A very lightweight horizontal construction
The bridge must remain readable without becoming a dark bar. Its arches and piers are painted in the same tones as the atmosphere, with only a few colder accents.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · circa 1902 · Tokyo · W1525
Charing Cross Bridge crosses the River Thames like a blue-gray line barely denser than mist. In this very clear version, the sun, smoke and water blend into creamy yellows, pinks and pale greens; only the pillars and a few boats give a measure of space.

Look at the work
The bridge deck cuts the canvas a little above the middle. Its piers descend into the water without hard contours, extended by pink, gray and pale yellow reflections. On the left, the darker verticals of the bank dissolve almost immediately into the atmosphere.
The sky occupies a wide, clear band where fumes are indicated by oblique orange-yellow and gray-green gestures. The same network of colors reappears in the Thames, but with more horizontal touches that suggest the current.
Here, London is not described by its monuments: it becomes visible by degrees, as the bridge resists light and fog.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The bridge must remain readable without becoming a dark bar. Its arches and piers are painted in the same tones as the atmosphere, with only a few colder accents.
Chimneys and plumes are not black details. Yellows, grays, greens and pinks connect them to the sky and give the industrial city a diffuse presence.
The piles extend into vertical bands, then the horizontal keys of the Thames interrupt them. This alternation creates the depth and movement of the water.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The full view measures 3766 × 2447 px, the native detail 2100 × 1500 px, and the framed view 2200 × 1506 px. No files have been enlarged; all three images are real WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
The National Museum of Western Art dates this oil on canvas to around 1902. It measures 65.3 × 100 cm, bears the signature Claude Monet at the bottom left and also corresponds to the reference M779.
Kôjiro Matsukata acquired the painting from the artist. His collection was to form the core of a museum of Western art in Japan.
Seized by the French government in 1944 then attributed to France after the Treaty of San Francisco, the work was transferred to the Japanese government on January 23, 1959 and entered the museum in April.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Charing-Cross Bridge in London, Tokyo W1525 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | around 1902 |
| Original technique | Oil on canvas |
| Dimensions | 65.3 × 100 cm |
| Orientation | Horizontal |
| Conservation | National Museum of Western Art, Tokyo, Japan |
| Inventory | P.1959-0154 · Wildenstein 1525 · M779 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Cream, powder pink, blue gray and misty yellow give this reproduction a very soft light. Its horizontal format accompanies a contemporary living room, bedroom or office in stone, linen and light wood tones.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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