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170 cm 5 ft 7 in
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The Debacle, gray weather W560 - Claude Monet
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Trois fichiers JPG haute résolution : le fichier original, une version optimisée pour l’impression et une version optimisée pour les écrans. Jusqu’à 7 680 px sur le côté long, 300 DPI et sans filigrane.
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Prix total TTC9,90 €
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Claude Monet · Vétheuil · January 1880 · W560
The Debacle, gray weather W560hand painted reproduction
Under a beige and gray sky, large broken patches of ice occupy the Seine. The distant bank is reduced to a dark strip on the left, while a ravaged tree and broken branches rise to the right above the water. Painted during the thaw of January 1880, this oil on canvas measuring 68 × 90 cm is kept at the Museu Calouste Gulbenkian in Lisbon under number 451 and corresponds to Wildenstein 560.
Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Debacle, gray weather W560Claude Monet · 1880
1880Dating
68 × 90 cmDimensions of the original
Oil on canvasOriginal technique
451 · Wildenstein 560Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.
Look at the work
A landscape of broken ice where the cold devastated the shore
The light blocks fit together like an irregular mosaic from the foreground to the bottom. They almost mask the current, but thin gray, green and brown passages separate their contours and give the sensation of a mass still in motion.
The tree on the right is not just a picturesque foil. Its dark, twisted and incomplete branches bear witness to the violence of freezing and thawing; their verticality contrasts with the large horizontal plates which cover the river.
The deliberately restricted range reinforces the event: Monet replaces the brilliance of a snowy landscape with dirty whites, warm grays and browns that make the ice heavy and dangerous.
Composition, touch and light
What Monet builds behind the impression of snapshot
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
01
A surface almost entirely occupied by the debacle
The horizon is set high and the river advances to the lower edge. The viewer not only looks at the ice from the shore: he finds himself visually caught in its extent.
02
The destroyed tree as a vertical counterpoint
Its black branches cut out the sky and concentrate the drama on the right. They give a measure to the ice sheets and recall the damage caused by the phenomenon.
03
Light without direct sunlight
The sky, water and ice cubes share similar values. Monet distinguishes them by the temperature of the grays and by the broad brush strokes that intersect.
Reference image
Read this specific version
The only reference photograph shows the work in its frame at the museum; it is kept at 2,420 × 1,956 px and encoded in real WebP, without artificial enlargement.
Composition01
Store ice cubes large and irregular
They should neither become small decorative touches nor merge into a white expanse. Their breaks give W560 its identity.
Color02
Preserve the gray-beige tone
Too strong a contrast or too saturated blue would contradict the overcast weather indicated by the title and the heaviness of the scene.
Matter03
Keep damaged tree on straight edge
Its silhouette specifies the scale and concentrates the tension. Removing it would transform the canvas into a simple study of an icy surface.
Documented benchmarks
Three pieces of information specific to this work
The Museu Calouste Gulbenkian preserves The Break-up of the Ice, also entitled The Debacle, gray time, oil on canvas from 1880, inventory 451 and Wildenstein 560.
Event01
The thawing of the Seine in January 1880
After an exceptionally harsh winter, the ice breaks around Vétheuil. Monet observes moving patches, damaged trees and rapid color changes on the water.
Together02
A series of approximately eighteen works
The Gulbenkian notice places the painting in a group devoted to the debacle. This version is distinguished by its gray weather, its large blocks and the devastated tree on the right.
Provenance03
Purchase by Calouste Gulbenkian on October 16, 1925
The work was acquired in New York through Knoedler & Co. after belonging to the Hoentschel collection; today it bears the number 451.
Your reproduction
What the painter must preserve
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
This horizontal and mineral composition is suitable for a living room, dining room or office. A warm gray, stone beige or muted green wall and a dark brown frame extend its winter sobriety.
01Le plus fidèle aux détails
Tirage non encadré
Tirage Fine Art
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis,
élégant et plus accessible, idéal pour les détails et les nuances.
Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02Le plus décoratif
Cadre flottant doré
Canvas imprimé
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau,
avec plusieurs présentations adaptées au décor.
Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03Le plus artisanal
Mise en scène · cadre non inclus
Peinture à l’huile
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique :
ce n’est ni une impression numérique ni un poster sur toile.
Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition
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