{"title":"Van Gogh Landscape","description":"\u003cstyle\u003e\n  .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n  .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n  @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n  \u003csection class=\"rr-hero\" style=\"--rr-watermark:'PAYSAGES DE VINCENT VAN GOGH'\"\u003e\n    \u003cdiv class=\"rr-wrap\"\u003e\n      \u003cdiv class=\"rr-hero-grid\"\u003e\n        \u003cdiv\u003e\n          \u003cp class=\"rr-eyebrow\"\u003e1881 -1890 · Nuenen, Paris, Arles, Saint-Rémy and Auvers\u003c\/p\u003e\n          \u003ch2\u003eLandscapes by Vincent van Gogh\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n          \u003cp class=\"rr-lead\"\u003eDiscover Landscapes by Vincent van Gogh, hand reproduced in oil on canvas.\u003c\/p\u003e\n          \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eSee reproductions\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#van-gogh-paysage-guide\"\u003eChoose a work\u003c\/a\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cfigure class=\"rr-art\"\u003e\n          \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/la-nuit-etoilee-sur-le-rhone-van-gogh-reproductions-de-tableaux-a-peinture-lhuile-350.jpg?v=1745491580\" alt=\"Landscapes by Vincent van Gogh\" loading=\"lazy\"\u003e\n          \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eThe world of Landscapes by Vincent van Gogh\u003c\/strong\u003eIn Van Gogh, landscape becomes an emotional language where fields, cypresses, villages, streets and skies are transformed by the color and rhythm of the touch.\u003c\/figcaption\u003e\n        \u003c\/figure\u003e\n      \u003c\/div\u003e\n      \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1881 - 1890\u003c\/strong\u003e\u003cspan\u003eMain decade of pictorial production\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e5 territories\u003c\/strong\u003e\u003cspan\u003eNetherlands, Paris, Arles, Saint-Rémy and Auvers\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e840 known paintings\u003c\/strong\u003e\u003cspan\u003ePainted work listed by the Van Gogh Museum\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e336 landscapes\u003c\/strong\u003e\u003cspan\u003eLandscape production, documented overall estimate\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\n  \u003cdiv class=\"rr-benefits\"\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eHand painted\u003c\/b\u003e\u003cspan\u003eReal oil painting, no print.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFormats of your choice\u003c\/b\u003e\u003cspan\u003eA composition adapted to the dimensions ordered.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eExamine your board before shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eRequest adjustments before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003e1881 -1890 · Nuenen, Paris, Arles, Saint-Rémy and Auvers\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eIn Van Gogh, landscape becomes an emotional language where fields, cypresses, villages, streets and skies are transformed by the color and rhythm of the touch.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eVincent van Gogh practiced landscape intensely throughout his career. In the Netherlands, he favored dark lands, peasants and rural structures. Paris brightens his palette and introduces him to impressionism and neo-impressionism and Japanese prints. In Arles, Provence becomes yellow, blue and green under a very contrasting light. In Saint-Rémy, cypresses, olive trees and reliefs take on an almost cosmic movement; in Auvers, the fields widen in quick and tense compositions. A recent study by the Van Gogh Museum lists eight hundred and forty known paintings, including three hundred and thirty-six landscapes. The \"Landscapes of Vincent van Gogh\" selection notably compares Starry Night - Vincent van Gogh and Street scene in Montmartre - Vincent van Gogh. His reading favors details.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eVan Gogh does not simply copy nature: he organizes color, line and material so that the landscape carries an inner experience.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eCourse \u0026amp; style\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eJourney, subjects and pictorial language\u003c\/h2\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1881 - 1885\u003c\/time\u003e\u003ch3\u003eDutch landscapes seek structure and rural truth\u003c\/h3\u003e\n\u003cp\u003eFields, cottages, mills and workers are painted in a palette of lands. This milestone illuminates the \"Landscapes of Vincent van Gogh\" collection by prioritizing details.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1886 - 1888\u003c\/time\u003e\u003ch3\u003eParis then Arles release color\u003c\/h3\u003e\n\u003cp\u003eThe touch fragments and the Provençal light produces more intense contrasts.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1889 - 1890\u003c\/time\u003e\u003ch3\u003eSaint-Rémy and Auvers amplify the movement\u003c\/h3\u003e\n\u003cp\u003eCypress, stars and fields become supports for a personal pictorial rhythm.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eRhythmic touch\u003c\/h3\u003e\n\u003cp\u003eThe lines follow the shape of fields, clouds, trees and reliefs. This line guides a reading of \"Landscapes of Vincent van Gogh\" focused on details.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eExpressive color\u003c\/h3\u003e\n\u003cp\u003eYellows, blues and greens not only describe light but build emotion.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eRural motives\u003c\/h3\u003e\n\u003cp\u003eGrindstones, wheat, orchards and paths connect the landscape to human work.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eActive sky\u003c\/h3\u003e\n\u003cp\u003eThe celestial vault can become as dynamic and material as the ground.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eExplore by universe\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eSix readings specific to Landscapes by Vincent van Gogh\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eWorks, visual language and historical landmarks make up a route exclusively devoted to Landscapes by Vincent van Gogh.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eStarry night\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eThe sky becomes cosmic movement\u003c\/h3\u003e\n\u003cp\u003eSpirals, stars and cypresses connect the village to an energy that goes beyond the human scale.\u003c\/p\u003e\n\u003cb\u003eFor an iconic wall. Reading \"Landscapes of Vincent van Gogh\" in detail.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eMontmartre\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eThe city still retains a rural face\u003c\/h3\u003e\n\u003cp\u003eStreet, houses and land bear witness to the Parisian margins in transformation.\u003c\/p\u003e\n\u003cb\u003eFor an urban interior\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eGrindstones\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eAgricultural work structures the field\u003c\/h3\u003e\n\u003cp\u003eThe simple volumes give rhythm, depth and warmth to the landscape.\u003c\/p\u003e\n\u003cb\u003eFor a warm room\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eWheat\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eColor transforms the plain\u003c\/h3\u003e\n\u003cp\u003eYellows and blues oppose fertile earth, wind and immensity of the sky.\u003c\/p\u003e\n\u003cb\u003eFor a large bright wall\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003ePeriods\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eCompare Holland, Provence and Île-de-France\u003c\/h3\u003e\n\u003cp\u003ePalette and key reveal the rapid changes in Van Gogh's practice.\u003c\/p\u003e\n\u003cb\u003eTo compose a selection\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eFormat\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eLandscape visually opens up space\u003c\/h3\u003e\n\u003cp\u003eThe horizons are suitable for the living room, office or a rest room.\u003c\/p\u003e\n\u003cb\u003eTo choose location\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eWorks to discover\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eLandscape Works by Vincent van Gogh\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eEach card refers directly to its reproduction available on Shopify.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"4\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/nuit-etoilee-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/la-nuit-etoilee-vincent-van-gogh-image-1-tableau-peint-main.webp?v=1781257287\" alt=\"Starry Night by Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eSaint-Rémy\u003c\/small\u003e\u003ch3\u003eStarry Night - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eThe spiral sky, the stars and the cypress give the night landscape universal energy.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/scene-rue-montmartre-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/scene-de-rue-a-montmartre-vincent-van-gogh-image-1-reproduction-huile.webp?v=1781323835\" alt=\"Street scene in Montmartre by Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eParis\u003c\/small\u003e\u003ch3\u003eStreet scene in Montmartre - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eThe clear key captures a neighborhood that is still semi-rural at the time of its transformation.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/champ-meules-ble-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-aux-meules-de-ble-vincent-van-gogh-image-1-copie-peinte.webp?v=1781299469\" alt=\"Field with wheat millstones by Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eAgricultural landscape\u003c\/small\u003e\u003ch3\u003eField with wheat stacks - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eThe millstones punctuate the plain and give agricultural work a monumental presence.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/meules-foin-provence-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/meules-de-foin-en-provence-vincent-van-gogh-image-1-reproduction-huile.webp?v=1781257972\" alt=\"Haystacks in Provence by Vincent van Gogh\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eProvence\u003c\/small\u003e\u003ch3\u003eHaystacks in Provence - Vincent van Gogh\u003c\/h3\u003e\n\u003cspan\u003eThe southern light and the colorful material give the rural forms an intense rhythm.\u003c\/span\u003e\u003cstrong\u003eSee reproduction →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eOur method\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eA painted reproduction, not an impression\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eEach painting is made in oil on canvas by a specialized artist, then checked with you before shipping.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eFrom the work to your interior\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eChoice of work\u003c\/b\u003e\u003cspan\u003eSubject, orientation and dimensions adapted to your wall.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eYou examine the finished table.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRetouching\u003c\/b\u003e\u003cspan\u003eAdjustments remain possible before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eEach reproduction is unique.\u003c\/strong\u003e Slight variations of touch and material testify to the painter's manual work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" id=\"van-gogh-paysage-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eChoose wisely\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eHang a work of Landscapes by Vincent van Gogh\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eThe subjects and tones of Landscapes by Vincent van Gogh call for a format, a place and a frame chosen for the precise work.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Paysages de Vincent van Gogh\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eOur benchmarks\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eLounge\u003c\/b\u003eInstall \"Starry Night - Vincent van Gogh\" as a focal point, with a look at the details.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOffice\u003c\/b\u003eChoose a framing or detail linked to \"Street scene in Montmartre - Vincent van Gogh\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFormat\u003c\/b\u003eKeep the proportions of the work chosen from the Landscapes collection by Vincent van Gogh.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePalette\u003c\/b\u003eMatch the piece to the tones specific to Landscapes by Vincent van Gogh.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFinish\u003c\/b\u003eOil on canvas highlights the rhythmic touch effects.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFrame\u003c\/b\u003eChoose wood, black or gold depending on the atmosphere of Landscapes by Vincent van Gogh.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eBefore choosing your Landscapes by Vincent van Gogh\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eAre reproductions painted with oil paint?\u003c\/summary\u003e\u003cp\u003eYes. Each reproduction is hand painted in oil on canvas, without printing.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eHow to restore the details in a reproduction of Landscapes by Vincent van Gogh?\u003c\/summary\u003e\u003cp\u003eThe painter uses the composition, values, colors and materials visible in the chosen work from the Landscapes collection by Vincent van Gogh, with particular attention to detail.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eCan I order a work of Landscapes by Vincent van Gogh in a personalized format?\u003c\/summary\u003e\u003cp\u003eYes. The dimensions are adapted respecting the proportions and balance of the selected work.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eHow do I validate my reproduction of Landscapes by Vincent van Gogh?\u003c\/summary\u003e\u003cp\u003eDetailed photographs are sent before shipping; you can request edits before sending.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eExplore Landscapes by Vincent van Gogh\u003c\/h3\u003e\n\u003cp\u003eChoose a work by Landscapes by Vincent van Gogh and receive an oil painting created especially for your interior.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eSee all reproductions\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"jardin-presbytere-nuenen-printemps-vincent-van","title":"Nuenen Presbytery Garden in Spring, F185 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1884 · Nuenen\u003c\/p\u003e\n        \u003ch2\u003eNuenen Presbytery Garden in Spring, F185\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBeyond a strip of dark water, the presbytery garden stretches under a milky sky. A woman dressed in black walks between the flowerbeds, while the old tower of Nuenen closes the horizon.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-presbytere-nuenen-printemps-f185-jh484-van-gogh.webp?v=1785308992\u0026amp;format=webp\" alt=\"Nuenen Presbytery Garden in Spring F185 JH484 - Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eNuenen Presbytery Garden in Spring, F185\u003c\/strong\u003eVincent van Gogh · May 1884 · Groninger Museum, Groningen\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1884\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e25 × 57 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas mounted on oak panel\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eGroninger Museum, Groningen\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003ePanoramic garden leads up to secluded tower\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe very horizontal format superimposes the water, the bank, the garden plots and the line of trees. The paths converge towards the central silhouette before leading to the bell tower.\u003c\/p\u003e\n\u003cp\u003eThe greens remain muffled by grays and browns. A few light touches on the sky, the trunks and young shoots suggest the return of spring without breaking the calm atmosphere.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eGarden of the Presbytery of Nuenen in spring F185\/JH484 is an oil on canvas mounted on a panel of 25 × 57 cm painted in May 1884. The Groninger Museum preserves it under number 1962.0200.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh transforms a familiar place into landscape depth: horizontal bands, oblique and vertical paths of trees lead from the dark foreground to the tower.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eWater forms a dark threshold\u003c\/h3\u003e\n\u003cp\u003eThe almost black band in the foreground separates the viewer from the garden. Its few light reflections accentuate the panoramic width of the composition.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe woman gives the scale of the land\u003c\/h3\u003e\n\u003cp\u003ePlaced near the center, its black silhouette makes the paths, fences and the distance that remains to be covered to the tower measurable.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe tower closes the vanishing point\u003c\/h3\u003e\n\u003cp\u003eIts dark bell tower stands out against the pale sky and brings together the diagonals of the garden, despite its small size at the back of the stage.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF185\/JH484, inventory 1962.0200 and the format of 25 × 57 cm distinguish this horizontal view from the other gardens of the presbytery.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eEvolution\u003c\/span\u003e\u003ch3\u003eFrom a winter garden to spring\u003c\/h3\u003e\n\u003cp\u003eResearch from the Groninger Museum shows that Van Gogh began composition as a winter garden in 1883, then transformed and renamed it in the spring of 1884.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eHistory\u003c\/span\u003e\u003ch3\u003eStolen in 2020, found in 2023\u003c\/h3\u003e\n\u003cp\u003eLoaned to Singer Laren, the painting was stolen on March 30, 2020. It reappeared in 2023 thanks to Arthur Brand before returning to the museum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRestoration\u003c\/span\u003e\u003ch3\u003e1903 additions removed\u003c\/h3\u003e\n\u003cp\u003eThe restoration completed in 2026 notably removed details added to the woman's face in 1903 and found a reading closer to Van Gogh's intention.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.groningermuseum.nl\/en\/art\/exhibitions\/vincent-van-goghs-lentetuin\" target=\"_blank\" rel=\"noopener\"\u003eConsult the presentation of the Groninger Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the panoramic format, the strip of water, the network of paths, the black silhouette, the tower in the distance and the very nuanced gray greens of spring.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eDark strip of water in the foreground\u003c\/li\u003e\n\u003cli\u003eThe paths and fences of the garden\u003c\/li\u003e\n\u003cli\u003eThe woman in black near the center\u003c\/li\u003e\n\u003cli\u003eThe fine trunks that punctuate the horizon\u003c\/li\u003e\n\u003cli\u003eThe old tower detached from the sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eNuenen Presbytery Garden in Spring, F185\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1884\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eNuenen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas mounted on oak panel\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e25 × 57 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF185 · JH484 · 1962.0200\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eGroninger Museum, Groningen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA silent panorama of gray green, brown and pale sky\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eGreen gray, earth brown, bluish black, beige and milky blue create a calm landscape for a living room, hallway, dining room or panoramic wall.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Jardin du presbytère de Nuenen au printemps, F185\"\u003e\n\u003ci style=\"background:#5f684f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#574833\"\u003e\u003c\/i\u003e\u003ci style=\"background:#242827\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b3a887\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9ca9a2\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural oak, dark brown or matte black frame respects the horizontal format. Diffuse light preserves the muted values and depth of the sky.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe high definition view of 5320 × 2240 px shows the state prior to the 2026 restoration. It was prepared in 3000 × 1263 px and converted to a real WebP without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eNuenen Presbytery Garden in Spring, F185, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (100 x 50 cm)","offer_id":46594826076386,"sku":"LE_JARDIN_DU_PRESBYT_RE_DE_NUENEN_AU_PRINTEMPS_100x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-presbytere-nuenen-printemps-f185-jh484-van-gogh.webp?v=1785308992"},{"product_id":"gens-marchant-parc-vincent-van-gogh","title":"The Bois de Boulogne with passers-by, F225 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Summer 1886 · Paris\u003c\/p\u003e\n        \u003ch2\u003eThe Bois de Boulogne with passers-by, F225\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eWalkers cross a clearing in the Bois de Boulogne under a blue sky covered with white clouds. The red and green trees form a light screen in front of a long red roof visible in the background.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bois-boulogne-passants-f225-jh1110-van-gogh.webp?v=1785299547\u0026amp;format=webp\" alt=\"The Bois de Boulogne with passers-by F225 - Parisian park painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Bois de Boulogne with passers-by, F225\u003c\/strong\u003eVincent van Gogh · Summer 1886 · Van Vlissingen Art Foundation, Zeist\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSummer 1886\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e37.5 × 45.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Vlissingen Art Foundation, Zeist\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe scattered silhouettes transform the park into a modern walking space\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh places the characters on several depths: a light woman advances to the left, a child accompanies an adult in the foreground, a dark group meets in the center and small figures line the aisle on the right.\u003c\/p\u003e\n\u003cp\u003eThe vertical trunks organize the width without closing the view. Between them appear the sky, the red roof and the clear paths; the succession of voids and solids gives the eye the sensation of moving around the park.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe Bois de Boulogne with loops F225\/JH1110 is a 37.5 × 45.5 cm oil on canvas painted in Paris during the summer of 1886. The reference is associated with the Van Vlissingen Art Foundation in Zeist.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Parisian palette is already clearly brightened: cyan blue, white, green, ocher and red are placed in visible touches. Black figures provide the accents needed to stabilize this light.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe trunks serve as a measure of depth\u003c\/h3\u003e\n\u003cp\u003eThe largest tree cuts the foreground in the center; the thinner trunks gradually recede. Their size and spacing build the park without rigid perspective.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe sky occupies almost the upper half\u003c\/h3\u003e\n\u003cp\u003eBlue and white bands remain very visible between the peaks. This luminous opening differentiates F225 from the vertical version F224, tighter on the vegetation.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eClothes become punctuations\u003c\/h3\u003e\n\u003cp\u003eBlack, white and red distribute walkers across the entire width. These small masses connect areas of the ground and prevent the clearing from appearing empty.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF225\/JH1110 and the horizontal format of 37.5 × 45.5 cm distinguish this view from F224\/JH1112, another Bois de Boulogne with loops but vertical format.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eParis\u003c\/span\u003e\u003ch3\u003eThe park offers a new subject to Van Gogh\u003c\/h3\u003e\n\u003cp\u003eAfter the fields and villages of Brabant, he observes here an urban leisure space where nature, walkers and buildings coexist.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF225 and F224 are not the same composition\u003c\/h3\u003e\n\u003cp\u003eF225 is horizontal, opens the sky widely and distributes the figures in a clearing; F224 is vertical and tightens the pattern around the trees.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003ch3\u003eParisian painting gains clarity\u003c\/h3\u003e\n\u003cp\u003eThe blue of the sky, the whites of the clouds and the yellows of the ground bear witness to the research carried out by Van Gogh in contact with impressionism.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0225.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F225\/JH1110 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the blue sky streaked with white, the red roof, the red and green trees, the variety of walkers, the dark trunks and the ocher yellow ground.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe long blue and white bands of the sky\u003c\/li\u003e\n\u003cli\u003eThe red roof visible behind the trees\u003c\/li\u003e\n\u003cli\u003eThe light woman moving forward on her left side\u003c\/li\u003e\n\u003cli\u003eAdult and child placed in the foreground\u003c\/li\u003e\n\u003cli\u003eThe dark group gathered near the center\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Bois de Boulogne with passers-by, F225\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSummer 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e37.5 × 45.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF225 · JH1110\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Vlissingen Art Foundation, Zeist\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA clear walk of blue, ocher and red foliage\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eSky blue, white, ocher, olive green and red red make up an open stage for a living room, a wide corridor or a room facing the garden.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Bois de Boulogne avec des passants, F225\"\u003e\n\u003ci style=\"background:#78b9ca\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d7d8c8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c49b54\"\u003e\u003c\/i\u003e\u003ci style=\"background:#61734b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9d5937\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak, off-white or medium brown frame maintains the brightness of the park. Neutral light highlights blue without hardening dark silhouettes.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference has been converted into a true WebP of 2,520 × 2,022 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Bois de Boulogne with passers-by, F225, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594844492002,"sku":"DES_GENS_MARCHANT_DANS_UN_PARC_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bois-boulogne-passants-f225-jh1110-van-gogh.webp?v=1785299547"},{"product_id":"bois-boulogne-passants-vincent-van-gogh-2","title":"The Bois de Boulogne with walkers, F225 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Summer 1886 · Paris\u003c\/p\u003e\n        \u003ch2\u003eThe Bois de Boulogne with walkers, F225\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA light lawn crosses the foreground, lined with dark trees whose red foliage stands out against a pale blue sky. A few tiny walkers are enough to identify the Bois de Boulogne as a busy urban space.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bois-boulogne-passants-f225-van-gogh.webp?v=1785294448\u0026amp;format=webp\" alt=\"The Bois de Boulogne with F225 walkers - autumn trees and silhouettes painted by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Bois de Boulogne with walkers, F225\u003c\/strong\u003eVincent van Gogh · Summer 1886 · Van Vlissingen Art Foundation, Zeist\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSummer 1886\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e37.5 × 45.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Vlissingen Art Foundation, Zeist\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe landscape appears almost empty, but each silhouette measures the extent of the park\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe trees form a long horizontal mass in the middle of the canvas. Their black trunks interrupt the undergrowth and create openings towards more distant foliage.\u003c\/p\u003e\n\u003cp\u003eOn the right, a light figure advances near the edge; other darker figures stand in the center. Their small size enlarges the lawn and gives scale to the trees.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe Bois de Boulogne with walkers F225\/JH1110 is a 37.5 × 45.5 cm oil on canvas painted in Paris during the summer of 1886. It is associated with the Van Vlissingen Art Foundation in Zeist.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe composition is based on three bands: ocher earth, curtain of trees and clear sky. Van Gogh nuances this simple structure with the curve of the branches, spots of leaves and a few loops.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe dark trunks punctuate the central band\u003c\/h3\u003e\n\u003cp\u003eThey are not spaced evenly: several group together on the left, while a wider opening appears towards the center right.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe red foliage announces a change of season\u003c\/h3\u003e\n\u003cp\u003eOrange, brown and green overlap in small masses. These warm colors contrast with the pale blue and gray white of the sky.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe lawn maintains an almost uniform light\u003c\/h3\u003e\n\u003cp\u003eLong touches of pink ocher cross the bottom of the painting. A few green and gray lines are enough to suggest the relief and the paths.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe number F225, the reference JH1110 and the horizontal format of 37.5 × 45.5 cm make it possible not to confuse this view with another promenade in the Bois de Boulogne cataloged F224.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eParis\u003c\/span\u003e\u003ch3\u003eVan Gogh paints the leisure spaces of the capital\u003c\/h3\u003e\n\u003cp\u003eThe Bois de Boulogne offers a very different subject from the villages of Brabant: walkers, paths and developed vegetation belong to modern life.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eScale\u003c\/span\u003e\u003ch3\u003eThe characters remain deliberately secondary\u003c\/h3\u003e\n\u003cp\u003eNo faces are detailed. Their role is to make depth measurable and introduce slow circulation into the landscape.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eReference\u003c\/span\u003e\u003ch3\u003eF225 is a 45.5 cm wide horizontal view\u003c\/h3\u003e\n\u003cp\u003eThis identification avoids confusion with F224, a vertical composition of different dimensions also showing passers-by in the park.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0225.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the documentary sheet F225\/JH1110 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the three horizontal bands, the black trees, the masses of red foliage, the blue-white sky, the large ocher lawn and the tiny walkers.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe black branches crossing in the left group\u003c\/li\u003e\n\u003cli\u003eOrange and red spots on the crown\u003c\/li\u003e\n\u003cli\u003eThe clear figure isolated near the right edge\u003c\/li\u003e\n\u003cli\u003eDark silhouettes placed in the center\u003c\/li\u003e\n\u003cli\u003eThe long pink and ocher touches of the lawn\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Bois de Boulogne with walkers, F225\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSummer 1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e37.5 × 45.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF225 · JH1110\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Vlissingen Art Foundation, Zeist\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA quiet Parisian park, between autumn red and milky blue sky\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003ePink ocher, black brown, red orange, muted green and pale blue form a discreet landscape for a living room, bedroom or interior with natural materials.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Bois de Boulogne avec des promeneurs, F225\"\u003e\n\u003ci style=\"background:#bd8765\"\u003e\u003c\/i\u003e\u003ci style=\"background:#343431\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a76642\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66705a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b8c6cc\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural or dark brown wooden frame takes up the trunks and lets the sky breathe. The horizontal format is suitable above a console or small sofa.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe available image has been converted to a real WebP of 1,212 × 1,008 px, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Bois de Boulogne with walkers, F225, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594857795810,"sku":"LE_BOIS_DE_BOULOGNE_AVEC_DES_PASSANTS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bois-boulogne-passants-f225-van-gogh.webp?v=1785294448"},{"product_id":"avenue-parc-voyer-argenson-asnieres-vincent","title":"Avenue du parc Voyer-d'Argenson, F277 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · 1887 · Asnières-sur-Seine\u003c\/p\u003e\n        \u003ch2\u003eAvenue du parc Voyer-d’Argenson, F277\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA wooded avenue sinks under a canopy of foliage. The repeated trunks organize the depth, an almost invisible figure waits in the distance and the light crosses the ground in short yellow, pink and white bands.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/avenue-parc-voyer-argenson-f277-van-gogh.webp?v=1785269989\u0026amp;format=webp\" alt=\"L’Avenue du parc Voyer-d’Argenson à Asnières F277 de Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eAvenue du parc Voyer-d’Argenson, F277\u003c\/strong\u003eVincent van Gogh · 1887 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e55 × 67 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA monumental alley animated by a tiny silhouette\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe trees form two rows that accompany the perspective, but their rhythm is not perfectly regular. The trunks on the right bend and close the vault, while those on the left let in more light.\u003c\/p\u003e\n\u003cp\u003eThe path is constructed by almost horizontal brushstrokes. In the background, a single figure and a few clear shapes give the scale of the avenue without transforming the landscape into a narrative scene.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in 1887 in Asnières, this oil on canvas measuring 55 × 67 cm is listed F277\/JH1316. The work belongs to a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh contrasts the dark verticals of the trees with the bright touches of the path. This simple structure produces rapid depth and an intermittent feeling of light beneath the leaves.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe trunks form a procession\u003c\/h3\u003e\n\u003cp\u003eTheir repetition measures distance and leads the gaze to the small silhouette placed in the center of the aisle.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe ground advances in colored bands\u003c\/h3\u003e\n\u003cp\u003eYellow, pink, white and brown are laid in short, transverse lines that suggest both shade and gaps of sunlight.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe foliage becomes a vault\u003c\/h3\u003e\n\u003cp\u003eGreens and yellows meet above the path, transforming the public avenue into an almost interior space.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Christie's notice precisely identifies this composition as L'Avenue au parc de Voyer-d'Argenson in Asnières, F277\/JH1316, and distinguishes it from the other alley in the park referenced F276.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eVoyer-d'Argenson Park\u003c\/h3\u003e\n\u003cp\u003eAsnières Park offered Van Gogh a modern walking motif, where the alignment of trees replaces urban architecture.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDetail\u003c\/span\u003e\u003ch3\u003eA barely visible figure\u003c\/h3\u003e\n\u003cp\u003eChristie's highlights the presence of the distant walker, protected by the canopy and essential for measuring the scale of the avenue.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003ch3\u003eA documented history since 1912\u003c\/h3\u003e\n\u003cp\u003eThe painting was notably written by MC Hoogendijk, Baron van Tuyll, Marcel Kapféré, Wildenstein and the Gilman collection.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.christies.com\/lot\/lot-1780614\" target=\"_blank\" rel=\"noopener\"\u003eConsult the documented Christie's → instructions\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the depth of the avenue, the irregular rhythm of the trunks, the bands of light on the path and the tiny figure at the back.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two rows of trunks\u003c\/li\u003e\n\u003cli\u003eThe foliage vault\u003c\/li\u003e\n\u003cli\u003eThe horizontal touches of the ground\u003c\/li\u003e\n\u003cli\u003eThe distant figure\u003c\/li\u003e\n\u003cli\u003eYellow shards under the trees\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eAvenue du parc Voyer-d’Argenson, F277\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003e1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAsnières-sur-Seine\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e55 × 67 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF277 · JH1316\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA deep alley with muffled greens\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format visually enlarges a living room or office. Dark green, brown, moss yellow and mauve gray create an enveloping atmosphere.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de L’Avenue du parc Voyer-d’Argenson, F277\"\u003e\n\u003ci style=\"background:#3d4732\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b6138\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a0934d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#75655d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c2b890\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, forest green or patinated bronze frame reinforces the depth of the path. A neutral directed light reveals the small light touches of the path.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best usable color image measures 591 × 480 px; it has been kept at its native definition and encoded in real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eAvenue du parc Voyer-d'Argenson, F277, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594896363746,"sku":"AVENUE_DE_PARC_VOYER_D_ARGENSON_ASNI_RES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/avenue-parc-voyer-argenson-f277-van-gogh.webp?v=1785269989"},{"product_id":"arbres-pente-vincent-van-gogh","title":"The Bank with Trees, F291 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · 1887 · Asnières-sur-Seine\u003c\/p\u003e\n        \u003ch2\u003eThe Bank with Trees, F291\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eVan Gogh frames a bank of the Seine very closely in Asnières. The trunks cut off the view, the slope descends towards the river and brief touches of pink, yellow, green and blue make a landscape vibrate without character.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/berge-arbres-asnieres-f291-van-gogh.webp?v=1785269985\u0026amp;format=webp\" alt=\"The Bank with Trees in Asnières F291 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Bank with Trees, F291\u003c\/strong\u003eVincent van Gogh · 1887 · Rijksmuseum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e37 × 45.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eRijksmuseum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA clear bank crossed by the trunks\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe large central tree divides the canvas, while a second leaning trunk opens the left part. Between them, a strip of pale water and the opposite bank are enough to locate the scene on the banks of the Seine.\u003c\/p\u003e\n\u003cp\u003eThe slope occupies almost the entire foreground. Van Gogh does not unify it: oblique touches of mauve, yellow and blue follow the relief, while dark grasses form tighter bouquets.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in 1887 in Asnières, this oil on canvas measuring 37 × 45.5 cm is listed F291\/JH1314. It is exhibited at the Rijksmuseum under number SK-C-1844.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe work transforms a very simple pattern into an experience of color and rhythm. The shapes remain legible, but each part of the soil, foliage and trunks receives a different direction of touch.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe central trunk stops then restarts the gaze\u003c\/h3\u003e\n\u003cp\u003eIts pink and brown vertical shares the composition, while small branches and grasses lead the eye on both sides.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eSlope replaces horizon\u003c\/h3\u003e\n\u003cp\u003eThe inclined ground rises almost to the upper edge; the Seine appears only as a thin blue breath behind the trees.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eLight colors shape the terrain\u003c\/h3\u003e\n\u003cp\u003eLemon yellow, lilac pink, blue and green are placed side by side. Their juxtaposition illuminates the bank without resorting to broad brown shadows.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Rijksmuseum today titles the work Riverbank with Trees and identifies it as a close-up view of the Seine near Asnières, painted during Van Gogh's Parisian summer.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eIdentification\u003c\/span\u003e\u003ch3\u003eF291 and JH1314\u003c\/h3\u003e\n\u003cp\u003eThese references and the number SK-C-1844 distinguish this horizontal canvas from the numerous tree studies painted by Van Gogh in 1887.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eA loan from the De Boer collection\u003c\/h3\u003e\n\u003cp\u003eThe painting was presented at the Rijksmuseum on loan from Boer's Stichting Collectie P. \u0026amp; N.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eLearning color in Paris\u003c\/h3\u003e\n\u003cp\u003eThe museum highlights here the attempt at brighter colors, short touches and modern framing after the discovery of the Impressionists.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.rijksmuseum.nl\/en\/collection\/object\/Riverbank-with-Trees--8f6bef5b5ed3c9f0da1c5bbd2b89d9c8\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Rijksmuseum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the tight framing, the inclination of the ground and the small colored touches without thickening the trunks or darkening the bank.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe pink trunk in the center\u003c\/li\u003e\n\u003cli\u003eThe diagonal of the slope\u003c\/li\u003e\n\u003cli\u003eThe thin strip of the Seine\u003c\/li\u003e\n\u003cli\u003eDark green grass bouquets\u003c\/li\u003e\n\u003cli\u003eThe purple and yellow touches of the ground\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Bank with Trees, F291\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003e1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAsnières-sur-Seine\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e37 × 45.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF291 · JH1314 · SK-C-1844\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eRijksmuseum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA bright and very graphic landscape of Asnières\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a desk or passage wall. Earthy pink, pale yellow, deep green and gray blue create a soft but active harmony.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Berge avec des arbres, F291\"\u003e\n\u003ci style=\"background:#d6bd76\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b99087\"\u003e\u003c\/i\u003e\u003ci style=\"background:#526a4d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#91a6a1\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3d4938\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak, olive green or pinkish brown frame accompanies the material of the bank. Neutral light keeps the light touches in the foreground legible.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary image measures 2,514 × 2,100 px; it has been preserved at its native definition and encoded in real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Bank with Trees, F291, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594896920802,"sku":"ARBRES_SUR_UNE_PENTE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/berge-arbres-asnieres-f291-van-gogh.webp?v=1785269985"},{"product_id":"quais-seine-pont-clichy-vincent-van","title":"The banks of the 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Summer 1887 · Clichy, near Asnières\u003c\/p\u003e\n        \u003ch2\u003eThe banks of the Seine with the Clichy bridge, F302\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA path climbs through the tall grass to the houses on the bank, while the Clichy bridge cuts the Seine on the right. Van Gogh paints a suburban landscape where vegetation, architecture and metalwork meet.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bords-seine-pont-clichy-f302-van-gogh.webp?v=1785269166\u0026amp;format=webp\" alt=\"The banks of the Seine with the Clichy F302 bridge by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe banks of the Seine with the Clichy bridge, F302\u003c\/strong\u003eVincent van Gogh · Summer 1887 · Niarchos Collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSummer 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30.5 × 39 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on cardboard\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNiarchos Collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe green bank dominates the Clichy bridge\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe slope occupies almost two thirds of the small composition. A narrow path starts from the lower edge and goes up towards the houses, giving the viewer the feeling of being placed at the foot of the embankment.\u003c\/p\u003e\n\u003cp\u003eThe bridge only appears partly to the right, under a vast lilac gray sky. The acidic yellows of the grass and light green foliage make the shore brighter than the water.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted during the summer of 1887, this oil on 30.5 × 39 cm cardboard is listed F302\/JH1322. It belongs to the Niarchos collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe modest format does not prevent very precise construction. Van Gogh contrasts the organic diagonal of the embankment with the horizontal lines and arches of the bridge.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe path opens the depth\u003c\/h3\u003e\n\u003cp\u003eIts light stones follow one another from the foreground to the houses and prevent the green mass from closing the view.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe bridge remains deliberately off-center\u003c\/h3\u003e\n\u003cp\u003eThrown to the right and partially cut, it acts like a fragment of a city seen from a still wild shore.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe sky softens the yellows\u003c\/h3\u003e\n\u003cp\u003eThe bluish grays and lilacs calm the intensity of the yellow-green foliage, treated with small vertical touches.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF302\/JH1322 is a work on cardboard, distinct from the other views of the Clichy bridge painted by Van Gogh during his campaign on the banks of the Seine.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eAn oil on cardboard\u003c\/h3\u003e\n\u003cp\u003eThe rigid support and the small format of 30.5 × 39 cm are suitable for a study carried out quickly in front of the pattern.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eThe banks of Clichy and Asnières\u003c\/h3\u003e\n\u003cp\u003eIn 1887, Van Gogh regularly left Montmartre to work along the Seine, around bridges, restaurants and towpaths.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eNiarchos Collection\u003c\/h3\u003e\n\u003cp\u003eThe documentary reference associates F302\/JH1322 with the collection created by Stávros Niarchos.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Seineufer_bei_der_Pont_de_Clichy.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eView image and reference F302\/JH1322 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the small path, the grass-covered slope, the pale houses and the truncated bridge without hardening the sky light.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe stone path\u003c\/li\u003e\n\u003cli\u003eThe yellow-green embankment\u003c\/li\u003e\n\u003cli\u003eThe houses on the ridge\u003c\/li\u003e\n\u003cli\u003eThe arches of the Clichy bridge\u003c\/li\u003e\n\u003cli\u003eThe gray lilac sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe banks of the Seine with the Clichy bridge, F302\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSummer 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eClichy, near Asnières\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on cardboard\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e30.5 × 39 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF302 · JH1322\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNiarchos Collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA clear, plant-based and urban view of the Seine\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a desk or passage wall. Soft green, lemon yellow and lavender gray produce fresh light.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Les Bords de la Seine avec le pont de Clichy, F302\"\u003e\n\u003ci style=\"background:#a8a649\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8bf61\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a6a2ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7f9560\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b7a587\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak, stone gray or olive green frame accompanies the embankment. Neutral light preserves the very pale shades of the sky.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary image measures 2,520 × 2,028 px; it has been preserved at its native definition and encoded in real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe banks of the Seine with the Clichy bridge, F302, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594897772770,"sku":"LES_QUAIS_DE_SEINE_AVEC_LE_PONT_DE_CLICHY_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bords-seine-pont-clichy-f302-van-gogh.webp?v=1785269166"},{"product_id":"coin-parc-voyer-argenson-asnieres-vincent","title":"Corner of Voyer d'Argenson Park, F315 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Summer 1887 · Asnières-sur-Seine\u003c\/p\u003e\n        \u003ch2\u003eCorner of Voyer d'Argenson Park, F315\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA yellow path goes around a flower bed and disappears under the trees of Voyer d'Argenson park. The lawn, bushes and flowers are built by a multitude of green, red, white and orange touches.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-parc-voyer-argenson-f315-van-gogh.webp?v=1785268085\u0026amp;format=webp\" alt=\"Corner of Voyer d'Argenson Park in Asnières F315 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eCorner of Voyer d'Argenson Park, F315\u003c\/strong\u003eVincent van Gogh · Summer 1887 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSummer 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e49 × 65 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA garden in Asnières crossed by light\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe path enters from the left then describes a curve towards the bottom. This clear line separates the dark lawn from the bright massif which occupies the center right.\u003c\/p\u003e\n\u003cp\u003eVan Gogh juxtaposes brief, sometimes almost dotted touches. The reds and whites of the flowerbed vibrate against the greens, while the blue appears between the trees.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in Asnières during the summer of 1887, this oil on canvas measuring 49 × 65 cm is cataloged F315\/JH1320. It is today kept in a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe composition combines a very readable layout with an abundant surface. The path guides the eye, but the color constantly stops it on the flowers and variations of the foliage.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe path draws a curve\u003c\/h3\u003e\n\u003cp\u003eIts yellow stripe leads from the foreground towards the shade of the trees and gives its depth to the garden.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe massif becomes a luminous focus\u003c\/h3\u003e\n\u003cp\u003eWhites, reds and yellows concentrate in the center, like a gap of sunshine in the greenery.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe keys remain directional\u003c\/h3\u003e\n\u003cp\u003eVertical in the grass, oblique on the path and tighter in the leaves, they describe each area.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF315\/JH1320 belongs to the group of landscapes that Van Gogh studies in Asnières, on the banks of the Seine and in the Voyer d'Argenson park.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eThe Voyer Park Argenson\u003c\/h3\u003e\n\u003cp\u003eThis garden in Asnières was located near the quay and the Clichy bridge, in a suburb then accessible from Paris.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eSeveral views of the same park\u003c\/h3\u003e\n\u003cp\u003eVan Gogh also painted couples, paths and the entrance to the garden, changing framing and light time.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF315\/JH1320\u003c\/h3\u003e\n\u003cp\u003eThese references identify the 49 × 65 cm flower corner kept in a private collection.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Winkel_im_Park_Voyer_d%27_Argeson_in_Asni%C3%A8res.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eView image and references F315\/JH1320 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the curve of the path, the light of the flowerbed and the different rhythm of the touches in the grass, flowers and trees.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe curved yellow path\u003c\/li\u003e\n\u003cli\u003eThe white and red massif\u003c\/li\u003e\n\u003cli\u003eThe green shadows of the lawn\u003c\/li\u003e\n\u003cli\u003eThin trunks\u003c\/li\u003e\n\u003cli\u003eThe blue visible between the trees\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eCorner of Voyer d'Argenson Park, F315\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSummer 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAsnières-sur-Seine\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e49 × 65 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF315 · JH1320\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA bright garden for a large wall\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room or dining room. Green, yellow, red and white bring spring light without becoming too decorative.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Coin du parc Voyer d’Argenson, F315\"\u003e\n\u003ci style=\"background:#49613b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#81934b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2ad4e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bd5940\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e0d9b5\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light wood, olive green or matte bronze frame accompanies the park. Neutral light keeps greens and whites fresh.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary image measures 2,538 × 1,854 px; it has been preserved at its native definition and encoded in real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eCorner of Voyer d'Argenson Park, F315, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594898985186,"sku":"COIN_DU_PARC_VOYER_D_ARGENSON_ASNI_RES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-parc-voyer-argenson-f315-van-gogh.webp?v=1785268085"},{"product_id":"deux-chardons-vincent-van-gogh","title":"Two Thistles, F447a - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · August 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eTwo Thistles, F447a\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo large thistles stand at the side of a path, their dark leaves and purplish flowers cut out in front of yellow, green and red fields under a clear sky.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-chardons-f447a-vincent-van-gogh.webp?v=1785267124\u0026amp;format=webp\" alt=\"Two Thistles F447a by Vincent van Gogh, painted landscape in Arles\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTwo Thistles, F447a\u003c\/strong\u003eVincent van Gogh · August 1888 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAugust 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e55 × 45 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwo wild plants elevated to the rank of subject\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe stems rise almost to the upper edge and form two irregular verticals. The pink-brown path crosses the foreground, while the countryside unfolds in colorful bands.\u003c\/p\u003e\n\u003cp\u003eThe leaves are constructed by touches of green, black and gray, blue. The red and purple flower heads respond to the warm accents of the fields and break the paleness of the sky.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in Arles in August 1888, this oil on canvas measuring 55 × 45 cm is cataloged F447a\/JH1551. The work belongs to a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh brings the gaze of an ordinary plant closer to the main architecture of the landscape. The pattern connects botanical study, path and agricultural extent.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThistles construct the vertical format\u003c\/h3\u003e\n\u003cp\u003eTheir high stems organize the entire canvas and force the eye to move from the ground to the sky.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe landscape remains synthetic\u003c\/h3\u003e\n\u003cp\u003eFields, bushes and paths are reduced to bands of color that bring out the jagged leaves.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eComplementary tones give shine\u003c\/h3\u003e\n\u003cp\u003eDark greens, yellows, reds and purples reinforce each other without academic modeling.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF447a\/JH1551 must be distinguished from Thistles F447\/JH1550, another canvas from August 1888 measuring 59 × 49 cm and belonging to the Niarchos collection.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF447a\/JH1551\u003c\/h3\u003e\n\u003cp\u003eThe dimensions of 55 × 45 cm and the two rods in the foreground identify this version in a particular collection.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eTwo paintings of thistles\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted F447 and F447a at the same time, compositions close but different in their framing and structure.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eArles\u003c\/span\u003e\u003ch3\u003eA roadside study\u003c\/h3\u003e\n\u003cp\u003eThe painter treats a wild plant with the same attention as orchards, harvests or cultivated flowers.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0447a.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F447a\/JH1551 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy should preserve the serrated silhouette of the leaves, purplish flowers and colorful bands of the landscape without smoothing the touch.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two tall stems\u003c\/li\u003e\n\u003cli\u003eThe serrated black green leaves\u003c\/li\u003e\n\u003cli\u003eRed-purple flowers\u003c\/li\u003e\n\u003cli\u003eThe pink brown path\u003c\/li\u003e\n\u003cli\u003eYellow and green fields\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eTwo Thistles, F447a\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAugust 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e55 × 45 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF447a· JH1551\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA powerful and rustic botanical motif\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for an entrance, bookcase or narrow wall. Deep greens, yellow and purple create an energetic natural presence.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Deux Chardons, F447a\"\u003e\n\u003ci style=\"background:#344d38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66734b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c29f3e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#98545e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#be7b4b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, dark green or raw wood frame accompanies the rustic character. Neutral light distinguishes dark leaves from the ground.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe available color reference measures 1,224 × 1,530 px; it has been kept at its native definition and encoded in real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTwo Thistles, F447a, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594900328674,"sku":"DEUX_CHARDONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-chardons-f447a-vincent-van-gogh.webp?v=1785267124"},{"product_id":"vigne-verte-vincent-van-gogh","title":"The Green Vine, F475 - Vincent van 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eThe Green Vine, F475\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eRows of green and yellow vines undulate under a pale blue sky; two women walk between the vines, in front of red trees and a light house on the edge of the Arles plain.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vigne-verte-f475-vincent-van-gogh.webp?v=1785266607\u0026amp;format=webp\" alt=\"The Green Vine F475 by Vincent van Gogh, Kroeller-Müller Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Green Vine, F475\u003c\/strong\u003eVincent van Gogh · September 1888 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA vine still green on the threshold of autumn\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe rows of vines form long diagonals from the foreground. The two figures, small but brightly colored, give a stopping point in the middle of the field.\u003c\/p\u003e\n\u003cp\u003eGreen, yellow, blue and orange are juxtaposed in curved touches. The trees at the bottom announce autumn while the vines retain a fresh dominance.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in Arles in September 1888, La Vigne verte is an oil on canvas measuring 72 × 92 cm, cataloged F475\/JH1595. It is kept at the Kroeller-Müller Museum.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh transforms cultivated rows into a vast rhythm of lines and colors. Depth depends on diagonals and diminishing keys rather than detailed drawing.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe vines form waves\u003c\/h3\u003e\n\u003cp\u003eThe branches and leaves are grouped into curved strips which animate the entire width of the foreground.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eFigures fix scale\u003c\/h3\u003e\n\u003cp\u003eThe two women make the extent of the vineyard measurable and introduce the presence of human labor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eGreen and orange announce the season\u003c\/h3\u003e\n\u003cp\u003eThe fresh foliage contrasts with the red trees at the bottom, locating the landscape as it transitions into autumn.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe catalog and correspondence distinguish this canvas from the Red Vine F495 painted a few weeks later.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF475\/JH1595\u003c\/h3\u003e\n\u003cp\u003eThese references identify the large green canvas of the Kroeller-Müller Museum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eContrast\u003c\/span\u003e\u003ch3\u003eBefore the Red Vine\u003c\/h3\u003e\n\u003cp\u003eF475 shows still green vines, while F495 develops a red and gold harmony under a setting sun.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eArles\u003c\/span\u003e\u003ch3\u003eThe countryside close to the city\u003c\/h3\u003e\n\u003cp\u003eVan Gogh walked through the vineyards and fields around Arles to paint the landscape directly.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0475.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult sheet F475\/JH1595 →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the diagonals of the rows, the multitude of greens and the two small figures without standardizing the vines.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe rows of undulating vines\u003c\/li\u003e\n\u003cli\u003eThe two women in the field\u003c\/li\u003e\n\u003cli\u003eThe red trees at the bottom\u003c\/li\u003e\n\u003cli\u003eThe clear house\u003c\/li\u003e\n\u003cli\u003eThe pale blue sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Green Vine, F475\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e72 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF475 · JH1595\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA wide landscape with southern greens\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room or dining room. Green, yellow and blue bring a natural presence, enhanced with orange.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Vigne verte, F475\"\u003e\n\u003ci style=\"background:#738843\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a7a645\"\u003e\u003c\/i\u003e\u003ci style=\"background:#648a8b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b06c3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d1b85b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eAn oak, olive green or orange-brown frame accompanies the vine. Neutral light keeps the many greens distinct.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary image measured 2,200 × 1,712 px; it was kept at its native definition and encoded in real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa Vigne verte, F475, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594901016802,"sku":"VIGNE_VERTE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vigne-verte-f475-vincent-van-gogh.webp?v=1785266607"},{"product_id":"parc-asnieres-printemps-vincent-van-gogh","title":"Asnières Park in spring, 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var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Spring 1887 · Asnières-sur-Seine\u003c\/p\u003e\n        \u003ch2\u003eAsnières Park in spring, F362\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUnder trees covered with new foliage, a clear path crosses a park in Asnières; benches, walkers and thin trunks appear between soft greens, blues and small touches of pink.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/parc-asnieres-printemps-f362-van-gogh.webp?v=1785266602\u0026amp;format=webp\" alt=\"Parc d'Asnières in spring F362 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eAsnières Park in spring, F362\u003c\/strong\u003eVincent van Gogh · Spring 1887 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSpring 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e50 × 65 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eParisian spring observed in light touches\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe path develops diagonally from the foreground. Vertical trunks fragment the depth and lead towards a group of walkers installed at the bottom.\u003c\/p\u003e\n\u003cp\u003eGrass and foliage combine green yellow, turquoise and blue. The pink soil, benches and clothing bring warm accents to this cool light.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThis oil on canvas measuring 50 × 65 cm was painted in Asnières in the spring of 1887. It is listed F362\/JH1264 and today belongs to a private collection.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eIn Asnières, Van Gogh radically clarified his palette and experimented with the juxtaposition of small touches learned through contact with impressionism and neo-impressionism.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003ePath opens space\u003c\/h3\u003e\n\u003cp\u003eIts clear surface separates the masses of grass and guides the eye towards distant figures.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe colors remain separate\u003c\/h3\u003e\n\u003cp\u003eBlues, yellows and greens are placed side by side rather than mixed, giving the park its luminous vibration.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe trunks mark the depth\u003c\/h3\u003e\n\u003cp\u003eTheir vertical repetition creates several planes without resorting to heavy contours.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReferences F362\/JH1264 and dimensions distinguish this view from many other paintings in Voyer-d'Argenson Park made in the same year.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eThe Asnières turning point\u003c\/h3\u003e\n\u003cp\u003eStaying in the Paris suburbs allows Van Gogh to work outside and adopt significantly lighter colors.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF362\/JH1264\u003c\/h3\u003e\n\u003cp\u003eThis combination identifies the spring view of 50 × 65 cm now kept in a private collection.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePicture\u003c\/span\u003e\u003ch3\u003eA source of 2502 px\u003c\/h3\u003e\n\u003cp\u003eThe public domain reference was used to its documented definition, without artificial enlargement.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Park_in_Asni%C3%A8res_im_Fr%C3%BChling.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eView reference and image in public domain →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the transparency of spring, the small figures and the juxtaposition of the keys without darkening the greens.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe diagonally clear aisle\u003c\/li\u003e\n\u003cli\u003eYoung yellow-green foliage\u003c\/li\u003e\n\u003cli\u003eThin trunks\u003c\/li\u003e\n\u003cli\u003eThe walkers in the background\u003c\/li\u003e\n\u003cli\u003eThe pink accents of the ground\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eAsnières Park in spring, F362\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSpring 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAsnières-sur-Seine\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e50 × 65 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF362 · JH1264\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA cool and bright spring park\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, bedroom or entrance. Soft greens, blue and light pink bring a soft atmosphere.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Parc d’Asnières au printemps, F362\"\u003e\n\u003ci style=\"background:#9daa58\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f995f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6e9ca0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c29478\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d0ba72\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak, off-white or sage green frame accompanies spring. Neutral light prevents the whole thing from yellowing.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image measured 2,502 × 1,950 px; it was encoded to this definition in real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eParc d'Asnières in spring, F362, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594901541090,"sku":"PARC_D_ASNI_RES_AU_PRINTEMPS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/parc-asnieres-printemps-f362-van-gogh.webp?v=1785266602"},{"product_id":"chemin-bois-vincent-van-gogh","title":"Path in the Woods, F309 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May -July 1887 · Paris\u003c\/p\u003e\n        \u003ch2\u003ePath in the woods, F309\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA pink and cream path goes around a blue-green undergrowth; the tight trunks, the inclined branches and the luminous clearing at the bottom transform this small Parisian canvas into a study of rhythm and depth.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chemin-dans-les-bois-f309-vincent-van-gogh.webp?v=1785262169\u0026amp;format=webp\" alt=\"Path in the Woods F309 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePath in the woods, F309\u003c\/strong\u003eVincent van Gogh · May -July 1887 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay -July 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e45.3 × 37.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA clear path at the edge of dense undergrowth\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe forest occupies almost the entire surface. Fine trunks overlap in blue, green and brown, while the path starts from the bottom right and goes up towards a pale yellow opening.\u003c\/p\u003e\n\u003cp\u003eThe keys follow the relief: vertical on the trunks, oblique in the foliage and curved along the path. This variation makes the space readable without detailed academic drawing.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe Van Gogh Museum places the work in Paris between May and July 1887. Its dimensions, its inventory s0080V1962 and its references F309\/JH1315 identify this version precisely.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis oil on canvas measures 45.3 × 37.7 cm. The vertical framing gives the path and the clear gap an essential role in depth.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA path that turns\u003c\/h3\u003e\n\u003cp\u003eThe pink curve of the path interrupts the vertical pattern of the trees. It leads the eye towards a brighter area without revealing the rest of the route.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA forest made of touches\u003c\/h3\u003e\n\u003cp\u003eBranches and leaves are suggested by short juxtaposed lines. The blue grays maintain a cool atmosphere despite the yellow accents.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA clearing as an arrival point\u003c\/h3\u003e\n\u003cp\u003eThe thinning placed on the right acts as a spatial opening. Its light contrasts with the darker, tighter mass of the undergrowth.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe official notice provides a tight dating, support, dimensions and two catalog raisonné numbers.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInventory\u003c\/span\u003e\u003ch3\u003es0080V1962\u003c\/h3\u003e\n\u003cp\u003eThis issue of the Van Gogh Museum distinguishes the canvas from other wooded landscapes painted by the artist during his stay in Paris.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eSpring and summer 1887\u003c\/h3\u003e\n\u003cp\u003eVan Gogh then worked in Paris and developed a lighter palette, with separate touches and colorful contrasts.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003ch3\u003eA vertical of 45.3 cm\u003c\/h3\u003e\n\u003cp\u003eThe small vertical format concentrates the composition on the trunks and on the upward movement of the path.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0080V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the exact curve of the path, the transparency of the blue-green colors and the constant change of direction of the keys.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe pink path in the foreground\u003c\/li\u003e\n\u003cli\u003eThe pale yellow clearing\u003c\/li\u003e\n\u003cli\u003eFine trunks superimposed\u003c\/li\u003e\n\u003cli\u003eThe blue-gray branches\u003c\/li\u003e\n\u003cli\u003eThe oblique touches of the foliage\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003ePath in the woods, F309\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay -July 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eParis\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e45.3 × 37.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0080V1962 · F309 · JH1315\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA cool undergrowth with blue-green colors\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format finds its place in an office, an entrance or a landscape wall. Slate blue, moss green, powder pink and light yellow accompany oak.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Chemin dans les bois, F309\"\u003e\n\u003ci style=\"background:#526f78\"\u003e\u003c\/i\u003e\u003ci style=\"background:#627954\"\u003e\u003c\/i\u003e\u003ci style=\"background:#89906e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c79f91\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2c584\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak, blue-gray or deep green setting extends the atmosphere of the undergrowth. Neutral light retains the delicacy of the pink path.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official image of the Van Gogh Museum was provided directly in 2509 × 3000 px and preserved in these dimensions as a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePath in the Woods, F309, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594908684514,"sku":"CHEMIN_DANS_LES_BOIS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chemin-dans-les-bois-f309-vincent-van-gogh.webp?v=1785262169"},{"product_id":"jardins-potagers-montmartre-vincent-van-gogh","title":"Montmartre vegetable gardens, F350 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June -July 1887 · Montmartre, Paris\u003c\/p\u003e\n        \u003ch2\u003eMontmartre vegetable gardens, F350\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eFenced vegetable plots extend under a vast blue-gray sky; a blond path shares crops, while a tiny mill on the horizon recalls Montmartre's still rural past.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardins-potagers-montmartre-f350-vincent-van-gogh.webp?v=1785261498\u0026amp;format=webp\" alt=\"Montmartre F350 vegetable gardens by Vincent van Gogh, Stedelijk Museum Amsterdam\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMontmartre vegetable gardens, F350\u003c\/strong\u003eVincent van Gogh · June -July 1887 · Stedelijk Museum Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune - July 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e96 × 120 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eStedelijk Museum Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eMontmartre between vegetable gardens and approaching town\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe land is seen from a light height. Fences, cabins and furrows divide the space into small irregular plots, then the central path leads to the distant line of houses.\u003c\/p\u003e\n\u003cp\u003eThe short keys change direction depending on the earth, grass and sky. The yellows and greens of the ground contrast with the large cold and eventful area which dominates the canvas.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIn 1887, Montmartre still retained quarries, market gardens and a few mills while being absorbed by Parisian expansion. Van Gogh chose precisely this border between countryside and city.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Stedelijk Museum keeps this large canvas under A 2234. It measures 96 × 120 cm and bears the references F350\/JH1245.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eFences as construction lines\u003c\/h3\u003e\n\u003cp\u003eBarriers are not simple details: they divide the terrain into successive planes and guide the depth to the horizon.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA sky that takes up almost half\u003c\/h3\u003e\n\u003cp\u003eThe vast gray-blue area adds breadth to an everyday subject. Its little touches respond to the streaks of the gardens without imitating them.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe mill as a distant landmark\u003c\/h3\u003e\n\u003cp\u003eIts dark silhouette emerges on the horizon, small enough to measure the extent of the vegetable gardens and point out Montmartre.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory A 2234 and catalogs raisonnés distinguish this large version of the Stedelijk from other views of vegetable gardens painted in Montmartre.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eThe large F350 canvas\u003c\/h3\u003e\n\u003cp\u003eIts dimensions of 96 × 120 cm and its number F350 make it impossible not to confuse it with F346 or F316, also dedicated to the gardens of Montmartre.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eA campaign in Paris\u003c\/h3\u003e\n\u003cp\u003eAt the end of the 1880s, the slopes of Montmartre still brought together crops, cabins and mills in the immediate vicinity of the city.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePeriod\u003c\/span\u003e\u003ch3\u003eThe Paris Summer of 1887\u003c\/h3\u003e\n\u003cp\u003eVan Gogh then clarified his palette and experimented with separate touches after his discovery of the Impressionists and Neo-Impressionists.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.stedelijk.nl\/en\/artwork\/2188-moestuinen-op-montmartre\" target=\"_blank\" rel=\"noopener\"\u003eConsult the instructions for the Stedelijk Museum Amsterdam →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must differentiate each plot, preserve the luminous path and keep the sky mobile without rendering the multitude of mechanical keys.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe wide yellow path\u003c\/li\u003e\n\u003cli\u003eOblique fences\u003c\/li\u003e\n\u003cli\u003eVegetable garden cabins\u003c\/li\u003e\n\u003cli\u003eThe little mill on the horizon\u003c\/li\u003e\n\u003cli\u003eThe gray-blue sky in short touches\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eMontmartre vegetable gardens, F350\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune - July 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eMontmartre, Paris\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e96 × 120 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eStedelijk Museum Amsterdam A 2234 · F350 · JH1245\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eStedelijk Museum Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large rural landscape with pale yellows\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, dining room or large office. Blue gray, straw yellow, olive green and light brown match natural wood.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Jardins potagers de Montmartre, F350\"\u003e\n\u003ci style=\"background:#82969b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b9a35d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d804e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b7953\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2c78e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak, bluish gray or medium brown frame accompanies the earth tones. Regular light reveals the fine structure of the plots.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary image measured 2024 × 1537 px; it was encoded in these dimensions as a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMontmartre vegetable gardens, F350, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594909339874,"sku":"LES_JARDINS_POTAGERS_DE_MONTMARTRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardins-potagers-montmartre-f350-vincent-van-gogh.webp?v=1785261498"},{"product_id":"oliviers-colline-vincent-van-gogh","title":"Olives on a Hill, F716 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · October 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eOlives on a Hill, F716\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eRows of olive trees rise on red-brown earth, while two trees cut by the lower edge spring yellow and green; Van Gogh transforms the slope into a succession of rhythmic curves.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/oliviers-colline-f716-van-gogh.webp?v=1785254986\u0026amp;format=webp\" alt=\"Olives on a Hill F716 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eOlives on a Hill, F716\u003c\/strong\u003eVincent van Gogh · October 1889 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOctober 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e33 × 40.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe olive grove spread out on the slope\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe small trees are arranged in horizontal bands that follow the relief. Their green and turquoise crowns appear as separate islets on the red ground.\u003c\/p\u003e\n\u003cp\u003eIn the foreground, two larger olive trees are truncated by the frame. Their ocher yellow foliage stands out on a brown curve, giving immediate depth to the small format.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in Saint-Rémy in October 1889, F716 belongs to Van Gogh's extensive research into Provençal olive groves. The artist wanted to capture their moving shape and changing color from direct observation.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Van Gogh Museum gives for s0148V1962 the references F716\/JH1878 and the dimensions of 33 × 40.5 cm.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA slope organized in strips\u003c\/h3\u003e\n\u003cp\u003eThe curves of the terrain pile up from bottom to top. This structure transforms the hill into an almost abstract pattern while retaining its relief.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eIndividualized trees\u003c\/h3\u003e\n\u003cp\u003eEach olive tree has a sinuous trunk and a crown made of curls. Variations of green prevent mechanical repetition.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eRed versus green\u003c\/h3\u003e\n\u003cp\u003eThe rusty earth brings out the turquoise and olive foliage; warm yellow accents connect the foreground to the background.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh returned several times to the olive trees of Saint-Rémy and gave them a major place in his work in 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eAmong the olive groves of 1889\u003c\/h3\u003e\n\u003cp\u003eThe artist paints at least fifteen paintings dedicated to olive trees, with different formats, seasons and lighting.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMethod\u003c\/span\u003e\u003ch3\u003eWork from nature\u003c\/h3\u003e\n\u003cp\u003eVan Gogh defends the observation of the motif against the religious compositions imagined by Gauguin and Bernard around the Garden of Olives.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eF716 in Amsterdam\u003c\/h3\u003e\n\u003cp\u003eThis small October version is kept under inventory s0148V1962 at the Van Gogh Museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0148V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must respect the superposition of the rows, the diversity of the crowns and the contrast between red earth, turquoise greens and ocher yellows.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two yellow olive trees in the foreground\u003c\/li\u003e\n\u003cli\u003eThe rows of trees on the slope\u003c\/li\u003e\n\u003cli\u003eThe red-brown earth\u003c\/li\u003e\n\u003cli\u003eThe sinuous black trunks\u003c\/li\u003e\n\u003cli\u003eThe dark band that closes the top\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eOlives on a Hill, F716\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eOctober 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e33 × 40.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0148V1962 · F716 · JH1878\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA compact olive grove in earth tones\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, kitchen or country house. Olive green, turquoise, rust and mustard go well with walnut, terracotta and linen.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Oliviers sur une colline, F716\"\u003e\n\u003ci style=\"background:#3d6d5e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7d8b58\"\u003e\u003c\/i\u003e\u003ci style=\"background:#844c38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b58b37\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4b3b32\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, dark bronze or olive green frame extends the range of the landscape. Neutral light maintains the distinction between different greens.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum's reproduction measured 5,793 × 4,725 px; it was reduced to 3,000 × 2,447 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eOlives on a Hill, F716, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594917368034,"sku":"OLIVIERS_SUR_UNE_COLLINE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/oliviers-colline-f716-van-gogh.webp?v=1785254986"},{"product_id":"paysage-lapins-vincent-van-gogh","title":"Landscape with Rabbits, F739 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.vg-hero{position:relative;padding:72px 0 46px;background:linear-gradient(112deg,#faf5ed,#ded0bc)}.vg-hero:before{content:attr(data-artist-watermark);position:absolute;right:-20px;top:4px;color:rgba(89,58,41,.055);font:clamp(68px,13vw,175px)\/1 Georgia,serif;letter-spacing:.03em}.vg-hero-grid{position:relative;display:grid;grid-template-columns:.88fr 1.12fr;gap:56px;align-items:center}.vg-hero h2{margin:0;font:400 clamp(50px,7.2vw,92px)\/.88 Georgia,'Times New Roman',serif;letter-spacing:-.06em;overflow-wrap:anywhere}.vg-hero h2 em{display:block;margin-top:14px;color:var(--vg-ochre);font-size:.35em;line-height:1.05;letter-spacing:-.025em}.vg-lead{max-width:590px;margin:27px 0 0;color:#554e47;font-size:18px}.vg-pills{display:flex;flex-wrap:wrap;gap:9px;margin-top:24px}.vg-pill{padding:8px 13px;border:1px solid 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span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark .vg-intro{color:#bdb4ab}.vg-points{display:grid;grid-template-columns:repeat(3,1fr);gap:14px;margin-top:42px}.vg-point{min-height:300px;padding:27px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.11)}.vg-point b{display:block;color:#e0a77e;font:30px Georgia,serif}.vg-point h3{margin:42px 0 10px;color:white;font-size:25px;line-height:1.05}.vg-point p{margin:0;color:#bdb4ab;font-size:14px}\n.vg-facts{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:42px}.vg-fact{position:relative;min-height:300px;padding:27px;background:var(--vg-paper2)}.vg-fact:first-child{color:white;background:var(--vg-brown)}.vg-fact span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · December 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eLandscape with rabbits, F739\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo rabbits stand in clear ground crossed by gullies and bushes; rare in Van Gogh, these animals are almost absorbed by the same tawny, gray and green touches as the Provençal soil.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paysage-lapins-f739-van-gogh.webp?v=1785254985\u0026amp;format=webp\" alt=\"Landscape with Rabbits F739 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLandscape with rabbits, F739\u003c\/strong\u003eVincent van Gogh · December 1889 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eDecember 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e32.7 × 40.6 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwo rabbits in arid terrain\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eA brown rabbit is in the center left, seen in profile, while a second, lighter one stands a little higher to the right. Their erect ears are enough to detach them from the field.\u003c\/p\u003e\n\u003cp\u003eA gnarled tree enters from the upper left edge and dark bushes close the background. Yellow and pink gullies describe an irregular slope rather than a continuous perspective.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe Van Gogh Museum dates F739 from December 1889 in Saint-Rémy. With its modest dimensions and unusual animal motif, this canvas stands out from the large landscapes of wheat, cypresses and olive trees painted the same year.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory s0099V1962, format of 32.7 × 40.6 cm and references F739\/JH1876 exactly identify the work.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eAlmost camouflaged animals\u003c\/h3\u003e\n\u003cp\u003eThe furs take up the ochres, grays and purples of the terrain. Rabbits emerge more through their contours and ears than through an isolated color.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA moving ground\u003c\/h3\u003e\n\u003cp\u003eThe keys follow the hollows and bumps, drawing an undulating material that occupies almost the entire painting.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA tree cut by the frame\u003c\/h3\u003e\n\u003cp\u003eThe dark branch enters without a visible trunk and closes the upper corner. This partial framing reinforces the impression of direct observation.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Van Gogh Museum notice provides unambiguous dating, dimensions and catalog numbers.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF739 and JH1876\u003c\/h3\u003e\n\u003cp\u003eThese references differentiate this small landscape from other undergrowth and gullies studies carried out in Saint-Rémy.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePattern\u003c\/span\u003e\u003ch3\u003eA rare animal subject\u003c\/h3\u003e\n\u003cp\u003eVan Gogh mainly paints figures, still lifes and landscapes; the central presence of two rabbits makes this canvas atypical.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003es0099V1962 in Amsterdam\u003c\/h3\u003e\n\u003cp\u003eThe work belongs to the Vincent van Gogh Foundation and is kept at the Van Gogh Museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0099V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must make the rabbits readable without artificially detaching them, while preserving the undulations of the ground and the very dark bushes.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe brown rabbit in the center left\u003c\/li\u003e\n\u003cli\u003eThe light rabbit with erect ears\u003c\/li\u003e\n\u003cli\u003eThe knotted branch at the top left\u003c\/li\u003e\n\u003cli\u003ePink and yellow ravines\u003c\/li\u003e\n\u003cli\u003eDark green bushes in the background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eLandscape with rabbits, F739\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eDecember 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e32.7 × 40.6 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0099V1962 · F739 · JH1876\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA warm and unexpected little landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a bedroom, office or rustic interior. Ocher, sand, brown, pine green and gray mauve match natural wood and linen.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Paysage avec des lapins, F739\"\u003e\n\u003ci style=\"background:#b08b4d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c9aa73\"\u003e\u003c\/i\u003e\u003ci style=\"background:#70523d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#354d3c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7a6c68\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA medium, smoky brown or deep green wooden frame respects the discretion of rabbits. Neutral light reveals contours without whitening ochres.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum's reproduction measured 6,938 × 5,517 px; it was reduced to 3,000 × 2,386 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLandscape with rabbits, F739, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594917630178,"sku":"PAYSAGE_AVEC_DES_LAPINS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paysage-lapins-f739-van-gogh.webp?v=1785254985"},{"product_id":"entree-carriere-vincent-van-gogh","title":"Entrance to a quarry, F744 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Mid-July 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eQuarry entry, F744\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eAn ocher opening sinks beneath swirling trees and bushes; Van Gogh paints the entrance to the quarry as an almost secret passage, entirely absorbed by the vegetation of Saint-Rémy.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/entree-carriere-f744-van-gogh.webp?v=1785254372\u0026amp;format=webp\" alt=\"Entrance to an F744 quarry by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eQuarry entry, F744\u003c\/strong\u003eVincent van Gogh · Mid-July 1889 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMid-july 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e60 × 73.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA mineral gap in the foliage\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe quarry forms a beige triangle in the upper center, extended by a red-brown path that descends towards the viewer. On the left, a light wall marks the cut edge of the rock.\u003c\/p\u003e\n\u003cp\u003eAround this opening, trees and shrubs fill almost the entire canvas. The foliage is constructed by green, blue and black curls; tall light grass closes the foreground.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh painted F744 in mid-July 1889 in the immediate vicinity of the Saint-Paul-de-Mausole asylum. In an August letter, he described a deliberately sober and matte palette, made of broken greens, reds and rust-colored yellows.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory s0041V1962, 60 × 73.5 cm format and references F744\/JH1802 identify the work of the Van Gogh Museum, different from the second Entrance to an F635 quarry.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA funnel composition\u003c\/h3\u003e\n\u003cp\u003eThe masses of foliage converge towards the clear quarry. The central path draws the eye into the depth despite the almost wall density of the vegetation.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDeliberately broken greens\u003c\/h3\u003e\n\u003cp\u003eOlive green, turquoise, blue black and earth yellow juxtapose. The range remains matte and mineral rather than shiny.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe movement of the key\u003c\/h3\u003e\n\u003cp\u003eBrushstrokes follow each shape: loops in the trees, diagonals on the rock and lines drawn in the grass in the foreground.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eNumber F744 is essential: Van Gogh painted two quarries near Saint-Rémy whose French titles are often confused.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eF744 in Amsterdam\u003c\/h3\u003e\n\u003cp\u003eThis dense, very leafy canvas belongs to the Van Gogh Museum; the other Entrance to a quarry, F635\/JH1767, is a different composition.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePalette\u003c\/span\u003e\u003ch3\u003eSober and matte tones\u003c\/h3\u003e\n\u003cp\u003eVan Gogh himself cites the broken greens, reds, ocher yellows and rust colors used for this landscape.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eAround Saint-Paul-de-Mausole\u003c\/h3\u003e\n\u003cp\u003eThe quarry was in the rocky landscape that the artist could explore near the Saint-Rémy asylum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0041V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must maintain the depth of the central gap, the variety of broken greens and the distinct movement of trees, rock and grass.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe Career Beige Opening\u003c\/li\u003e\n\u003cli\u003eThe red-brown path in the center\u003c\/li\u003e\n\u003cli\u003eThe light rock wall on the left\u003c\/li\u003e\n\u003cli\u003eThe large swirls of foliage\u003c\/li\u003e\n\u003cli\u003eThe yellow and green herbs in the foreground\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eQuarry entry, F744\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMid-july 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e60 × 73.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0041V1962 · F744 · JH1802\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn enveloping landscape with deep greens\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, office or room facing nature. Olive green, petrol blue, ocher and rust match dark wood, linen and earthy walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Entrée d’une carrière, F744\"\u003e\n\u003ci style=\"background:#315544\"\u003e\u003c\/i\u003e\u003ci style=\"background:#274755\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b69a5f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8e5238\"\u003e\u003c\/i\u003e\u003ci style=\"background:#677148\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, very dark green or patinated bronze frame accompanies the natural range. Neutral light reveals depth without yellowing the greens.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum's reproduction measured 7,036 × 5,729 px; it was reduced to 3,000 × 2,443 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eQuarry entrance, F744, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594917925090,"sku":"ENTR_E_D_UNE_CARRI_RE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/entree-carriere-f744-van-gogh.webp?v=1785254372"},{"product_id":"paysage-marin-pres-saintes-maries-mer","title":"Marine in 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var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Early June 1888 · Les Saintes-Maries-de-la-Mer\u003c\/p\u003e\n        \u003ch2\u003eMarine in Saintes-Maries, F415\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA dark boat struggles with the waves while three sails recede onto the horizon; painted facing the Mediterranean, this navy preserves wind, foam and even grains of sand in its material.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/marine-saintes-maries-f415-van-gogh.webp?v=1785253649\u0026amp;format=webp\" alt=\"Marine in Saintes-Maries-de-la-Mer F415 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMarine in Saintes-Maries, F415\u003c\/strong\u003eVincent van Gogh · Early June 1888 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEarly June 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e50.5 × 64.3 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe Mediterranean painted on site\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIn the center, an inclined boat carries a triangular sail and a small red flame. Three more distant boats punctuate the clear band of the horizon.\u003c\/p\u003e\n\u003cp\u003eThe waves occupy two thirds of the canvas. They are constructed by touches of blue, green, purple, yellow and white; in the foreground, two ridges of foam advance almost to the edge.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh created this navy during his only stay in Saintes-Maries-de-la-Mer, at the beginning of June 1888. He painted outside and sought to capture the constant changes in the Mediterranean, which he compared in a letter to the reflections variables of a mackerel.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe inventory s0117V1962, the dimensions of 50.5 × 64.3 cm and the references F415\/JH1452 distinguish this work from the second marine F417 kept in Moscow.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eWaves built by the touch\u003c\/h3\u003e\n\u003cp\u003eEach strip of water changes direction and color. Short brushstrokes and white impasto give a very concrete movement to the foam.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA boat as an anchor\u003c\/h3\u003e\n\u003cp\u003eThe dark hull and sloping sail hold the eye in the middle of the unstable surface, while the small sails measure the distance.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA truly changing palette\u003c\/h3\u003e\n\u003cp\u003eCobalt blue, green, purple, pink, gray and yellow juxtapose without blending, reflecting the reflections observed directly on the sea.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe very material of F415 confirms the conditions of its outdoor creation.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOutdoors\u003c\/span\u003e\u003ch3\u003eSand in the paint\u003c\/h3\u003e\n\u003cp\u003eThe Van Gogh Museum reports grains of sand taken from the pictorial layer, physical traces of the session on the beach.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTravel\u003c\/span\u003e\u003ch3\u003eThree covered canvases\u003c\/h3\u003e\n\u003cp\u003eIn his letter of June 3 -4, Van Gogh indicates that he painted two seascapes and a view of the village during his brief stay in Camargue.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eF415 in Amsterdam\u003c\/h3\u003e\n\u003cp\u003eThis composition shows more sky and sea than some travel-related studies; it is kept under number s0117V1962.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0117V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the diversity of the blues, the thick material of the foam and the delicate balance between the central boat and the distant sails.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe black boat tilted\u003c\/li\u003e\n\u003cli\u003eThe red flame at the top of the mast\u003c\/li\u003e\n\u003cli\u003eThe three sails of the horizon\u003c\/li\u003e\n\u003cli\u003eThe green and purple waves\u003c\/li\u003e\n\u003cli\u003eThe white, yellow foam in the foreground\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eMarine in Saintes-Maries, F415\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEarly June 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eLes Saintes-Maries-de-la-Mer\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e50.5 × 64.3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0117V1962 · F415 · JH1452\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA bright and very mobile navy\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, bedroom or seaside house. Cobalt blue, sea green, off-white and sand yellow match light oak, linen and bluish walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Marine aux Saintes-Maries, F415\"\u003e\n\u003ci style=\"background:#527ba0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4d807c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c6c8b0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#dfd5a4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#354f5d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light, midnight blue or off-white wooden frame extends the marine atmosphere. Neutral light respects the numerous transitions of blue and green.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum's reproduction measured 7,235 × 5,578 px; it was reduced to 3,000 × 2,313 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMarine in Saintes-Maries, F415, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594919334114,"sku":"PAYSAGE_MARIN_PR_S_DES_SAINTES_MARIES_DE_LA_MER_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/marine-saintes-maries-f415-van-gogh.webp?v=1785253649"},{"product_id":"champ-coquelicots-vincent-van-gogh","title":"Poppy field, F576 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003ePoppy field, F576\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA carpet of red poppies punctuates a green field under a vast blue sky; a few white farms and orange roofs are enough to locate this small view in the Arles countryside.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-coquelicots-f576-van-gogh.webp?v=1785252913\u0026amp;format=webp\" alt=\"Poppy field F576 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePoppy field, F576\u003c\/strong\u003eVincent van Gogh · May 1888 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e24 × 35 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eRed poppies in the green of Arles\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe foreground is filled with long green vertical stems between which touches of red, orange and pink appear. Poppy density increases near the lower edge.\u003c\/p\u003e\n\u003cp\u003eA thin light strip separates the field from the houses. On the right, a group of dark trees frames several farms with cream walls; the blue sky occupies almost half of the canvas.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh painted this small landscape in May 1888 and entrusted it a few months later to Second Lieutenant Paul-Eugène Milliet so that he could transport it to Theo. The museum keeps it today under inventory s0033V1962.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Van Gogh Museum notice confirms Arles, May 1888, 24 × 35 cm and the references F576\/JH1423.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eRed versus green\u003c\/h3\u003e\n\u003cp\u003eThe small touches of poppies are few in number but very visible thanks to the complementary contrast with the field.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA very low horizon\u003c\/h3\u003e\n\u003cp\u003eThe houses form a thin line between earth and sky. This economy gives the landscape an unusual opening.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eSimple directions\u003c\/h3\u003e\n\u003cp\u003eThe vertical stems of the field, the horizontal bands of the distance and the square touches of the sky clearly structure the small format.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis painting belongs to the intense outdoor production of Van Gogh's first months in Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTransport\u003c\/span\u003e\u003ch3\u003eEntrusted to Paul-Eugène Milliet\u003c\/h3\u003e\n\u003cp\u003eThe museum documents Milliet's passage of the work in mid-August 1888 so that she could join Theo in Paris.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003ch3\u003eOnly 24 × 35 cm\u003c\/h3\u003e\n\u003cp\u003eThe small support reinforces the simplicity of the composition and the precision of the red keys in the field.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003es0033V1962\u003c\/h3\u003e\n\u003cp\u003eThe work belongs to the Vincent van Gogh Foundation and is currently reported as exhibited by the museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0033V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must respect the small scale of the poppies, the deep breathing of the sky and the thin succession of farms on the horizon.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe red poppies in the foreground\u003c\/li\u003e\n\u003cli\u003eVertical green stems\u003c\/li\u003e\n\u003cli\u003eThe light stripe behind the field\u003c\/li\u003e\n\u003cli\u003eFarms with orange roofs\u003c\/li\u003e\n\u003cli\u003eThe vast blue sky with pale touches\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003ePoppy field, F576\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e24 × 35 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0033V1962 · F576 · JH1423\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA small open and very cool landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a kitchen, bedroom or wall composition. Prairie green, poppy red, sky blue and cream match light wood and white walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Champ de coquelicots, F576\"\u003e\n\u003ci style=\"background:#3e7048\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b94837\"\u003e\u003c\/i\u003e\u003ci style=\"background:#91b7c4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d4c79f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6c8457\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light, dark green or red-brown wooden frame accompanies the field. Neutral light keeps the sky cool.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Van Gogh Museum's reproduction measured 7,669 × 5,162 px; it was reduced to 3,000 × 2,019 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePoppy field, F576, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594920251618,"sku":"CHAMP_DE_COQUELICOTS_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-coquelicots-f576-van-gogh.webp?v=1785252913"},{"product_id":"champ-ble-faucheuse-vincent-van-gogh","title":"Wheat field with reaper, F618 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · September 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eWheat field with reaper, F618\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUnder a pale yellow sun, a blue-green reaper advances in a field of incandescent wheat; this September resumption transforms the harvest observed from the asylum into luminous meditation on the cycle of life.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-ble-faucheur-f618-van-gogh.webp?v=1785252912\u0026amp;format=webp\" alt=\"Wheat field with reaper F618 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eWheat field with reaper, F618\u003c\/strong\u003eVincent van Gogh · September 1889 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eSeptember 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73.2 × 92.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe Reaper in the Middle of a Sea of Wheat\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe small figure leans to the left, almost absorbed by the sheaves. Thick yellow, cream and ocher lines circle around her, while a rounded millstone marks the edge of the field.\u003c\/p\u003e\n\u003cp\u003eA blue-gray wall separates the harvest from the houses and the Alpilles. The sun floats in a lime-green sky, and the mountain follows a long blue-purple diagonal towards the upper right corner.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh first painted the motif in late June 1889, then produced this version in September. In a letter he describes the reaper as an image of death, but of a death without sadness, accomplished under a golden light.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Van Gogh Museum painting bears inventory s0049V1962 and references F618\/JH1773; it should not be confused with F617 from the Kroeller-Müller Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eAn almost dissolved figure\u003c\/h3\u003e\n\u003cp\u003eThe reaper is made up of a few blue-green touches placed directly in the yellow. His body blends in with the work he does.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eWheat in swirls\u003c\/h3\u003e\n\u003cp\u003eThe tight curves give the field continuous energy, as if each spray reacted to the heat and the gesture of the scythe.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA sun without shadow\u003c\/h3\u003e\n\u003cp\u003eThe pale disk does not illuminate with a classic model: it diffuses its color in the sky, the wheat and even the mountains.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF618 belongs to a series of three large paintings by the reaper created in Saint-Rémy in 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eThe September recovery\u003c\/h3\u003e\n\u003cp\u003eThis canvas takes the composition of June F617 in a lighter range, with a lime green sky and a very melted figure in the field.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSymbol\u003c\/span\u003e\u003ch3\u003eAn image of death\u003c\/h3\u003e\n\u003cp\u003eVan Gogh associates humanity with cut wheat, while emphasizing the light and lack of sadness of this scene.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF618 · JH1773\u003c\/h3\u003e\n\u003cp\u003eInventory s0049V1962 and these references identify the version kept at the Van Gogh Museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0049V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum instructions →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the weak separation between the figure and the wheat, the countless yellow curves and the cold blues of the mountain.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe little blue-green reaper\u003c\/li\u003e\n\u003cli\u003eThe millstone on the left\u003c\/li\u003e\n\u003cli\u003eThe sheaves in circular movements\u003c\/li\u003e\n\u003cli\u003eThe blue-gray wall on the horizon\u003c\/li\u003e\n\u003cli\u003eThe yellow sun in the lemon sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eWheat field with reaper, F618\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eSeptember 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73.2 × 92.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0049V1962 · F618 · JH1773\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large solar landscape with nuanced yellows\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, dining room or office. Straw yellow, lime green, purple blue and gray match oak, linen and light walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Champ de blé avec faucheur, F618\"\u003e\n\u003ci style=\"background:#d4bd58\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c5d18a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#75829a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b7b60\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e1d59b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light wood, blue gray or golden brown frame supports the field without weighing it down. Neutral light preserves the differences between warm and cold yellows.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Google Art Project image measured 3,138 × 2,481 px; it was reduced to 3,000 × 2,372 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eWheat field with reaper, F618, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594920382690,"sku":"CHAMP_DE_BL_AVEC_UNE_FAUCHEUSE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-ble-faucheur-f618-van-gogh.webp?v=1785252912"},{"product_id":"paysage-montagne-derriere-hopital-saint-paul","title":"Landscape of Saint-Rémy, F611 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh June 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eLandscape of Saint-Rémy, F611\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUnder large white clouds, the Alpilles rise behind the fields and houses near Saint-Paul-de-Mausole; Van Gogh constructs the landscape with waves of blue, green and ocher.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paysage-saint-remy-f611-van-gogh.webp?v=1785252155\u0026amp;format=webp\" alt=\"Mountain landscape behind Saint-Paul F611 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLandscape of Saint-Rémy, F611\u003c\/strong\u003eVincent van Gogh · June 1889 · Statens Museum for Kunst, Copenhagen\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e70.5 × 88.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eStatens Museum for Kunst, Copenhagen\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe Alpilles behind Saint-Paul hospital\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe foreground is covered with long curved touches that follow the grasses and cereals. A blue-gray road or ditch cuts the composition, then walls, a few houses and a clump of trees mark the foot of the mountain.\u003c\/p\u003e\n\u003cp\u003eThe rocky ridge rises sharply to the right. Above, two masses of white clouds swirl against a pale blue sky, while their dark blue contours take up the undulations of the field.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted shortly after Van Gogh's arrival in Saint-Rémy, the canvas observes the reliefs located beyond the asylum enclosure. The landscape remains recognizable, but each shot is animated by a different direction of touch.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eSMK Open documents the work under the number KMS1840, with a format of 70.5 × 88.5 cm; F611\/JH1723 completes this identification.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eMoving shots\u003c\/h3\u003e\n\u003cp\u003eGrasses roll in the foreground, hills follow slower diagonals, and clouds form broad spirals.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA mountain close together\u003c\/h3\u003e\n\u003cp\u003eThe high horizon and dark ridge reduce the distance. The Alpilles almost seem to touch the houses.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBlue as a structure\u003c\/h3\u003e\n\u003cp\u003eCobalt blue and gray blue draw the shadows, walls, road and contours of the sky, connecting all areas of the painting.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Statens Museum for Kunst acquired the painting in 1905; the current notice classifies it among its paintings free to reuse.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInventory\u003c\/span\u003e\u003ch3\u003eKMS1840\u003c\/h3\u003e\n\u003cp\u003eThe inventory number accompanies the official title Landscape from Saint-Rémy and the institutional format of 70.5 × 88.5 cm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF611 · JH1723\u003c\/h3\u003e\n\u003cp\u003eThese references place the painting in June 1889, at the start of Van Gogh's stay in Saint-Paul-de-Mausole.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAcquisition\u003c\/span\u003e\u003ch3\u003eEntered in 1905\u003c\/h3\u003e\n\u003cp\u003eSMK Open indicates 1905 as the year of acquisition of this landscape now attached to the Danish national collections.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.open.smk.dk\/en\/artwork\/image\/KMS1840\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of SMK Open →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must maintain the continuity of the rhythms between field, mountain and clouds, as well as the subtlety of the bluish greens in the foreground.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe curved grass in the foreground\u003c\/li\u003e\n\u003cli\u003eThe blue-gray road or ditch\u003c\/li\u003e\n\u003cli\u003eSmall houses at the foot of the hills\u003c\/li\u003e\n\u003cli\u003eThe dark ridge of the Alpilles\u003c\/li\u003e\n\u003cli\u003eThe large white clouds bordered in blue\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eLandscape of Saint-Rémy, F611\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e70.5 × 88.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eStatens Museum for Kunst KMS1840 · F611 · JH1723\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eStatens Museum for Kunst, Copenhagen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA Provençal panorama with fresh blues\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, dining room or office. Blue gray, sage green, white and light ocher match oak, linen and sand walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Paysage de Saint-Rémy, F611\"\u003e\n\u003ci style=\"background:#708da0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7f9b75\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9d4bd\"\u003e\u003c\/i\u003e\u003ci style=\"background:#aa925f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3e536b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA blue-gray, light wood or olive green frame accompanies the reliefs. Neutral light preserves the nuanced whites of the clouds.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Google Art Project image measured 5,003 × 3,920 px; it was reduced to 3,000 × 2,351 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLandscape of Saint-Rémy, F611, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594921038050,"sku":"PAYSAGE_DE_MONTAGNE_DERRI_RE_L_H_PITAL_SAINT_PAUL_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paysage-saint-remy-f611-van-gogh.webp?v=1785252155"},{"product_id":"champ-mouille-sous-pluie-vincent-van","title":"Rain: wheat field, F650 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.vg-hero{position:relative;padding:72px 0 46px;background:linear-gradient(112deg,#faf5ed,#ded0bc)}.vg-hero:before{content:attr(data-artist-watermark);position:absolute;right:-20px;top:4px;color:rgba(89,58,41,.055);font:clamp(68px,13vw,175px)\/1 Georgia,serif;letter-spacing:.03em}.vg-hero-grid{position:relative;display:grid;grid-template-columns:.88fr 1.12fr;gap:56px;align-items:center}.vg-hero h2{margin:0;font:400 clamp(50px,7.2vw,92px)\/.88 Georgia,'Times New Roman',serif;letter-spacing:-.06em;overflow-wrap:anywhere}.vg-hero h2 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Georgia,serif}.vg-stats{position:relative;display:grid;grid-template-columns:repeat(4,1fr);margin-top:48px;background:#fffaf3;border:1px solid var(--vg-line)}.vg-stat{padding:20px 22px}.vg-stat+.vg-stat{border-left:1px solid var(--vg-line)}.vg-stat strong{display:block;font:400 21px Georgia,serif}.vg-stat span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark .vg-intro{color:#bdb4ab}.vg-points{display:grid;grid-template-columns:repeat(3,1fr);gap:14px;margin-top:42px}.vg-point{min-height:300px;padding:27px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.11)}.vg-point b{display:block;color:#e0a77e;font:30px Georgia,serif}.vg-point h3{margin:42px 0 10px;color:white;font-size:25px;line-height:1.05}.vg-point p{margin:0;color:#bdb4ab;font-size:14px}\n.vg-facts{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:42px}.vg-fact{position:relative;min-height:300px;padding:27px;background:var(--vg-paper2)}.vg-fact:first-child{color:white;background:var(--vg-brown)}.vg-fact span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Autumn 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eRain: wheat field, F650\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eWhite, pale blue and mint green lines cross a freshly sown field: from his room in Saint-Paul-de-Mausole, Van Gogh paints the rain like a veil placed in front of the landscape.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pluie-champ-ble-f650-van-gogh.webp?v=1785252151\u0026amp;format=webp\" alt=\"Rain, Wheat Field F650 by Vincent van Gogh, Philadelphia Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRain: wheat field, F650\u003c\/strong\u003eVincent van Gogh · Fall 1889 · Philadelphia Museum of Art, Philadelphia\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAutumn 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73.3 × 92.4 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePhiladelphia Museum of Art, Philadelphia\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eRain seen from the asylum room\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eA light brown furrow descends diagonally from the middle left and separates two expanses of plowed land. The field, seen from above, rises to the ocher wall which closes the horizon, with a few trees and buildings barely visible.\u003c\/p\u003e\n\u003cp\u003eThe long oblique hatching of rain follows neither the furrows nor the perspective. They remain in the foreground like a transparent grid. In the distance, the gray and blue hills disappear under an almost white sky.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe Philadelphia Museum of Art links the composition to an October 1889 downpour that forced Van Gogh to work from the inside. This is the only view of this field where it directly represents rain.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe museum preserves the work under number 1986-26-36; F650\/JH1839 distinguishes it from other fields observed from the same window.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTwo superimposed spaces\u003c\/h3\u003e\n\u003cp\u003eThe field recedes towards the hills, while the rain lines seem to float on the surface of the canvas. Depth and flatness remain visible together.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA very high horizon\u003c\/h3\u003e\n\u003cp\u003eThe sky takes up little space. The plowed earth invades the image and amplifies the curved movement of the furrows.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eHiroshige Echo\u003c\/h3\u003e\n\u003cp\u003eThe long diagonals recall the stylized showers of Japanese prints, notably those that Van Gogh had copied in Paris.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eDuring his stay in Saint-Rémy, Van Gogh painted the enclosed field visible from his room in several seasons, without representing the bars of the window.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eWeather\u003c\/span\u003e\u003ch3\u003eAutumn downpour\u003c\/h3\u003e\n\u003cp\u003eOblique brushstrokes record near rain, while Alpilles dissolve in mist.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eViewpoint\u003c\/span\u003e\u003ch3\u003eFrom upstairs\u003c\/h3\u003e\n\u003cp\u003eThe heavy dive explains the importance given to the ground and the ascending route of the wall which surrounds the area.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003e1986-26-36\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the legacy Henry P. McIlhenny, entered into the Philadelphia Museum of Art in memory of Frances P. McIlhenny.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.philamuseum.org\/objects\/82820\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Philadelphia Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the irregular transparency of the rain lines, the cooled greens of the field and the very subtle separation between the hills and the sky.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eOblique hatching from the rain\u003c\/li\u003e\n\u003cli\u003eThe light furrow in the foreground\u003c\/li\u003e\n\u003cli\u003eThe wall that closes the field\u003c\/li\u003e\n\u003cli\u003eTiny trees and buildings\u003c\/li\u003e\n\u003cli\u003eThe Alpilles drowned in the gray sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eRain: wheat field, F650\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eAutumn 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73.3 × 92.4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003ePhiladelphia Museum of Art 1986-26-36 · F650 · JH1839\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePhiladelphia Museum of Art, Philadelphia\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA silent landscape with nuanced grey-green colors\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a bedroom, office or quiet living room. Pearl gray, mint green, pale blue and earth brown match light oak, linen and stone.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Pluie : champ de blé, F650\"\u003e\n\u003ci style=\"background:#a9a9a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f9180\"\u003e\u003c\/i\u003e\u003ci style=\"background:#879ca6\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b6f52\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5d1c0\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light wood, bluish gray or matte brown frame respects the humid atmosphere. Soft light prevents you from losing fine lines of rain.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Google Art Project image measured 5,025 × 3,908 px; it was reduced to 3,000 × 2,333 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRain: wheat field, F650, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594921595106,"sku":"CHAMP_MOUILL_SOUS_LA_PLUIE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pluie-champ-ble-f650-van-gogh.webp?v=1785252151"},{"product_id":"ferme-provence-vincent-van-gogh","title":"Farm in Provence, F565 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · June 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eFarm in Provence, F565\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA white road runs along a wall of colored stones towards the entrance to a farm and its millstones; in the yellow field, a man walks away under a turquoise sky covered with pink clouds.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/ferme-provence-f565-van-gogh.webp?v=1785251384\u0026amp;format=webp\" alt=\"Farm in Provence F565 by Vincent van Gogh, National Gallery of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eFarm in Provence, F565\u003c\/strong\u003eVincent van Gogh June 1888 National Gallery of Art, Washington\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e46.1 × 60.9 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNational Gallery of Art, Washington\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA farm entrance built like a print\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe wall starts from the center then winds towards the lower edge. The white road joins it on the right, between two gate pillars. Beyond stand three millstones, a farm with orange roofs and a few blue and green trees.\u003c\/p\u003e\n\u003cp\u003eOn the left, a small figure in pink pants crosses the field. The vertical touches of the cereals contrast with the horizontal dashes of the wall. The turquoise sky, almost flat, and the simplified shots recall Van Gogh's admiration for Japanese prints.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe National Gallery of Art links the canvas to the rapid and prepared studies of the wheat fields of Arles. Provençal light erases small details and transforms walls, crops and buildings into colorful shapes.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory 1970.17.34 and references F565\/JH1443 identify the small Washington canvas, which measures 46.1 × 60.9 cm.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe wall as a guideline\u003c\/h3\u003e\n\u003cp\u003eIts changes of angle lead from the farm to the foreground. The stones are suggested by touches of pink, blue and purple.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA figure for scale\u003c\/h3\u003e\n\u003cp\u003eThe walking man is small but very colorful. It measures the field and gives a direction opposite to that of the road.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eComplementaries in direct sunlight\u003c\/h3\u003e\n\u003cp\u003eReds and greens, oranges and blues juxtapose in plants, walls and the sky to produce a luminous vibration.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe museum highlights the influence of Japanese prints and places the work in the intense Arlesian production of 1888.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOther title\u003c\/span\u003e\u003ch3\u003eEntrance to a farm\u003c\/h3\u003e\n\u003cp\u003eThe painting was also exhibited under the title Entrance to a farm near Arles, which precisely describes the portal and the wall.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eJaponism\u003c\/span\u003e\u003ch3\u003eSimplified shapes\u003c\/h3\u003e\n\u003cp\u003eThe clarity of the South allows Van Gogh to reduce the depth into colored bands, as in the prints he collects.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003e1970.17.34\u003c\/h3\u003e\n\u003cp\u003eThe painting belonged to the Ailsa Mellon Bruce Collection and entered the National Gallery of Art by bequest in 1970.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nga.gov\/artworks\/52178-farmhouse-provence\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the National Gallery of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the irregular outline of the wall, the small figure and the vibration of complementary colors under the turquoise sky.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe figure walking away in the field\u003c\/li\u003e\n\u003cli\u003eThe pink, blue and purple stone wall\u003c\/li\u003e\n\u003cli\u003eThe white road to the gate\u003c\/li\u003e\n\u003cli\u003eThe three millstones behind the entrance\u003c\/li\u003e\n\u003cli\u003eThe turquoise sky with clear clouds\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eFarm in Provence, F565\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e46.1 × 60.9 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eNational Gallery of Art 1970.17.34 · F565 · JH1443\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNational Gallery of Art, Washington\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA clear and very colorful Provençal landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a kitchen, dining room or living room. Straw yellow, turquoise, pink, purple and green match oak, linen and sand walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Ferme en Provence, F565\"\u003e\n\u003ci style=\"background:#c8a94a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#78b2b2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b66d64\"\u003e\u003c\/i\u003e\u003ci style=\"background:#77719a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#536f4d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light wood, blue-gray or olive green frame accompanies the road and the field. Neutral light prevents the turquoise sky from turning white.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe National Gallery of Art's Open Access image measured 4,000 × 3,017 px; it was reduced to 3,000 × 2,263 px and converted into a real WebP.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eFerme en Provence, F565, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594921988322,"sku":"FERME_EN_PROVENCE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/ferme-provence-f565-van-gogh.webp?v=1785251384"},{"product_id":"jardin-hopital-saint-paul-remy-vincent","title":"The Hospital Park in Saint-Rémy, F660 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · November 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eThe Hospital Park in Saint-Rémy, F660\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA large lightning pine spreads its branches above red earth covered with needles; benches, faded rose bushes, terrace and fragment of building make up one of the autumn gardens of Saint-Paul-de-Mausole.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-hopital-saint-paul-f660-van-gogh.webp?v=1785251378\u0026amp;format=webp\" alt=\"The Hospital Park in Saint-Rémy F660 by Vincent van Gogh, Museum Folkwang\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Hospital Park in Saint-Rémy, F660\u003c\/strong\u003eVincent van Gogh · November 1889 · Museum Folkwang, Essen\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovember 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e75 × 93.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseum Folkwang, Essen\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe last smile of autumn in the asylum garden\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eOn the left, a massive trunk divides into curved branches that cross the sky. In the center, several thinner pines form a screen in front of the garden wall. To the right, the yellow path runs along a gray terrace and the narrow facade of the establishment.\u003c\/p\u003e\n\u003cp\u003eVan Gogh contrasts the ocher red earth, almost black under the trees, with the intense yellows of the sky and the path. The foliage is constructed by green, blue and black lines. Two light benches and a few small figures interrupt this tight vegetation.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eIn a letter to Émile Bernard dated November 20, 1889, Van Gogh described this view precisely: the gray terrace on the right, the rose bushes without flowers, the burned ground covered with needles and the large tree struck by lightning.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe current notice from the Museum Folkwang gives 75 × 93.5 cm and the inventory G 64; references F660\/JH1849 distinguish this canvas from other gardens in Saint-Paul.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe blasted pine\u003c\/h3\u003e\n\u003cp\u003eIts heavy trunk and fan-shaped branches dominate the entire landscape. This injured tree becomes the real subject of the scene.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA depth of corridors\u003c\/h3\u003e\n\u003cp\u003eBenches, wall, driveway and terrace form strips that lead to the right, without completely opening the garden.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe red earth under the yellow\u003c\/h3\u003e\n\u003cp\u003eThe dark, red soil contrasts with the lemon sky and the bright edge of the path, giving the garden an almost unreal clarity.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe museum connects the work to two views of the garden completed in November 1889, after the resumption of outings and outdoor work.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLetter\u003c\/span\u003e\u003ch3\u003eDescribed to Émile Bernard\u003c\/h3\u003e\n\u003cp\u003eThe November 20 letter provides a rare description written by Van Gogh of elements still clearly recognizable in the canvas.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePurchase\u003c\/span\u003e\u003ch3\u003eAcquired in 1905\u003c\/h3\u003e\n\u003cp\u003eThe Museum Folkwang acquired the painting very early for its establishment in Hagen; the work then joined Essen in 1922.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInventory\u003c\/span\u003e\u003ch3\u003eG 64\u003c\/h3\u003e\n\u003cp\u003eThe official title is Le parc de l'hôpital, in Saint-Rémy, with the subtitle A corner of the asylum and the garden with the big sawn tree.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/sammlung-online.museum-folkwang.de\/eMP\/eMuseumPlus?module=collection\u0026amp;objectId=3019\u0026amp;service=ExternalInterface\u0026amp;viewType=detailView\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Museum Folkwang →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy should preserve the weight of the large tree, the differences in direction in the branches and the tension between the dark red earth and the yellow areas.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large pine blasted on the left\u003c\/li\u003e\n\u003cli\u003eThe thin trunks of the center\u003c\/li\u003e\n\u003cli\u003eThe two light benches in the shadows\u003c\/li\u003e\n\u003cli\u003eThe terrace and the fragment of building on the right\u003c\/li\u003e\n\u003cli\u003eThe yellow driveway lined with blue touches\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Hospital Park in Saint-Rémy, F660\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eNovember 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e75 × 93.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eMuseum Folkwang G 64 · F660 · JH1849\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eMuseum Folkwang, Essen\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large autumn garden with deep yellows and greens\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room or dining room. Red ocher, olive green, lemon yellow and gray blue match natural wood, leather and cream walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Parc de l’hôpital à Saint-Rémy, F660\"\u003e\n\u003ci style=\"background:#8b5a36\"\u003e\u003c\/i\u003e\u003ci style=\"background:#536248\"\u003e\u003c\/i\u003e\u003ci style=\"background:#cdbb42\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7c8e8d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#343b31\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, dark green or weathered brown frame supports the mass of the trees. Neutral light reveals the yellows without crushing the details of the undergrowth.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003ePublic reproduction measured 3,864 × 3,054 px; it was reduced to 3,000 × 2,371 px and converted into a real WebP, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Hospital Park in Saint-Rémy, F660, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594922447074,"sku":"JARDIN_DE_L_H_PITAL_SAINT_PAUL_SAINT_R_MY_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-hopital-saint-paul-f660-van-gogh.webp?v=1785251378"},{"product_id":"vue-saintes-maries-mer-vincent-van","title":"View of Saintes-Maries-de-la-Mer, F416 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · 1er-3 June 1888 · Saintes-Maries-de-la-Mer, Camargue\u003c\/p\u003e\n        \u003ch2\u003eView of Saintes-Maries-de-la-Mer, F416\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eRows of purple and green crops converge on the white village of Saintes-Maries, dominated by its fortified church; Van Gogh organizes the view as a depth of color.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/saintes-maries-f416-van-gogh.webp?v=1785249171\u0026amp;format=webp\" alt=\"View of Saintes-Maries-de-la-Mer F416 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eView of Saintes-Maries-de-la-Mer, F416\u003c\/strong\u003eVincent van Gogh · 1er-3 June 1888 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e1st -3 June 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e64.2 × 53 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe Camargue village seen through cultures\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe foreground is divided into furrows which start from the lower edge and narrow towards the houses. A long dark enclosure crosses the canvas. Behind it, the white facades, red roofs and towers of the church stand out against a blue-green sky.\u003c\/p\u003e\n\u003cp\u003eThe Kroeller-Müller Museum says the rows could be vines or linen. The illuminated walls take on cream, pink or yellow tones, while the sides in the shade turn blue. The perspective comes as much from these oppositions as from the design of the furrows.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eDuring his brief Mediterranean stay, Van Gogh created nine drawings, two beach paintings with boats and this view of the village. The fortified church becomes the anchor point.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe KM 106.327 inventory and references F416\/JH1447 identify the vertical view of the village, distinct from the marines and streets painted during the same trip.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eFurrows as lines of flight\u003c\/h3\u003e\n\u003cp\u003eThe purple and green rows lead the eye towards the enclosure then towards the church, giving firm depth to this small territory.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA city in flat areas\u003c\/h3\u003e\n\u003cp\u003eEach house receives a warm side and a blue side. The volumes become readable without modeled shadows or meticulous architectural details.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe church as a landmark\u003c\/h3\u003e\n\u003cp\u003eIts towers and bell tower extend beyond all roofs. Their compact silhouette stabilizes the upper part of the composition.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe official notice dates the painting from June 1 to 3, 1888 and places it in the few days spent by Van Gogh in the fishing village.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTravel\u003c\/span\u003e\u003ch3\u003eA few days in the Camargue\u003c\/h3\u003e\n\u003cp\u003eVan Gogh leaves Arles to observe the Mediterranean, the boats and the light of the village of Saintes-Maries-de-la-Mer.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eTwelve works on site\u003c\/h3\u003e\n\u003cp\u003eThe museum has nine drawings, two beach and sea paintings with boats, as well as this view of the village.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003ch3\u003eThe light of Provence\u003c\/h3\u003e\n\u003cp\u003eThe facades facing the sun are warm and clear; their shaded sides turn blue under a sky described as white-hot.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-view-of-saintes-maries-de-la-mer-km-106-327\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must retain the convergence of cultures, the hot-cold contrast of the houses and the precise silhouette of the fortified church.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe purple and green furrows in the foreground\u003c\/li\u003e\n\u003cli\u003eThe dark enclosure that runs through the canvas\u003c\/li\u003e\n\u003cli\u003eWhite houses with red roofs\u003c\/li\u003e\n\u003cli\u003eThe towers of the fortified church\u003c\/li\u003e\n\u003cli\u003eThe sky is very clear blue-green\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eView of Saintes-Maries-de-la-Mer, F416\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003e1st -3 June 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaintes-Maries-de-la-Mer, Camargue\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e64.2 × 53 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum KM 106.327 · F416 · JH1447\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA bright and architectural Mediterranean view\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for a bright entrance, dining room or living room. Purple, green, white, brick red and blue match oak, terracotta and sand walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vue des Saintes-Maries-de-la-Mer, F416\"\u003e\n\u003ci style=\"background:#6d6685\"\u003e\u003c\/i\u003e\u003ci style=\"background:#516d55\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9d2b5\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a8553f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8aa6a4\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light, red-brown or deep green wooden frame is reminiscent of crops and roofs. Neutral light preserves the blue shadows of the facades.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public reproduction of 2,520 × 3,048 px was reduced to 2,480 × 3,000 px then converted into a real WebP, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eView of Saintes-Maries-de-la-Mer, F416, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594925199586,"sku":"VUE_DES_SAINTES_MARIES_DE_LA_MER_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/saintes-maries-f416-van-gogh.webp?v=1785249171"},{"product_id":"champs-ble-paysage-montagneux-vincent-van","title":"Wheat fields in a mountainous landscape, F721 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · End of November - beginning of December 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eWheat fields in a mountainous landscape, F721\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn front of the purple Alpilles, green and ocher fields lead to the Mas de Saint-Paul; due to lack of new canvas, Van Gogh painted this vast landscape on a tablecloth with small red tiles.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champs-montagne-f721-van-gogh.webp?v=1785249166\u0026amp;format=webp\" alt=\"Wheat fields in a mountainous landscape F721 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eWheat fields in a mountainous landscape, F721\u003c\/strong\u003eVincent van Gogh · End of November - beginning of December 1889 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEnd of November - beginning of December 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73.5 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on linen reused as a tablecloth\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe Mas de Saint-Paul at the foot of the mountains\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe foreground is a green and yellow expanse covered with long horizontal touches. An isolated tree stands slightly to the right of the center. Further on, the low farm and its ocher dovecote form a warm line in front of the purple and jagged mass of the Alpilles.\u003c\/p\u003e\n\u003cp\u003eThe museum explains that Van Gogh first lays the purple-brown outlines of the mountains, farm and fields, then fills the areas with flat or thick touches. The yellow-green sky remains very clear, almost incandescent above the cold reliefs.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eRunning out of canvas in November 1889, Van Gogh used a tablecloth whose pattern of small red squares remained visible in several unpainted areas. This unusual support is part of the material history of F721.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Kroeller-Müller Museum notice identifies the building as the Mas de Saint-Paul, a 17th century farm whose dovecote indicates the rank of its first owner.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eSuperimposed plans\u003c\/h3\u003e\n\u003cp\u003eField, farm, mountain and sky follow one another in bands. The variety of touches nevertheless gives the landscape a very convincing depth.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003ePurple versus yellow\u003c\/h3\u003e\n\u003cp\u003eThe blue-purple mountains stand out against a yellow-green sky. This opposition makes the ridge line vibrate without resorting to a gentle atmospheric perspective.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA tablecloth under the paint\u003c\/h3\u003e\n\u003cp\u003eThe small red tiles of the fabric appear where the colored layer remains thin, recalling the shortage of canvas experienced by the artist.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe KM 100.443 inventory and references F721\/JH1864 distinguish this view of Mas de Saint-Paul from other mountainous landscapes painted around the asylum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eA reused tablecloth\u003c\/h3\u003e\n\u003cp\u003eVan Gogh begins the canvas before the arrival of the ten meters of fabric requested from Theo; he therefore uses a red patterned tablecloth.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBuilding\u003c\/span\u003e\u003ch3\u003eThe Mas de Saint-Paul\u003c\/h3\u003e\n\u003cp\u003eThe farm still exists. Its angular extension on the roof is a dovecote, an element formerly reserved for a rank-and-file owner.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eStructure\u003c\/span\u003e\u003ch3\u003ePurple brown outlines\u003c\/h3\u003e\n\u003cp\u003eThe main boundaries are drawn in a dark color before applying greens, ochres, purples and yellows.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/krollermuller.nl\/en\/vincent-van-gogh-wheat-fields-in-a-mountainous-landscape\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the layout of the plans, the precise silhouette of the Mas and the contrast between the yellow-green sky and the purple mountains.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large green field in the foreground\u003c\/li\u003e\n\u003cli\u003eThe slightly off-center isolated tree\u003c\/li\u003e\n\u003cli\u003eThe Mas de Saint-Paul and its dovecote\u003c\/li\u003e\n\u003cli\u003eThe purple ridge of the Alpilles\u003c\/li\u003e\n\u003cli\u003eThe very bright yellow-green sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eWheat fields in a mountainous landscape, F721\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEnd of November - beginning of December 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on linen reused as a tablecloth\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73.5 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum KM 100.443 · F721 · JH1864\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA vast Provençal landscape with complementary colors\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format structures a living room or dining room. Prairie green, purple, ocher and yellow match natural wood, terracotta and cream walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Champs de blé dans un paysage montagneux, F721\"\u003e\n\u003ci style=\"background:#7d9a55\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7a718f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b17c3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8cf57\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e5c4f\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, olive green or weathered brown frame supports the landscape. Neutral light reveals purples without making the sky artificially fluorescent.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public reproduction of 3,870 × 3,084 px was reduced to 3,000 × 2,391 px then converted into a real WebP, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eWheat fields in a mountainous landscape, F721, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594925592802,"sku":"CHAMPS_DE_BL_DANS_UN_PAYSAGE_MONTAGNEUX_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champs-montagne-f721-van-gogh.webp?v=1785249166"},{"product_id":"route-saint-remy-figure-feminine-vincent","title":"Road to Saint-Rémy with a female figure, F728 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · December 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eRoad to Saint-Rémy with a female figure, F728\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA woman walks away on a steep path, between a gnarled trunk and choppy yellow vegetation; the landscape of Saint-Rémy seems carried away by the same thrust as his steps.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/route-saint-remy-f728-van-gogh.webp?v=1785249164\u0026amp;format=webp\" alt=\"Road to Saint-Rémy with a female figure F728 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRoad to Saint-Rémy with a female figure, F728\u003c\/strong\u003eVincent van Gogh · December 1889 · Kasama Nichido Museum of Art, Japan\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eDecember 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e32.2 × 40.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKasama Nichido Museum of Art, Japan\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA narrow path animated by the wind and the touch\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe road starts from the lower edge, turns slightly then joins a small house in the center. The female figure, seen from behind, appears near the bend of the path. On the left, a tree with twisted branches closes the composition; on the right, the grasses and bushes form a large golden mass.\u003c\/p\u003e\n\u003cp\u003eVan Gogh constructs the ground with thick bands of gray, green, blue and ocher. The oblique touches of the vegetation oppose the longer lines of the path. A pale blue sky, reduced to a narrow band, prevents the landscape from becoming completely enclosed.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted in Saint-Rémy in December 1889, F728 transforms a daily scene into a rhythmic journey. The woman does not only serve as a ladder: her small silhouette gives direction to the entire landscape.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe references F728\/JH1875, the date December 1889 and the small horizontal format make it possible to precisely identify this painting kept at the Kasama Nichido Museum of Art.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA depth along the way\u003c\/h3\u003e\n\u003cp\u003eThe sides of the road converge towards the house and immediately guide the gaze from the foreground to the figure.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eVegetation in motion\u003c\/h3\u003e\n\u003cp\u003eOn the right, the yellow and green touches rise diagonally. They give the terrain an energy that contrasts with the measured step of the woman.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA tight framing\u003c\/h3\u003e\n\u003cp\u003eThe large trunk on the left and the embankment on the right frame the road like a passage. The sky remains deliberately secondary.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF728 belongs to the late landscapes of Saint-Rémy. Its modest subject - a walker on a rural road - is treated with the directional touch and color contrasts of late 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eSaint-Rémy\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted the countryside around the asylum of Saint-Paul-de-Mausole, where roads, olive trees and reliefs became his regular motifs.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFigure\u003c\/span\u003e\u003ch3\u003eA tiny presence\u003c\/h3\u003e\n\u003cp\u003eThe woman is placed near the center but remains absorbed by the landscape; his light clothing isolates him just enough to be spotted.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF728 · JH1875\u003c\/h3\u003e\n\u003cp\u003eThese two references distinguish the canvas from other roads and gardens with figures painted in Saint-Rémy the same year.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vggallery.com\/painting\/p_0728.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh F728 catalog sheet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe reproduction must retain the winding of the path, the small scale of the walker and the very readable direction of the keys without smoothing the material.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe female figure seen from behind\u003c\/li\u003e\n\u003cli\u003eThe gray-blue path that goes up towards the house\u003c\/li\u003e\n\u003cli\u003eThe big twisted tree on the left\u003c\/li\u003e\n\u003cli\u003eYellow vegetation swept to the right\u003c\/li\u003e\n\u003cli\u003eThe strip of blue sky above the passage\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eRoad to Saint-Rémy with a female figure, F728\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eDecember 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e32.2 × 40.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF728 · JH1875\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKasama Nichido Museum of Art, Japan\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA small living landscape with bright yellows\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for an entrance, desk or frame wall. Straw yellow, olive green, gray blue and brown match oak, linen and stone.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Route à Saint-Rémy avec une figure féminine, F728\"\u003e\n\u003ci style=\"background:#d5b542\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7e884e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#678b9a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6c5940\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c6c6a7\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, dark green or blue-gray frame highlights the path without weighing down the sky. Neutral light preserves the differences between yellows and greens.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best verified public reproduction measures 2,526 × 1,926 px; it was converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRoad in Saint-Rémy with a female figure, F728, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594928869602,"sku":"UNE_ROUTE_SAINT_R_MY_AVEC_UNE_FIGURE_F_MININE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/route-saint-remy-f728-van-gogh.webp?v=1785249164"},{"product_id":"ravin-vincent-van-gogh","title":"The Ravine, F662 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · October 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eThe Ravine, F662\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBlue-green rock walls tighten around a narrow water passage; Van Gogh transforms the Peiroulets ravine into a dense and melancholy landscape.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/ravin-boston-f662-van-gogh.webp?v=1785248511\u0026amp;format=webp\" alt=\"Le Ravin F662 de Vincent van Gogh, Museum of Fine Arts Boston\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Ravine, F662\u003c\/strong\u003eVincent van Gogh · October 1889 · Museum of Fine Arts, Boston\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOctober 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73 × 91.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMuseum of Fine Arts, Boston\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA wild space that closes towards the center\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eTwo masses of rocks occupy the sides of the canvas and converge towards a narrow gorge. At the bottom, a waterfall or trickle descends between the walls; in the foreground, a green pool and light stones open a visual path into the depth.\u003c\/p\u003e\n\u003cp\u003eThe volumes are constructed by long curved and oblique touches, in a range of blue, green, gray, purple and ocher. The lines follow the folds of the rock instead of describing them by a classic model, giving the ravine an almost organic movement.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainted on the motif in the fall of 1889, F662 covers a first composition of wild vegetation made a few months earlier, now revealed by x-ray.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe MFA connects the painting to the ravine near Saint-Paul and to a letter where Van Gogh describes the pleasure of working in these wild places despite the wind.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA throat without sky\u003c\/h3\u003e\n\u003cp\u003eThe horizon almost completely disappears. The rocks close the view and concentrate the light on the central passage.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eGeology by the touch\u003c\/h3\u003e\n\u003cp\u003eCurves, hatching and dark lines follow the strata and hollows, transforming the rock into a moving surface.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA melancholic palette\u003c\/h3\u003e\n\u003cp\u003eBlues, greens and grays dominate, with few warm accents. This chromatic restraint reinforces the depth and solitude of the place.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory 52.1524 and references F662\/JH1804 distinguish the Boston Ravine from the Peiroulets Ravine F661 kept at the Kroeller-Müller Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eNear Saint-Paul\u003c\/h3\u003e\n\u003cp\u003eVan Gogh sets up his easel between the stones of the neighboring ravine of the Saint-Rémy asylum, in land exposed to the wind.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBeneath the surface\u003c\/span\u003e\u003ch3\u003eA hidden painting\u003c\/h3\u003e\n\u003cp\u003eThe x-rays revealed a study of wild vegetation under the Ravine, reused when the artist lacked new canvas.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eReception\u003c\/span\u003e\u003ch3\u003eAdmired by Gauguin\u003c\/h3\u003e\n\u003cp\u003eThe following spring, Paul Gauguin saw the landscape in Paris and expressed a desire to exchange it for one of his own works.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/mfaboston6.emuseum.com\/objects\/33491\/ravine\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Museum of Fine Arts Boston →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe copy must preserve the confinement of the composition, the cold nuances and the direction of the keys which describe each wall.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe narrow gorge in the center\u003c\/li\u003e\n\u003cli\u003eThe large blue-green walls\u003c\/li\u003e\n\u003cli\u003eThe small greenish pool in the foreground\u003c\/li\u003e\n\u003cli\u003eThe purple and black contours of the rocks\u003c\/li\u003e\n\u003cli\u003eThe curved keys that follow the layers\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Ravine, F662\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eOctober 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73 × 91.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eMuseum of Fine Arts Boston 52.1524 · F662 · JH1804\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eMuseum of Fine Arts, Boston\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA mineral, deep and contemplative landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, office or bedroom. Blue gray, moss green and purple match stone, dark wood and natural textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Ravin, F662\"\u003e\n\u003ci style=\"background:#567b83\"\u003e\u003c\/i\u003e\u003ci style=\"background:#526d5d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7a7780\"\u003e\u003c\/i\u003e\u003ci style=\"background:#3c4d4c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a846b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA very dark slate gray, walnut or green frame reinforces the depth. Neutral light reveals blues without excessively cooling greens.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best verified public reproduction measures 2,538 × 2,004 px; it was converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLe Ravin, F662, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594929164514,"sku":"RAVIN_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/ravin-boston-f662-van-gogh.webp?v=1785248511"},{"product_id":"oliviers-ciel-jaune-soleil-vincent-van","title":"Olives with yellow sky and sun, F710 - Van 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · November 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eOlives with yellow sky and sun, F710\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA white sun crosses a lemon-yellow sky above the Alpilles; under this autumn light, the gnarled olive trees seem to undulate with the ground.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/oliviers-ciel-jaune-soleil-van-gogh-f710.webp?v=1785247742\u0026amp;format=webp\" alt=\"Olives with yellow sky and sun F710 by Vincent van Gogh, Minneapolis Institute of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eOlives with yellow sky and sun, F710\u003c\/strong\u003eVincent van Gogh · November 1889 · Minneapolis Institute of Art\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNovember 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73.66 × 92.71 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMinneapolis Institute of Art\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe only sun in the olive series\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe trees occupy almost the entire field. Their twisted trunks, blue, brown and black, take root in an ocher earth covered with long purple shadows. A thin mountain range separates this terrestrial agitation from the vast yellow sky.\u003c\/p\u003e\n\u003cp\u003eThe solar disk, placed very high, does not produce a realistic pattern. Its light spreads in areas of yellow, orange and green, while the contours and curved touches give the foliage a common movement with the hills and the terrain.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh painted fifteen olive canvases between June and December 1889. The Minneapolis version is the only one of this set to directly show the sun.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Minneapolis Institute of Art dates the work to the fall of 1889 and connects its intense oranges and yellows to the seasonal variations studied by Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA sun without rays\u003c\/h3\u003e\n\u003cp\u003eThe pale disk remains almost still, but the entire yellow surface of the sky acts as diffuse light that absorbs the horizon.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eArabesque trunks\u003c\/h3\u003e\n\u003cp\u003eBranches and roots twist into thick curves. They give trees a bodily presence rather than a botanical silhouette.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003ePurple shadows\u003c\/h3\u003e\n\u003cp\u003eThe long dark bands cross the ocher soil and organize the depth, while responding to the blues of the mountains and trunks.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory 51.7 and references F710\/JH1856 identify the Minneapolis canvas among the numerous olive tree studies carried out in Saint-Rémy.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eFifteen olive groves\u003c\/h3\u003e\n\u003cp\u003eVan Gogh explored the motif between June and December 1889, under very different lights and in very different chromatic ranges.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeason\u003c\/span\u003e\u003ch3\u003eThe light of November\u003c\/h3\u003e\n\u003cp\u003eOranges, ochres and yellow sky correspond to one of the fall effects sought by the artist.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eMuseum\u003c\/span\u003e\u003ch3\u003eDon Dunwoody\u003c\/h3\u003e\n\u003cp\u003eThe painting is owned by the Minneapolis Institute of Art through the William Hood Dunwoody Fund and bears inventory 51.7.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/collections.artsmia.org\/art\/1218\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Minneapolis Institute of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction should retain the energy of the lines, the yellow-purple contrast and the difference between the widely brushed sky and the much denser trees.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe white solar disk in the yellow sky\u003c\/li\u003e\n\u003cli\u003eThe blue-purple Alpilles on the horizon\u003c\/li\u003e\n\u003cli\u003eThe gnarled trunks surrounded by darkness\u003c\/li\u003e\n\u003cli\u003eLong shadows on the ocher earth\u003c\/li\u003e\n\u003cli\u003eGreen foliage with curved touches\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eOlives with yellow sky and sun, F710\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eNovember 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73.66 × 92.71 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eMinneapolis Institute of Art 51.7 · F710 · JH1856\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eMinneapolis Institute of Art\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA solar landscape of powerful contrasts\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format structures a living room or dining room. Lemon yellow, ocher, olive green and bluish purple match dark wood, light stone and natural textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Oliviers avec ciel jaune et soleil, F710\"\u003e\n\u003ci style=\"background:#d9c85c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c98b38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#727a45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4e615f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#65536d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, dark green or matte brown frame stabilizes the vibration of the painting. Neutral light preserves the lemon character of the sky and the freshness of the greens.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Minneapolis Institute of Art reference image measures 2,200 × 1,757 px; it was converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eOlives with yellow sky and sun, F710, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594930966754,"sku":"OLIVIERS_AVEC_CIEL_JAUNE_ET_SOLEIL_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/oliviers-ciel-jaune-soleil-van-gogh-f710.webp?v=1785247742"},{"product_id":"cantonniers-vincent-van-gogh","title":"Les Cantonniers in Saint-Rémy, F658 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Mid-December 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eLes Cantonniers in Saint-Rémy, F658\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUnder immense yellow plane trees, workers repaired the eastern course at Saint-Rémy: this second version, more constructed, took up the study painted outside in the workshop.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cantonniers-f658-vincent-van-gogh.webp?v=1785246717\u0026amp;format=webp\" alt=\"Les Cantonniers à Saint-Rémy F658 by Vincent van Gogh, The Phillips Collection\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLes Cantonniers in Saint-Rémy, F658\u003c\/strong\u003eVincent van Gogh · Mid-December 1889 · The Phillips Collection, Washington\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMid-december 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73.66 × 92.71 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eThe Phillips Collection, Washington\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eRue de Saint-Rémy taken up and clarified in the workshop\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eLarge sinuous trunks divide the composition. On the left, two women pass near a street lamp; in the center and right, small figures move sand and stones. Light facades appear between the trees, while the cut blocks form a line at the bottom.\u003c\/p\u003e\n\u003cp\u003eYellow foliage almost fills the sky. The trunks are surrounded by blue-green, black and purple; the ground is built by long pale touches. The repetition of the Phillips simplifies several passages and distributes characters, tools and architecture more clearly.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh calls this painting a \"copy\" of his painted study of the motif, now in Cleveland; technical examination of both works confirms that Washington's version was subsequently produced in the studio.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Phillips Collection connects the scene to the Eastern Course and the letter of December 7, 1889, where Van Gogh describes the piles of sand, stones and gigantic trunks.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTrees that compartmentalize\u003c\/h3\u003e\n\u003cp\u003eThe four large trunks cut the street into successive scenes: passers-by, workers, facades and piles of stones.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA more regulated repetition\u003c\/h3\u003e\n\u003cp\u003eCompared to the Cleveland study, the outlines are more controlled and the details are redistributed with a more readable narrative intention.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eAutumn as light\u003c\/h3\u003e\n\u003cp\u003eThe yellow of the leaves invades the top of the painting and is reflected on the houses and the ground, opposite the blue-green of the trees.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eNumber 0799 and references F658\/JH1861 identify the Phillips repeat, distinct from the first F657\/JH1860 version held in Cleveland.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eEastern Courts\u003c\/h3\u003e\n\u003cp\u003eWorkers repave a street in Saint-Rémy visible during Van Gogh's outings from the Saint-Paul-de-Mausole asylum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRepetition\u003c\/span\u003e\u003ch3\u003ePainted after Cleveland\u003c\/h3\u003e\n\u003cp\u003eThe first canvas was executed outside on a patterned cotton canvas; this second version, on classic canvas, was taken up in the workshop.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLetter\u003c\/span\u003e\u003ch3\u003eDecember 7, 1889\u003c\/h3\u003e\n\u003cp\u003eVan Gogh describes to Theo the enormous plane trees, the yellowing leaves, the stones, the sand and the small figures at work.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.phillipscollection.org\/collection\/road-menders\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of The Phillips Collection →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe reproduction must preserve the monumental scale of the plane trees, the clarity of the small scenes and the yellow-blue contrast without standardizing the tangle of the keys.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large gray-green trunks surrounded by dark\u003c\/li\u003e\n\u003cli\u003eThe black street lamp and the two passers-by\u003c\/li\u003e\n\u003cli\u003eWorkers distributed in the center and right\u003c\/li\u003e\n\u003cli\u003eThe stones and blocks in the foreground\u003c\/li\u003e\n\u003cli\u003eThe vault of orange-yellow foliage\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eLes Cantonniers in Saint-Rémy, F658\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMid-december 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73.66 × 92.71 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eThe Phillips Collection 0799 · F658 · JH1861\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eThe Phillips Collection, Washington\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA wide, bright and abundant urban landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, dining room or large office. Autumn yellow, sea green, pearl gray and black match light wood, deep blue and warm walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Les Cantonniers à Saint-Rémy, F658\"\u003e\n\u003ci style=\"background:#d9a52c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b98529\"\u003e\u003c\/i\u003e\u003ci style=\"background:#729a89\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8c7aa\"\u003e\u003c\/i\u003e\u003ci style=\"background:#39453e\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA midnight blue, smoked oak or weathered brown frame stabilizes the tree lines. Moderate warm light reveals the yellows without erasing the greens.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best official image available from The Phillips Collection measures 1,536 × 1,218 px; it was converted into a real WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLes Cantonniers in Saint-Rémy, F658, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594931491042,"sku":"LES_CANTONNIERS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/cantonniers-f658-vincent-van-gogh.webp?v=1785246717"},{"product_id":"champ-ble-printemps-lever-soleil-vincent","title":"Wheat 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · End of May 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eWheat field closed in the rising sun, F720\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eFrom his room in St. Paul, Van Gogh watches a still green field rise towards an oblique wall, the Alpilles and a pale sun hanging in the morning sky.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-lever-soleil-f720-vincent-van-gogh.webp?v=1785246716\u0026amp;format=webp\" alt=\"Wheat field enclosed in the rising sun F720 by Vincent van Gogh, Kroeller-Müller Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eWheat field closed in the rising sun, F720\u003c\/strong\u003eVincent van Gogh · End of May 1889 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEnd of May 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe first spring seen from the asylum window\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe field occupies most of the canvas. In the foreground, red poppies and white daisies mingle with the wheat; higher up, the ears become a tight network of green and yellow lines. A gray wall cuts the slope and leads towards the hills.\u003c\/p\u003e\n\u003cp\u003eThe depth is deliberately unstable: at the bottom, the viewer seems placed almost at plant level; in the middle, the field is seen from above. The wall rises sharply to the right, while the clear disk of the sun and the lines of the sky maintain balance.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eF720 opens the long series of the closed field observed through the seasons: the everyday pattern becomes a laboratory where Van Gogh studies growth, light and color changes.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe museum points out that Van Gogh had just entered Saint-Paul on May 8, 1889 and that he found his first subjects in the garden and in what he saw from his room.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTwo points of view combined\u003c\/h3\u003e\n\u003cp\u003eThe flowers in the foreground are seen almost from the front, while the surface of the field appears to tilt towards the viewer from a higher gaze.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA very oblique wall\u003c\/h3\u003e\n\u003cp\u003eThe dark boundary climbs to the right and gives the whole scene a dynamic that the gentle line of the mountains calms.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA still pale sun\u003c\/h3\u003e\n\u003cp\u003eThe light yellow disc does not dominate the painting. It diffuses a fresh light which keeps the wheat green and the shadows bluish.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKM 106.596 and references F720\/JH1728 identify the version from late May 1889, with green wheat and spring flowers.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eViewpoint\u003c\/span\u003e\u003ch3\u003eFrom the bedroom\u003c\/h3\u003e\n\u003cp\u003eThe field surrounded by a wall was in front of the window of Van Gogh's room on the first floor of Saint-Paul-de-Mausole.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eA pattern throughout the seasons\u003c\/h3\u003e\n\u003cp\u003eHe takes over this field with the reaper, under the sun, after the rain or at other stages of cultivation during his year in Saint-Rémy.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eForeground\u003c\/span\u003e\u003ch3\u003ePoppies and daisies\u003c\/h3\u003e\n\u003cp\u003eThe red and white flowers place the scene in spring and break the great green dominance of the field.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-enclosed-wheat-field-with-rising-sun-km-106-596\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must differentiate the multiple greens, respect the deliberately tense perspective and preserve the small floral accents without enlarging them.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe poppies and daisies in the foreground\u003c\/li\u003e\n\u003cli\u003eThe long touches of the wheat still green\u003c\/li\u003e\n\u003cli\u003eThe wall which rises sharply to the right\u003c\/li\u003e\n\u003cli\u003eThe blue-purple Alpilles on the horizon\u003c\/li\u003e\n\u003cli\u003eThe pale sun in the clear sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eWheat field closed in the rising sun, F720\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEnd of May 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum KM 106.596 · F720 · JH1728\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large green, fresh and meditative landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, bedroom or office. Greens, blue grays and small red touches match oak, linen, off-white and terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Champ de blé clos au soleil levant, F720\"\u003e\n\u003ci style=\"background:#607b3b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#78954b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#657f91\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c4be87\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a84c34\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural oak, olive green or bluish gray setting accompanies the softness of the morning. Neutral light avoids transforming spring greens into yellows.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official image of the Kroeller-Müller Museum was reduced to 3,000 × 2,379 px and then converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eWheat field enclosed in the rising sun, F720, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594931785954,"sku":"CHAMP_DE_BL_DE_PRINTEMPS_AU_LEVER_DU_SOLEIL_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-lever-soleil-f720-vincent-van-gogh.webp?v=1785246716"},{"product_id":"troncs-arbres-lierre-vincent-van-gogh","title":"Tree trunks with ivy, F747 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · July 1889 · Jardin de l'asile, Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eTree trunks with ivy, F747\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eIn the invaded garden of the asylum, Van Gogh frames the base of the trees and a carpet of ivy: no spectacular horizon, but a dense surface of greens, ochres, blues and reds.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/troncs-lierre-vincent-van-gogh.webp?v=1785245954\u0026amp;format=webp\" alt=\"Tree trunks with ivy by Vincent van Gogh, Kroeller-Müller Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTree trunks with ivy, F747\u003c\/strong\u003eVincent van Gogh · July 1889 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJuly 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e49 × 64.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eAn undergrowth looked at ground level\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe frame cuts the trunks before their tops and brings the viewer closer to the low vegetation. Several trees rise from ground covered with ivy, leaves and grasses; depth is built by their spacing and by small, brighter holes.\u003c\/p\u003e\n\u003cp\u003eThe paint is applied thick, often wet on wet. Short, curved touches repeat over the entire surface, while a few longer verticals define the bark. Blues and reds circulate in the shadows and prevent the green from becoming uniform.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThis undergrowth makes the most ordinary motif of the garden a field of almost abstract rhythms, where every touch belongs to light, foliage and depth.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Kroeller-Müller Museum describes these undergrowths as \"eternal nests of greenery\" and emphasizes impasto that is fluid, lively and placed moist on moist.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA horizon removed\u003c\/h3\u003e\n\u003cp\u003eBy cutting the treetops and reducing the distant view, Van Gogh transforms the soil and trunks into a continuous surface.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eNetwork keys\u003c\/h3\u003e\n\u003cp\u003eThe small oblique, curved or vertical marks follow one another like a weft, differentiating ivy, herbs, light and bark.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA colorful shadow\u003c\/h3\u003e\n\u003cp\u003eBlue, purple, red and brown appear among the greens. The darkness of the undergrowth thus remains colored rather than black.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKM number 100.398 and references F747\/JH1763 identify the small horizontal undergrowth of the Kroeller-Müller Museum, distinct from the large versions preserved in Amsterdam.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eGender\u003c\/span\u003e\u003ch3\u003eThe undergrowth\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted this motif in several periods: he deliberately framed the low vegetation, the ground and the base of the trunks.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eThe garden of Saint-Paul\u003c\/h3\u003e\n\u003cp\u003eThe canvas is made in the lush, weed-filled garden of the Saint-Rémy asylum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTechnique\u003c\/span\u003e\u003ch3\u003eThick and wet on wet\u003c\/h3\u003e\n\u003cp\u003eThe museum notes a muddy material and a moving touch whose small marks form a dense rhythmic pattern.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-tree-trunks-with-ivy-km-100-398\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must recreate depth with variations of touches rather than with rigid contours, and retain blue, red and ocher accents within the dominant green.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eTrunks cut by the upper edge\u003c\/li\u003e\n\u003cli\u003eThe ivy carpet in the foreground\u003c\/li\u003e\n\u003cli\u003eSmall curved and oblique touches\u003c\/li\u003e\n\u003cli\u003eThe bright gaps between the trees\u003c\/li\u003e\n\u003cli\u003eRed and blue accents in the shadows\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eTree trunks with ivy, F747\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJuly 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAsylum Garden, Saint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e49 × 64.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum KM 100.398 · F747 · JH1763\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA plant immersion with deep colors\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a quiet living room, library or bedroom. The range of muffled greens, petrol blue and ocher accompanies wood, linen, velvet and earthy walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Troncs d’arbres avec lierre, F747\"\u003e\n\u003ci style=\"background:#274c43\"\u003e\u003c\/i\u003e\u003ci style=\"background:#456653\"\u003e\u003c\/i\u003e\u003ci style=\"background:#747342\"\u003e\u003c\/i\u003e\u003ci style=\"background:#826343\"\u003e\u003c\/i\u003e\u003ci style=\"background:#365767\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA walnut, forest green or dark bronze frame extends the undergrowth. Warm, grazing light can reveal the variety of touches without making the blues disappear.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official image of the Kroeller-Müller Museum was reduced to 3,000 × 2,274 px and then converted into a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTree trunks with ivy, F747, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594932605154,"sku":"TRONCS_D_ARBRES_AVEC_LIERRE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/troncs-lierre-vincent-van-gogh.webp?v=1785245954"},{"product_id":"peupliers-saint-remy-vincent-van-gogh","title":"Two poplars in the Alpilles, F638 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · October 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eTwo poplars in the Alpilles, F638\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo orange-yellow poplars stand in front of the Alpilles, caught between a blue sky covered with clouds and a clear road that turns towards the village.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-peupliers-alpilles-vincent-van-gogh.webp?v=1785245953\u0026amp;format=webp\" alt=\"Two poplars in the Alpilles near Saint-Rémy by Vincent van Gogh, Cleveland Museum of Art\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTwo poplars in the Alpilles, F638\u003c\/strong\u003eVincent van Gogh · October 1889 · Cleveland Museum of Art\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOctober 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e61.6 × 45.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCleveland Museum of Art\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwo autumn flames in the middle of the hills\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe two poplars occupy the axis of the canvas: the largest rises almost to the upper edge, the second leans slightly to the right. A house appears between their trunks, while a white path, walls and crops organize the bottom of the composition.\u003c\/p\u003e\n\u003cp\u003eVan Gogh contrasts the warm leaves with the blues of the sky, mountains and shadows. The dark contours unite trees, walls and reliefs; the clouds are painted in long light commas which take the direction of the slopes.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe landscape is not only based on the blue-orange contrast: it is built like a succession of ascending lines which lead from the road to the poplars then to the sky.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003ePainted after returning to outdoor work, the canvas shows how Van Gogh transforms a real autumnal pattern through the intensity of color and rhythm.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eAn asymmetrical duo\u003c\/h3\u003e\n\u003cp\u003eThe two trees are close but different in size and inclination. This variation avoids symmetry and gives the center an upward movement.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eOrange on blue\u003c\/h3\u003e\n\u003cp\u003eThe orange-yellow foliage stands out against a saturated sky; green and brown touches nevertheless maintain the volume of the crowns.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA zigzag road\u003c\/h3\u003e\n\u003cp\u003eThe walls and the clear path cut the foreground into successive angles, giving access to the small building then to the hills.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory 1958.32 and references F638\/JH1797 designate the Cleveland canvas, painted in Saint-Rémy in October 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeason\u003c\/span\u003e\u003ch3\u003eProvençal autumn\u003c\/h3\u003e\n\u003cp\u003eThe yellow and orange foliage show the change of season, a subject that Van Gogh seeks in his outings around Saint-Rémy.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eOutdoors\u003c\/span\u003e\u003ch3\u003eAn observed landscape\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Museum points out that Van Gogh then resumed work outside, with nature painting playing an essential role in his stay in St. Paul.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eLegacy Hanna\u003c\/h3\u003e\n\u003cp\u003eLeonard C. Hanna Jr. bequeathed the painting to the Cleveland Museum of Art, where it is numbered 1958.32.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.clevelandart.org\/art\/1958.32\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Cleveland Museum of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must preserve the contrast of warm poplars against the blue sky, the nervous contours and the breathing of clear paths without making the landscape decoratively smooth.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe left poplar higher and almost vertical\u003c\/li\u003e\n\u003cli\u003eThe second tree slightly inclined\u003c\/li\u003e\n\u003cli\u003eThe small house visible between the trunks\u003c\/li\u003e\n\u003cli\u003eThe clear path and the zigzag walls\u003c\/li\u003e\n\u003cli\u003eThe long white touches in the blue sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eTwo poplars in the Alpilles, F638\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eOctober 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e61.6 × 45.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eCleveland Museum of Art 1958.32 · F638 · JH1797\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eCleveland Museum of Art\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA bright and immediately lively vertical landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe narrow format is suitable for an entrance, desk or space between two openings. Frank blues and oranges match blond wood, off-white, petrol blue and terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Deux peupliers dans les Alpilles, F638\"\u003e\n\u003ci style=\"background:#275f9e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#65a3c2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8952b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b7c31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d9d6bd\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA deep blue, light oak or weathered brown frame highlights the autumnal contrast. Neutral light retains the freshness of blues and the variety of yellows.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe Cleveland Museum of Art's Open Access image was reduced to 2,244 × 3,000 px and then converted to a real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTwo poplars in the Alpilles, F638, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594932736226,"sku":"PEUPLIERS_SAINT_R_MY_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-peupliers-alpilles-vincent-van-gogh.webp?v=1785245953"},{"product_id":"deux-becheurs-parmi-arbres-vincent-van","title":"Two diggers among the trees, F701 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New Roman',serif;font-weight:400}\n.vg-hero{position:relative;padding:72px 0 46px;background:linear-gradient(112deg,#faf5ed,#ded0bc)}.vg-hero:before{content:attr(data-artist-watermark);position:absolute;right:-20px;top:4px;color:rgba(89,58,41,.055);font:clamp(68px,13vw,175px)\/1 Georgia,serif;letter-spacing:.03em}.vg-hero-grid{position:relative;display:grid;grid-template-columns:.88fr 1.12fr;gap:56px;align-items:center}.vg-hero h2{margin:0;font:400 clamp(50px,7.2vw,92px)\/.88 Georgia,'Times New Roman',serif;letter-spacing:-.06em;overflow-wrap:anywhere}.vg-hero h2 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Georgia,serif}.vg-stats{position:relative;display:grid;grid-template-columns:repeat(4,1fr);margin-top:48px;background:#fffaf3;border:1px solid var(--vg-line)}.vg-stat{padding:20px 22px}.vg-stat+.vg-stat{border-left:1px solid var(--vg-line)}.vg-stat strong{display:block;font:400 21px Georgia,serif}.vg-stat span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark .vg-intro{color:#bdb4ab}.vg-points{display:grid;grid-template-columns:repeat(3,1fr);gap:14px;margin-top:42px}.vg-point{min-height:300px;padding:27px;background:rgba(255,255,255,.06);border:1px solid rgba(255,255,255,.11)}.vg-point b{display:block;color:#e0a77e;font:30px Georgia,serif}.vg-point h3{margin:42px 0 10px;color:white;font-size:25px;line-height:1.05}.vg-point p{margin:0;color:#bdb4ab;font-size:14px}\n.vg-facts{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;margin-top:42px}.vg-fact{position:relative;min-height:300px;padding:27px;background:var(--vg-paper2)}.vg-fact:first-child{color:white;background:var(--vg-brown)}.vg-fact span{display:inline-block;padding:5px 9px;border:1px solid currentColor;border-radius:999px;font-size:10px;font-weight:800;letter-spacing:.1em;text-transform:uppercase;opacity:.75}.vg-fact h3{margin:52px 0 10px;font-size:29px;line-height:1}.vg-fact p{margin:0;color:var(--vg-muted);font-size:14px}.vg-fact:first-child p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · End of 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eTwo diggers among the trees, F701\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo men in blue give off a stump at the foot of large trunks: Van Gogh makes physical work a compact focus in the middle of a vertical and almost calligraphic landscape.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/becheurs-f701-vincent-van-gogh.webp?v=1785245950\u0026amp;format=webp\" alt=\"Two diggers among the F701 trees by Vincent van Gogh, Detroit Institute of Arts\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTwo diggers among the trees, F701\u003c\/strong\u003eVincent van Gogh · End of 1889 · Detroit Institute of Arts, Detroit\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEnd of 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e65.1 × 50.2 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on paper mounted on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eDetroit Institute of Arts, Detroit\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe gesture of the diggers at the foot of the trees\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe two workers are leaning over a stump, one pulling or striking while the other pushes his tool. Their modest size contrasts with the trunks which rise to the upper edge and occupy most of the painted sheet.\u003c\/p\u003e\n\u003cp\u003eBehind them, the fields of Saint-Rémy are spread out in pale bands up to the blue hills. The silhouettes of a few birds punctuate the sky. In the trees, black, blue and red contours follow the bark; on the ground, touches of yellow, green and ocher intersect around the work.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eUnlike the Bêcheurs after Millet F648, F701 shows a scene observed or recomposed in the landscape of Saint-Rémy, dominated by the power of the trunks and the stump.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe verticality of the support and the size of the trees transform the two figures into an integral part of the undergrowth rather than into isolated heroes.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eVery low figures\u003c\/h3\u003e\n\u003cp\u003eMen occupy the lower third. Their curved backs respond to the roots and concentrate all the action around the stump.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eMonumental trunks\u003c\/h3\u003e\n\u003cp\u003eThe large central tree is constructed by beige, blue and black bands; its width gives an imposing scale to the landscape.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eAn open horizon\u003c\/h3\u003e\n\u003cp\u003eBetween the trees, the almost white fields and blue hills create a luminous breath behind the dense foreground.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory 70.158 and references F701\/JH1847 identify the Detroit canvas, often also called The Diggers or Two Men Digging Up a Stump.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eMarouflaged paper\u003c\/h3\u003e\n\u003cp\u003eThe work is painted in oil on paper, then lined and fixed on canvas; this support explains its direct touch and several lighter passages.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eA strain to extract\u003c\/h3\u003e\n\u003cp\u003eThe tools and gestures do not simply describe digging a field: the two men work at the foot of a felled tree.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eTannahill Legacy\u003c\/h3\u003e\n\u003cp\u003eThe painting entered the Detroit Institute of Arts in 1970 through the bequest of collector Robert H. Tannahill.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/dia.org\/collection\/diggers\/46067\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Detroit Institute of Arts →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must preserve the very particular hierarchy between large trees, small figures and distant fields, as well as the freshness of the paper visible under certain touches.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two leaning blue silhouettes\u003c\/li\u003e\n\u003cli\u003eStump and tools in the foreground\u003c\/li\u003e\n\u003cli\u003eThe massive trunk that divides the composition\u003c\/li\u003e\n\u003cli\u003eThe pale fields visible between the trees\u003c\/li\u003e\n\u003cli\u003eBlack birds scattered in the sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eTwo diggers among the trees, F701\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEnd of 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on paper mounted on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e65.1 × 50.2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eDetroit Institute of Arts 70.158 · F701 · JH1847\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eDetroit Institute of Arts, Detroit\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn energetic vertical format, between figure and landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe canvas is suitable for a desk, entrance or narrow wall. Its work blues, bright greens and bark grays blend with linen, light oak and mineral walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Deux bêcheurs parmi les arbres, F701\"\u003e\n\u003ci style=\"background:#496c78\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2f5f72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#85944d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c4ad71\"\u003e\u003c\/i\u003e\u003ci style=\"background:#695c50\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural oak, midnight blue or gray brown frame highlights the trunks without enclosing the landscape. Avoid too bright gilding which would compete with yellow touches.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image was reduced to 2,270 × 3,000 px then converted to real WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTwo diggers among the trees, F701, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594932998370,"sku":"DEUX_B_CHEURS_PARMI_LES_ARBRES_LES_B_CHEURS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/becheurs-f701-vincent-van-gogh.webp?v=1785245950"},{"product_id":"champ-ble-iris-vincent-van-gogh","title":"Field with iris near Arles, F409 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eField with iris near Arles, F409\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA frieze of purple irises opens the view of a yellow field, orchards and the bell towers of Arles, in a landscape constructed in bands of color.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-iris-arles-f409-vincent-van-gogh.webp?v=1785243412\u0026amp;format=webp\" alt=\"Field with iris near Arles F409 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eField with iris near Arles, F409\u003c\/strong\u003eVincent van Gogh · May 1888 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e54 × 65 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eArles between irises and wheat\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh lowers the viewpoint to give the irises in the foreground a monumental presence. Their leafy leaves and sinuous flowers form a dark band, immediately followed by a vast yellow and green field strewn with small white touches.\u003c\/p\u003e\n\u003cp\u003eA row of trees closes the field, then the red roofs and bell towers of Arles appear in the distance. Each depth has its rhythm: tight curves in the irises, short lines in the cereals, round touches in the trees and wider material in the sky.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe landscape is both panoramic and very close: a few irises occupy as much visual space as the entire city on the horizon.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh here seeks clear contrasts between purple and yellow, the red of roofs and the green of trees, then the blue of the sky.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eAn iris frieze\u003c\/h3\u003e\n\u003cp\u003eThe flowers are cut by the bottom edge and unfold laterally. This close framing recalls the decorative organization of Japanese prints.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTransformed colors\u003c\/h3\u003e\n\u003cp\u003eIrises were originally more red-purple. Part of the red pigment has faded with light, now allowing blue to dominate more.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA tiny city\u003c\/h3\u003e\n\u003cp\u003eBell towers and roofs occupy a narrow strip. Their small scale amplifies the luminous extent of the field.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory s0037V1962 and references F409\/JH1416 identify this view from May 1888, distinct from the iris studies painted at Saint-Rémy in 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003ch3\u003eIrises that were once more purple\u003c\/h3\u003e\n\u003cp\u003eExamination of the areas protected by the frame revealed a better preserved red component, making it possible to study the historical discoloration of the work.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eTechnique\u003c\/span\u003e\u003ch3\u003ePrussian blue contours\u003c\/h3\u003e\n\u003cp\u003eAnalyzes showed that Van Gogh reinforced certain contours of trees and irises with fine lines of Prussian blue.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003es0037V1962\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the Vincent van Gogh Foundation and is kept at the Van Gogh Museum in Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0037V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must bring out the irises without crushing the distant planes and precisely vary the touches of the field, the trees and the sky.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eIrises cut by the bottom edge\u003c\/li\u003e\n\u003cli\u003eThe leaves drawn like long blades\u003c\/li\u003e\n\u003cli\u003eThe contrast of purple with the yellow field\u003c\/li\u003e\n\u003cli\u003eThe row of green trees and red roofs\u003c\/li\u003e\n\u003cli\u003eThe two tiny bell towers on the horizon\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eField with iris near Arles, F409\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e54 × 65 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0037V1962 · F409 · JH1416\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA full and very colorful floral landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable for a living room, bedroom or dining room. Purples, yellows and greens work with light wood, warm white and muted blues.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Champ avec iris près d’Arles, F409\"\u003e\n\u003ci style=\"background:#4f5b78\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2bd55\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f9254\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9bb0aa\"\u003e\u003c\/i\u003e\u003ci style=\"background:#aa654c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA midnight blue, deep green or natural oak frame highlights the irises. Moderate light visually limits the crushing of purple shades.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference image was reduced to 3000 × 2513 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eField with iris near Arles, F409, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594935881954,"sku":"LE_CHAMP_DE_BL_AUX_IRIS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-iris-arles-f409-vincent-van-gogh.webp?v=1785243412"},{"product_id":"vergers-fleurs-vue-arles-vincent-van","title":"Orchards in bloom with a view of Arles, F515 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · April 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eOrchards in bloom with a view of Arles, F515\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA white and pink orchard extends behind a green meadow, dominated by a gnarled trunk which leads the eye to the roofs and bell tower of Arles.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vergers-fleurs-vue-arles-f515-vincent-van-gogh.webp?v=1785242856\u0026amp;format=webp\" alt=\"Orchards in bloom with a view of Arles F515 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eOrchards in bloom with a view of Arles, F515\u003c\/strong\u003eVincent van Gogh · April 1889 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eApril 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e50.5 × 65 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA view of Arles structured by a monumental tree\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh places a large tree in the foreground, offset to the right. Its pink-brown trunk divides into dark branches that cross the sky and frame the bell tower. To the left, smaller fruit trees display their white flowers above a carpet of grass.\u003c\/p\u003e\n\u003cp\u003eThe meadow is built by vertical lines and tiny yellow flowers. Behind it, a clear path, a few houses with red roofs and the Arles tower form an intermediate strip. The touch thus changes direction with each shot and produces depth.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eTighter than the large F516 version from Munich, this F515 study gives the trunk of the foreground a central and almost human role.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF515 is distinguished by its 50.5 × 65 cm format, its vast green foreground and the large pink tree which cuts off the view of the city.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA diagonal trunk\u003c\/h3\u003e\n\u003cp\u003eThe tree starts from the bottom right then branches above the center. This curve physically connects the meadow, the orchard and the sky.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003ePlans by the key\u003c\/h3\u003e\n\u003cp\u003eVertical lines in the grass, curls in the flowers and firm contours in the branches differentiate depths without rigid perspective.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA framed bell tower\u003c\/h3\u003e\n\u003cp\u003eThe tower placed in the distance appears between the branches. This small architectural landmark confirms the view of Arles while balancing the large trunk.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe number s0036V1962 and the references F515\/JH1683 allow this version from Amsterdam to be separated from the large canvas F516 from Munich.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF515 · JH1683\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted this study during his last weeks in Arles, before his voluntary departure for the Saint-Rémy asylum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSending\u003c\/span\u003e\u003ch3\u003eJuly 1889\u003c\/h3\u003e\n\u003cp\u003eFrom Saint-Rémy, he included the painting in a scroll intended for Theo and described it as a study from nature in format no. 15.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003es0036V1962\u003c\/h3\u003e\n\u003cp\u003eThe work belongs to the Vincent van Gogh Foundation and is kept at the Van Gogh Museum in Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0036V1962\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Van Gogh Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must maintain the hierarchy between the dark trunk, the pale flowers, the dense meadow and the small buildings without simplifying the touch.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe large pink-brown trunk placed on the right\u003c\/li\u003e\n\u003cli\u003eThe dark branches that frame the bell tower\u003c\/li\u003e\n\u003cli\u003eWhite and bluish fruit trees\u003c\/li\u003e\n\u003cli\u003eThe little yellow flowers in the meadow\u003c\/li\u003e\n\u003cli\u003eThe red roofs and the tower in the background\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eOrchards in bloom with a view of Arles, F515\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eApril 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e50.5 × 65 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0036V1962 · F515 · JH1683\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA calm spring landscape with deep greens\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eHorizontal format opens up space in living room, bedroom or office. Greens, blue grays and earthy pinks match oak and natural textiles.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Vergers en fleurs avec vue d’Arles, F515\"\u003e\n\u003ci style=\"background:#4e7654\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8fa798\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bbc2b4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a87161\"\u003e\u003c\/i\u003e\u003ci style=\"background:#bd754b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural oak, dark green or medium brown frame contains the meadow without weighing down the flowers. Neutral light respects the gray blues of the sky.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference image was reduced to 3000 × 2434 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eOrchards in bloom with a view of Arles, F515, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594936176866,"sku":"VERGERS_EN_FLEURS_VUE_SUR_ARLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/vergers-fleurs-vue-arles-f515-vincent-van-gogh.webp?v=1785242856"},{"product_id":"verger-fleur-vue-arles-vincent-van","title":"Orchard in bloom with a view of Arles, F516 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · April 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eOrchard in bloom with a view of Arles, F516\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBetween two poplar trunks, the white orchards of Arles open onto a blue town whose bell towers emerge in the distance.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/verger-fleur-vue-arles-f516-vincent-van-gogh.webp?v=1785241877\u0026amp;format=webp\" alt=\"Orchard in bloom with a view of Arles F516 by Vincent van Gogh, Neue Pinakothek\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eOrchard in bloom with a view of Arles, F516\u003c\/strong\u003eVincent van Gogh · April 1889 · Neue Pinakothek, Munich\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eApril 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNeue Pinakothek, Munich\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eArles spring seen from the orchards\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh sets up his viewpoint in the countryside northeast of Arles. Two pruned trees frame the scene like uprights, while a ditch and a strip of land lead the eye towards the flowering fruit trees. A small leaning figure works in the middle of this vegetation.\u003c\/p\u003e\n\u003cp\u003eBeyond the orchards, the silhouette of Arles is reduced to a few blue and pink masses. The towers of Saint-Trophime and Notre-Dame-la-Major serve as landmarks, but the artist mainly favors the rhythm of the branches, the white touches of the flowers and the succession of colorful shots.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe city remains distant: the real subject is the passage from the first brown and green plan towards the almost snowy glow of the flowering orchards.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe composition combines a solid framing, given by the poplars, with a very mobile touch which circulates the light between the branches.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTwo trees as a frame\u003c\/h3\u003e\n\u003cp\u003eThe trunks cut by the upper edge delimit a vertical window within the horizontal format and give depth to the panorama.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA luminous flowering\u003c\/h3\u003e\n\u003cp\u003eWhites are never uniform: they mix with pink, blue and light green to make the crowns of fruit trees vibrate.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eArles on the horizon\u003c\/h3\u003e\n\u003cp\u003eBuildings are simplified into small touches. Their reduced scale reinforces the extent of the orchards and the feeling of spring air.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReferences F516\/JH1685 and inventory WAF 1183 identify the large view of the Neue Pinakothek among the numerous orchard studies carried out in Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eThe Arles Orchards\u003c\/h3\u003e\n\u003cp\u003eVan Gogh dedicated several paintings to the awakening of fruit trees in the spring of 1888 and returned here to this motif the following spring.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eExposure\u003c\/span\u003e\u003ch3\u003eThe XX in Brussels\u003c\/h3\u003e\n\u003cp\u003eThe artist chose this painting for the exhibition of the group Les XX organized in Brussels in 1890, one of the rare events in which he participated during his lifetime.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eNeue Pinakothek\u003c\/h3\u003e\n\u003cp\u003eThe work belongs to the Bayerische Staatsgemäldesammlungen and is attached to the Neue Pinakothek in Munich.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.sammlung.pinakothek.de\/en\/artwork\/QrLWdaeGNO\" target=\"_blank\" rel=\"noopener\"\u003eConsult the instructions for the Bayerische Staatsgemäldesammlungen →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must preserve the separation of the planes and the small variations of white, pink and blue which give the trees their flowering.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe two poplar trunks that frame the view\u003c\/li\u003e\n\u003cli\u003eThe curved figure in the middle of the orchard\u003c\/li\u003e\n\u003cli\u003eWhite flowers tinged with pink and blue\u003c\/li\u003e\n\u003cli\u003eThe oblique ditch that leads towards the city\u003c\/li\u003e\n\u003cli\u003eArles bell towers reduced to the horizon\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eOrchard in bloom with a view of Arles, F516\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eApril 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e72 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eNeue Pinakothek WAF 1183 · F516 · JH1685\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNeue Pinakothek, Munich\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large, clear and balanced spring landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format and fresh palette are suitable for a living room, bedroom or work space. Blues, soft greens and earths go particularly well with oak and cream walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Verger en fleur avec vue d’Arles, F516\"\u003e\n\u003ci style=\"background:#6f91ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c9c9b6\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9eaa73\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b7825f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e4d8c2\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural oak, gray blue or medium brown frame highlights the trunks without weighing down flowering. Diffused light preserves the colored whites.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference image was reduced to 3000 × 2347 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eOrchard in bloom with a view of Arles, F516, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594937389282,"sku":"VERGER_EN_FLEUR_AVEC_VUE_D_ARLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/verger-fleur-vue-arles-f516-vincent-van-gogh.webp?v=1785241877"},{"product_id":"prairie-fleurs-jaunes-vincent-van-gogh","title":"Meadow with yellow flowers, F584 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · April 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eMeadow with yellow flowers, F584\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eHerbs, dandelions and small yellow flowers completely fill a small horizontal format where the ground becomes a luminous mosaic.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/prairie-fleurs-jaunes-f584-vincent-van-gogh.webp?v=1785241264\u0026amp;format=webp\" alt=\"Meadow with yellow flowers F584 by Vincent van Gogh, Kunst Museum Winterthur\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMeadow with yellow flowers, F584\u003c\/strong\u003eVincent van Gogh · April 1889 · Kunst Museum Winterthur\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eApril 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e34.5 × 53 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKunst Museum Winterthur\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA meadow looked at at grass height\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003ePainted in Arles in April 1889, this small canvas eliminates the sky, trees and any human presence. Van Gogh focuses on a meadow surface: jagged leaves, stems, open flowers and areas of land are seen up close.\u003c\/p\u003e\n\u003cp\u003eThe color yellow dominates, but it is never uniform. Acidic greens, ochres, browns and a few blue-gray lines circulate between the plants. The touch constantly changes direction, which makes the differences perceptible between flat leaves, erect stems and thicker clumps.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThis fragment of soil has the energy of a large landscape: the absence of horizon brings the gaze closer to matter and makes each plant an event.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReproduction must preserve the multiple values of yellow and the readability of plant forms, without reducing the whole to a monochrome surface.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eNo horizon\u003c\/h3\u003e\n\u003cp\u003eThe gaze plunges directly into the meadow. The plants cut by the four edges extend the pattern and give the impression of a limitless field.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDifferentiated yellows\u003c\/h3\u003e\n\u003cp\u003eLemon, sulfur, ocher and gold overlap. Greens and browns are essential to separate flowers from foliage.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA drawing by the key\u003c\/h3\u003e\n\u003cp\u003eVan Gogh describes a leaf by a few oriented lines, a flower by a small disk and a tuft by radiating lines, without continuous outline.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF584\/JH1680 designates this Winterthur meadow, distinct from the wheat fields and gardens painted by Van Gogh in Saint-Rémy.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF584 · JH1680\u003c\/h3\u003e\n\u003cp\u003eBoth issues place the work among the last vegetation studies carried out in Arles in April 1889.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003ch3\u003e34.5 × 53 cm\u003c\/h3\u003e\n\u003cp\u003eThe small horizontal format reinforces the character of close study and the concentration of the gaze on a few square meters of meadow.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eWinterthur\u003c\/h3\u003e\n\u003cp\u003eThe painting is kept at the Kunst Museum Winterthur in Switzerland, in an important collection of modern painting.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghworldwide.org\/artwork\/F584\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Worldwide file →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must vary the direction, length and thickness of the lines to make the plant clutter readable and retain the sulfur light of the original.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe continuity of the pattern up to the four edges\u003c\/li\u003e\n\u003cli\u003eRound flowers and serrated leaves\u003c\/li\u003e\n\u003cli\u003eMultiple values of yellow and ocher\u003c\/li\u003e\n\u003cli\u003eThe green and blue-gray touches that structure the floor\u003c\/li\u003e\n\u003cli\u003eDense texture without smooth areas or sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eMeadow with yellow flowers, F584\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eApril 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e34.5 × 53 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKunst Museum Winterthur · F584 · JH1680\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKunst Museum Winterthur\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn intense, almost abstract yellow surface\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eCompact panoramic format brings clear light above a desk, console or headboard. Yellows match light wood, warm white, blue gray and olive green.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Prairie aux fleurs jaunes, F584\"\u003e\n\u003ci style=\"background:#e3cf20\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c5ad25\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8e8b2d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#776d35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a18b4b\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eAn olive green, dark brown or natural oak frame allows the yellows to shine. Avoid too bright gold which would erase the palest shades.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image was reduced to 3000 × 1801 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMeadow with yellow flowers, F584, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (75 x 50 cm)","offer_id":46594937651426,"sku":"PRAIRIE_AUX_FLEURS_JAUNES_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/prairie-fleurs-jaunes-f584-vincent-van-gogh.webp?v=1785241264"},{"product_id":"avenue-arles-maisons-vincent-van-gogh","title":"Driveway near Arles with houses, F567 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1888 · Avenue de Montmajour, Arles\u003c\/p\u003e\n        \u003ch2\u003eDriveway near Arles with houses, F567\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA large round tree dominates a clear path and a small yellow house, under a blue sky covered with visible brushstrokes.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/allee-pres-arles-f567-vincent-van-gogh.webp?v=1785241262\u0026amp;format=webp\" alt=\"Driveway near Arles F567 by Vincent van Gogh, Pomerania Regional Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDriveway near Arles with houses, F567\u003c\/strong\u003eVincent van Gogh · May 1888 · Pomeranian Regional Museum, Greifswald\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e61 × 50 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePomeranian Regional Museum, Greifswald\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA road to Arles condensed into a few shapes\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh chose a section of Avenue de Montmajour, northeast of Arles. The path enters from the lower left corner, turns in front of the large tree then leads to a low house; the fields extend behind it to a very low horizon line.\u003c\/p\u003e\n\u003cp\u003eThe tree, almost circular, occupies as much space as the architecture and seems to protect the house. Its brown, green and yellow foliage is constructed by a multitude of short touches. The sky, on the contrary, receives large blue and white movements which give air to this vertical format.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh transforms an ordinary roadside into a monumental composition: a tree, a house and a path are enough to organize the full depth.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe strength of F567 comes from the scale ratio between the mass of the tree, the small house and the luminous opening of the path.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eAn almost round tree\u003c\/h3\u003e\n\u003cp\u003eThe compact crown fills the upper left quadrant. Its irregular contours and colorful touches avoid the effect of a flat geometric shape.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA curved path\u003c\/h3\u003e\n\u003cp\u003eThe clear path widens in the foreground then narrows in front of the house. The yellow, cream and pale blue lines follow its movement.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA landmark house\u003c\/h3\u003e\n\u003cp\u003eThe yellow wall and red roof form a warm little accent under the tree. This building fixes the depth and balances the vast blue sky.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReferences F567\/JH1419 and inventory B 14\/17513 relate this view precisely to the Greifswald Museum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF567 · JH1419\u003c\/h3\u003e\n\u003cp\u003eThe painting is dated May 1888, a few months after Van Gogh's arrival in Arles and at the start of his systematic exploration of the surrounding area.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eAvenue de Montmajour\u003c\/h3\u003e\n\u003cp\u003eThe building depicted was located northeast of Arles, along the road leading to Montmajour Abbey.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eB 14\/17513\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the Pommersches Landesmuseum, the regional museum of Pomerania located in Greifswald, Germany.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_Gogh_-_Allee_bei_Arles_mit_H%C3%A4usern.jpeg\" target=\"_blank\" rel=\"noopener\"\u003eConsult the documentary sheet of the work →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must maintain the simplicity of the structure while differentiating the tight touches of the tree, the lines of the path and the wider movements of the sky.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe round and irregular silhouette of the large tree\u003c\/li\u003e\n\u003cli\u003eThe little yellow house with the red roof\u003c\/li\u003e\n\u003cli\u003eThe curve and widening of the path\u003c\/li\u003e\n\u003cli\u003eThe very low horizon line\u003c\/li\u003e\n\u003cli\u003eThe great blue and white movements of the sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eDriveway near Arles with houses, F567\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAvenue de Montmajour, Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e61 × 50 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003ePommersches Landesmuseum B 14\/17513 · F567 · JH1419\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePomeranian Regional Museum, Greifswald\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA vertical landscape of blue, yellow and green\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eVerticality is suitable for an entrance, landing or wall between two pieces of furniture. The blue sky brings freshness while the yellow house and the path warm the whole.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Allée près d’Arles avec des maisons, F567\"\u003e\n\u003ci style=\"background:#4487b8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6a9ac0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9a8e3b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e0bf55\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b5937\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eAn oak frame, matte brown or very dark blue, highlights the tree without weighing down the sky. A visual margin around the painting reinforces its verticality.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image was reduced to 2283 × 3000 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDriveway near Arles with houses, F567, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594937782498,"sku":"AVENUE_ARLES_AVEC_DES_MAISONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/allee-pres-arles-f567-vincent-van-gogh.webp?v=1785241262"},{"product_id":"moissonneurs-vincent-van-gogh","title":"The Reapers, F545 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · End of June - July 1888 · Plaine de la Crau, Arles\u003c\/p\u003e\n        \u003ch2\u003eThe Reapers, F545\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo workers harvest a huge yellow field in front of Arles, while a red train crosses the horizon between the smoke and the city's bell towers.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moissonneurs-f545-vincent-van-gogh-musee-rodin.webp?v=1785241259\u0026amp;format=webp\" alt=\"Les Moissonneurs F545 by Vincent van Gogh, Rodin Museum in Paris\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Reapers, F545\u003c\/strong\u003eVincent van Gogh · End of June - July 1888 · Rodin Museum, Paris\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEnd of June - July 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73 × 54 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eRodin Museum, Paris\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe modern harvest facing the city of Arles\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh painted the Crau plain in the summer of 1888, when ripe wheat transformed the landscape into a golden expanse. In this vertical version, a couple of harvesters work in the center; their tiny gestures give the measure of a field which occupies almost the entire height of the canvas.\u003c\/p\u003e\n\u003cp\u003eThe silhouette of Arles closes the horizon with its roofs, towers and chimneys. In front of it, a red train advances laterally, releasing steam. The artist thus brings together the manual work of the fields, the industrial city and the railway network in the same solar vision.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe composition appears dominated by a single color, but the yellow is crossed by ocher, pink, green and blue: a light constructed by the touch rather than a simple flat.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe F545 version can be recognized by its vertical format, the two central figures and the red train placed in front of the bluish profile of Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA monumental field\u003c\/h3\u003e\n\u003cp\u003eThe very high horizon line leaves most of the canvas to the wheat. The figures appear small, but their central position makes them immediately readable.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA red train\u003c\/h3\u003e\n\u003cp\u003eThe locomotive and its wagons form a thin horizontal line. The steam responds to the smoke from the chimneys and animates the boundary between field and city.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eSeveral yellows\u003c\/h3\u003e\n\u003cp\u003eGold, lemon, ocher and beige overlap in wheat. Blue and purple touches prevent the light from becoming uniform.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eInventory P.07304 and references F545\/JH1477 precisely identify the painting from the Rodin Museum among the numerous harvests painted in 1888 and 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eP.07304\u003c\/h3\u003e\n\u003cp\u003eThe painting entered the Rodin Museum by donation in 1916 and remains presented in the museum's permanent collection.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF545 · JH1477\u003c\/h3\u003e\n\u003cp\u003eThese references distinguish the view of Arles from the fields of Saint-Rémy's compositions devoted to the solitary reaper.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDetail\u003c\/span\u003e\u003ch3\u003eThe railway\u003c\/h3\u003e\n\u003cp\u003eThe train visible in front of Arles introduces modern speed into a harvest scene whose gestures remain entirely manual.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/collections.musee-rodin.fr\/fr\/document\/les-moissonneurs\/6385d6c005c32181005c513c\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Rodin Museum →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must preserve the immense scale of the field and the tiny details of the horizon without darkening the yellow light that unites the entire scene.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe horizon line placed in the upper quarter\u003c\/li\u003e\n\u003cli\u003eThe two harvesters and their distinct gestures\u003c\/li\u003e\n\u003cli\u003eThe red train and its plumes of steam\u003c\/li\u003e\n\u003cli\u003eThe blue profile of the buildings of Arles\u003c\/li\u003e\n\u003cli\u003eThe variety of yellows, ochres and pinks in wheat\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Reapers, F545\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEnd of June - July 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003ePlaine de la Crau, Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73 × 54 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eRodin Museum P.07304 · F545 · JH1477\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eRodin Museum, Paris\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA solar vertical dominated by gold\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for a narrow wall, entrance or space between two windows. The yellow range warms white, blue, gray or light wood interiors.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Les Moissonneurs, F545\"\u003e\n\u003ci style=\"background:#dfbd45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c9912e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e8cf73\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b8796\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a75732\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA blue-black, deep brown or natural oak frame highlights the horizon without competing with the field. A fine molding retains the impression of vast space.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image was reduced to 2284 × 3000 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLes Moissonneurs, F545, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594938142946,"sku":"LES_MOISSONNEURS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moissonneurs-f545-vincent-van-gogh-musee-rodin.webp?v=1785241259"},{"product_id":"coin-jardin-papillons-vincent-van-gogh","title":"Garden corner with butterflies, F460 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May -June 1887 · Public gardens of Asnières, near Paris\u003c\/p\u003e\n        \u003ch2\u003eGarden corner with butterflies, F460\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA flowerbed seen up close becomes a network of blades of grass, pink flowers and white or red butterflies, with no horizon to distract the eye.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-jardin-papillons-f460-vincent-van-gogh.webp?v=1785241257\u0026amp;format=webp\" alt=\"Garden corner with butterflies F460 by Vincent van Gogh, private collection\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eGarden corner with butterflies, F460\u003c\/strong\u003eVincent van Gogh · May -June 1887 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay -June 1887\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e50.4 × 61.4 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eNature observed as a living surface\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh places the viewer almost at ground level in a public garden in Asnières. Instead of ordering the landscape around a sky and a horizon, it fills the canvas with vegetation: the tufts radiate, a pink massif crosses the center and six butterflies appear between the leaves.\u003c\/p\u003e\n\u003cp\u003eThe keys change direction with each element. They become long and curved in the grass, short and tight in the flower bed, then light around the wings. This vocabulary of lines, nourished by impressionism, the neo-impressionism and Japanese prints, announces the more intense workmanship of the following years.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe subject fits in a corner of the garden, but the proximity, the cut framing and the variety of the touch transform this fragment into a complete landscape.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis painting is not limited to a dominant green: its richness comes from carefully differentiated directions, thicknesses and colors.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eFraming without sky\u003c\/h3\u003e\n\u003cp\u003eThe canvas is entirely occupied by the ground and vegetation. The clumps cut by the edges mentally extend the garden beyond the frame.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eSix moving accents\u003c\/h3\u003e\n\u003cp\u003eButterflies are tiny but essential: their whites, yellows and reds punctuate the green and guide the gaze from one group of grasses to another.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eOriented keys\u003c\/h3\u003e\n\u003cp\u003eThe lines follow the growth of the leaves, the curve of the tufts and the outline of the flowers. Their direction builds volumes without traditional modeling.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF460\/JH1676 corresponds to the work today dated from the Parisian period, distinct from the Two White Butterflies F402 painted in Arles in 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF460 · JH1676\u003c\/h3\u003e\n\u003cp\u003eOld catalogs placed the canvas in Arles in 1889; the study of materials by the Van Gogh Museum now supports a Parisian execution in 1887.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eAsnières\u003c\/h3\u003e\n\u003cp\u003eVan Gogh worked in the public gardens of Asnières, northwest of Paris, where he experimented with a clear palette and close framing.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003ch3\u003ePrivate collection\u003c\/h3\u003e\n\u003cp\u003eLong kept by the artist's family and then in several private collections, the painting was sold at Christie's in May 2024.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.christies.com\/en\/lot\/lot-6482966\" target=\"_blank\" rel=\"noopener\"\u003eConsult the documented Christie's → instructions\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must make you feel the profusion without transforming the garden into a confused pattern: each family of keys has its direction and density.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eClose framing that completely eliminates the sky\u003c\/li\u003e\n\u003cli\u003eThe six white, yellow and red butterflies\u003c\/li\u003e\n\u003cli\u003eThe central massif of small pink flowers\u003c\/li\u003e\n\u003cli\u003eFanned tufts of grass\u003c\/li\u003e\n\u003cli\u003eContrasts of green, blue, pink and cream\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eGarden corner with butterflies, F460\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay -June 1887\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAsnières Public Gardens, near Paris\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e50.4 × 61.4 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF460 · JH1676\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA vibrant garden for a light or colorful wall\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format and the framing without horizon bring an almost textile presence. Deep greens, pinks and whites work well in a living room, bedroom or office combined with natural wood.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Coin de jardin avec papillons, F460\"\u003e\n\u003ci style=\"background:#276c52\"\u003e\u003c\/i\u003e\u003ci style=\"background:#73943e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d88e92\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8d2a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5b6f87\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA medium oak, dark green or fine brown frame contains plenty of touches. Soft light reveals the material without crushing the palest butterflies.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference image was reduced to 3000 × 2381 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eGarden corner with butterflies, F460, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594938372322,"sku":"COIN_DE_JARDIN_AVEC_PAPILLONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/coin-jardin-papillons-f460-vincent-van-gogh.webp?v=1785241257"},{"product_id":"moisson-vincent-van-gogh","title":"The Harvest in La Crau, F412 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh June 1888 · Plaine de la Crau, near Arles\u003c\/p\u003e\n        \u003ch2\u003eThe Harvest in La Crau, F412\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUnder a bluish green sky, the yellow plain of Crau brings together carts, millstones, ladders and harvesters, with the ruins of Montmajour on the horizon.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moisson-f412-vincent-van-gogh.webp?v=1785240561\u0026amp;format=webp\" alt=\"The Harvest at La Crau F412 by Vincent van Gogh, Van Gogh Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Harvest in La Crau, F412\u003c\/strong\u003eVincent van Gogh · June 1888 · Van Gogh Museum, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJune 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Museum, Amsterdam\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA whole day of work in the plain\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh paints the summer harvest from a slightly high point. The fields form large yellow and green bands; a blue cart, conical millstones, piles of sheaves and small figures distribute the work across the entire width.\u003c\/p\u003e\n\u003cp\u003eThe mountain and the abbey of Montmajour appear in the distance, almost melted into blue. In the foreground, a light fence and a strip of cut wheat separate the viewer from the plain. Color orders the scene even more than the drawing: golden yellow, blue, olive green and brick red.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh does not paint a spectacular moment, but the sum of the gestures of the harvest: each tool, each figure and each pile of wheat finds its place in the plain.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe reproduction must keep the horizontal amplitude, the multitude of small patterns and the clear hierarchy between foreground, plain and horizon.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA work map\u003c\/h3\u003e\n\u003cp\u003eActivities are distributed like signs: blue cart, millstones, ladders, sheaves and workers. Their exact position makes the scene readable.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eYellow dominance\u003c\/h3\u003e\n\u003cp\u003eSeveral yellows coexist, from pale wheat to the ochres of the millstones. Greens and blues separate them to avoid a uniform surface.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA distant horizon\u003c\/h3\u003e\n\u003cp\u003eThe Alpilles and Montmajour remain low and bluish. This discretion gives its full extent to the Crau plain.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF412\/JH1440 is the large painting from June 1888 kept at the Van Gogh Museum, sometimes titled La Crau or Harvest in La Crau.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF412· JH1440\u003c\/h3\u003e\n\u003cp\u003eThe presence of the blue cart and Montmajour distinguishes this work from other harvest scenes painted in the same summer.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003es0030V1962\u003c\/h3\u003e\n\u003cp\u003eThe painting belongs to the Vincent van Gogh Foundation and is kept at the Van Gogh Museum in Amsterdam.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeason\u003c\/span\u003e\u003ch3\u003eJune 1888\u003c\/h3\u003e\n\u003cp\u003eAfter the spring orchards, Van Gogh chose the harvest to translate the Provençal summer into yellow and blue.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/artsandculture.google.com\/asset\/the-harvest\/UAEejbUbf7fwSg?avm=2\u0026amp;hl=fr\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh Museum instructions →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe difficulty comes from profusion: every detail must remain visible without weakening the large bands of color that carry the composition.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe blue cart and the different groups of harvesters\u003c\/li\u003e\n\u003cli\u003eThe varied shapes of millstones, sheaves and ladders\u003c\/li\u003e\n\u003cli\u003eThe large yellow and green bands of the plain\u003c\/li\u003e\n\u003cli\u003eThe clear fence and the groynes in the foreground\u003c\/li\u003e\n\u003cli\u003eThe blue line of Montmajour and the Alpilles\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Harvest in La Crau, F412\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJune 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003ePlaine de la Crau, near Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum s0030V1962 · F412 · JH1440\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Museum, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large expanse of yellow balanced by blue\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painting brings light and amplitude to a living room or dining room. Its warm palette goes well with natural wood, off-white, gray blue and terracotta.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Moisson à La Crau, F412\"\u003e\n\u003ci style=\"background:#c9a635\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d4bd64\"\u003e\u003c\/i\u003e\u003ci style=\"background:#597b68\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7799a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8a5a35\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak or golden brown frame extends the wheat. Matte black creates a more graphic contrast around the blue horizon.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe official public domain image of the Van Gogh Museum was reduced to 3,000 × 2,379 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa Moisson in La Crau, F412, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594938568930,"sku":"LA_MOISSON_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moisson-f412-vincent-van-gogh.webp?v=1785240561"},{"product_id":"alyscamps-vincent-van-gogh-3","title":"Alyscamps Alley, F569 - Vincent van 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · End of October - November 1888 · Les Alyscamps, Arles\u003c\/p\u003e\n        \u003ch2\u003eAlyscamps L'Alley, F569\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo rows of yellow poplars frame an avenue covered with orange leaves, where three dark figures advance between the sarcophagi of the ancient necropolis of Arles.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/alyscamps-f569-vincent-van-gogh.webp?v=1785240557\u0026amp;format=webp\" alt=\"L’Allée des Alyscamps F569 de Vincent van Gogh, Arles\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eAlyscamps L'Alley, F569\u003c\/strong\u003eVincent van Gogh · End of October-November 1888 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEnd of October-November 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e92 × 73.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on burlap\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eAutumn in an avenue of tombs\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe Alyscamps formed an ancient necropolis southeast of Arles. Van Gogh went there with Paul Gauguin shortly after his arrival in October 1888. In F569, he placed his easel in the middle of the alley and pushed the perspective between the poplars very far.\u003c\/p\u003e\n\u003cp\u003eThe canvas is built like a capital V: trunks and sarcophagi converge towards the bottom, while the carpet of red, orange and yellow leaves advances to the lower edge. The characters, almost black, give scale and contrast daily life with ancient tombs.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePainting does not tell of death; it confronts the permanence of the stone with the passage of walkers and the very brief shine of autumn leaves.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe F569 version can be recognized by its frontal axis, its flamboyant poplars and the sarcophagi that line the driveway.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA V-shaped perspective\u003c\/h3\u003e\n\u003cp\u003eThe two rows of trunks come very close towards the center. The tombs arranged in steps reinforce this acceleration of space.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eAn orange carpet\u003c\/h3\u003e\n\u003cp\u003eThe path is painted with large touches of red, yellow and peach. The material must remain visible to evoke the thickness of the fallen leaves.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThree silhouettes\u003c\/h3\u003e\n\u003cp\u003eThe central characters are reduced to a few dark signs. They should not be detailed further, otherwise the monumental scale of the trees will be broken.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReferences F569\/JH1623 distinguish this vertical version from the three other Alyscamps painted by Van Gogh during Gauguin's stay.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSeries\u003c\/span\u003e\u003ch3\u003eFour Alyscamps\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted four canvases on the site in October and November 1888; Both F568 and F569 adopt a vertical format.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eRude jute\u003c\/h3\u003e\n\u003cp\u003eThis canvas is associated with jute purchased by Gauguin in Arles, whose texture reinforces the rough character of the paint.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservation\u003c\/span\u003e\u003ch3\u003ePrivate collection\u003c\/h3\u003e\n\u003cp\u003eThe work was sold at Christie's in 2003 and again in 2015; it remains reported in private collections.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.christies.com\/en\/lot\/lot-4181495\" target=\"_blank\" rel=\"noopener\"\u003eConsult the historical notice of Christie's →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eFidelity requires a firm perspective but free material: the design of the trunks guides the eye, while the leaves remain thick and irregular.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe very marked convergence of the rows of poplars\u003c\/li\u003e\n\u003cli\u003eThe vertical rhythm of the yellow and blue trunks\u003c\/li\u003e\n\u003cli\u003eLilac gray sarcophagi on both sides\u003c\/li\u003e\n\u003cli\u003eThe carpet of red, orange and yellow leaves\u003c\/li\u003e\n\u003cli\u003eThe small ladder of the three walkers\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eAlyscamps L'Alley, F569\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEnd of October-November 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eThe Alyscamps, Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on burlap\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e92 × 73.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF569 · JH1623\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eFlamboyant vertical dominated by orange\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format gives height to a narrow wall or a space between two pieces of furniture. Yellows and oranges look spectacular against a gray blue, dark green or warm white background.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de L’Allée des Alyscamps, F569\"\u003e\n\u003ci style=\"background:#e09522\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b84923\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8b949\"\u003e\u003c\/i\u003e\u003ci style=\"background:#536e72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#34363d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark brown, weathered black or burnt wood frame contains the intensity of the yellows. Soft side light will highlight the touch without creating a reflection.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain image was reduced to 2,334 × 3,000 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eL'Allée des Alyscamps, F569, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594939060450,"sku":"LES_ALYSCAMPS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/alyscamps-f569-vincent-van-gogh.webp?v=1785240557"},{"product_id":"saules-tetards-vincent-van-gogh","title":"Tadpole Willows, F520 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · April 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eTadpole willows, F520\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA clear road turns between a row of pruned willows and a brown wall, in a spring landscape where gnarled trunks seem to advance like figures.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/saules-tetards-f520-vincent-van-gogh.webp?v=1785240555\u0026amp;format=webp\" alt=\"Tadpole willows F520 by Vincent van Gogh, former Niarchos collection\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTadpole willows, F520\u003c\/strong\u003eVincent van Gogh · April 1889 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eApril 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e55 × 65 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA road, pruned trees and the return of spring\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eTadpole willows are cut regularly so that their branches grow back from a thick head. Van Gogh follows the row along a path that curves towards the bottom; yellow and brown trunks stand out against bright green grass and a lilac gray sky.\u003c\/p\u003e\n\u003cp\u003ePainted during the artist's last weeks in Arles, the canvas combines direct observation and decorative simplification. The trees form a series of irregular silhouettes, while the road, wide open in the foreground, absorbs touches of pink, mauve, cream and blue-gray.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe most ordinary rural motif becomes a rhythm: each trunk repeats the previous one, but none has exactly the same shape.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe main thing is to maintain the curve of the path and the personality of each willow, without standardizing their size or their antlers.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTree procession\u003c\/h3\u003e\n\u003cp\u003eWillows gradually decrease with distance. Their gnarled heads and short branches create an irregular cadence on the left side of the road.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe curve of the path\u003c\/h3\u003e\n\u003cp\u003eThe road occupies a large area and turns behind the row. Its oblique pink, gray and yellow touches accompany the movement of the gaze.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eGreen versus purple\u003c\/h3\u003e\n\u003cp\u003eThe yellow-green grasses oppose the purple-gray sky and the cold shadows of the path. This complementarity gives freshness to the scene.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF520\/JH1690 precisely designates this willow road painted in Arles in April 1889.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF520· JH1690\u003c\/h3\u003e\n\u003cp\u003eThese references avoid confusion with the numerous willows painted by Van Gogh in the Netherlands and with his studies of 1888.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003ch3\u003e55 × 65 cm\u003c\/h3\u003e\n\u003cp\u003eThe tight horizontal format gives an unusual place to the path and brings the trunks closer to the viewer.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservation\u003c\/span\u003e\u003ch3\u003ePrivate collection\u003c\/h3\u003e\n\u003cp\u003eThe painting is traditionally associated with the Stavros Niarchos collection; it is not attributed to a public museum.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0520.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh catalog sheet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe road should not become a smooth surface: its changes in color and direction give as much life to the canvas as the trees.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe different silhouette of each tadpole willow\u003c\/li\u003e\n\u003cli\u003eThe gradual reduction of trees towards the bottom\u003c\/li\u003e\n\u003cli\u003eThe ample curve and nuanced colors of the path\u003c\/li\u003e\n\u003cli\u003eThe contrast between the bright grass and the purple sky\u003c\/li\u003e\n\u003cli\u003eThe brown wall on the right which closes the composition\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eTadpole willows, F520\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eApril 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e55 × 65 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eFormer Stavros Niarchos collection · F520 · JH1690\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA rural palette of green, mauve and light earth\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe scene brings calm movement to a living room, hallway or office. Its natural tones match wood, linen, beige and muted greens.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Saules têtards, F520\"\u003e\n\u003ci style=\"background:#83974b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8b77f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8b765f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8a8190\"\u003e\u003c\/i\u003e\u003ci style=\"background:#594937\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA weathered brown or medium oak frame extends the trunks. A very fine black molding can reinforce the clear curve of the path.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe best verifiable public reproduction was preserved at its native definition of 2514 × 2106 px then converted to WebP, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTadpole willows, F520, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594939224290,"sku":"SAULES_T_TARDS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/saules-tetards-f520-vincent-van-gogh.webp?v=1785240555"},{"product_id":"pechers-fleurs-vincent-van-gogh","title":"Peach trees in bloom in Crau, F514 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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span{color:var(--vg-muted);font-size:11px;letter-spacing:.09em;text-transform:uppercase}\n.vg-benefits{display:grid;grid-template-columns:repeat(4,1fr);color:white;background:#171411}.vg-benefit{padding:26px 22px;border-right:1px solid rgba(255,255,255,.13)}.vg-benefit:last-child{border-right:0}.vg-benefit b{display:block;margin-bottom:4px;font:400 18px Georgia,serif}.vg-benefit span{color:#bdb4aa;font-size:13px}\n.vg-overview{display:grid;grid-template-columns:.78fr 1.22fr;gap:78px;align-items:start}.vg-copy p{margin:0 0 18px;color:#4e4842;font-size:17px}.vg-copy p:first-child{font:21px\/1.62 Georgia,serif}.vg-copy p:first-child:first-letter{float:left;margin:7px 12px 0 0;color:var(--vg-ochre);font-size:76px;line-height:.72}.vg-quote{margin:30px 0 0;padding:25px 28px;border-left:3px solid var(--vg-ochre);background:rgba(255,255,255,.58);font:21px\/1.45 Georgia,serif}\n.vg-dark{color:#f7f0e7;background:#1b1917}.vg-dark .vg-title{color:#f7f0e7}.vg-dark .vg-eyebrow{color:#e0a77e}.vg-dark 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p{color:#e1d2c6}.vg-source{display:inline-flex;margin-top:28px;padding:12px 18px;border:1px solid var(--vg-ink);border-radius:999px;font-size:12px;font-weight:800;text-decoration:none}\n.vg-product{background:#d7c7b0}.vg-product-grid{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-focus{margin:25px 0 0;padding:0;list-style:none}.vg-focus li{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px}.vg-focus li:before{content:'✓';display:inline-block;margin-right:10px;color:var(--vg-ochre);font-weight:800}.vg-panel{padding:38px;background:rgba(255,253,248,.68)}.vg-panel h3{margin:0 0 21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · April 1889 · Plaine de la Crau, near Arles\u003c\/p\u003e\n        \u003ch2\u003ePeach trees in bloom in Crau, F514\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA vast plain of white and pink orchards opens up to the snow-capped Alpilles, under a sky composed of countless blue and cream touches.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pechers-fleurs-f514-vincent-van-gogh.webp?v=1785240553\u0026amp;format=webp\" alt=\"Peach trees in bloom in the Crau F514 plain by Vincent van Gogh, Courtauld Gallery\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003ePeach trees in bloom in Crau, F514\u003c\/strong\u003eVincent van Gogh · April 1889 · Courtauld Gallery, London\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eApril 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e65 × 81 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eCourtauld Gallery, London\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eProvençal spring watched across Japan\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh painted the open plain east of Arles in early spring 1889. Peach trees in bloom occupied fields separated by ditches, fences and paths; low houses and isolated trees lead towards the blue line of the Alpilles.\u003c\/p\u003e\n\u003cp\u003eIn a letter to Theo, the artist brings together the white flowers and the still snowy mountain of the cherry trees and Mount Fuji seen in the Japanese prints he collected. The canvas combines thick dots for flowers, elongated lines in the fields and a fully vibrant sky.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe real landscape of Crau becomes a Provençal equivalent of the Japan dreamed of by Van Gogh: a clear plain, ordered by color and season.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eReproduction must preserve the great depth of the panorama without losing the texture of the orchards in the foreground.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA stratified plain\u003c\/h3\u003e\n\u003cp\u003ePaths, ditches and plots overlap in oblique bands up to the houses. These lines give depth without resorting to rigid perspective.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eFlowers in points\u003c\/h3\u003e\n\u003cp\u003ePeach trees are rendered by small white, pink and pale blue impasto. They must remain distinct from the grass and fences drawn by longer lines.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA woven sky\u003c\/h3\u003e\n\u003cp\u003eThe sky is not a flat: thousands of short blue, gray and cream touches produce a fresh light that responds to the flowers.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe format, the Courtauld inventory and the references F514\/JH1681 distinguish this panorama from the numerous orchards painted in Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF514 · JH1681\u003c\/h3\u003e\n\u003cp\u003eThis painting depicts the Crau with peach trees in bloom in April 1889, not the closer orchards of spring 1888.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eP.1932.SC.176\u003c\/h3\u003e\n\u003cp\u003eSamuel Courtauld purchased the work in 1927 and then donated it to the Courtauld Gallery in 1932.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eInspiration\u003c\/span\u003e\u003ch3\u003eCherry trees and Mount Fuji\u003c\/h3\u003e\n\u003cp\u003eVan Gogh associated flowering trees and the distant mountain with the landscapes of Japanese prints that he admired.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/gallerycollections.courtauld.ac.uk\/object-p-1932-sc-176\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Courtauld Gallery notice →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe balance depends on the difference between the linear design of the plots, the dotted material of the flowers and the tight vibration of the sky.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe depth of strips of land and ditches\u003c\/li\u003e\n\u003cli\u003eThe white and pink impasto of peach trees\u003c\/li\u003e\n\u003cli\u003eTiny houses that set the scale of the panorama\u003c\/li\u003e\n\u003cli\u003eThe blue line of the Alpilles under the snow\u003c\/li\u003e\n\u003cli\u003eThe network of short keys in the sky\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003ePeach trees in bloom in Crau, F514\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eApril 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003ePlaine de la Crau, near Arles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e65 × 81 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eCourtauld Gallery P.1932.SC.176 · F514 · JH1681\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eCourtauld Gallery, London\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA fresh, bright and very open panorama\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format visually enlarges a room and is suitable above a sofa or sideboard. Pale blues, gray greens and floral whites match a light interior.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Pêchers en fleurs dans la Crau, F514\"\u003e\n\u003ci style=\"background:#7da4ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c7c9b8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#71866e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b6a885\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5d6e82\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA frame in light oak, bleached wood or fine brown keeps the landscape light. Avoid a molding that is too golden and will excessively warm the blues.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference image was reduced to 3000 × 2389 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003ePeach trees in bloom in Crau, F514, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594940338402,"sku":"P_CHERS_EN_FLEURS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pechers-fleurs-f514-vincent-van-gogh.webp?v=1785240553"},{"product_id":"couple-parc-arles-jardin-poete-iii","title":"The Poet's Garden III, F479 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · October 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eThe Poet's Garden III, F479\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eUnder the invasive branches of a large blue fir tree, a couple advances on a clear path: the third canvas of the Poet's Garden transforms the park next to the Yellow House into an intimate setting.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-poete-iii-f479-vincent-van-gogh.webp?v=1785239809\u0026amp;format=webp\" alt=\"The Garden of the Poet III F479 by Vincent van Gogh, couple under a blue tree\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Poet's Garden III, F479\u003c\/strong\u003eVincent van Gogh · October 1888 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOctober 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA tiny couple under a huge tree\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe municipal park was located just opposite the Yellow House, Place Lamartine. Van Gogh renamed it \"Poet's Garden\" and produced four compositions intended to form a decorative ensemble, notably for the room prepared for Paul Gauguin.\u003c\/p\u003e\n\u003cp\u003eIn this third version, the large blue fir occupies the center and almost the entire upper part. Its branches descend like a vault above the path; the couple, placed on the left, appears tiny. The trimmed hedges, the green lawns and blue-gray shadows organize the park into successive strips.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe painting reverses the usual scale of the landscape: the tree becomes the real protagonist and walkers give the measure of its presence.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe composition is due to the voluntary imbalance between the dark mass of the tree, the light opening of the aisle and the small silhouette of the couple.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eThe blue tree\u003c\/h3\u003e\n\u003cp\u003eThe branches extend horizontally then fall above the walkers. Their design in short touches must maintain a living density, without forming a dark flat area.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe White Alley\u003c\/h3\u003e\n\u003cp\u003eThe clear path climbs from the lower left corner and disappears behind the hedges. Its bluish and pinkish grays respond to the shadows of the foliage.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe couple\u003c\/h3\u003e\n\u003cp\u003eTwo dark silhouettes, tilted slightly towards each other, give the scale of the scene. Their simplicity is essential: too much detail would break the monumentality of the tree.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe title of the cycle, the dating of October 1888 and the references F479\/JH1601 correct the frequent confusions with other views of the park of Arles.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCycle\u003c\/span\u003e\u003ch3\u003eThe Poet's Garden III\u003c\/h3\u003e\n\u003cp\u003eThis painting belongs to a set of four views of the municipal park that Van Gogh wanted to combine in the decoration of the Yellow House.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF479 · JH1601\u003c\/h3\u003e\n\u003cp\u003eThese numbers identify the composition with the couple and the large blue tree, painted in Arles in October 1888.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservation\u003c\/span\u003e\u003ch3\u003ePrivate collection\u003c\/h3\u003e\n\u003cp\u003eThe work does not belong to the Hermitage Museum: the catalogs consulted currently indicate it in private collections.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.wga.hu\/html_m\/g\/gogh_van\/09\/arles49.html\" target=\"_blank\" rel=\"noopener\"\u003eConsult the notice from the Web Gallery of Art →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must above all preserve the relative scale: monumental tree, open path and discreet couple, with a visible touch in each area.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe mass and direction of the branches of the large blue fir\u003c\/li\u003e\n\u003cli\u003eThe small scale of the couple to the left of the composition\u003c\/li\u003e\n\u003cli\u003eThe design of the clear path and its depth\u003c\/li\u003e\n\u003cli\u003eBands of lawn, hedges and foliage\u003c\/li\u003e\n\u003cli\u003eThe dialogue between dark greens, cold blues and pinkish grays\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Poet's Garden III, F479\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eOctober 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF479 · JH1601\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large plant mass opened by a clear path\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format and muted palette are suitable for a living room, bedroom or library. The work brings an enveloping presence without the frontal brilliance of the most yellow Provençal landscapes.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Jardin du poète III, F479\"\u003e\n\u003ci style=\"background:#273f3e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#486b59\"\u003e\u003c\/i\u003e\u003ci style=\"background:#78895b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b6afa2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4b5666\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark brown, walnut or softened black frame accompanies the tree. On a light wall, a fine molding is enough to let the path and the bluish grays breathe.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003ePublic domain reproduction was converted to WebP at 3000 × 2437 px from a larger file, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Poet's Garden III, F479, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594941288674,"sku":"COUPLE_DANS_LE_PARC_D_ARLES_LE_JARDIN_DU_PO_TE_III_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/jardin-poete-iii-f479-vincent-van-gogh.webp?v=1785239809"},{"product_id":"pont-langlois-arles-vincent-van-gogh-2","title":"The Langlois Bridge in Arles, F570 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1888 · Arles\u003c\/p\u003e\n        \u003ch2\u003eThe Langlois Bridge in Arles, F570\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eThe Cologne version can be recognized by its two cypresses, the cart that crosses the bridge and the little woman with the parasol, isolated on the mobile apron.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-langlois-f570-vincent-van-gogh.webp?v=1785239806\u0026amp;format=webp\" alt=\"The Langlois Bridge in Arles F570 by Vincent van Gogh, Wallraf-Richartz-Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Langlois Bridge in Arles, F570\u003c\/strong\u003eVincent van Gogh · May 1888 · Wallraf-Richartz-Museum, Cologne\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1888\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e49.5 × 64 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eWallraf-Richartz-Museum, Cologne\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA Dutch bridge under the light of Provence\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh discovered a Dutch-style drawbridge south of Arles which reminded him of the landscapes of his native country. In this version from May 1888, he places the structure almost from the front: the two stone abutments frame the water, while the raised arms cut out their thin lines in a vast pale sky.\u003c\/p\u003e\n\u003cp\u003eTwo dark green cypresses standing on the left balance the small house with a red roof, on the right. On the bridge, a cart has just passed and a woman with a parasol remains visible near the mechanism. The blue-green water, the yellow bank and the purple shadows give the technical pattern a luminous clarity.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe geometry of the bridge organizes the canvas, but it is the sky, the water and the complementary colors which give it its very particular calm.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe F570 version requires respecting details that differentiate it from other Langlois Bridges: cypress, cart, parasol and almost frontal framing.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA precise framework\u003c\/h3\u003e\n\u003cp\u003eThe beams, cables and counterweights form a light structure. Their design must remain exact without becoming mechanical or too regular.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTiny figures\u003c\/h3\u003e\n\u003cp\u003eThe cart and the woman with the parasol give the scale of the bridge. A few touches are enough, but their position on the deck is essential to the identification of F570.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBlue and yellow\u003c\/h3\u003e\n\u003cp\u003eThe sky and water respond to the yellow ocher banks. Discreet pinks, mauves and reds prevent this complementarity from becoming schematic.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh represented the Langlois Bridge several times; the references and visible patterns make it possible to precisely identify the Cologne canvas.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF570 · JH1421\u003c\/h3\u003e\n\u003cp\u003eThis May 1888 version is distinct from the canvas F397 with washerwomen kept at the Kroeller-Müller Museum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003ePattern\u003c\/span\u003e\u003ch3\u003eCart and parasol\u003c\/h3\u003e\n\u003cp\u003eA car crosses the apron and a woman holds a parasol. Along with the two cypresses, these are the safest visual signs of this version.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eCologne · WRM 1197\u003c\/h3\u003e\n\u003cp\u003eThe work belongs to the Wallraf-Richartz-Museum in Cologne and has inventory number WRM 1197.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0570.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh catalog sheet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIt is necessary to combine rigor of the design and freedom of the material: the structure of the bridge must neither deform nor lose the liveliness of the brushstrokes.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe proportions of the abutments, the apron and the raised arms\u003c\/li\u003e\n\u003cli\u003eThe place of the two cypresses and the house with the red roof\u003c\/li\u003e\n\u003cli\u003eThe cart and the woman with the parasol on the deck\u003c\/li\u003e\n\u003cli\u003eBlue-green reflections and purple shadows in the water\u003c\/li\u003e\n\u003cli\u003eThe luminous relationship between the pale sky and the yellow banks\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Langlois Bridge in Arles, F570\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1888\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e49.5 × 64 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eWallraf-Richartz-Museum WRM 1197 · F570 · JH1421\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eWallraf-Richartz-Museum, Cologne\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eLight architecture in a very light landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format matches a bright interior and natural materials. Blues and yellows liven up a warm white, sand or bluish gray wall.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Pont Langlois à Arles, F570\"\u003e\n\u003ci style=\"background:#a9c4c9\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6ea3a2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d3aa45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#555e3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b16a55\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak or medium brown frame extends the yellow earths. Matte black is also suitable if you want to emphasize the geometry of the bridge.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe reference shows exactly the F570 version of the Wallraf-Richartz-Museum; it was converted to WebP at its native definition of 2200 × 1692 px, without enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Langlois Bridge in Arles, F570, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594941878498,"sku":"LE_PONT_LANGLOIS_ARLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/pont-langlois-f570-vincent-van-gogh.webp?v=1785239806"},{"product_id":"chataignes-rouges-parc-public-arles-vincent","title":"Red chestnut trees in Arles Park, F517 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · April 1889 · Arles\u003c\/p\u003e\n        \u003ch2\u003eRed chestnut trees in Arles Park, F517\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA wide, clear path sinks under chestnut trees in red flowers, animated by a few tiny walkers and a fragmented touch that circulates the light.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/marronniers-rouges-f517-vincent-van-gogh.webp?v=1785239805\u0026amp;format=webp\" alt=\"Red chestnut trees in the Arles public park F517 by Vincent van Gogh\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eRed chestnut trees in Arles Park, F517\u003c\/strong\u003eVincent van Gogh · April 1889 · Private collection\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eApril 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72.5 × 92 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eArles Park on the eve of departure\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIn the spring of 1889, Van Gogh returned to the public park of Arles which he had already painted the previous autumn. The path occupies the lower half of the canvas and leads to a group of figures; on either side, the dark trunks form one corridor under a vault of green foliage punctuated with red flowers.\u003c\/p\u003e\n\u003cp\u003eThe perspective is readable, but the painting never becomes descriptive in the academic sense. Along the way, short touches of yellow, cream, blue and pink come together like a mosaic; in the trees, red and white accents break up the greens and reflect the flowering.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe familiar walk becomes a study of filtered light: the path leads the eye, while the foliage transforms the space into a colorful vault.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis scene is based on the depth of the path, the vertical rhythm of the trunks and the controlled dispersion of reds in the crown of the trees.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA deep driveway\u003c\/h3\u003e\n\u003cp\u003eThe edges of the path converge towards walkers and gradually reduce the scale of the figures. The perspective must remain clear under the abundance of the touch.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA vault of foliage\u003c\/h3\u003e\n\u003cp\u003eThe green masses meet above the driveway without forming a uniform ceiling. Blue, cream and yellow openings let the light breathe.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eThe red flowers\u003c\/h3\u003e\n\u003cp\u003eThe red accents are scattered throughout the foliage, with some echoes in the clothing. Their rarity gives them all their chromatic weight.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eCanvas F517\/JH1689 is documented as a work from April 1889 kept in a private collection.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDating\u003c\/span\u003e\u003ch3\u003eApril 1889\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted this flowering during his last weeks in Arles, before his voluntary entry into Saint-Rémy at the beginning of May.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF517 · JH1689\u003c\/h3\u003e\n\u003cp\u003eThese two numbers distinguish the canvas from other views of the public park and the various Poet's Gardens painted in 1888.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eConservation\u003c\/span\u003e\u003ch3\u003ePrivate collection\u003c\/h3\u003e\n\u003cp\u003eNo current public institution is attributed to this work in the reference catalogs consulted.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0517.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the Van Gogh catalog sheet →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe difficulty is to maintain the readability of the path and the walkers while restoring the almost continuous vibration of the small touches.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe convergence of the aisle and the decreasing scale of the figures\u003c\/li\u003e\n\u003cli\u003eThe irregular rhythm of the trunks on both sides\u003c\/li\u003e\n\u003cli\u003eThe mosaic of yellows, blues and creams in the path\u003c\/li\u003e\n\u003cli\u003eThe red flowers distributed without overload in the foliage\u003c\/li\u003e\n\u003cli\u003eThe passages of sky and light between the branches\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eRed chestnut trees in Arles Park, F517\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eApril 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eArles\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e72.5 × 92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF517 · JH1689\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA rich but balanced spring landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe horizontal format is suitable above a sofa, sideboard or desk. The deep greens and yellows of the path provide warmth, while the reds give small accent points.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Marronniers rouges dans le parc d’Arles, F517\"\u003e\n\u003ci style=\"background:#314a36\"\u003e\u003c\/i\u003e\u003ci style=\"background:#73844a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c5ae61\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8f3e35\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f7f86\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA patinated brown or medium oak frame accompanies the depth of the trees. A very fine gold molding can take the lights of the path.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eAs the work is in a private collection, the best verifiable public reproduction available was preserved at its native definition of 1,224 × 954 px and then converted to WebP, without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eRed chestnut trees in Arles Park, F517, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594942304482,"sku":"CH_TAIGNES_ROUGES_DANS_LE_PARC_PUBLIC_D_ARLES_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/marronniers-rouges-f517-vincent-van-gogh.webp?v=1785239805"},{"product_id":"iris-vincent-van-gogh","title":"The Iris, F601 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eThe Iris, F601\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA vertical and very close study in which a purple flower dominates the long leaves, the buds still closed and the ground crossed by radiant touches.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/iris-f601-vincent-van-gogh.webp?v=1785239802\u0026amp;format=webp\" alt=\"Iris F601 by Vincent van Gogh, National Gallery of Canada\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Iris, F601\u003c\/strong\u003eVincent van Gogh · May 1889 · National Gallery of Canada, Ottawa\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1889\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e62.2 × 48.3 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on thinned cardboard, mounted on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNational Gallery of Canada, Ottawa\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eAn isolated plant becomes an entire landscape\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eVan Gogh lowers his gaze to the level of the massif and removes all horizon. The open iris, placed in the upper left half, is accompanied by several blue-purple buttons; the leaf blades occupy almost the entire width and anchor the plant in soil covered with greens, ochres and bluish grays.\u003c\/p\u003e\n\u003cp\u003ePainted shortly after the artist's arrival in Saint-Paul-de-Mausole, this study should not be confused with the vast Iris F608 flowerbed kept at the Getty. Here, the vertical framing and concentration on a single foot give botanical observation an almost monumental intensity.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe subject seems modest, but the tight framing, blue contours and circular movement of the herbs transform a garden iris into an autonomous presence.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLoyalty is based on the scale of the plant, the circulation of touches and the contrast between the purple of the flower and the greens of the foliage.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA living axis\u003c\/h3\u003e\n\u003cp\u003eThe flowering stem rises slightly to the left of the center while the leaves spread out in a fan shape. This asymmetrical balance must remain flexible: the plant stands up without becoming rigid.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eRadiant touches\u003c\/h3\u003e\n\u003cp\u003eIn grass and dirt, brushstrokes change direction around the foot. They create a centrifugal vibration that connects the flower to the entire field of the painting.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003ePurple versus green\u003c\/h3\u003e\n\u003cp\u003eThe dark blue-purple of the iris stands out against the yellow and emerald greens. The small yellow accents of the soil reinforce this complementary contrast without competing with the flower.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe support, format and catalog numbers make it possible to distinguish this study from the other irises painted by Van Gogh in Saint-Rémy.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCatalog\u003c\/span\u003e\u003ch3\u003eF601 · JH1699\u003c\/h3\u003e\n\u003cp\u003eThese references refer to the vertical study of a single iris, not the large horizontal flowerbed F608 of the J. Paul Getty Museum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eCardboard on canvas\u003c\/h3\u003e\n\u003cp\u003eThe original is painted in oil on thinned cardboard then mounted on canvas, a material detail preserved in the Ottawa notice.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eOttawa since 1954\u003c\/h3\u003e\n\u003cp\u003eThe National Gallery of Canada purchased the work in 1954; its inventory number is 6294.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/artsandculture.google.com\/asset\/iris-gogh-vincent-van\/dAG8nKO7-lEMAw?hl=fr\" target=\"_blank\" rel=\"noopener\"\u003eConsult the notice from the National Gallery of Canada →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThis composition requires precise painting without drying the touch: the leaves structure the format, but the ground must maintain its rapid movement.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe exact position of the open flower and purple buds\u003c\/li\u003e\n\u003cli\u003eThe range of long leaves and their overlaps\u003c\/li\u003e\n\u003cli\u003eThe dark blue outlines that separate the greens without hardening them\u003c\/li\u003e\n\u003cli\u003eThe radiant movement of the little touches in the grass\u003c\/li\u003e\n\u003cli\u003eThe scattered yellow accents that awaken the palette\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Iris, F601\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on thinned cardboard, mounted on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e62.2 × 48.3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eNational Gallery of Canada 6294 · F601 · JH1699\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNational Gallery of Canada, Ottawa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eBright greens enhanced with deep purple\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe vertical format is suitable for a narrow wall, between two openings or above a compact piece of furniture. The plant palette provides depth without dominating a light room.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de L’Iris, F601\"\u003e\n\u003ci style=\"background:#315e45\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6f963e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b2a447\"\u003e\u003c\/i\u003e\u003ci style=\"background:#343b7b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a98a58\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural oak, light walnut or matte black frame emphasizes verticality. Avoid a mat that is too white, which would weaken the gray-green surfaces of the floor.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003ePublic domain digital reproduction was converted to WebP at 2,332 × 3,000 px, without artificial enlargement and retaining the proportions of the original.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Iris, F601, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594942894306,"sku":"IRIS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/iris-f601-vincent-van-gogh.webp?v=1785239802"},{"product_id":"deux-femmes-travers-champs-vincent-van","title":"Two Women across the Fields - Vincent van 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · July 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eTwo Women across the fields\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eTwo female silhouettes advance in a field that fills almost the entire surface. On this small elongated support, Van Gogh juxtaposes lines, dots and dashes of color with a freedom close to drawing.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-femmes-travers-champs-van-gogh-mcnay-1950-49.webp?v=1785224333\u0026amp;format=webp\" alt=\"Two Women Through Fields by Vincent van Gogh, McNay Art Museum, 1950.49\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eTwo Women across the fields\u003c\/strong\u003eVincent van Gogh · July 1890 · McNay Art Museum, San Antonio\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eJuly 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e30.3 × 59.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on paper, mounted on support\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMcNay Art Museum, San Antonio\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTwo figures lost in the vibration of the field\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe very horizontal format lowers the horizon and stretches the step of the two women. One wears a light dress and a yellow hat, the other a dark blue dress. A few houses and trees punctuate the upper band, but most of the composition belongs to herbs.\u003c\/p\u003e\n\u003cp\u003eThe support remains visible between the painted marks. Green, yellow, blue and red hatching describes the furrows without forming a continuous surface. Both characters are indicated by rapid outlines, as if captured as they move.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe work retains the energy of a study on the pattern: the emptiness of the support, the discontinuous keys and the stretched format give the field exceptional mobility.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eWomen Crossing the Fields is housed at the McNay Art Museum under number 1950.49. The work bears the references F819\/JH2112 and is distinguished by its panoramic format on paper.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA support left visible\u003c\/h3\u003e\n\u003cp\u003eVan Gogh does not completely cover the paper. Its light shade acts as an extra color and maintains air between the field hatching.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eSigns rather than details\u003c\/h3\u003e\n\u003cp\u003eCultures are translated by short parallel lines, dots and commas. These signs change orientation according to the plans and make the different furrows legible.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eTwo complementary silhouettes\u003c\/h3\u003e\n\u003cp\u003eThe light figure and the blue figure respond to each other. Their opposite colors, their hats and their slightly offset positions are enough to create a walking story in an almost abstract landscape.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThis oil on paper measures 30.3 × 59.7 cm. Painted in Auvers in July 1890, it is cataloged F819\/JH2112 and belongs to the McNay Art Museum under the 1950.49 inventory.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSupport\u003c\/span\u003e\u003ch3\u003eA study on paper\u003c\/h3\u003e\n\u003cp\u003eUnlike the large paintings of Auvers, this composition is executed on paper then mounted on a support. The clear reserve fully participates in the visual rhythm.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eProject\u003c\/span\u003e\u003ch3\u003eMaybe a preparatory study\u003c\/h3\u003e\n\u003cp\u003eThe Van Gogh Museum points out that the rapid and unfinished nature of the work may indicate a study for a larger composition that has never been carried out.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eThe McNay Legacy\u003c\/h3\u003e\n\u003cp\u003eThe work entered the San Antonio Museum with the bequest of its founder Marion Koogler McNay. It has since been acquired in number 1950.49.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/artsandculture.google.com\/asset\/women-crossing-the-fields-vincent-van-gogh\/8QGKYhaXo7YrfQ?hl=en\" target=\"_blank\" rel=\"noopener\"\u003eConsult the McNay Art Museum instructions\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe reproduction must retain the unpainted spaces, the fineness of the hatching, the distinct colors of the two women and the general lightness of the support.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe light figure with the yellow hat\u003c\/li\u003e\n\u003cli\u003eThe second woman dressed in blue\u003c\/li\u003e\n\u003cli\u003eMulticolored hatching separated by visible paper\u003c\/li\u003e\n\u003cli\u003eThe narrow strip of trees and houses on the horizon\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eTwo Women across the fields\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eJuly 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on paper, mounted on support\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e30.3 × 59.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003e1950.49 · F819 · JH2112\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eMcNay Art Museum, San Antonio\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA panoramic, light and very graphic landscape\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eIts low, elongated format is suitable above a console, desk or headboard. Greens, blues and light reserves match contemporary interiors as well as natural woods.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Deux Femmes à travers champs\"\u003e\n\u003ci style=\"background:#d5c69a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66804d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#45687d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8a63e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a45d47\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA light oak, gray green or midnight blue frame accompanies the rhythm of the field. A generous cream margin recalls visible paper and highlights the original small format.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe documentary reproduction was converted into a real WebP of 3,000 × 1,567 px, without artificial enlargement and retaining the original panoramic format.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eTwo Women across fields, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (100 x 50 cm)","offer_id":46594979332322,"sku":"DEUX_FEMMES_TRAVERS_CHAMPS_100x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/deux-femmes-travers-champs-van-gogh-mcnay-1950-49.webp?v=1785224333"},{"product_id":"herbe-longue-papillons-vincent-van-gogh","title":"Long grass with butterflies - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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21px;font-size:30px}.vg-table{width:100%;border-collapse:collapse}.vg-table th,.vg-table td{padding:13px 0;border-top:1px solid var(--vg-line);font-size:14px;text-align:left;vertical-align:top}.vg-table th{width:40%;padding-right:16px;color:#5b524a}.vg-steps{display:grid;margin-top:8px}.vg-step{display:grid;grid-template-columns:38px 1fr;gap:13px;padding:15px 0;border-top:1px solid var(--vg-line)}.vg-step i{display:grid;width:31px;height:31px;place-items:center;color:white;background:var(--vg-ochre);border-radius:50%;font:normal 16px Georgia,serif}.vg-step b{display:block}.vg-step span{color:var(--vg-muted);font-size:13px}\n.vg-deco{display:grid;grid-template-columns:1.05fr .95fr;gap:54px}.vg-palette{display:grid;grid-template-columns:repeat(5,1fr);height:82px;margin-top:26px}.vg-aside{padding:34px;background:var(--vg-white);border:1px solid var(--vg-line)}.vg-aside h3{margin:0 0 14px;font-size:29px}.vg-aside p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1890 · Saint-Rémy-de-Provence, France\u003c\/p\u003e\n        \u003ch2\u003eLong grass with butterflies\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eVan Gogh looks down at a bushy meadow where a few white butterflies appear between the grass. Without sky or horizon, this plot of the Saint-Paul garden becomes a complete world, woven with greens, yellows, blues and purples.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/herbe-longue-papillons-van-gogh-national-gallery.webp?v=1785222261\u0026amp;format=webp\" alt=\"Long grass with butterflies by Vincent van Gogh, National Gallery, NG4169\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLong grass with butterflies\u003c\/strong\u003eVincent van Gogh · May 1890 · National Gallery, London\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e64.5 × 80.7 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eNational Gallery, London\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eA meadow observed as closely as a portrait\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe large tufts in the foreground are constructed by green and blue lines that radiate around their base. Between them, the ground appears in touches of gray, lilac and ocher. Several light butterflies almost merge with the small flowers.\u003c\/p\u003e\n\u003cp\u003eNear the upper edge, a gray path crosses the canvas diagonally and separates two areas of vegetation. Behind it, the grasses become shorter and the yellow accents more numerous. This simple change of scale is enough to create depth.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe painting combines almost botanical observation with a vibrant surface where each blade of grass retains the direction of the brush.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe work NG4169 can be recognized by its skyless framing, the oblique path placed very high and the small white butterflies scattered in the meadow.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eOpen space on three sides\u003c\/h3\u003e\n\u003cp\u003eThe path only closes the top of the composition. Elsewhere, the tufts are cut by the edges, suggesting that the meadow continues well beyond the frame.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eDepth by key length\u003c\/h3\u003e\n\u003cp\u003eNearby grasses are formed of long, separate lines. In the distance, they become short dashes and dots: the scale of the gesture replaces the traditional perspective.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eAlmost abstract butterflies\u003c\/h3\u003e\n\u003cp\u003eTheir wings are not precisely drawn. A few white touches are enough to distinguish them from the flowers and introduce small aerial movements into the plant density.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe National Gallery keeps Long Grass with Butterflies under inventory NG4169. This oil on canvas of 64.5 × 80.7 cm, painted in Saint-Rémy in May 1890, bears the references F672 and JH1975.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLocation\u003c\/span\u003e\u003ch3\u003eThe garden of Saint-Paul\u003c\/h3\u003e\n\u003cp\u003eVan Gogh painted a plot of land on the grounds of the Saint-Paul-de-Mausole hospital. There he observed tall grass, wild plants and small spaces left maintenance-free.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eLetter\u003c\/span\u003e\u003ch3\u003eTwo clippings of grass\u003c\/h3\u003e\n\u003cp\u003eAround May 4, 1890, he wrote to Theo that he had painted two canvases of the newly cut grass. The National Gallery considers this work probably one of them.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eNG4169 since 1926\u003c\/h3\u003e\n\u003cp\u003eThe painting was purchased in 1926 from the Courtauld Fund, then transferred from the Tate to the National Gallery in 1961. It belongs to the museum's main collection.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.nationalgallery.org.uk\/paintings\/vincent-van-gogh-long-grass-with-butterflies\" target=\"_blank\" rel=\"noopener\"\u003eConsult the National Gallery notice\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eReproduction must retain the diversity of greens, the lilac touches of the soil and the discretion of butterflies, without transforming the meadow into a uniform flat area.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe radiant tufts of the foreground\u003c\/li\u003e\n\u003cli\u003eThe little white butterflies hidden in the grass\u003c\/li\u003e\n\u003cli\u003eThe gray path that cuts the top of the canvas\u003c\/li\u003e\n\u003cli\u003eYellow and purple accents between greens\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eLong grass with butterflies\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e64.5 × 80.7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eNG4169 · F672 · JH1975\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eNational Gallery, London\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn immersive meadow for a horizontal wall\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eMultiple greens and notes of blue bring a natural presence without a dominant horizon. The painting is suitable for a living room, bedroom or office with woody materials and warm cream or gray walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Herbe longue avec des papillons\"\u003e\n\u003ci style=\"background:#6f874d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a0a250\"\u003e\u003c\/i\u003e\u003ci style=\"background:#405d65\"\u003e\u003c\/i\u003e\u003ci style=\"background:#817394\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c8b25d\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA dark green, natural oak or gray blue frame extends the vegetation. A simple molding leaves all its strength to the tight network of keys.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe high definition photograph of the work measures 6,000 × 4,749 px. It was cropped in the pictorial field then converted into a real WebP of 3,000 × 2,375 px.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLong grass with butterflies, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594982314210,"sku":"HERBE_LONGUE_AVEC_DES_PAPILLONS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/herbe-longue-papillons-van-gogh-national-gallery.webp?v=1785222261"},{"product_id":"chataigniers-fleurs-vincent-van-gogh","title":"Chestnut trees in bloom - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · May 1890 · Auvers-sur-Oise, France\u003c\/p\u003e\n        \u003ch2\u003eChestnut trees in bloom\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eAn immense chestnut tree in bloom fills almost the entire canvas and throws the rue d'Auvers into a narrow strip of light. Under its yellow-green crown, a few walkers and houses give the scale of this monumental tree.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chataigniers-en-fleurs-van-gogh-f751.webp?v=1785221570\u0026amp;format=webp\" alt=\"Chestnut trees in bloom by Vincent van Gogh, Auvers, F751\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eChestnut trees in bloom\u003c\/strong\u003eVincent van Gogh · May 1890 · Private collection, South America\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMay 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e70 × 58 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003ePrivate collection, South America\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe tree becomes the true monument of the village\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eThe trunk stands on the right then divides into large dark branches. The rounded crown touches the upper and side edges; its thousands of small green, yellow and orange touches almost make the sky disappear.\u003c\/p\u003e\n\u003cp\u003eOn the left, the road whitened by light weaves past houses with red shutters. Three tiny figures are distributed across the street. A bench or low wall cuts the foreground at an angle and accentuates the proximity of the tree.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe depth of the village remains in a few houses and silhouettes, but the vibrant surface of the chestnut tree first imposes its presence.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eWork F751 is distinguished by its vertical orientation, its large tree placed on the right and the perspective of the street which opens on the left side.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eA crown that extends beyond the frame\u003c\/h3\u003e\n\u003cp\u003eVan Gogh does not seek to show the entire tree. By cutting its branches and foliage, it gives the impression that the plant mass continues beyond the canvas.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eThe street as a luminous counterpoint\u003c\/h3\u003e\n\u003cp\u003eThe strip of pale yellow soil and white facades provide a calm passage in the face of the dark density of the leaves. The characters become points of color.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eA painted flowering without botanical detail\u003c\/h3\u003e\n\u003cp\u003eThe flowers are evoked by short, light yellow accents. Their repetition animates the crown without transforming each cluster into an isolated motif.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003ePainted in Auvers in May 1890, this oil on canvas measuring 70 × 58 cm is listed under the numbers F751 and JH1992. It is reported in a private collection in South America.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eVersion\u003c\/span\u003e\u003ch3\u003eF751, not F752\u003c\/h3\u003e\n\u003cp\u003eF751 is a vertical composition of 70 × 58 cm in private collection. The F752 version, smaller and almost square, belongs to the Kroeller-Müller Museum.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eArrival\u003c\/span\u003e\u003ch3\u003eThe first days in Auvers\u003c\/h3\u003e\n\u003cp\u003eVan Gogh left Saint-Rémy on May 16, 1890 and quickly began painting the village. Chestnut trees in flower are among the motifs observed from this new stage.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eScale\u003c\/span\u003e\u003ch3\u003eA tree measured by the figures\u003c\/h3\u003e\n\u003cp\u003eThe three walkers do not form an autonomous narrative scene. Their smallness immediately makes the width of the trunk and the extent of the crown perceptible.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0751.htm\" target=\"_blank\" rel=\"noopener\"\u003eConsult the F751 sheet of the online catalog\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThe painter must maintain the density of the foliage without losing the small openings, the clear road and the figures which give the tree its full scale.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe yellow-green crown that fills three-quarters of the canvas\u003c\/li\u003e\n\u003cli\u003eThe dark trunk branched on the right edge\u003c\/li\u003e\n\u003cli\u003eThe very clear road and the houses with red accents\u003c\/li\u003e\n\u003cli\u003eThe three tiny silhouettes under the chestnut tree\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eChestnut trees in bloom\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eMay 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eAuvers-sur-Oise, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e70 × 58 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eF751 · JH1992\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003ePrivate collection, South America\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eA large, bright tree for a vertical room\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eFresh greens and acidic yellows bring a strong plant presence to an entrance, living room or office. The painting matches light oak, cognac leather and unbleached walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Châtaigniers en fleurs\"\u003e\n\u003ci style=\"background:#526c37\"\u003e\u003c\/i\u003e\u003ci style=\"background:#92a240\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5c13b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b55a32\"\u003e\u003c\/i\u003e\u003ci style=\"background:#69616a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA deep green, tobacco brown or light wood frame accompanies the trunk without enclosing the foliage. A matte finish preserves the shades of the purple-gray background.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe public domain reference file measures 2,532 × 3,000 px. It was prepared as a true WebP at its native resolution.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eChestnut trees in bloom, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Discovery Format (50 x 60 cm)","offer_id":46594984476898,"sku":"CH_TAIGNIERS_EN_FLEURS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/chataigniers-en-fleurs-van-gogh-f751.webp?v=1785221570"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/la-nuit-etoilee-sur-le-rhone-van-gogh-reproductions-de-tableaux-a-peinture-lhuile-350.jpg?v=1745491580","url":"https:\/\/alphareproduction.com\/collections\/van-gogh-paysage.oembed?page=2","provider":"Alpha Reproduction","version":"1.0","type":"link"}