Lilac in the sun W204 - Claude Monet

Lilac in the sun W204 - Claude Monet

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Lilac in the sun W204 - Claude Monet

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Lilac in the sun W204 - Claude Monet
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Lilac in the sun W204 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · A lilac in full light in the Argenteuil garden · Pushkin Museum

Lilac in the sun W204hand painted reproduction

A mass of pink, mauve and white lilac extends above a lawn crossed by shade. Under the branches, a few figures almost absorbed by the foliage benefit from the freshness of the garden. Painted in 1872 -1873, this painting forms a luminous counterpart to Lilac, gray weather preserved at the Musée d'Orsay.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Lilac in the sun W204 - Claude Monet - full view
Lilac in the sun W204Claude Monet · 1872 -1873
1872 - 1873Dating
50 × 65 cmDimensions of the original
Oil on canvasOriginal technique
ows-3311 · Wildenstein 204Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The sun transforms the lilac bush into an architecture of color

The large shrub occupies almost the entire width and forms an irregular vault. Its light bouquets stand out against deep green foliage, while darker branches fall to the ground. On the right, more yellow vegetation opens up the composition.

The lawn in the foreground combines bluish greens, ochres and touches of purple. Under the lilac, the silhouettes remain discreet so that the shadow appears inhabited without becoming the main subject. A thin strip of clear sky lightens the summit.

The pattern isn't just a lilac: it's the difference between the heat deposited on the flowers and the cool shade that protects the figures.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A large curve that envelops the characters

The bush descends from the left top, digs into the center then rises to the right. This shape naturally creates shelter and leads the eye towards the dark area under the branches.

02

Flowers are built by temperatures

Warm whites, pinks, mauves and light blues are juxtaposed without botanical outline. The diversity of these accents is enough to suggest hundreds of small corollas.

03

The counterpart of the same motif in another time

Monet also paints Lilac, gray weather, today in Orsay. The comparison shows that light and atmosphere, more than the identity of the garden, constitute the real subject.

Reference image

Read this specific version

The visual corresponds to Lilac in the Sun, 1872 -1873, inventory α-3311 of the Pushkin Museum and catalog Wildenstein 204. The unique WebP measures 3,000 × 2,310 px, reduced from a public file of 3,164 px without artificial enlargement.

Composition01

The bush must keep its volume irregular

Light clusters do not form a continuous surface: green gaps and dark branches create thickness.

Color02

Purples change depending on exposure

Warm pink in the sun, purple and blue in the folds give the flowers their vibration. A single color would flatten the entire mass.

Matter03

The characters remain deliberately discreet

Their clothes emerge with a few light and dark spots. Specifying them too much would break their integration into the shadow of the garden.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1872 -1873, this oil on canvas measures 50 × 65 cm. It is kept at the Pushkin Museum under inventory 4-3311 and listed as Wildenstein 204.

Series01

A Argenteuil motif studied under two lights

Lilac in the sun and Lilac, gray weather present a framing close to the same garden. Monet modifies the figures, contrasts and color in order to record two atmospheric states.

Collection02

Purchased by Dmitri Shchukin in 1899

The Moscow collector acquired the painting at the end of the 19th century. After the nationalization of its collection, it joined the Pushkin Museum in 1924.

Inventory03

Version 4-3311 of the Pushkin Museum

The institutional number unambiguously distinguishes this sunny version from the other gardens and the numerous lilac paintings painted by Monet.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the irregular vault of the lilac.
  • Differentiate between pink, mauve and blue flowers.
  • Keep the underside of the bush deep but colorful.
  • Let the figures blend into the shadows.

Work sheet

Title Lilac in the sun W204
Artist Claude Monet (1840 -1926)
Date 1872 - 1873
Original technique Oil on canvas
Dimensions 50 × 65 cm
Orientation Horizontal
Conservation Pushkin State Museum of Fine Arts, Moscow, Russia
Inventory ows-3311 · Wildenstein 204
Your reproduction Handmade oil painting on canvas
Consult the official notice - Pushkin Museum - Lilac in the sun, ows-3311

Presentation in your interior

A palette designed with the room

This flower garden is suitable for a bedroom, living room or reading space. An off-white, blond wood or gray purple frame accompanies the lilacs; a sage, cream or powder pink wall amplifies their light.

Lilac in the sun W204, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Flower paintings and bouquets French painting – French artists

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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