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170 cm 5 ft 7 in
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Snow effect in Limetz W1056 - Claude Monet
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Trois fichiers JPG haute résolution : le fichier original, une version optimisée pour l’impression et une version optimisée pour les écrans. Jusqu’à 7 680 px sur le côté long, 300 DPI et sans filigrane.
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Prix total TTC9,90 €
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Claude Monet · Limetz · 1886 · W1056
Snow effect in Limetz W1056hand painted reproduction
A snow-covered road crosses the village of Limetz between a low wall on the left and a row of light houses on the right. The bare trees frame a tiny silhouette in the center of the path, then the perspective opens towards blue hills under a winter sky. Signed Claude Monet lower left, this oil on canvas measuring 65 × 81 cm, painted in 1886, is kept at the Museum Barberini under the number MB-Mon-22 and corresponds to Wildenstein 1056.
Oil on canvasHand paintedPhoto before shipmentPossible alterations
Snow effect in Limetz W1056Claude Monet · 1886
1886Dating
65 × 81 cmDimensions of the original
Oil on canvasOriginal technique
MB-Mon-22 · Wildenstein 1056Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.
Look at the work
A village street where snow transforms all colors
The edges of the path, facades and trunks converge towards a central point. A small figure is placed exactly in this depth, while the houses cut by the right edge bring the viewer closer to the street.
Snow is never white: it mixes pink, lilac, blue and ocher in the passage traces. The houses combine cream, pale green and brick red; the blue hills and the gray sky give the background a colder temperature.
The perspective seems classic, but Monet's touch dissolves each too rigid line: snow connects walls, road, trees and air in the same colorful vibration.
Composition, touch and light
What Monet builds behind the impression of snapshot
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
01
A network of lines to a central vanishing point
The Museum Barberini highlights the traditional construction of perspective. Road, facades and walls lead the eye towards the silhouette and the hills.
02
A geometry softened by the brush
The contours of the houses and the path never remain mechanical. Energy touches extend beyond the lines and make humidity, traces and irregularities of the snow sensitive.
03
A figure reduced to a few marks
The central character gives scale and depth without becoming a portrait. His presence is enough to liven up the street and make you feel the distance.
Reference image
Read this specific version
A single exact image of W1056 is used throughout the sheet and as the sole media for the product. The real WebP measures 1800 × 1430 px and retains the native definition available without artificial enlargement.
Composition01
Keep the path in the central axis
It should widen in the foreground and then tighten towards the figure. Moving the vanishing point would unbalance the entire architecture of W1056.
Color02
Preserve pink and blue shadows in the snow
These colors give the relief of the road and the winter lighting. Uniform white snow would remove the impression of material.
Matter03
Keep houses cut by the right edge
Their proximity creates an immediate entrance into the village and contrasts warm verticals with cold trees at the bottom.
Documented benchmarks
Three pieces of information specific to this work
The Museum Barberini documents Snow Effect at Limetz, oil on canvas signed from 1886, 65 × 81 cm, MB-Mon-22 inventory and Wildenstein 1056 catalog.
Composition01
A classic perspective deliberately visible
Many lines converge towards the center, but Monet attenuates this rigor with a free touch which blurs the boundaries between road, snow and architecture.
Presence02
A silhouette only suggested in the middle of the path
The character is made up of some dark and colorful marks. It serves as a spatial measure without distracting from the winter light.
Provenance03
Acquired from Monet by merchants in 1898
Galerie Georges Petit, Bernheim-Jeune and Isidore Montaignac bought the work from the artist in 1898. She then went through Durand-Ruel, Paul Cassirer and several collections before joining the Hasso Plattner collection.
Your reproduction
What the painter must preserve
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
The Wildenstein 1056 version
The snowy road and its central vanishing point
The little figure in the middle of the village
Pink, blue and purple shadows in the snow
Work sheet
Title
Snow effect in Limetz W1056
Artist
Claude Monet (1840 -1926)
Date
1886
Original technique
Oil on canvas
Dimensions
65 × 81 cm
Orientation
Horizontal
Conservation
Museum Barberini, Hasso Plattner collection, Potsdam, Germany
This horizontal landscape is suitable for a living room, bedroom or office. A pearl gray, mist blue or warm white wall and a natural setting highlight its winter palette.
01Le plus fidèle aux détails
Tirage non encadré
Tirage Fine Art
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis,
élégant et plus accessible, idéal pour les détails et les nuances.
Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02Le plus décoratif
Cadre flottant doré
Canvas imprimé
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau,
avec plusieurs présentations adaptées au décor.
Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03Le plus artisanal
Mise en scène · cadre non inclus
Peinture à l’huile
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique :
ce n’est ni une impression numérique ni un poster sur toile.
Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition
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