Two panels designed as a single expanse
Colors and directions visually cross the junction. Reproduction must preserve continuity without obscuring the diptych structure of the original.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · around 1915 -1926 · Naoshima · W1966 -1967
Six meters wide, the Giverny basin becomes a space without banks or horizons. Two panels respond to each other with turquoise blues, deep greens, vertical reflections and small pink flowers which seem to float above a moving material.

Look at the work
The composition is deployed on two canvases of 200 × 300 cm. The left panel concentrates darker reflections and light water lilies; the right panel opens turquoise and blue-gray passages. The central junction remains visible without interrupting the continuity of the pool.
Monet superimposes directions: long descents of reflected trees, horizontal gestures of the surface, circular touches of leaves and pink punctuations of flowers. Without a horizon to stabilize the gaze, these rhythms alternately give the impression of depth and proximity.
On this scale, Water Lilies are no longer a window open to the garden: they form an environment where the eye moves as if in front of the water itself.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Colors and directions visually cross the junction. Reproduction must preserve continuity without obscuring the diptych structure of the original.
Vertical reflections suggest space beneath the surface, while leaves and flowers constantly bring the eye to the fore. This back and forth constitutes the heart of the work.
Dense areas alternate with more open passages. Standardizing the thickness or repeating the water lilies in a decorative pattern would make the large format lose its breath.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The exact view of the diptych measures 2200 × 728 px and its detail 1400 × 600 px. The official photograph of the room measures 840 × 630 px and is credited to Naoya Hatakeyama for Benesse Art Site Naoshima. No files have been enlarged; all three images are real WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
The set includes two panels of approximately 200 × 300 cm each, or 200 × 600 cm in total. It belongs to the large late paintings of the basin made between the mid-1910s and 1926.
In Naoshima, the museum displays five late works by Monet in a specially designed space. The diptych is integrated into an architecture that combines white walls, rounded corners and materials chosen for contemplation.
The Chichu Art Museum varies the appearance of Water Lilies with daylight. The underground building of Tadao Ando organizes this illumination without transforming the room into a simple setting.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lily Basin, Chichu |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | Around 1915 -1926 |
| Original technique | Oil on canvas |
| Dimensions | 200 × 600 cm in total |
| Orientation | Panoramic diptych |
| Conservation | Chichu Art Museum, Naoshima, Japan |
| Inventory | Wildenstein 1966 -1967 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This panoramic diptych creates an immersive presence in a large room. Turquoise, deep greens, gray blues and pink accents match off-white, light stone, midnight blue or natural wood walls.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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