes, almond branches and early bridges.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghletters.org\/vg\/letters\/let585\/letter.html\" target=\"_blank\" rel=\"noopener\"\u003eView the scientific edition of Van Gogh's correspondence →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the six fruits, the curves of the braided basket, the blue-purple shadow, the ivory table, the blue background divided into zones and the orange signature at the bottom left.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe six oranges with red and yellow touches\u003c\/li\u003e\n\u003cli\u003eCurved braiding of the basket\u003c\/li\u003e\n\u003cli\u003eThe blue-purple shadow under the basket\u003c\/li\u003e\n\u003cli\u003eThe blue background with vertical lines\u003c\/li\u003e\n\u003cli\u003eThe \"Vincent\" signature on the table\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eBasket with six oranges, F395\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMarch 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e45 × 54 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF395 · JH1363\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA clear still life where orange radiates blue\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVermilion orange, straw yellow, gray blue, lavender blue and ivory make up a warm accent for a bright kitchen, dining room or living room.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Panier avec six oranges, F395\"\u003e\n\u003ci style=\"background:#cf7049\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5b55c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8aa7ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#778ea8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9cda9\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light wood or gray blue frame accompanies the freshness of the background. A soft white light reveals the differences of red and yellow in each fruit.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best available faithful image, 2292 × 1926 px, has been preserved at its native definition and encoded in real WebP, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eBasket with six oranges, F395, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594882633954,"sku":"NATURE_MORTE_AU_PANIER_D_ORANGES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/panier-six-oranges-f395-van-gogh.webp?v=1785281566"},{"product_id":"pommes-poires-citron-raisin-vincent-van","title":"Grapes, lemons, pears and apples, F382 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autumn 1887 · Paris\u003c\/p\u003e\n        \u003ch2\u003eGrapes, lemons, pears and apples, F382\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA heavy purple cluster crosses the center of a light blue tablecloth, surrounded by green grapes, yellow lemons, pears and red apples. Around the fruits, brushstrokes form currents which make the table almost moving.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/raisins-citrons-poires-pommes-f382-van-gogh.webp?v=1785273504\u0026amp;format=webp\" alt=\"Grapes, lemons, pears and apples F382 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eGrapes, lemons, pears and apples, F382\u003c\/strong\u003eVincent van Gogh · Fall 1887 · Art Institute of Chicago\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutumn 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e46.5 × 55.2 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eArt Institute of Chicago\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eFruits remain still, but all color circulates around them\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe large bouquet of purple grapes connects the two halves of the composition. Red apples occupy the lower edge, while yellow and green fruits balance the upper part.\u003c\/p\u003e\n\u003cp\u003eThe tablecloth is not a neutral background: its blue, purple and white lines revolve around the fruits. The shadows take on their complement and reinforce the sensation of vibration.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in Paris in the fall of 1887, this 46.5 × 55.2 cm oil on canvas is F382\/JH1337. It is kept at the Art Institute of Chicago under number 1949.215.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh simplifies his objects, thickens the material and organizes the whole thing into pairs of complementary colors. The yellows face the purples, the blues the oranges, and the reds the greens.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe purple cluster forms the central axis\u003c\/h3\u003e\n\u003cp\u003eIts tight grains and dark contours give weight to still life, then draw the eye towards the lighter green clusters.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe fruits are shaped by bold colors\u003c\/h3\u003e\n\u003cp\u003eApples, lemons and pears are not melted by smooth gradients: their volumes are born from short touches of red, yellow, green and blue.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe sheet becomes a force field\u003c\/h3\u003e\n\u003cp\u003eThe pulsing pattern of brush strokes describes curves around the fruit and transforms the table into an active surface rather than a simple support.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Art Institute places this still life among the seasonal fruit paintings painted by Van Gogh in Paris during the fall of 1887.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eResearch\u003c\/span\u003e\u003ch3\u003eThree complementary couples\u003c\/h3\u003e\n\u003cp\u003eYellow-purple, blue-orange and red-green are distributed throughout the fruits, shadows and tablecloth to mutually intensify each color.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eExposure\u003c\/span\u003e\u003ch3\u003eA possible \"violent still life\"\u003c\/h3\u003e\n\u003cp\u003eThe painting may have appeared in the exhibition of young artists organized by Van Gogh in a Parisian restaurant in November-December 1887.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003e1949.215 in Chicago\u003c\/h3\u003e\n\u003cp\u003eGiven to the museum by Kate L. Brewster, the work is now on view in Gallery 241 of the Art Institute of Chicago.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.artic.edu\/artworks\/64957\/grapes-lemons-pears-and-apples\" target=\"_blank\" rel=\"noopener\"\u003eConsult the notice of the Art Institute of Chicago →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the individual shape of the grains, the central purple mass, the colored reflections of the apples, the complementary contrasts and the circular movement of the tablecloth.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe big purple cluster\u003c\/li\u003e\n\u003cli\u003eTranslucent green grapes\u003c\/li\u003e\n\u003cli\u003eLemons and yellow pears\u003c\/li\u003e\n\u003cli\u003eThe red apples in the foreground\u003c\/li\u003e\n\u003cli\u003eThe swirling keys of the tablecloth\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eGrapes, lemons, pears and apples, F382\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAutumn 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e46.5 × 55.2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF382 · JH1337 · 1949.215\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eArt Institute of Chicago\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA generous still life with modern contrasts\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003ePlum purple, lavender blue, lemon yellow, olive green and brick red make up a rich palette for a kitchen, dining room or living room.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Raisins, citrons, poires et pommes, F382\"\u003e\n\u003ci style=\"background:#594767\"\u003e\u003c\/i\u003e\u003ci style=\"background:#99a3c1\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c7a13f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#77804b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a84f3b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA very dark purple, blue-gray or walnut frame brings out the light tablecloth. A white, diffused light preserves the difference between green and purple grapes.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Art Institute of Chicago image, 3000 × 2484 px, was encoded as a true WebP at its native definition, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eGrapes, lemons, pears and apples, F382, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594892333282,"sku":"POMMES_POIRES_CITRON_ET_RAISIN_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/raisins-citrons-poires-pommes-f382-van-gogh.webp?v=1785273504"},{"product_id":"quatre-tournesols-fanes-vincent-van-gogh","title":"Four faded sunflowers, F452 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.vg-hero{position:relative;padding:72px 0 46px;background:linear-gradient(112deg,#faf5ed,#ded0bc)}.vg-hero:before{content:attr(data-artist-watermark);position:absolute;right:-20px;top:4px;color:rgba(89,58,41,.055);font:clamp(68px,13vw,175px)\/1 Georgia,serif;letter-spacing:.03em}.vg-hero-grid{position:relative;display:grid;grid-template-columns:.88fr 1.12fr;gap:56px;align-items:center}.vg-hero h2{margin:0;font:400 clamp(50px,7.2vw,92px)\/.88 Georgia,'Times New Roman',serif;letter-spacing:-.06em;overflow-wrap:anywhere}.vg-hero h2 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Georgia,serif}.vg-stats{position:relative;display:grid;grid-template-columns:repeat(4,1fr);margin-top:48px;background:#fffaf3;border:1px solid var(--vg-line)}.vg-stat{padding:20px 22px}.vg-stat+.vg-stat{border-left:1px solid var(--vg-line)}.vg-stat strong{display:block;font:400 21px Georgia,serif}.vg-stat span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 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21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · August-October 1887 · Paris\u003c\/p\u003e\n        \u003ch2\u003eFour faded sunflowers, F452\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eFour cut flower heads, already heavy with seeds, fill the canvas without vase or bouquet. Their curved stems, dry petals and greenish hearts rotate on a brown, blue and purple space impossible to define as a simple table.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/quatre-tournesols-fanes-f452-van-gogh.webp?v=1785272880\u0026amp;format=webp\" alt=\"Four faded sunflowers F452 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eFour faded sunflowers, F452\u003c\/strong\u003eVincent van Gogh · August-October 1887 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAugust-october 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e59.5 × 99.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eLife-size sunflowers, without decoration\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe flowers are placed horizontally and seen at a very short distance. Two large flower heads occupy the left, while the other two overlap on the right, connected by sinuous stems.\u003c\/p\u003e\n\u003cp\u003eVan Gogh does not clearly separate foreground and background. Blue, purple and brown shadows surround the flowers and give the impression that they are floating in a colorful material.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in Paris between August and October 1887, this oil on canvas of 59.5 × 99.5 cm is F452\/JH1330. It is kept at the Kroeller-Müller Museum under number KM 105.570.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis still life is based on the contrast between the yellows and oranges of the flowers, the greens of their hearts and the deep blues of the space around them. The brush strokes rotate in several directions like the petals themselves.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe flowers occupy their real size\u003c\/h3\u003e\n\u003cp\u003eTheir monumental scale transforms four withered plants into the main subject, without accessories or narrative background.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eEach flower head has its own movement\u003c\/h3\u003e\n\u003cp\u003eBristling petals, tight seeds and curved bracts are painted by touches that radiate, curl or cross.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe bottom refuses a stable depth\u003c\/h3\u003e\n\u003cp\u003eCobalt blue, black brown and purple form changing areas rather than a clearly described table, reinforcing the strangeness of the composition.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Kroeller-Müller Museum presents the painting as one of the peaks of the Parisian period. Van Gogh pushes his research into the oppositions of warm and cold colors very far.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eThe first sunflowers in Paris\u003c\/h3\u003e\n\u003cp\u003eBefore the famous bouquets of Arles, Van Gogh painted several still lifes of sunflowers cut or seed-covered in 1887.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eChoice\u003c\/span\u003e\u003ch3\u003eFaded flowers rather than bouquet\u003c\/h3\u003e\n\u003cp\u003eNo vase organizes the scene: the aging stems and flower heads are shown directly, life-size, with their irregular shapes.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eKM 105.570\u003c\/h3\u003e\n\u003cp\u003eThe painting is one of the major works of the Kroeller-Müller Museum and is documented as currently on display in Otterlo.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-four-sunflowers-gone-to-seed-km-105-570\" target=\"_blank\" rel=\"noopener\"\u003eConsult the instructions for the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy should preserve the scale of the four flowers, the dry matter of the petals, the green-brown centers, the curved stems and the blue-purple shadows that make the space indeterminate.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two left flower heads\u003c\/li\u003e\n\u003cli\u003eThe ocher yellow petals\u003c\/li\u003e\n\u003cli\u003eHearts laden with seeds\u003c\/li\u003e\n\u003cli\u003eThick and curved stems\u003c\/li\u003e\n\u003cli\u003eThe moving blue-brown background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eFour faded sunflowers, F452\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAugust-october 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e59.5 × 99.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF452 · JH1330 · KM 105.570\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA horizontal, dark and solar still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe large panoramic format is suitable above a sofa or console. Ocher yellow, olive green, midnight blue and earth brown give a deeper presence than the bouquets of Arles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Quatre tournesols fanés, F452\"\u003e\n\u003ci style=\"background:#bc8937\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7e7b48\"\u003e\u003c\/i\u003e\u003ci style=\"background:#344752\"\u003e\u003c\/i\u003e\u003ci style=\"background:#573d31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8d6540\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA black brown, walnut or midnight blue frame tightens the composition. Neutral light reveals the blues of the background without making the yellow petals too bright.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary image of 2839 × 1722 px has been preserved at its native definition and encoded as a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eFour faded sunflowers, F452, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 85 cm)","offer_id":46594893742306,"sku":"QUATRE_TOURNESOLS_FAN_S_50x85","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/quatre-tournesols-fanes-f452-van-gogh.webp?v=1785272880"},{"product_id":"nature-morte-coins-vincent-van-gogh","title":"Still life 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · 1887 -1888 · Paris\u003c\/p\u003e\n        \u003ch2\u003eStill life with quinces, F602\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA compact cluster of golden yellow quinces rests on turquoise blue fabric; the proximity of the motif, the almost total absence of cast shadows and the scattered red touches transform this modest subject into a study of contrasts.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-aux-coings-f602-vincent-van-gogh.webp?v=1785259798\u0026amp;format=webp\" alt=\"Still life with quinces F602 by Vincent van Gogh, Albertinum in Dresden\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with quinces, F602\u003c\/strong\u003eVincent van Gogh · 1887 -1888 · Albertinum, Dresden\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e1887 - 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e46 × 59.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAlbertinum, Dresden\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eQuinces shaped by color\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe fruits occupy the center of the canvas in an irregular mass. The slightly plunging viewpoint makes bumps, hollows and tails visible without resorting to complex staging.\u003c\/p\u003e\n\u003cp\u003eThe blue-green fabric rises behind the quinces and reduces depth. Its short oblique streaks respond to the yellow touches of the fruits, while a few red accents reinforce the surrounding green.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh uses still life as a chromatic laboratory: the yellows and oranges of quinces gain intensity upon contact with complementary blues and greens.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Staatliche Kunstsammlungen Dresden keep this oil on canvas measuring 46 × 59.5 cm under the number Gal.-Nr. 2593; the catalog reference is F602.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eYellow versus blue green\u003c\/h3\u003e\n\u003cp\u003eThe main contrast is between warm fruit and cold fabric. The two color families reinforce each other without the need for additional decoration.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA deliberately shallow depth\u003c\/h3\u003e\n\u003cp\u003eThe close-up viewpoint, the raised canvas behind the fruits and the absence of sharp shadows bring the composition closer to the painted surface.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eVery calculated red streaks\u003c\/h3\u003e\n\u003cp\u003eShort red lines emerge in the turquoise blue. Complementary to green, they further intensify the vibration of the background.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Dresden notice analyzes the canvas as a study of complements and notes the influence of Japanese prints in the contours and the absence of cast shadows.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eQuinces, not corners\u003c\/h3\u003e\n\u003cp\u003eThe piriform fruits are yellow quinces with bumpy surfaces, gathered in a pile seen up close and slightly from above.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eJaponism\u003c\/span\u003e\u003ch3\u003eSimplified outline and shadow\u003c\/h3\u003e\n\u003cp\u003eThe fine ocher ring and the renunciation of cast shadows take up solutions that Van Gogh observed in Japanese prints.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003ch3\u003eEntered Dresden in 1920\u003c\/h3\u003e\n\u003cp\u003eThe work was acquired from Berlin dealer Karl Haberstock in exchange for a pastel by Rosalba Carriera.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/skd-online-collection.skd.museum\/Details\/Index\/242607\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Dresden collections →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must differentiate each quince without isolating them, preserve the yellow-blue-green contrasts and maintain the very brief red lines which punctuate the fabric.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eGolden yellow quince pile\u003c\/li\u003e\n\u003cli\u003eBumps modeled in white and ocher\u003c\/li\u003e\n\u003cli\u003eThe turquoise blue fabric raised\u003c\/li\u003e\n\u003cli\u003eThe little red streaks\u003c\/li\u003e\n\u003cli\u003eThe purple-brown corner at the top right\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with quinces, F602\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003e1887 - 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e46 × 59.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eAlbertinum, Gal.-Nr. 2593 · F602\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eAlbertinum, Dresden\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA solar still life on a turquoise background\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a kitchen, dining room or living room. Mustard yellow, blue green, ocher and brick red match natural wood and unbleached walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte aux coings, F602\"\u003e\n\u003ci style=\"background:#c89a2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e0bd50\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f7d78\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9d5938\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66564f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, medium oak or petrol blue frame highlights the central contrast. Fairly neutral light prevents the yellows from turning orange.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary photograph measured 3,088 × 2,056 px; it was encoded as a real WebP of 3,000 × 1,997 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with quinces, F602, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594911338722,"sku":"NATURE_MORTE_AUX_COINS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-aux-coings-f602-vincent-van-gogh.webp?v=1785259798"},{"product_id":"paire-sabots-cuir-vincent-van-gogh","title":"Pair of leather clogs, F607 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autumn 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003ePair of leather clogs, F607\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo leather clogs with wooden soles are seen up close on a steeply inclined surface; their seams, folds and wear become a network of small gray, blue and brown touches.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paire-sabots-cuir-f607-vincent-van-gogh.webp?v=1785258460\u0026amp;format=webp\" alt=\"Pair of F607 leather clogs by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePair of leather clogs, F607\u003c\/strong\u003eVincent van Gogh · Autumn 1889 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutumn 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e32.2 × 40.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwo modest objects placed in the foreground\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe left hoof shows its interior while the right one advances towards the edge. Their compact overlap gives this small still life an almost monumental presence.\u003c\/p\u003e\n\u003cp\u003eThe orange-yellow tray seems to tilt towards the viewer. Van Gogh animates the leather with a meticulous pattern of small lines, already used in certain Parisian paintings two years earlier.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIn Saint-Rémy, during a period when he hesitated to leave the clinic, Van Gogh continued to paint as soon as he felt well enough. These work shoes offer him a close, concrete and material-rich subject.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Van Gogh Museum places this painting in the fall of 1889 and lists it under s0120V1962. It measures 32.2 × 40.5 cm and bears the references F607\/JH1364.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA deliberately inclined perspective\u003c\/h3\u003e\n\u003cp\u003eThe surface straightens in an unnatural way. This rocker brings the hooves together and avoids the effect of a still life placed at a distance.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLeather constructed in small streaks\u003c\/h3\u003e\n\u003cp\u003eShort strokes follow the seams, folds and curvature of the uppers. The material is born from the rhythm of the brush.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eColorful grays\u003c\/h3\u003e\n\u003cp\u003eBlue, green, brown and purple mingle in shoes; the orange-yellow background makes them colder and more present.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe official notice corrects the dating long associated with the subject: this specific pair was painted in Saint-Rémy in the fall of 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003ch3\u003eLeather and wooden soles\u003c\/h3\u003e\n\u003cp\u003eThese are not simple clogs cut entirely from wood, but leather shoes mounted on a rigid base.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContext\u003c\/span\u003e\u003ch3\u003ePainting inside clinic\u003c\/h3\u003e\n\u003cp\u003eVan Gogh chose this accessible subject while he was going through a period where going out to work seemed difficult to him.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePerspective\u003c\/span\u003e\u003ch3\u003eA process already tested\u003c\/h3\u003e\n\u003cp\u003eThe very inclined plane and the small streaks bring this work of research carried out in Paris about two years previously closer together.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0120V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the rocker of the support, the dark seams and the countless cold shades of the leather, without transforming the clogs into uniformly gray shapes.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe visible interior of the left hoof\u003c\/li\u003e\n\u003cli\u003eThick wooden soles\u003c\/li\u003e\n\u003cli\u003eThe seams and folds of the leather\u003c\/li\u003e\n\u003cli\u003eThe little blue and gray streaks\u003c\/li\u003e\n\u003cli\u003eThe orange-yellow background inclined\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003ePair of leather clogs, F607\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAutumn 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e32.2 × 40.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0120V1962 · F607 · JH1364\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA small, dense and graphic still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a desk, entrance or gallery wall. Blue gray, earth brown, muted green and ocher yellow match raw wood and black metal.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Paire de sabots en cuir, F607\"\u003e\n\u003ci style=\"background:#5e6c6c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5f5143\"\u003e\u003c\/i\u003e\u003ci style=\"background:#737d65\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c19755\"\u003e\u003c\/i\u003e\u003ci style=\"background:#343b3c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA raw wood, matte black or dark bronze frame accompanies the graphic strength of the hooves. Soft side light highlights the streaks of the material.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official image from the Van Gogh Museum measured 6,351 × 5,018 px; it was reduced to 3,000 × 2,371 px in real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePair of leather clogs, F607, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594912878818,"sku":"UNE_PAIRE_DE_SABOTS_EN_CUIR_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paire-sabots-cuir-f607-vincent-van-gogh.webp?v=1785258460"},{"product_id":"coings-citrons-poires-raisins-vincent-van","title":"Quinces, lemons, pears and grapes, F383 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September -October 1887 · Paris\u003c\/p\u003e\n        \u003ch2\u003eQuinces, lemons, pears and grapes, F383\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eQuinces, lemons, pears and bunches gather in an almost entirely yellow light; Van Gogh demonstrates here that a tight range can produce a vibrant and deeply colorful still life.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coings-citrons-poires-raisins-f383-van-gogh.webp?v=1785257874\u0026amp;format=webp\" alt=\"Quinces, lemons, pears and grapes F383 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eQuinces, lemons, pears and grapes, F383\u003c\/strong\u003eVincent van Gogh · September -October 1887 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember - October 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e48.9 × 65.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eAn abundance of fruit in a yellow world\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLarge fruits occupy the foreground, some cut by the edge of the canvas. Two clusters rise towards the center and break the succession of round shapes with their small light berries.\u003c\/p\u003e\n\u003cp\u003eTable, background and fruits share neighboring yellows. Touches of green, blue, red and pink appear only in shadows, contours and reflections, giving relief without breaking the unity.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIn Paris, Van Gogh understands that he must abandon the dark colors of his Dutch period. This almost monochrome study affirms his new mastery of luminous chords even before the famous yellows of Arles.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Van Gogh Museum identifies this painting under s0023V1962, with the references F383\/JH1339 and the dimensions of 48.9 × 65.5 cm.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eYellow declined rather than repeated\u003c\/h3\u003e\n\u003cp\u003eOcher, lemon, yellow-green and golden beige follow one another in the fruits and the background. Temperature differences build volumes.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA rhythm of round shapes\u003c\/h3\u003e\n\u003cp\u003eQuinces, lemons and pears form an irregular frieze, interrupted by the clusters and curved stems which animate the composition.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eKeys in all directions\u003c\/h3\u003e\n\u003cp\u003eThe brush sometimes follows the curve of the fruits, sometimes the diagonal of the table or the arcs of the bottom, transforming the surface into continuous movement.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe official notice specifies that Van Gogh tested his pairings with woolen threads and that he also painted the frame of this work.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFrame\u003c\/span\u003e\u003ch3\u003eThe unique original frame preserved\u003c\/h3\u003e\n\u003cp\u003eThe frame painted by Van Gogh survived with the canvas, an exceptional case in all of his work.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDedication\u003c\/span\u003e\u003ch3\u003eA painting intended for Theo\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dedicated this still life to his brother, who had often encouraged him to introduce more color.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003ch3\u003eTests with wool threads\u003c\/h3\u003e\n\u003cp\u003eBefore painting, the artist juxtaposed colored threads in order to quickly observe the effect of different combinations.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0023V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the many distinct yellows, the small complementary accents and the swirling material of the background, without transforming the whole into a uniform shade.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe massive quinces in the foreground\u003c\/li\u003e\n\u003cli\u003eBunches of light grapes\u003c\/li\u003e\n\u003cli\u003ePears with curved stems\u003c\/li\u003e\n\u003cli\u003eGreen and red accents\u003c\/li\u003e\n\u003cli\u003eThe long touches of the yellow background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eQuinces, lemons, pears and grapes, F383\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember - October 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e48.9 × 65.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0023V1962 · F383 · JH1339\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA warm and bright still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a kitchen, dining room or above a sideboard. Ocher yellow, olive green, honey brown and touches of red match oak and terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Coings, citrons, poires et raisins, F383\"\u003e\n\u003ci style=\"background:#b89b44\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0b35d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7e7649\"\u003e\u003c\/i\u003e\u003ci style=\"background:#94623e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c9b982\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA patinated yellow frame, natural wood or soft bronze recalls the frame desired by Van Gogh. Neutral light allows you to distinguish yellows without tarnishing them.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum image measured 7,553 × 5,596 px; it was reduced to 3,000 × 2,223 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eQuinces, lemons, pears and grapes, F383, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594914386146,"sku":"COINGS_CITRONS_POIRES_ET_RAISINS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coings-citrons-poires-raisins-f383-van-gogh.webp?v=1785257874"},{"product_id":"nature-morte-statuette-platre-deux-romans","title":"Still life with statuette, F360 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · End of 1887 · Paris\u003c\/p\u003e\n        \u003ch2\u003eStill life with statuette, F360\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA plaster torso of Venus stands behind two brightly colored novels and a faded rose; Van Gogh brings together academic learning, naturalistic literature and an ambiguous flower in this still life.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-statuette-f360-van-gogh.webp?v=1785254982\u0026amp;format=webp\" alt=\"Still life with plaster statuette F360 by Vincent van Gogh, Kroeller-Müller Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life with statuette, F360\u003c\/strong\u003eVincent van Gogh · End of 1887 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEnd of 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e55 × 46 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA Venus, two novels and a rose\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe gray statuette occupies the vertical axis, in front of a background divided between yellow and dark blue. In the foreground, the books Germinie Lacerteux and Bel-Ami intersect on a light fabric.\u003c\/p\u003e\n\u003cp\u003eOn the left, a pink-brown rose and its green leaves introduce a living pattern among the plaster and printed objects. The diagonals of the fabric and covers tilt the composition towards the viewer.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe Kroeller-Müller Museum dates the painting to the end of 1887. The museum perhaps sees it as a farewell greeting to Paris and Theo: the statuette recalls the lessons of Ferdinand Cormon, while the novels belong to the readings regularly cited by Van Gogh.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKM number 105.676, dimensions of 55 × 46 cm and references F360\/JH1349 identify this still life preserved in Otterlo.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA background in two colors\u003c\/h3\u003e\n\u003cp\u003eBright yellow and almost black blue divide the space behind the statuette. This opposition amplifies the relief of the plaster without traditional academic modeling.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eObjects that respond to each other\u003c\/h3\u003e\n\u003cp\u003eThe verticality of the torso contrasts with the reclining novels and the drooping petals. Each element embodies a different way of representing the body and life.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe Parisian touch\u003c\/h3\u003e\n\u003cp\u003eThe tight hatching and bold colors bear witness to Van Gogh's transformation through contact with the Parisian avant-garde.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe readable titles on the covers make the identification of books particularly precise.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eNovel\u003c\/span\u003e\u003ch3\u003eGerminie Lacerteux\u003c\/h3\u003e\n\u003cp\u003eThe Goncourt brothers' novel recounts the tragic double life of a servant; Van Gogh admired him as an example of modern life described without idealization.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eNovel\u003c\/span\u003e\u003ch3\u003eBel-Friend\u003c\/h3\u003e\n\u003cp\u003eThe Blue Book is Guy de Maupassant's novel dedicated to the rise of an ambitious man who uses his charm and his connections.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAtelier\u003c\/span\u003e\u003ch3\u003eThe torso of Venus\u003c\/h3\u003e\n\u003cp\u003eVan Gogh had already drawn and painted this type of plaster casting during his classes in Ferdinand Cormon's studio.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-still-life-with-plaster-statuette-km-105-676\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the cover inscriptions, the streaked material of the plaster and the balance between lemon yellow, deep blue, green and faded pink.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe gray-green torso of Venus\u003c\/li\u003e\n\u003cli\u003eThe yellow cover by Germinie Lacerteux\u003c\/li\u003e\n\u003cli\u003eThe Bel-Ami blue book\u003c\/li\u003e\n\u003cli\u003eThe faded rose in the foreground\u003c\/li\u003e\n\u003cli\u003eThe diagonal separation of the yellow and blue background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life with statuette, F360\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEnd of 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e55 × 46 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum KM 105.676 · F360 · JH1349\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA literary and singular still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for a bookcase, desk or reading corner. Gold yellow, ink blue, olive green and earth pink match walnut and leather.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte à la statuette, F360\"\u003e\n\u003ci style=\"background:#c7a540\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263449\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f7652\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a8675a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8b991\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA midnight blue, walnut or fine black frame takes up the depth of the background. Neutral light preserves the readability of the titles and the nuances of the plaster.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe source reproduction measured 4,644 × 5,460 px; it was reduced to 2,552 × 3,000 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life with statuette, F360, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594917761250,"sku":"NATURE_MORTE_LA_STATUETTE_DE_PL_TRE_ET_AUX_DEUX_ROMANS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-statuette-f360-van-gogh.webp?v=1785254982"},{"product_id":"deux-crabes-vincent-van-gogh","title":"Two Crabs, F606 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · January 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eTwo Crabs, F606\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eAgainst a green background covered with large touches, two orange-red crabs appear one on their stomachs, the other upside down: Van Gogh transforms a modest still life into a spectacular study of complementary shapes and colors.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-crabes-f606-van-gogh.webp?v=1785253641\u0026amp;format=webp\" alt=\"Two F606 Crabs by Vincent van Gogh, National Gallery, London\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTwo Crabs, F606\u003c\/strong\u003eVincent van Gogh · January 1889 · National Gallery, London - loan of a private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJanuary 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e47 × 61 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNational Gallery, London - loan of a private collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwo views of the same crustacean?\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe upper crab has its light belly, its folded legs and its claws pointing towards the edges. The lower one shows its rounded shell, painted in small touches of pink, yellow, red and white.\u003c\/p\u003e\n\u003cp\u003eThe background describes neither table nor shore. His blue, green and turquoise brushstrokes form a moving surface which brings out the warmth of the shells and gives the composition astonishing energy.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe National Gallery located the work in Arles in 1889, probably upon returning from the hospital in January. It could be a single crab represented above and then below, a hypothesis reinforced by the proximity to the Crab on the F605 back of the Van Gogh Museum.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe format of 47 × 61 cm, the loan inventory L995 and the references F606\/JH1662 precisely identify this painting from the National Gallery.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eRed versus green\u003c\/h3\u003e\n\u003cp\u003eThe warm shells intensify on contact with the blue-green background, a direct application of the complementary contrast studied by Van Gogh at Delacroix.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTwo opposing anatomy\u003c\/h3\u003e\n\u003cp\u003eThe segmented belly of the first crab responds to the rounded shell of the second. The legs create a network of angular lines around two compact masses.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA bottom without depth\u003c\/h3\u003e\n\u003cp\u003eThe space is deliberately flattened. The large green touches recall the graphic freedom of Japanese prints admired by the artist.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe London notice links this still life to Van Gogh's return to work after his stay in Arles hospital.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContext\u003c\/span\u003e\u003ch3\u003eStart painting again\u003c\/h3\u003e\n\u003cp\u003eOn January 7, 1889, Van Gogh announced to Theo that he would take over one or two still lifes; Two Crabs could belong to this reboot.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eJaponism\u003c\/span\u003e\u003ch3\u003eKunisada and Hokusai\u003c\/h3\u003e\n\u003cp\u003eThe National Gallery brings together the crab motif from Japanese prints seen by Van Gogh in Japanese Art and Artistic Japan.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eA work on loan\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to a private collection and is presented by the National Gallery under number L995.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/vincent-van-gogh-two-crabs\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the National Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the opposition of red and green, the very free anatomical details and the difference in material between belly, shell and bottom.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe light belly of the upper crab\u003c\/li\u003e\n\u003cli\u003eThe red shell of the lower crab\u003c\/li\u003e\n\u003cli\u003eThe black tips of the pliers\u003c\/li\u003e\n\u003cli\u003eThe turquoise touches of the background\u003c\/li\u003e\n\u003cli\u003eWhite and pink accents on the shells\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eTwo Crabs, F606\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJanuary 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e47 × 61 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eNational Gallery L995 · F606 · JH1662\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNational Gallery, London - loan of a private collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA lively and unexpected still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a kitchen, dining room or office. Turquoise, brick red, orange and cream match walnut, black metal and gray green walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Deux Crabes, F606\"\u003e\n\u003ci style=\"background:#3d8075\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b44c31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d68443\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6c3a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#694536\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA matte black, walnut or deep green frame reinforces the main contrast. Neutral light reveals the pinks and yellows of the shell.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe National Gallery's reproduction measured 6,000 × 4,226 px; it was reduced to 3,000 × 2,113 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTwo Crabs, F606, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594919858402,"sku":"DEUX_CRABES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-crabes-f606-van-gogh.webp?v=1785253641"},{"product_id":"chaussures-vincent-van-gogh-2","title":"Shoes, F461 - Vincent van 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · August 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eShoes, F461\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo worn work shoes are placed on the tiled floor of the Yellow House; Van Gogh treats their folds, laces and soles like the features of a faceless portrait.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaussures-f461-van-gogh.webp?v=1785252910\u0026amp;format=webp\" alt=\"F461 shoes by Vincent van Gogh, Metropolitan Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eShoes, F461\u003c\/strong\u003eVincent van Gogh · August 1888 · Metropolitan Museum of Art, New York\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAugust 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45.7 × 55.2 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMetropolitan Museum of Art, New York\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA pair of shoes in the Yellow House\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eBoth shoes are seen from above. The one on the left opens backwards, while the one on the right has its wide tip and raised tongue. The untied laces cross the composition in flexible lines.\u003c\/p\u003e\n\u003cp\u003eThe pink, beige and gray tiles are painted in large oblique rectangles. A shadow of small blue hatching extends behind the right shoe and anchors the pair to the floor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe Metropolitan Museum locates this still life in Arles and recognizes in the background the tiled floor of the Yellow House. The shoes were sometimes compared to the peasant Patience Staircase, painted by Van Gogh during the same summer, but their owner remains uncertain.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe current Met notice gives 45.7 × 55.2 cm and the 1992.374 inventory; F461\/JH1569 distinguishes this Arlesian pair from shoes painted in Paris.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA portrait by usury\u003c\/h3\u003e\n\u003cp\u003eFolds, stitching, warped leather and thick soles suggest a long history of use without showing who wore them.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA look from above\u003c\/h3\u003e\n\u003cp\u003eThe high point of view brings the shoes closer to the viewer and transforms the tiles into an almost abstract background.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eColorful browns\u003c\/h3\u003e\n\u003cp\u003eOcher, olive, red, blue and black build leather. Shoes are never reduced to a uniform brown.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh had already painted several pairs of shoes in Paris; this work is his singular return to the motif during the Arles period.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eThe tiles of the Yellow House\u003c\/h3\u003e\n\u003cp\u003eThe Met brings the painted floor here closer to that visible in other views of the house occupied by Van Gogh in Arles.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOwner\u003c\/span\u003e\u003ch3\u003eA cautious attribution\u003c\/h3\u003e\n\u003cp\u003eThe shoes may have belonged to Patience Escalier or Van Gogh himself; no identification is certain.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eNumber 1992.374\u003c\/h3\u003e\n\u003cp\u003eThe Metropolitan Museum purchased the work in 1992 with a donation from the Annenberg Foundation.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/436533\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Metropolitan Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must regain the heaviness of the soles, the free laces, the folds of the leather and the temperature differences between the tiles.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe dark tongue of the right shoe\u003c\/li\u003e\n\u003cli\u003eThe laces untied in the center\u003c\/li\u003e\n\u003cli\u003eThick and worn soles\u003c\/li\u003e\n\u003cli\u003ePink and beige tiles\u003c\/li\u003e\n\u003cli\u003eBlue shadow in fine hatching\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eShoes, F461\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAugust 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e45.7 × 55.2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Museum of Art 1992.374 · F461 · JH1569\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Museum of Art, New York\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA sober and very expressive still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for an office, entrance or workshop. Earth brown, beige, gray pink and slate blue match leather, black metal and raw wood.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Chaussures, F461\"\u003e\n\u003ci style=\"background:#66513a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b8a482\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b48f83\"\u003e\u003c\/i\u003e\u003ci style=\"background:#56697a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2e2927\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, black-brown or raw wood frame extends the material character of the work. Neutral light highlights the nuances of the leather.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Metropolitan Museum's Open Access image measured 3,803 × 3,180 px; it was reduced to 3,000 × 2,509 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eShoes, F461, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594920513762,"sku":"CHAUSSURES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaussures-f461-van-gogh.webp?v=1785252910"},{"product_id":"vase-lauriers-roses-vincent-van-gogh","title":"Oleanders, F593 - Vincent van Gogh","description":"\u003cdiv class=\"ar-artwork-description\" style=\"color:#667c9f;line-height:1.8;font-size:18px;max-width:900px;\"\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003ePainted entirely by handoil on canvas by an experienced artist, this reproduction carefully restores the composition, details, contrasts and colorful harmonies of the original work.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eThe original work dates from August 1888. Its original technique is: oil on canvas. It measures 60.3 × 73.7 cm. It is kept at Metropolitan Museum of Art, New York. Its inventory or catalog number is Metropolitan Museum of Art 62.24 · F593 · JH1566.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eAlso discover our collection of \u003ca href=\"\/collections\/vincent-van-gogh\"\u003ereproductions of paintings by Vincent van Gogh\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 30px;\"\u003eMade to order, each painting is a unique handcrafted piece - neither digital printing nor canvas poster. A photo of the finished work is sent to you for validation before shipping.\u003c\/p\u003e\n\u003cdiv style=\"background:#fff4ed;border-left:5px solid #ff7417;border-radius:0 22px 22px 0;padding:20px 24px;color:#092b63;font-weight:700;line-height:1.55;\"\u003eYour painting is completed in 14 days, then delivered within approximately 5 days after shipment.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594921201890,"sku":"VASE_AUX_LAURIERS_ROSES_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/lauriers-roses-f593-van-gogh.webp?v=1785252153"},{"product_id":"vase-lauriers-roses-vincent-van-gogh-2","title":"Oleander vase, F594 - Vincent van 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · August 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eOleander vase, F594\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eOleanders spring from a pitcher in blue and green majolica in front of an azure wall; this vertical still life, signed \"Vincent\", should not be confused with the F593 Oleanders of the Metropolitan Museum.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-lauriers-roses-f594-van-gogh.webp?v=1785251380\u0026amp;format=webp\" alt=\"Oleander vase F594 by Vincent van Gogh, missing work\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eOleander vase, F594\u003c\/strong\u003eVincent van Gogh · August 1888 · Work disappeared, location unknown since 1944\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAugust 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e56 × 36 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eWork missing, location unknown since 1944\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA missing bouquet, known from its ancient reproductions\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe pot-bellied vase occupies the center of the light table. Its upper part, purple-blue, bears a decoration of leaves and curves; its turquoise green base lightens the mass. The long dark leaves of the laurels surround pink flowers and several faded flower heads.\u003c\/p\u003e\n\u003cp\u003eThe bouquet rises almost to the upper edge, then a branch escapes to the right. The blue background is animated by vertical lines. On the cream table, the shadow of the vase remains light; the Vincent signature appears brown in the lower left corner.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eF594\/JH1567 is a separate work from the Oleanders F593 with Zola's book. The vertical painting measures 56 × 36 cm and its location is unknown; catalogs indicate that it may have disappeared during World War II.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIn the absence of an accessible original and recent museum photography, this sheet is based on the best public reproduction attributed to F594 and clearly indicates its documentary limitations.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA vase in two colors\u003c\/h3\u003e\n\u003cp\u003ePurple blue at the top and turquoise green at the bottom, the container forms a cold base which intensifies the orange-pink of the flowers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eFlowers in several stages\u003c\/h3\u003e\n\u003cp\u003eOpen corollas, buds, drooping petals and faded heads give the bouquet an irregular rhythm and real duration.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA branch out of balance\u003c\/h3\u003e\n\u003cp\u003eThe stem which goes to the right breaks the general verticality and prevents the bouquet from becoming strictly symmetrical.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eCatalog F594\/JH1567 documents an oil on canvas painted in Arles in August 1888, vertical in format and today not localized.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDistinction\u003c\/span\u003e\u003ch3\u003eF594, not F593\u003c\/h3\u003e\n\u003cp\u003eF593 is the large horizontal composition with Zola's Joy of Living, kept at the Metropolitan Museum; F594 is this vertical bouquet.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSignature\u003c\/span\u003e\u003ch3\u003e\"Vincent\" below\u003c\/h3\u003e\n\u003cp\u003eThe signature visible in the lower left corner belongs to the composition known from ancient reproductions.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStatus\u003c\/span\u003e\u003ch3\u003eLocation unknown\u003c\/h3\u003e\n\u003cp\u003eNo current public collection officially preserves the work; it is sometimes reported as possibly stolen in 1944.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0594.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh F594 catalog sheet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must find the documented general structure, the colored division of the vase and the different states of the flowers, without claiming to restore details absent from ancient sources.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large coral pink flowers\u003c\/li\u003e\n\u003cli\u003eThe leaves are long and dark\u003c\/li\u003e\n\u003cli\u003eThe faded flower heads in the center\u003c\/li\u003e\n\u003cli\u003eThe blue purple and turquoise green pitcher\u003c\/li\u003e\n\u003cli\u003eThe Vincent signature in the lower corner\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eOleander vase, F594\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAugust 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e56 × 36 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF594 · JH1567 · current location unknown\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eWork missing, location unknown since 1944\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA rare vertical bouquet in fresh colors\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe narrow format is suitable for a console, kitchen or flower wall. Azure blue, turquoise, coral pink and cream match light wood, ceramic and white walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase aux lauriers roses, F594\"\u003e\n\u003ci style=\"background:#789eb0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#db745f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#405d4d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3c426c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6c99f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA midnight blue, light wood or dark green frame highlights the vase. Neutral light prevents the roses from turning too red.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best documented public reproduction measured 2,261 × 3,179 px; it was reduced to 2,134 × 3,000 px and converted into a real WebP, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eOleander vase, F594, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594922316002,"sku":"VASE_AUX_LAURIERS_ROSES_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-lauriers-roses-f594-van-gogh.webp?v=1785251380"},{"product_id":"nature-morte-planche-dessin-oignons-vincent","title":"Still life 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Early January 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eStill life around a dish of onions, F604\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eOnions, pipe, bottle, candle, coffee maker, letters and health book cover a yellow table: upon returning from the hospital, Van Gogh brings together the objects of his daily life in a still life as intimate as a self-portrait.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-plat-oignons-f604-van-gogh.webp?v=1785249864\u0026amp;format=webp\" alt=\"Still life around a dish of F604 onions by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eStill life around a dish of onions, F604\u003c\/strong\u003eVincent van Gogh · Early January 1889 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEarly January 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e49.5 × 64.4 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA cluttered table that tells of the return to the workshop\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe white dish loaded with onions occupies the center. On the left stand a green bottle, a box of tobacco and a pipe; at the bottom, a coffee maker and a candle dominate the table. On the right, letters, matches, a wax seal and an open book complete the inventory.\u003c\/p\u003e\n\u003cp\u003eThe table is constructed by long touches of yellow and orange which follow its perspective. The gray-blue wall, on the contrary, receives a vertical frame. Between the two, each object is surrounded by blue, green or brown and retains a very autonomous presence.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh was released from Arles hospital on January 7, 1889. He wrote to Theo that he immediately returned to work with two still lifes; F604 is generally attached to this moment of return to the Yellow House.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Kroeller-Müller Museum notice identifies the objects and connects the canvas to the return to work after hospitalization in December 1888.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe flat as a pivot\u003c\/h3\u003e\n\u003cp\u003eThe large white oval brings the onions together in the center. Its calm curves oppose the diagonals of the table and the papers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eBiographical objects\u003c\/h3\u003e\n\u003cp\u003eTheo's letter, pipe, wine, coffee and Health Directory are not decorative: they evoke the artist's immediate concerns.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eTwo key directions\u003c\/h3\u003e\n\u003cp\u003eThe horizontal and oblique lines of the table meet the small vertical marks of the wall, giving a firm structure to the accumulation.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF604\/JH1656 is a painting by Arles from early January 1889, now inventoried KM 111.075 at the Kroeller-Müller Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContext\u003c\/span\u003e\u003ch3\u003eAfter hospital\u003c\/h3\u003e\n\u003cp\u003eVan Gogh returned to the Yellow House in early January and began painting accessible objects in his interior again.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eReading\u003c\/span\u003e\u003ch3\u003eThe Health Directory\u003c\/h3\u003e\n\u003cp\u003eThe book on the right is a popular medical guide; its presence takes on a particular meaning in the aftermath of the December crisis.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCorrespondence\u003c\/span\u003e\u003ch3\u003eA letter from Theo\u003c\/h3\u003e\n\u003cp\u003eAmong the papers is a letter from his brother, a concrete reminder of the material and emotional support that structures the painter's daily life.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/en\/vincent-van-gogh-still-life-with-a-plate-of-onions\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe reproduction must preserve the legible profusion of objects, the differences in direction in the key and the balance between the yellow of the table and the blue gray of the wall.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe white dish and its sprouted onions\u003c\/li\u003e\n\u003cli\u003eThe green bottle cut from the left edge\u003c\/li\u003e\n\u003cli\u003eThe pipe and the box of tobacco\u003c\/li\u003e\n\u003cli\u003eThe candle lit in front of the coffee maker\u003c\/li\u003e\n\u003cli\u003eThe letters and the health book on the right\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eStill life around a dish of onions, F604\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEarly January 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e49.5 × 64.4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum KM 111.075 · F604 · JH1656\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA warm, learned and very personal still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format works above a sideboard, in a kitchen or library. Ocher yellow, gray blue, bottle green and orange go well with raw wood, linen and ceramic.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Nature morte autour d’un plat d’oignons, F604\"\u003e\n\u003ci style=\"background:#d09b35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d57036\"\u003e\u003c\/i\u003e\u003ci style=\"background:#718392\"\u003e\u003c\/i\u003e\u003ci style=\"background:#405b42\"\u003e\u003c\/i\u003e\u003ci style=\"background:#ede0c7\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark wood, bottle green or gray blue frame supports objects without competing with the yellow table. Neutral light keeps papers readable.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003ePublic reproduction measured 6,596 × 4,922 px; it was reduced to 3,000 × 2,239 px and converted into a real WebP, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eStill life around a dish of onions, F604, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594923954402,"sku":"NATURE_MORTE_AVEC_PLANCHE_DESSIN_ET_OIGNONS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/nature-morte-plat-oignons-f604-van-gogh.webp?v=1785249864"},{"product_id":"tournesols-vincent-van-gogh-2","title":"The Philadelphia Sunflowers, F455 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.vg-hero{position:relative;padding:72px 0 46px;background:linear-gradient(112deg,#faf5ed,#ded0bc)}.vg-hero:before{content:attr(data-artist-watermark);position:absolute;right:-20px;top:4px;color:rgba(89,58,41,.055);font:clamp(68px,13vw,175px)\/1 Georgia,serif;letter-spacing:.03em}.vg-hero-grid{position:relative;display:grid;grid-template-columns:.88fr 1.12fr;gap:56px;align-items:center}.vg-hero h2{margin:0;font:400 clamp(50px,7.2vw,92px)\/.88 Georgia,'Times New Roman',serif;letter-spacing:-.06em;overflow-wrap:anywhere}.vg-hero h2 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span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · January 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eThe Philadelphia Sunflowers, F455\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwelve sunflowers occupy a simple earthen pot: painted from memory in the heart of winter, this variation transforms each flower into a singular shape.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-philadelphie-van-gogh-f455.webp?v=1785247747\u0026amp;format=webp\" alt=\"The Sunflowers F455 by Vincent van Gogh, Philadelphia Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Philadelphia Sunflowers, F455\u003c\/strong\u003eVincent van Gogh · January 1889 · Philadelphia Museum of Art\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJanuary 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92.4 × 71.1 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePhiladelphia Museum of Art\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwelve flowers, twelve states of matter\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe large corollas are superimposed above an ocher vase placed on a table. Some flowers are open, others seen in profile or already loaded with seeds; their green stems form a light framework behind the mass of the petals.\u003c\/p\u003e\n\u003cp\u003eThe yellow-green background is separated from the table by a blue line. Van Gogh varies the yellows with ochres, oranges, greens and browns, then changes the direction of the touch from one flower to another to give each one its own physiognomy.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eF455 is a creative repetition of the version with twelve sunflowers painted in August 1888 and today in Munich: it is not a mechanical copy, but a new interpretation made in January 1889.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Philadelphia Museum of Art recalls that Van Gogh took up the motif from memory in winter and that he associated yellow with the sun, the South and a spiritual light.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA bouquet without symmetry\u003c\/h3\u003e\n\u003cp\u003eThe flowers tilt in several directions and their sizes vary greatly; this irregularity gives the bouquet its lively rhythm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDifferentiated yellows\u003c\/h3\u003e\n\u003cp\u003eLemon, ocher, orange and greenish brown avoid monotony. The blue line of the table acts as a very measured contrast.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eEach flower has its touch\u003c\/h3\u003e\n\u003cp\u003eRadiant features, small commas, impasto and drier surfaces distinguish petals, hearts and seeds.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory 1963-116-19 and references F455\/JH1668 identify the Philadelphia version, one of five large sunflower webs preserved today.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOrigin\u003c\/span\u003e\u003ch3\u003eArles decoration\u003c\/h3\u003e\n\u003cp\u003eIn August 1888, Van Gogh imagined several sunflower canvases to decorate the Yellow House before the arrival of Paul Gauguin.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRepetition\u003c\/span\u003e\u003ch3\u003eAfter the Munich version\u003c\/h3\u003e\n\u003cp\u003eThe composition uses the F456 canvas painted the previous summer, but Van Gogh modifies the contours, colors and personality of the flowers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMemory\u003c\/span\u003e\u003ch3\u003ePainted in the middle of winter\u003c\/h3\u003e\n\u003cp\u003eThe museum indicates that this luminous image was taken from memory in January 1889, when fresh flowers were no longer the direct model.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.philamuseum.org\/objects\/59202\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Philadelphia Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the differences between the twelve flowers, the texture of the hearts and the subtlety of the yolks, without standardizing the bouquet into a decorative pattern.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe twelve sunflowers with different orientations\u003c\/li\u003e\n\u003cli\u003eThe simple ocher earthenware vase\u003c\/li\u003e\n\u003cli\u003eThe blue line separating table and background\u003c\/li\u003e\n\u003cli\u003eBrown and green hearts laden with seeds\u003c\/li\u003e\n\u003cli\u003eThe \"Vincent\" signature on the vase\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Philadelphia Sunflowers, F455\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJanuary 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e92.4 × 71.1 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003ePhiladelphia Museum of Art 1963-116-19 · F455 · JH1668\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePhiladelphia Museum of Art\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA sunny bouquet, warm without being uniform\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe large vertical format becomes a focal point in a living room or dining room. Yellows, ochres and greens accompany natural wood, terracotta and blue-gray walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Les Tournesols de Philadelphie, F455\"\u003e\n\u003ci style=\"background:#d9b642\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c88b2e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b772f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#637241\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d6573\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA blue-gray, dark green or walnut frame highlights the yellows without enclosing them. Neutral light reveals the variety of petals and seeds.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Google Art Project reproduction of the work measures 4,562 × 5,801 px; it was reduced to 2,359 × 3,000 px then converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePhiladelphia Sunflowers, F455, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594930376930,"sku":"TOURNESOLS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-philadelphie-van-gogh-f455.webp?v=1785247747"},{"product_id":"nature-morte-vase-quinze-tournesols-vincent","title":"Vase with fifteen sunflowers, F458 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · January 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eVase with fifteen sunflowers, F458\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eFifteen sunflowers at different stages of flowering fill a yellow vase, in a harmony almost entirely constructed with yellows.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-amsterdam-f458-vincent-van-gogh.webp?v=1785245041\u0026amp;format=webp\" alt=\"Vase with fifteen F458 sunflowers by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVase with fifteen sunflowers, F458\u003c\/strong\u003eVincent van Gogh · January 1889 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJanuary 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e95 × 73 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe Amsterdam Rehearsal, painted to perfect a symbol\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIn January 1889, Van Gogh took up the composition with fifteen sunflowers that he had created the previous summer to decorate the Yellow House. The flowers opened, wilted or reduced to their grainy hearts are arranged in no regular order, some rising almost to the upper edge.\u003c\/p\u003e\n\u003cp\u003eThe vase sits on an ocher table separated from the wall by a thin blue line. Within a deliberately restricted range, each yellow is different: lemon, chrome, ocher, golden brown or green-yellow. The blue-green outlines and the \"Vincent\" signature prevent the shapes from dissolving.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe rehearsal does not seek a mechanical copy of the London version F454: it reorganizes the flowers and makes yellow itself the real subject.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF458 is distinguished by its intense yellow background, its two-tone vase and its very varied material, ranging from thin solids to heavily loaded hearts.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eFifteen states of the flower\u003c\/h3\u003e\n\u003cp\u003eButtons, erect corollas, curved petals and dried flower heads show the cycle of the plant in the same bouquet.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eYellow on yellow\u003c\/h3\u003e\n\u003cp\u003eWall, table, vase and flowers share the same colorful family. Van Gogh, however, creates separations through temperature, texture and contours.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA sculpted material\u003c\/h3\u003e\n\u003cp\u003eThe centers of the sunflowers are worked by small repeated marks and impasto, while several petals are placed by long and rapid movements.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory s0031V1962 and references F458\/JH1667 identify the Amsterdam repeat, distinct from the original F454 kept in London.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eSeven paintings in Arles\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted four compositions of sunflowers in August 1888, then three rehearsals in early 1889.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDecoration\u003c\/span\u003e\u003ch3\u003eWith La Berceuse\u003c\/h3\u003e\n\u003cp\u003eHe imagined a triptych where the portrait of Augustine Roulin would be framed by two large bouquets of sunflowers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003es0031V1962\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the Vincent van Gogh Foundation and is one of the central works of the Van Gogh Museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0031V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must differentiate each flower despite the dominant yellow and preserve the impasto passages without making the bouquet heavy.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two large flower heads raised at the top\u003c\/li\u003e\n\u003cli\u003eFaded flowers with curved petals\u003c\/li\u003e\n\u003cli\u003eThe blue-green outlines around the stems\u003c\/li\u003e\n\u003cli\u003eThe very fine separation between the table and the wall\u003c\/li\u003e\n\u003cli\u003eThe signature \"Vincent\" painted on the vase\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eVase with fifteen sunflowers, F458\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJanuary 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e95 × 73 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0031V1962 · F458 · JH1667\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA solar icon with much richer shades than it seems\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for a living room, dining room or entrance. Yellows warm light wood, deep blue, off-white and terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase avec quinze tournesols, F458\"\u003e\n\u003ci style=\"background:#e6cf31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9a92b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9f7a2c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#52764f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2b15c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA midnight blue, olive green or brown wood frame highlights the cold contours. Warm light reveals the differences between the many yellows.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference image was reduced to 2274 × 3000 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVase with fifteen sunflowers, F458, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594934178018,"sku":"NATURE_MORTE_VASE_AVEC_QUINZE_TOURNESOLS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tournesols-amsterdam-f458-vincent-van-gogh.webp?v=1785245041"},{"product_id":"chaise-vincent-sa-pipe-van-gogh","title":"Vincent's Chair with his pipe, F498 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · December 1888 - January 1889 · Yellow House, Arles\u003c\/p\u003e\n        \u003ch2\u003eVincent's Chair with his pipe, F498\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA rustic chair painted yellow carries Van Gogh's pipe and tobacco, facing a blue wall and on red tiles whose deliberately unstable perspective enlivens the entire room.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaise-vincent-f498-vincent-van-gogh.webp?v=1785244344\u0026amp;format=webp\" alt=\"Vincent's Chair with his pipe F498 by Vincent van Gogh, National Gallery in London\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVincent's Chair with his pipe, F498\u003c\/strong\u003eVincent van Gogh · December 1888 - January 1889 · National Gallery, London\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eDecember 1888 - January 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e91.8 × 73 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNational Gallery, London\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA faceless self-portrait in the Yellow House\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh places his wooden and straw chair in the center of an almost empty room. On the seat, a pipe and a tobacco pouch evoke his daily habits. On the left, a box marked \"Vincent\" contains sprouting bulbs; on the right, the blue edge of a door closes the stage.\u003c\/p\u003e\n\u003cp\u003eThe chair is viewed slightly from above and facing right. The lines of the tiles do not converge from a classic perspective: they advance in several directions, which gives the floor a particular tension. The yellows furniture is lined in blue and placed against the turquoise wall.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eWith a few ordinary objects, Van Gogh constructs a portrait of simplicity, work and absent presence, thought of as the diurnal counterpart of Gauguin's Armchair.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe reproduction must retain the rusticity of the furniture, the complementary contours and the deliberately disjointed space without correcting the perspective.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA very simple chair\u003c\/h3\u003e\n\u003cp\u003eThe unadorned backrest, the slightly misaligned legs and the straw seat refer to the peasant furniture that Van Gogh had valued since his Dutch period.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eBlowjob and tobacco\u003c\/h3\u003e\n\u003cp\u003eThese familiar objects replace the absent body. Smoke could also evoke the fragility of life in the Dutch still life tradition.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eDaytime colors\u003c\/h3\u003e\n\u003cp\u003eYellow, turquoise and red tiles produce a bright light effect, opposed to the night lighting and dark tones of Gauguin's armchair.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eNG3862 and references F498\/JH1635 identify the chair started at the end of 1888 then slightly taken over by Van Gogh after his return from the hospital in January 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDuring\u003c\/span\u003e\u003ch3\u003eTwo chairs, two artists\u003c\/h3\u003e\n\u003cp\u003eVan Gogh designed this canvas with Le Fauteuil by Paul Gauguin: modest furniture and daylight for him, elegant armchair and night for his companion.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMemory\u003c\/span\u003e\u003ch3\u003eThe empty chair pattern\u003c\/h3\u003e\n\u003cp\u003eHe knew the image of Luke Fildes' empty Dickens chair and had already associated the unoccupied seat with his father's memory.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eNG3862\u003c\/h3\u003e\n\u003cp\u003eThe National Gallery acquired the painting in 1924 through the Courtauld Fund; today it belongs to the main collection.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/vincent-van-gogh-van-gogh-s-chair\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the National Gallery →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must preserve the irregular design of the furniture, the straw worked in a fan, the small objects of the seat and the contradictory directions of the tiling.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe blue outlines around the yellow wood\u003c\/li\u003e\n\u003cli\u003eThe pipe and the tobacco joke on the straw\u003c\/li\u003e\n\u003cli\u003eThe bulbs in the box signed \"Vincent\"\u003c\/li\u003e\n\u003cli\u003eThe large hinge visible on the blue door\u003c\/li\u003e\n\u003cli\u003eThe deliberately unstable lines of the red tiles\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eVincent's Chair with his pipe, F498\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eDecember 1888 - January 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eYellow house, Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e91.8 × 73 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eNational Gallery NG3862 · F498 · JH1635\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNational Gallery, London\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn icon familiar to yellows and turquoise\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for an entrance, office or living room. Its bold colors match natural wood, terracotta, gray blue and cream walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Chaise de Vincent avec sa pipe, F498\"\u003e\n\u003ci style=\"background:#d4b451\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a5944f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8bb4ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#496e73\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a604d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural oak, warm brown or deep blue frame highlights the furniture without weighing down the scene. A fine molding respects the direct character of the work.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference image was reduced to 2,339 × 3,000 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVincent's Chair with its pipe, F498, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594934309090,"sku":"LA_CHAISE_DE_VINCENT_AVEC_SA_PIPE_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chaise-vincent-f498-vincent-van-gogh.webp?v=1785244344"},{"product_id":"roses-anemones-vincent-van-gogh","title":"Roses and anemones - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eRoses and anemones\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn a blue Japanese vase, pale roses and red anemones open in front of an intense green background. The bouquet, very close to the viewer, becomes a field of colorful touches rather than a wise still life.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/roses-anemones-van-gogh-orsay-rf1954-12.webp?v=1785224342\u0026amp;format=webp\" alt=\"Roses and anemones by Vincent van Gogh, Musée d'Orsay, RF 1954 12\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRoses and anemones\u003c\/strong\u003eVincent van Gogh June 1890 · Musée d'Orsay, Paris\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e51.7 × 52 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMusée d'Orsay, Paris\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA square bouquet on a green background\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe blue and white vase is placed at the edge of a table whose color almost blends in with the background. Cream roses occupy the upper part, while red anemones and foliage descend towards the sides. Several flowers are cut by the framing.\u003c\/p\u003e\n\u003cp\u003eThe green background is animated by visible oblique touches. The whites of the roses contain yellows, pinks and blues; anemones bring bright black and red centers. The Japanese vase provides a cold base for this profusion.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe square composition brings the bouquet closer to the viewer's scale: flowers, leaves and vase seem to grow towards the limits of the canvas.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Musée d'Orsay preserves Roses and anemones under the inventory RF 1954 12. The work is cataloged F764\/JH2045 and must be distinguished from the bouquets of roses painted a few weeks earlier in Saint-Rémy.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA deliberately tight framing\u003c\/h3\u003e\n\u003cp\u003eThe bouquet almost completely fills the square. The flowers cut by the edges and the stems that deviate from the center give the impression of growth that extends beyond the canvas.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGreen as an active color\u003c\/h3\u003e\n\u003cp\u003eThe background is not neutral: it contrasts its green vibration with the reds of the anemones and brings out the light pinks. His brushstrokes participate in the general movement.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA recognizable Japanese vase\u003c\/h3\u003e\n\u003cp\u003eThe blue and white container recalls Van Gogh's enduring interest in Japanese prints and objects. Its cold and compact decoration stabilizes the irregular mass of the bouquet.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eRoses and anemones is an oil on canvas measuring 51.7 × 52 cm, painted in Auvers in June 1890. It bears the references F764\/JH2045 and the inventory RF 1954 12.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTitle\u003c\/span\u003e\u003ch3\u003eA Japanese vase\u003c\/h3\u003e\n\u003cp\u003eThe work is also known as Still Life: Japanese Vase with Roses and Anemones. The blue and white container allows us to recognize this version in the numerous bouquets of Auvers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003ch3\u003eIn the Gachet family until 1954\u003c\/h3\u003e\n\u003cp\u003eAfter Van Gogh's death, the painting passed from Theo to Paul Gachet Jr. He kept it until his donation to the French state in 1954.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseum\u003c\/span\u003e\u003ch3\u003eFrom the Jeu de Paume to Orsay\u003c\/h3\u003e\n\u003cp\u003eAssigned first to the Louvre Museum then exhibited at the Jeu de Paume, the work joined the collections of the Musée d'Orsay when it opened in 1986.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/roses-et-anemones-753\" target=\"_blank\" rel=\"noopener\"\u003eConsult the notice from the Musée d'Orsay\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe reproduction must retain the vibrant green of the background, the nuanced light of the roses, the dark reds of the anemones and the blue design of the Japanese vase.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eCream roses modeled in yellow, pink and blue\u003c\/li\u003e\n\u003cli\u003eRed anemones with almost black centers\u003c\/li\u003e\n\u003cli\u003eThe blue and white Japanese vase\u003c\/li\u003e\n\u003cli\u003eThe green background covered with oblique touches\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eRoses and anemones\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e51.7 × 52 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eRF 1954 12 · F764 · JH2045\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eMusée d'Orsay, Paris\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA square, lively and generous still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe dominant green and red flowers bring immediate presence to a dining room, kitchen or living room. The almost square format works well on a narrow wall or in a frame composition.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Roses et anémones\"\u003e\n\u003ci style=\"background:#397052\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d7cda5\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b84f45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#314f6f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#74663d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA midnight blue frame is reminiscent of the vase; a dark brown or discreet gilded wood warms the roses. Avoid a green too close to the bottom, which would reduce the separation of the canvas.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe only image on the sheet is a 1941 × 1955 px color file, converted to real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRoses and anemones, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (60 x 60 cm)","offer_id":46594978676962,"sku":"ROSES_ET_AN_MONES_60x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/roses-anemones-van-gogh-orsay-rf1954-12.webp?v=1785224342"},{"product_id":"vase-iris-vincent-van-gogh","title":"Iris vase - Vincent van 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18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1890 · Saint-Rémy-de-Provence, France\u003c\/p\u003e\n        \u003ch2\u003eIris vase\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA bouquet of blue-purple iris springs from an ocher vase in front of an almost sunny yellow background. Painted a few days before the departure from Saint-Rémy, this large still life is a deliberately intense study of complementary colors.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-iris-van-gogh-museum-s0050v1962.webp?v=1785223168\u0026amp;format=webp\" alt=\"Vincent van Gogh's Iris Vase, Van Gogh Museum, s0050V1962\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eIris vase\u003c\/strong\u003eVincent van Gogh · May 1890 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92.7 × 73.9 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eCold irises projected onto a yellow wall\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe vase, placed very low on an ocher table, bears a bouquet higher than it. The green leaves rise in long blades while the flowers bloom in irregular clusters. Several stems bend towards the edges and a flower falls to the right of the container.\u003c\/p\u003e\n\u003cp\u003eThe yellow background is not uniform: it is covered with horizontal and vertical touches which modulate the light. The irises are constructed by blues, purples, white and some very dark contours. The yellow of the wall and the blue of the bouquet reinforce each other.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh does not seek the delicacy of a living room bouquet: he gives the flowers a monumental scale and transforms the yellow-purple contrast into the main subject.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe work s0050V1962 is the vertical version with a yellow background, cataloged F678\/JH1977. It should not be confused with the horizontal version with a pink background today at the Metropolitan Museum of Art.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eAn almost life-size bouquet\u003c\/h3\u003e\n\u003cp\u003eThe large 92.7 cm format allows irises to occupy almost the entire height. Flowers cut by the top edge make the bouquet appear to continue beyond the frame.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe yellow-purple contrast\u003c\/h3\u003e\n\u003cp\u003eVan Gogh combines two opposing colors on the color wheel. The petals appear colder and deeper against the warm yellow of the wall and the orange-brown of the vase.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA color transformed by time\u003c\/h3\u003e\n\u003cp\u003eThe irises were originally more purple. Part of the red pigment having faded, the flowers now appear more blue; this evolution belongs to the material history of the work.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Van Gogh Museum preserves Vase d'iris under number s0050V1962. This oil on canvas of 92.7 × 73.9 cm, painted in Saint-Rémy in May 1890, bears the references F678 and JH1977.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eFour bouquets from May 1890\u003c\/h3\u003e\n\u003cp\u003eAt the end of his stay in Saint-Rémy, Van Gogh painted two bouquets of irises and two bouquets of roses. He thus explores several color oppositions and two canvas orientations.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eF678, the yellow background\u003c\/h3\u003e\n\u003cp\u003eThis vertical composition places the flowers on a bright yellow. Its companion F680, more horizontal, seeks on the contrary a soft harmony of purple irises on an initially pink background.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eVincent van Gogh Foundation\u003c\/h3\u003e\n\u003cp\u003eThe work belongs to the Vincent van Gogh Foundation and is kept at the Van Gogh Museum in Amsterdam under inventory s0050V1962.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0050V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum instructions\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must preserve the very clear opposition between yellow and blue, the visible material of the petals and the irregular silhouette of the bouquet.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eBlue-purple irises surrounded by dark contours\u003c\/li\u003e\n\u003cli\u003eThe long green leaves that cross the bouquet\u003c\/li\u003e\n\u003cli\u003eThe ocher vase modeled by yellows and browns\u003c\/li\u003e\n\u003cli\u003eThe yellow background animated by visible brushstrokes\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eIris vase\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e92.7 × 73.9 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003es0050V1962· F678· JH1977\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA monumental and luminous floral presence\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe dominant yellow warms a living room, dining room or entrance. Blues and greens resonate naturally in dark wood, brass, indigo textiles and cream walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase d’iris\"\u003e\n\u003ci style=\"background:#d2bd27\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f5d90\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d4c89\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66824a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bd772b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark blue, deep brown or discreet gilded wood frame contains the energy of the yellow background. A simple molding lets the cut-out silhouette of the irises breathe.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official public domain image measures 2,480 × 3,122 px. It was converted into a real WebP of 2,383 × 3,000 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eIris vase, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594981167330,"sku":"VASE_D_IRIS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-iris-van-gogh-museum-s0050v1962.webp?v=1785223168"},{"product_id":"fleurs-verre-vincent-van-gogh","title":"Flowers in a glass - Vincent van 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eFlowers in a glass\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn a transparent stemmed glass, Van Gogh brings together a few stems of blue bellflowers, white flowers and small red touches. The bouquet appears fragile and almost improvised in the face of a largely brushed gray-blue background.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-dans-un-verre-van-gogh-f589.webp?v=1785222264\u0026amp;format=webp\" alt=\"Flowers in a glass by Vincent van Gogh, Auvers-sur-Oise, F589\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eFlowers in a glass\u003c\/strong\u003eVincent van Gogh · June 1890 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41.3 × 33.3 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA light bouquet hanging above a white table\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe narrow glass is placed slightly to the right of center. Its base and cut are drawn by turquoise contours, white reflections and a few brown touches which reveal the bottom through the container.\u003c\/p\u003e\n\u003cp\u003eThe stems fan out towards the upper edge. The blue bells group together on the right, a red flower punctuates the top and the green leaves fall around the glass. A curved line separates the very light table from the gray-blue wall.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe almost transparent glass and the space left empty give this still life an unusual breath, despite the visible vigor of each brushstroke.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe F589 work can be recognized by its stemmed glass, its blue bellflowers, the large white table and the gray background constructed by vertical and horizontal hatching.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTransparency without illusionism\u003c\/h3\u003e\n\u003cp\u003eA few turquoise lines are enough to describe the glass. Van Gogh does not seek a smooth finish: reflections are colored signs which remain perfectly visible.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eAn off-center and airy bouquet\u003c\/h3\u003e\n\u003cp\u003eThe flowers mainly occupy the right part while a long stem goes to the left. This asymmetry makes the arrangement spontaneous and opens up large areas of background.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eAn almost unpainted table\u003c\/h3\u003e\n\u003cp\u003eThe cream whites reveal the texture of the canvas and the repetitions of the brush. This calm surface accentuates the finesse of the glass base.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eFlowers in a Glass is a 41.3 × 33.3 cm oil on canvas painted in Auvers in June 1890. Listed under F589 and JH2033, it is currently kept in a private collection.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAuthenticity\u003c\/span\u003e\u003ch3\u003eConfirmed by the Van Gogh Museum\u003c\/h3\u003e\n\u003cp\u003eAt the 2020 Sotheby's sale, the house indicated that the authenticity of the work had been confirmed by the Van Gogh Museum in Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDating\u003c\/span\u003e\u003ch3\u003eFrom Arles to Auvers\u003c\/h3\u003e\n\u003cp\u003eOld catalogs sometimes dated it from 1888. More recent research now links it to the small group of floral still lifes painted in Auvers in 1890.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCourse\u003c\/span\u003e\u003ch3\u003eAn eventful provenance\u003c\/h3\u003e\n\u003cp\u003eSeized from Alfred Lindon during the Occupation, the work was recovered after the war then returned to his heir Jacques Lindon before joining several American collections.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.sothebys.com\/en\/buy\/auction\/2020\/impressionist-modern-art-evening-sale-2\/vincent-van-gogh-fleurs-dans-un-verre\" target=\"_blank\" rel=\"noopener\"\u003eConsult the documented Sotheby's notice\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must retain the graphic transparency of the glass, the cold blues of the flowers and the large clear reserves, without artificially thickening the stems.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe stemmed glass drawn by a few turquoise contours\u003c\/li\u003e\n\u003cli\u003eThe blue bellflowers grouped on the right\u003c\/li\u003e\n\u003cli\u003eThe little red flower near the top edge\u003c\/li\u003e\n\u003cli\u003eThe curve that separates the white table from the gray wall\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eFlowers in a glass\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e41.3 × 33.3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF589 · JH2033\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA clear and light still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe small vertical format is suitable for a bedroom, entrance or frame composition. Blue gray, sea green and off-white match bright interiors and pale woods.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Fleurs dans un verre\"\u003e\n\u003ci style=\"background:#c9d0ca\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d99a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4b8b71\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7a85b3\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a84c39\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA blue-gray, patinated green or light oak frame maintains the freshness of the palette. A white or cream margin underlines the finesse of the glass.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe high definition sales photograph measures 1,621 × 2,000 px. It has been converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eFlowers in a glass, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594981920994,"sku":"FLEURS_DANS_UN_VERRE_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-dans-un-verre-van-gogh-f589.webp?v=1785222264"},{"product_id":"vase-fleurs-chardons-vincent-van-gogh","title":"Vase with flowers and thistles - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark .vg-intro{color:#bdb4ab}.vg-points{display:grid;grid-template-columns:repeat(3,1fr);gap:14px;margin-top:42px}.vg-point{min-height:300px;padding:27px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.11)}.vg-point b{display:block;color:#e0a77e;font:30px Georgia,serif}.vg-point h3{margin:42px 0 10px;color:white;font-size:25px;line-height:1.05}.vg-point p{margin:0;color:#bdb4ab;font-size:14px}\n.vg-facts{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:42px}.vg-fact{position:relative;min-height:300px;padding:27px;background:var(--vg-paper2)}.vg-fact:first-child{color:white;background:var(--vg-brown)}.vg-fact span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eVase with flowers and thistles\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA terracotta vase bears a bouquet almost entirely composed of blue thistles, cut leaves and dry stems. On a sea green background, Van Gogh contrasts the harshness of the plant with the simple roundness of the container.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-fleurs-chardons-van-gogh-pola-museum.webp?v=1785222262\u0026amp;format=webp\" alt=\"Vase with flowers and thistles by Vincent van Gogh, Pola Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eVase with flowers and thistles\u003c\/strong\u003eVincent van Gogh · June 1890 · Pola Museum of Art, Hakone\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40.8 × 33.6 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePola Museum of Art, Hakone\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThorny thistles in a very simple vase\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe red-brown vase sits in the center of a light table and fills almost the entire lower half. Its concentric rings, painted brown, red and black, give weight to the pottery.\u003c\/p\u003e\n\u003cp\u003eAbove, the blue-green leaves form an irregular crown around two purple flower heads. Long light and black stems cross the bouquet diagonally. The turquoise background, placed in visible lines, envelops the whole in fresh light.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe composition brings three materials into dialogue: heavy pottery, sharp leaves and the light background covered by the brush.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eWork 016-0020 can be recognized by its small vertical format, its red-brown globular vase, its two purple thistles and its almost monochrome turquoise background.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA very stable circular base\u003c\/h3\u003e\n\u003cp\u003eThe repeated curves of the vase form a compact base. They compensate for unstable stems and leaves that disperse in all directions.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eBlack as a drawing\u003c\/h3\u003e\n\u003cp\u003eVan Gogh uses blue-black outlines to separate the leaves, flowers and edge of the vase. This dark design remains visible among the impasto.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA background that remains material\u003c\/h3\u003e\n\u003cp\u003eTurquoise is never smooth. Vertical and horizontal lines show the progression of the brush and keep the entire surface active.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Pola Museum of Art preserves this oil on canvas measuring 40.8 × 33.6 cm under the reference 016-0020. Painted in Auvers in June 1890, it corresponds to catalogs F599 and JH2044.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseum\u003c\/span\u003e\u003ch3\u003eHakone Collection\u003c\/h3\u003e\n\u003cp\u003eVase with flowers and thistles is one of three Van Gogh oils preserved by the Pola Museum of Art, along with Le Pont de Gleize and Touffes d'herbe.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eF599, a small bouquet\u003c\/h3\u003e\n\u003cp\u003eThe 40.8 × 33.6 cm format and the globular vase distinguish F599 from the large vertical still life F763, treated in the previous batch.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eAuvers, June 1890\u003c\/h3\u003e\n\u003cp\u003eIn the weeks following his arrival in Auvers, Van Gogh returned to the floral still life. The museum officially dates this composition to 1890 and the catalogs specify the month of June.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.polamuseum.or.jp\/en\/collection\/016-0020\/\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Pola Museum of Art notice\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must preserve the blue-black contours, the earthy red of the vase and the luminosity of the turquoise background, without softening the spicy shapes of the thistles.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two purple-blue flower heads in the center\u003c\/li\u003e\n\u003cli\u003eThe serrated leaves surrounded by darkness\u003c\/li\u003e\n\u003cli\u003eThe long oblique stems above the bouquet\u003c\/li\u003e\n\u003cli\u003eThe red and brown rings of the vase\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eVase with flowers and thistles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e40.8 × 33.6 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003e016-0020 · F599 · JH2044\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePola Museum of Art, Hakone\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA small, lively bouquet for a close space\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for an entrance, a shelf or a wall of small paintings. Turquoise, terracotta and purple accompany blond wood, ceramics and natural textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase avec fleurs et chardons\"\u003e\n\u003ci style=\"background:#8cc8b2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b826d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#723d2d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6c6fa4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263d3a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA red brown, petrol blue or light wood frame uses the three main color families. A discreet margin enhances the original small format.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official photograph of the Pola Museum of Art measures 1,226 × 1,500 px. It has been converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eVase with flowers and thistles, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594982117602,"sku":"VASE_AVEC_FLEURS_ET_CHARDONS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-fleurs-chardons-van-gogh-pola-museum.webp?v=1785222262"},{"product_id":"fleurs-sauvages-chardons-vase-vincent-van","title":"Wild flowers and thistles in a vase - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eWild flowers and thistles in a vase\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn a vase of red earth, Van Gogh brings together thistles, foliage and wild flowers in a deliberately undisciplined bouquet. The dark plant mass, crossed by blues and whites, stands out against a light green background streaked with horizontal touches.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-sauvages-chardons-vase-van-gogh-f763.webp?v=1785221567\u0026amp;format=webp\" alt=\"Wild flowers and thistles in a vase by Vincent van Gogh, F763\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eWild flowers and thistles in a vase\u003c\/strong\u003eVincent van Gogh · June 1890 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e67 × 47 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA wild bouquet overflowing from its vase\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe cylindrical vase occupies the bottom of the composition, slightly offset to the left. Long black stems soar to the upper edge, while serrated leaves and thistle flower heads form a compact core in the center.\u003c\/p\u003e\n\u003cp\u003eAn isolated red flower appears near the top, responding to the terracotta of the container. The chalky whites, cold blues and almost black greens are placed in thick touches; behind them, the water green background remains more regular and moves the bouquet forward.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eStill life seeks neither symmetry nor floral elegance: it draws its strength from crossing stems, prickly leaves and colorful material.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe work F763 can be recognized by its vertical format, the red-brown vase, the large yellow-green leaf placed on the right and the red flower suspended at the top of the bouquet.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA deliberately irregular silhouette\u003c\/h3\u003e\n\u003cp\u003eThe stems come out on all sides and cut the bottom at different angles. This dispersion gives the bouquet the energy of a still living plant rather than the order of a decorative arrangement.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe vase as an anchor\u003c\/h3\u003e\n\u003cp\u003eIts simple shape and warm color stabilize the upper abundance. The black contours visually connect the container to the longer branches.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eColors separated by the key\u003c\/h3\u003e\n\u003cp\u003eBlues, whites and yellows are not melted. Each brushstroke remains readable and describes a flower, a leaf or a reflection of light at the same time.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eWild flowers and thistles in a vase is an oil on canvas of 67 × 47 cm painted in Auvers in June 1890. Preserved in a private collection, it bears the references F763 and JH2030.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF763 · JH2030\u003c\/h3\u003e\n\u003cp\u003eThese references distinguish this large vertical still life from other flower vases made in Auvers in the same month, whose formats and bouquets differ.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eJune in Auvers\u003c\/h3\u003e\n\u003cp\u003eVan Gogh arrived in Auvers in May 1890. In this last period, he alternated landscapes, portraits and several floral still lifes with very direct framing.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservation\u003c\/span\u003e\u003ch3\u003eA work in a private collection\u003c\/h3\u003e\n\u003cp\u003eNo public museum is currently listed for F763 in the catalogs viewed. The file therefore retains this cautious location without attributing to it an imaginary establishment.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0763.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the F763 sheet of the online catalog\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must preserve the opposition between the light green background, the warm vase and the almost black heart of the bouquet, without smoothing the nervous contours of the leaves.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe red flower isolated in the upper part\u003c\/li\u003e\n\u003cli\u003eThe large yellow-green leaf that rises to the right\u003c\/li\u003e\n\u003cli\u003eBlue and white thistles in the center of the bouquet\u003c\/li\u003e\n\u003cli\u003eThe red-brown vase with visible black contours\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eWild flowers and thistles in a vase\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e67 × 47 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF763 · JH2030\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA vertical, raw and very colorful still life\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe narrow format is suitable for a section of wall, an entrance or a space between two pieces of furniture. Greens, cobalt blue and terracotta interact with dark wood, ecru linen and sage or cream walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Fleurs sauvages et chardons dans un vase\"\u003e\n\u003ci style=\"background:#5f947a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#263c2d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6e72a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b4432f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b3bc39\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA deep brown, forest green or natural wood frame takes up the contours of the bouquet. A fairly simple molding lets the stems breathe, which almost reach the upper edge.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe available public domain reference measures 1,194 × 1,801 px. It has been converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eWild flowers and thistles in a vase, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594985263330,"sku":"FLEURS_SAUVAGES_ET_CHARDONS_DANS_UN_VASE_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fleurs-sauvages-chardons-vase-van-gogh-f763.webp?v=1785221567"},{"product_id":"branches-marronnier-fleur-vincent-van-gogh","title":"Chestnut branches in bloom - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eChestnut branches in bloom\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBunches of white and pink flowers unfold on a blue background covered with hatching. The large starry leaves, surrounded by darkness, surround the chestnut tree's candles in a composition without mud or horizon.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branches-marronnier-fleur-van-gogh.webp?v=1785217865\u0026amp;format=webp\" alt=\"Chestnut branches in bloom, still life by Vincent van Gogh, May 1890\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eChestnut branches in bloom\u003c\/strong\u003eVincent van Gogh · May 1890 · Emil Bührle Collection, Kunsthaus Zürich\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEmil Bührle Collection, Kunsthaus Zürich\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eChestnut flowers seen up close\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eA branch crosses the canvas diagonally and bears several heavy clusters of small light flowers. Yellow, pink and blue highlights give volume to each candle without detailing all the corollas.\u003c\/p\u003e\n\u003cp\u003eWebbed leaves open around the flowers, some deep green, others yellow or reddish. The blue-purple background remains fully visible between the stems; his tight brushstrokes make the space vibrate.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eBy removing the vase and depth, Van Gogh transforms the cut branches into a decorative screen of flowers, leaves and lines.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe work BU 0053 can be recognized by its horizontal format, its large white clusters, the webbed leaves surrounded by blue and the hatched purple background.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eFraming without a container\u003c\/h3\u003e\n\u003cp\u003eNo vase appears: branches enter directly into the field. The pattern thus seems to extend beyond the four edges.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eLeaves like stars\u003c\/h3\u003e\n\u003cp\u003eThe leaflets radiate from a central point and are reinforced by dark contours. They structure the composition between the masses of flowers.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA fund that remains active\u003c\/h3\u003e\n\u003cp\u003eBlue is not a neutral flat. Curved hatching follows the stems and fills each interval with a steady movement.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eChestnut branches in bloom is an oil on canvas of 73 × 92 cm painted in Auvers in May 1890. The work F820, today inventoried BU 0053, belongs to the Emil Bührle Collection on long-term loan to the Kunsthaus Zürich.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInventory\u003c\/span\u003e\u003ch3\u003eBU 0053 · F820\u003c\/h3\u003e\n\u003cp\u003eThe Kunsthaus file gives the inventory BU 0053 and the reference of La Faille F820. The Hulsker catalog identifies it under JH2010.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePresentation\u003c\/span\u003e\u003ch3\u003eAt the Kunsthaus since 2021\u003c\/h3\u003e\n\u003cp\u003eThe Emil Bührle Collection placed this painting on long-term loan at the Kunsthaus Zürich when its new extension opened.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eEpisode\u003c\/span\u003e\u003ch3\u003eFound in 2008\u003c\/h3\u003e\n\u003cp\u003eStolen with three other paintings in Zurich on February 10, 2008, the work was found nine days later in a car and returned without damage.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/collection.kunsthaus.ch\/multimedia\/6\/586966-en.pdf\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official Kunsthaus Zürich file\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must maintain the density of the clusters, the radiant structure of the leaves and the blue hatching which keeps the background in motion.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe long white clusters punctuated with pink\u003c\/li\u003e\n\u003cli\u003eThe large webbed leaves with dark contours\u003c\/li\u003e\n\u003cli\u003eThe main diagonal of the branches\u003c\/li\u003e\n\u003cli\u003eThe completely hatched blue-purple background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eChestnut branches in bloom\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eBU 0053 · F820 · JH2010\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eEmil Bührle Collection, Kunsthaus Zürich\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAmple flowering on a vibrant blue\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe large horizontal format enlivens a living room, bedroom or dining room. Blue purple, greens and creamy whites go well with light wood, brass and unbleached textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Branches de marronnier en fleurs\"\u003e\n\u003ci style=\"background:#4a6694\"\u003e\u003c\/i\u003e\u003ci style=\"background:#486944\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9d4b8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8a171\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8f5d6f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA midnight blue, deep green or patinated gold frame highlights the contours and flowers. A sober molding leaves the pattern full of its fullness.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public reference of 3,870 × 3,066 px was reduced to 3,000 × 2,377 px and then converted to a true WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eChestnut branches in bloom, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46595004924130,"sku":"BRANCHES_DE_MARRONNIER_EN_FLEUR_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/branches-marronnier-fleur-van-gogh.webp?v=1785217865"},{"product_id":"verre-illets-vincent-van-gogh","title":"Eyelet glass - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark .vg-intro{color:#bdb4ab}.vg-points{display:grid;grid-template-columns:repeat(3,1fr);gap:14px;margin-top:42px}.vg-point{min-height:300px;padding:27px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.11)}.vg-point b{display:block;color:#e0a77e;font:30px Georgia,serif}.vg-point h3{margin:42px 0 10px;color:white;font-size:25px;line-height:1.05}.vg-point p{margin:0;color:#bdb4ab;font-size:14px}\n.vg-facts{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:42px}.vg-fact{position:relative;min-height:300px;padding:27px;background:var(--vg-paper2)}.vg-fact:first-child{color:white;background:var(--vg-brown)}.vg-fact span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eEyelet glass\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA bouquet of white, blue and dark red carnations fits in a simple green glass. With a few nerve rods, a light yellow background and the bluish shadow of the table, Van Gogh constructs a light, almost transparent still life.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/verre-aux-oeillets-vincent-van-gogh-reproduction-huile.webp?v=1785215360\u0026amp;format=webp\" alt=\"Eyelet glass by Vincent van Gogh, 1890, private collection\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eEyelet glass\u003c\/strong\u003eVincent van Gogh June 1890 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e41 × 32 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eClear eyelets in transparent green glass\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe flowers are divided into two asymmetrical groups. On the left, the blue and white corollas tighten around several stems which rise to the upper edge. On the right, two red-purple carnations jut out in front of a small cloud of pale flowers.\u003c\/p\u003e\n\u003cp\u003eThe cylindrical glass is indicated by blue-black contours and green passages which reveal the submerged rods. On the table, a blue-gray shadow goes to the left. The yellow background remains almost empty and makes the contours particularly visible.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe transparency of the container and the voids between the flowers give the bouquet a fragility very different from the large floral vases of Auvers.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe F598 work can be recognized by its small green glass, its off-center bouquet, the long bare stems and the almost monochrome yellow background.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA transparent container\u003c\/h3\u003e\n\u003cp\u003eThe glass is not painted as an opaque volume. The stems, green reflections and a few dark blue lines are enough to suggest the walls.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA bouquet deliberately opened\u003c\/h3\u003e\n\u003cp\u003eCorollas do not form a continuous mass. The yellow spaces between them and the long stems give an airy rhythm to the composition.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eContours and flat areas\u003c\/h3\u003e\n\u003cp\u003eThe Van Gogh Museum brings this still life closer to the artist's taste for Japanese prints: simple colored plans, visible outlines and quick execution.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eGlass with Carnations is an oil on canvas painted in Auvers in June 1890. Preserved in a private collection, it is cataloged F598 and JH2043.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContext\u003c\/span\u003e\u003ch3\u003eAmong a dozen bouquets from Auvers\u003c\/h3\u003e\n\u003cp\u003eVan Gogh mainly painted landscapes during his stay, but also created a varied series of floral still lifes, often for his pleasure or as a gift.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003ch3\u003eA canvas of 41 × 32 cm\u003c\/h3\u003e\n\u003cp\u003eThe small size matches the economy of the pattern: a glass, a few flowers, a light table and almost no accessories.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF598 · JH2043\u003c\/h3\u003e\n\u003cp\u003eThese references distinguish the carnation glass of the F280 wildflower vase and the large bouquets kept in museums.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Glas_mit_Nelken.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eConsult the documentary sheet for work F598\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must keep the lightness of the voids, the irregular contours of the eyelets and the transparency of the glass, without artificially thickening this little bouquet.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe discrepancy between the blue-white group and the two dark carnations\u003c\/li\u003e\n\u003cli\u003eThe long green stems left almost bare\u003c\/li\u003e\n\u003cli\u003eThe rods visible through the cylindrical glass\u003c\/li\u003e\n\u003cli\u003eThe gray blue shadow placed on the light yellow table\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eEyelet glass\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e41 × 32 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF598 · JH2043 · Private collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA light still life for an intimate space\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for a kitchen, bedroom or small office wall. Light yellows, greens and blues illuminate natural wood and cream-toned interiors.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Verre aux œillets\"\u003e\n\u003ci style=\"background:#ddd876\"\u003e\u003c\/i\u003e\u003ci style=\"background:#89a254\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d8fb2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#ece5c2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b425b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eAn olive green, gray blue or light oak frame accompanies the delicacy of the bouquet. A fine molding retains the impression of lightness.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best identified public reference measures 1,206 × 1,704 px. It has been converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eEyelet glass, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46595024355554,"sku":"VERRE_AUX_ILLETS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/verre-aux-oeillets-vincent-van-gogh-reproduction-huile.webp?v=1785215360"},{"product_id":"vase-marguerites-coquelicots-vincent-van-gogh","title":"Daisy 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18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eDaisy and poppy vase\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA bouquet overflowing with red poppies, white daisies and blueberries springs from a brown vase placed on a round table. Van Gogh concentrates the wild flowers of the Auvers fields in this still life and contrasts them with a very light green background.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-marguerites-coquelicots-vincent-van-gogh.webp?v=1785215355\u0026amp;format=webp\" alt=\"Daisy and poppy vase by Vincent van Gogh, 1890\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDaisy and poppy vase\u003c\/strong\u003eVincent van Gogh · June 1890 · Song Art Museum, Beijing\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e66 × 51 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSong Art Museum, Beijing\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA wild bouquet that overflows from the vase and the frame\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe poppies form a large red mass in the center and upper part. On the left, the small blue flowers tighten the bouquet; the white daisies descend towards the table and visually cross the edge of the vase. Several long, thin stems remain isolated on the bottom.\u003c\/p\u003e\n\u003cp\u003eThe red-brown vase is constructed by lighter horizontal bands. Its stable volume contrasts with the scattering of flowers and the stems falling to the right. The almost white circle of the table supports the whole without closing the bottom of the composition.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe bouquet combines density and dispersion: a compact red core, then flowers and stems escaping in all directions.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe F280 work can be recognized by its large red bouquet, its striped brown earthenware vase, the falling daisies and the sea green background.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThree families of flowers\u003c\/h3\u003e\n\u003cp\u003ePoppies provide red mass, daisies open white and yellow discs, while blueberries create a tighter blue area to the left.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA background left alive\u003c\/h3\u003e\n\u003cp\u003ePale green is not uniform. Wide, lighter passages and some areas of visible canvas give air around the corollas.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe table as a base\u003c\/h3\u003e\n\u003cp\u003eIts blue-gray arch frames the base of the vase and makes the hanging stems legible. This semi-circle calms the composition without becoming a detailed decoration.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis Auvers still life is cataloged F280 and JH2032. Google Arts \u0026amp; Culture presents it today in the collection of the Song Art Museum in Beijing.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eA still life of recent weeks\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted several bouquets in Auvers in June 1890, in the middle of a production mainly devoted to landscapes and portraits.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eField flowers\u003c\/h3\u003e\n\u003cp\u003eThe mix of poppies, daisies and small blue flowers gives the bouquet a picked character rather than composed according to the rules of a living room arrangement.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF280· JH2032\u003c\/h3\u003e\n\u003cp\u003eThese references distinguish this brown vase from Glass with carnations and other floral still lifes made at the same time.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/artsandculture.google.com\/asset\/vase-with-daisies-and-poppies-vincent-willem-van-gogh\/pgEmgJ41BtogpA\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Song Art Museum instructions\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must preserve the irregular shape of the bouquet, the distribution of the three families of flowers and the overflowing stems, without transforming this lively picking into a symmetrical arrangement.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe dense core of red and orange poppies\u003c\/li\u003e\n\u003cli\u003eThe blueberry area concentrated on the left\u003c\/li\u003e\n\u003cli\u003eThe white daisies that descend towards the table\u003c\/li\u003e\n\u003cli\u003eThe light strips of the vase and the long hanging stems on the right\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eDaisy and poppy vase\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e66 × 51 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF280· JH2032\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eSong Art Museum, Beijing\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA generous bouquet to brighten up an interior\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe red of flowers and sea green bring a joyful presence to a dining room, kitchen or living room. The vertical format is easily placed above a console or between two pieces of furniture.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vase aux marguerites et coquelicots\"\u003e\n\u003ci style=\"background:#b9482d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d36b34\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a9c98f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#315b73\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c2aa69\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eAn earth brown, soft green or natural wood frame recalls the vase and the background. A sober molding leaves the bouquet expanding.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reference corresponds exactly to F280. Its 1,520 × 2,000 px file has been converted into a real WebP at its original definition.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDaisy and poppy vase, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46595028222178,"sku":"VASE_AVEC_MARGUERITES_ET_COQUELICOTS_50x60","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vase-marguerites-coquelicots-vincent-van-gogh.webp?v=1785215355"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/chaise-de-vincent-avec-une-pipe-van-gogh-reproductions-tableaux-a-la-peinture-lhuile-908.webp?v=1745933913","url":"https:\/\/alphareproduction.com\/collections\/van-gogh-nature-morte.oembed?page=3","provider":"Alpha Reproduction","version":"1.0","type":"link"}