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Île aux Fleurs près de Vétheuil W598 par Claude Monet, Metropolitan Museum of Art
  • Île aux Fleurs près de Vétheuil W598 par Claude Monet, Metropolitan Museum of Art
  • Île aux Fleurs près de Vétheuil W598 par Claude Monet, Metropolitan Museum of Art
Île aux Fleurs near Vétheuil W598 - Claude Monet

Île aux Fleurs near Vétheuil W598 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Dining Room Paintings French painting – French artists Impressionist Impressionist gardens and flowers Japonism Metropolitan Museum of Art

Artwork description

Reproduction details

Claude Monet · Vétheuil · 1880 · W598

Île aux Fleurs near Vétheuil W598hand painted reproduction

On the banks of the Seine, a mass of flowers and herbs occupies the entire foreground, while the water appears only in a light strip on the left. Beyond stand out the island, its large poplars and a low bank under a sky laden with lilac clouds. Painted during the summer of 1880, this oil on canvas measuring 66 × 81.3 cm is kept at the Metropolitan Museum of Art under the number 56.135.5. It corresponds to Wildenstein 598.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Île aux Fleurs near Vétheuil W598 - Claude Monet - full view
Île aux Fleurs near Vétheuil W598Claude Monet · 1880
1880Dating
66 × 81.3 cmDimensions of the original
Oil on canvasOriginal technique
56.135.5 · Wildenstein 598Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A flowery bank so close that it transforms the landscape into a network of touches before revealing the Seine

The gaze does not immediately enter the space: it first encounters abundant vegetation, white, yellow, green and gray, which rises to the middle of the canvas. The stems are not drawn one by one. They appear by short intersecting gestures whose density varies, letting the colored support participate in the sensation of air.

The Seine forms an oblique opening behind this foreground, then the poplars of the island raise their dark silhouettes in front of the sky. Their verticality stabilizes the composition without closing it. The blues of the river, the purples of the clouds and the cooled greens of the distant bank cause the horizon to recede in the face of the luminous yellows of the flowers.

The Met points out that the quick, glittering touch of the foreground deliberately reduces the illusion of depth: Monet makes you feel both the place depicted and the painted surface.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The foreground acts like a living screen

Flowers and grasses cover much of the image and obscure the immediate shore. This unusual proximity forces the eye to pass through the pictorial material before reaching the water and trees.

02

Poplars give the scale of the island

Their thin trunks and narrow crowns cluster in the center left. They differentiate the distant shore from nearby vegetation while providing a vertical rhythm facing the long strips of the river.

03

Yellows and purples organize the light

Yellow accents are concentrated in flowers, while purples and blues run through the sky, water and shadows. This complementary dialogue illuminates the scene without resorting to large uniform whites.

Reference image

Read this specific version

The single image exactly represents inventory 56.135.5. The public file of 1920 × 1556 px is kept at its native definition, without artificial enlargement, then encoded in real WebP.

Composition01

Maintain the height of the flower bed

The vegetation must rise to the water zone and hide part of the shore. Reducing it would create a conventional panorama and cause W598 to lose its very close framing.

Color02

Respect the difference between water and sky

These two areas share blues and purples, but the water receives shorter, horizontal touches. The sky remains wider, mixed with white and lavender clouds.

Matter03

Preserve a readable touch without stiffness

The foreground is based on rapid superimposed gestures, not on a botanical drawing. Each flower should contribute to the overall movement rather than becoming an isolated pattern.

Documented benchmarks

Three pieces of information specific to this work

The Metropolitan Museum of Art documents Île aux Fleurs near Vétheuil, oil on canvas from 1880, 66 × 81.3 cm, inventory 56.135.5 and Wildenstein catalog 598.

Series01

One of two views of the island painted in the summer of 1880

The museum brings this painting closer to a slightly larger version today at the National Gallery of Art in Washington. W598 can be recognized in particular by its highly developed first flowery plan.

Formal research02

The painted surface becomes as important as the depth

According to the Met's notice, rapid brushstrokes create a powerful pattern in the foreground. They attenuate perspective and highlight the constructed nature of the image.

Collection03

Legacy of Julia W. Emmons in 1956

The work is numbered 56.135.5 in the European paintings department. It is now on display at Met Fifth Avenue, gallery 818.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Wildenstein version 598 and inventory 56.135.5
  • The flower bed which occupies the entire foreground
  • The narrow opening of the Seine behind the vegetation
  • The poplars of the island in front of the lilac sky

Work sheet

Title Île aux Fleurs near Vétheuil W598
Artist Claude Monet (1840 -1926)
Date 1880
Original technique Oil on canvas
Dimensions 66 × 81.3 cm
Orientation Horizontal
Conservation Metropolitan Museum of Art, New York, United States
Inventory 56.135.5 · Wildenstein 598
Your reproduction Handmade oil painting on canvas
View museum notice and analysis - Metropolitan Museum of Art · 56.135.5

Presentation in your interior

A palette designed with the room

This horizontal composition is suitable for a living room, dining room or office. An off-white, sage green or mist blue wall and a light oak frame extend the freshness of the river without weakening the yellows in the foreground.

Île aux Fleurs near Vétheuil W598, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Île aux Fleurs near Vétheuil W598 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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