{"product_id":"le-bon-samaritain-d-apres-delacroix-vincent-van-gogh","title":"The Good Samaritan, after Delacroix - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Early May 1890 · Saint-Rémy-de-Provence, France\u003c\/p\u003e\n        \u003ch2\u003eThe Good Samaritan, after Delacroix\u003cem\u003eReproduction of oil painting on canvas\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eA traveler gets off his horse to rescue a robbed and injured man. Using a black and white engraving after Delacroix, Van Gogh reconstructs the biblical scene with his own colors and a deeply expressive touch.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eHand painted\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eOil on canvas\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eA verified WebP image\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003ePhoto validation\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bon-samaritain-apres-delacroix-van-gogh-kroller-muller.webp?v=1785212213\u0026amp;format=webp\" alt=\"The Good Samaritan after Delacroix by Vincent van Gogh, 1890, Kroeller-Müller Museum\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eThe Good Samaritan, after Delacroix\u003c\/strong\u003eVincent van Gogh · Early May 1890 · Kroeller-Müller Museum, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEarly May 1890\u003c\/strong\u003e\u003cspan\u003eDating\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73 × 59.5 cm\u003c\/strong\u003e\u003cspan\u003eDimensions of the original\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOil on canvas\u003c\/strong\u003e\u003cspan\u003eOriginal technique\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Museum, Otterlo\u003c\/strong\u003e\u003cspan\u003eConservation\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eA real painting\u003c\/b\u003e\u003cspan\u003eThe canvas is hand painted, never printed.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eMade to order\u003c\/b\u003e\u003cspan\u003eEach copy is created individually.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eControlled in photo\u003c\/b\u003e\u003cspan\u003eYou review the completed table before sending.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003ePossible alterations\u003c\/b\u003e\u003cspan\u003eAdjustments may precede shipping.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eLook at the work\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eThe difficult gesture of immediate help\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eIn the center, the Samaritan lifts the injured man to place him on the horse. The two bodies fit together in a tense, almost unstable mass. On the left, the abandoned chest and scattered clothes recall the attack; in the distance, two passers-by continue on their way.\u003c\/p\u003e\n\u003cp\u003eVan Gogh works from a print reproducing the composition of Eugène Delacroix. Not having the original colors, he reinvents them: the blue-purple of the ravine responds to the yellows, while the reds and greens bring together the figures in the foreground. The landscape becomes as active as the characters.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eThe parable is translated less by the story than by the physical effort of the bodies and the energy of color.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eComposition, touch and color\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eThree observations specific to this painting\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe painting combines a construction inherited from Delacroix with the strong contours, the complementary ones and the rhythmic touch of Van Gogh.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTwo bodies united\u003c\/h3\u003e\n\u003cp\u003eThe Samaritan's arm passes under the injured man, whose torso tilts towards the saddle. The red and dark contours make this tangle at the heart of the scene readable.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eA moving ravine\u003c\/h3\u003e\n\u003cp\u003eThe blue, purple and yellow streaks follow the slopes of the terrain. They amplify the urgency of the gesture and lead the eye to the road which winds towards the horizon.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eReinvented colors\u003c\/h3\u003e\n\u003cp\u003eThe initial engraving being monochrome, Van Gogh imagines his own color relationships. The blue-yellow and red-green pairs structure the entire canvas.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eDocumented benchmarks\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003ePrecisely identify the original work\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eThe Kroeller-Müller Museum dates the work to the beginning of May 1890, at the end of Van Gogh's stay at the Saint-Rémy asylum.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSource\u003c\/span\u003e\u003ch3\u003eA composition by Delacroix\u003c\/h3\u003e\n\u003cp\u003eVan Gogh knew Delacroix's work through a black and white engraving. Copying this model allowed him to study the human figure while freely inventing color.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSubject\u003c\/span\u003e\u003ch3\u003eThe parable of the Samaritan\u003c\/h3\u003e\n\u003cp\u003eThe Gospel story contrasts the indifference of travelers with the gesture of someone who stops. Van Gogh focuses the image on the concrete moment when the injured person is hoisted onto the mount.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eCollection\u003c\/span\u003e\u003ch3\u003eKM inventory 104.010\u003c\/h3\u003e\n\u003cp\u003eThe original is kept at the Kroeller-Müller Museum in Otterlo, which documents the artist's dating, dimensions and working method.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-the-good-samaritan-after-delacroix-km-104-010\" target=\"_blank\" rel=\"noopener\"\u003eConsult the official notice of the Kroeller-Müller Museum\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eYour reproduction\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eWhat the painter must preserve\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eSuccess depends on the movement of the two figures, the readability of the horse and a directional touch capable of animating the ravine without blurring the story.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eThe precise interlocking of the Samaritan, the wounded and the saddle\u003c\/li\u003e\n\u003cli\u003eThe red, brown and blue contours that separate the silhouettes\u003c\/li\u003e\n\u003cli\u003eThe streaks of the landscape and the winding road in the background\u003c\/li\u003e\n\u003cli\u003eLittle narrative clues: trunk, clothes and distant travelers\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eWork sheet\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eTitle\u003c\/th\u003e\n\u003ctd\u003eThe Good Samaritan, after Delacroix\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eArtist\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDate\u003c\/th\u003e\n\u003ctd\u003eEarly May 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003ePlace of creation\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, France\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOriginal technique\u003c\/th\u003e\n\u003ctd\u003eOil on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e73 × 59.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eKM 104.010\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eConservation\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Museum, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYour reproduction\u003c\/th\u003e\n\u003ctd\u003eHandmade oil painting on canvas\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eFrom order to shipping\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePreparation\u003c\/b\u003e\u003cspan\u003eStudy of framing, proportions and colors.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eOil painting\u003c\/b\u003e\u003cspan\u003eManual production, layer after layer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003ePhoto validation\u003c\/b\u003e\u003cspan\u003eChecking the table and requesting possible alterations.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eProtected shipping\u003c\/b\u003e\u003cspan\u003eCareful packaging and shipping with tracking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eIn your interior\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAn expressive scene carried by the complements\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eThis vertical composition is suitable for a reading space, an entrance or a living room where its blues and yellows can be looked at closely. It dialogues particularly well with oak, terracotta and cream walls.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Bon Samaritain, d’après Delacroix\"\u003e\n\u003ci style=\"background:#304b78\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5e7191\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d4a640\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b44e36\"\u003e\u003c\/i\u003e\u003ci style=\"background:#557044\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eDevelopment advice\u003c\/h3\u003e\n\u003cp\u003eA natural wood frame, warm brown or very dark blue accompanies the landscape. A simple profile avoids adding movement around an already very rhythmic composition.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eFrequently asked questions\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBefore ordering\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eIs this a canvas print?\u003c\/summary\u003e\u003cp\u003eNo. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eHow is the visual reference chosen?\u003c\/summary\u003e\u003cp\u003eThe visual reference comes from the official IIIF image of the Kroeller-Müller Museum, downloaded in its available definition and converted to WebP without artificial enlargement.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eCan I check the result before shipping?\u003c\/summary\u003e\u003cp\u003eYes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eAre custom formats possible?\u003c\/summary\u003e\u003cp\u003eYes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eThe Good Samaritan, after Delacroix, painted for your interior\u003c\/h3\u003e\n\u003cp\u003eAn oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.\u003c\/p\u003e\n\u003cb\u003eHand painted · Oil on canvas · Photo validation\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Vincent van Gogh","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":47910538150114,"sku":"VINCENT-VAN-GOGH-BON-SAMARITAIN-APRES-DELACROIX","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bon-samaritain-apres-delacroix-van-gogh-kroller-muller.webp?v=1785212213","url":"https:\/\/alphareproduction.com\/products\/le-good-samaritan-d-after-delacroix-vincent-van-gogh","provider":"Alpha Reproduction","version":"1.0","type":"link"}