Water Lilies, National Gallery NG6343 W1978 - Claude Monet
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Water Lilies, National Gallery NG6343 W1978 - Claude Monet
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Claude Monet · after 1916 · National Gallery NG6343 · W1978
Water Lilies, National Gallery NG6343 W1978hand painted reproduction
More than four meters wide, very pale water extends without a bank or horizon. The water lilies slide towards the edges, leaving in the center an area of yellow, green, pink and purple reflections whose depth remains deliberately uncertain. Monet gives no fixed reference: this monumental canvas is designed to envelop the field of vision.
Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water Lilies, National Gallery NG6343 W1978Claude Monet · after 1916
after 1916Dating
200.7 × 426.7 cmDimensions of the original
Oil on canvasOriginal technique
NG6343 · Wildenstein 1978Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.
Look at the work
An immense field of pale water, crossed by yellow, purple and pink, abolishes distance and horizon
The groups of leaves are mainly concentrated at the ends and in the lower part. The center remains more open, but it is never empty: green, ocher and light blue streaks circulate there. This distribution prevents the gaze from fixing and invites it to travel the entire width.
Reflections do not allow us to decide whether they come from the sky, clouds or willows located off-camera. Vertical gestures appear then dissolve in a more fluid material. The water thus becomes a luminous surface whose scale exceeds that of a traditional landscape.
The canvas does not represent a viewpoint over the pool: it places the viewer within an expanse of color with no perceptible edge.
Composition, touch and light
What Monet builds behind the impression of snapshot
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
01
A panorama of 426.7 cm
The exceptional width transforms reading into movement. The relationships between light areas, layers of leaves and colored streaks must be preserved to maintain this immersion.
02
No land anchors
Unlike several panels in the Orangerie, this composition offers neither bank nor identifiable trunk. The National Gallery emphasizes that distance and perspective are deliberately abolished.
03
A pale but very diverse palette
Green, ocher, purple, yellow, sky blue and pink overlap on the surface. Faithful reproduction must separate these tones without increasing their contrast to the point of losing diffuse brightness.
Reference image
Read this specific version
The only reference image comes from the official National Gallery media. It measures 2,400 × 1,175 px and has been converted into a real WebP without artificial enlargement.
Composition01
Water lilies pushed towards the edges
The leaves play a secondary role and open a large central interval. Their irregular position avoids symmetry and maintains the sensation of continuous water beyond the frame.
Color02
A depth impossible to measure
Some keys appear to float on the surface, others descend underwater, or reflect what lies above. This ambiguity is the driving force behind the composition.
Matter03
A material made to be seen up close and far away
From a distance, the colors form a continuous atmosphere; up close, the gestures remain autonomous. Reproduction must regain this double functioning without smoothing the brushstrokes.
Documented benchmarks
Three pieces of information specific to this work
These landmarks concern the Water Lilies of the National Gallery, inventory NG6343 and Wildenstein 1978.
Identification01
National Gallery NG6343, W1978
This oil on canvas, not re-coiled, painted after 1916, measures 200.7 × 426.7 cm. It bears the stamp of Claude Monet.
The large Giverny workshop02
A space built in 1916 for the decorations
Monet had a workshop set up capable of accommodating these very large formats. Several panels evolve simultaneously while he prepares the monumental ensemble of Water Lilies.
Acquisition in 196303
From Monet's heirs to the National Gallery
The painting goes through Katia Granoff then the Galerie Beyeler. The National Gallery bought it in 1963 thanks to Grant-in-Aid and a special grant.
Your reproduction
What the painter must preserve
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
The exact version from the National Gallery, NG6343 and Wildenstein 1978
The original panoramic ratio of 200.7 × 426.7 cm
The light center kept open between groups of water lilies
Greens, ochres, purples, yellows, blues and pinks preserved in a pale range
Straw yellow, mist pink, light purple, sea green and sky blue make up a luminous palette. This panoramic reproduction requires a wide and open wall, above a sofa or in a reception area, with a very discreet frame.
01Le plus fidèle aux détails
Tirage non encadré
Tirage Fine Art
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis,
élégant et plus accessible, idéal pour les détails et les nuances.
Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02Le plus décoratif
Cadre flottant doré
Canvas imprimé
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau,
avec plusieurs présentations adaptées au décor.
Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03Le plus artisanal
Mise en scène · cadre non inclus
Peinture à l’huile
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique :
ce n’est ni une impression numérique ni un poster sur toile.
Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition
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