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Nymphéas de Claude Monet, 1906 – National Museum Cardiff, NMW A 2487, Wildenstein 1688

Water lilies W1688 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · 1906 · NMW A 2487 · W1688

Water lilies W1688hand painted reproduction

A pale white and blue light occupies the center of the pool, surrounded by purple, pink and green water lilies. The bank has disappeared: the water rises to the four edges and becomes a limitless space where floating flowers, reflections of the sky and vegetation merge. This 1906 version is one of three Water Lilies paintings acquired in Paris by Gwendoline Davies.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies W1688 - Claude Monet - full view
Water lilies W1688Claude Monet · 1906
1906Dating
81.6 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
NMW A 2487 · Wildenstein 1688Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A pool open like a sky, punctuated with leaves and flowers

Monet adopts the high view offered by the Japanese bridge. The leaves concentrate on the sides and in the lower part, leaving a large clear area in the center. This breathing leads the gaze through the surface without ever revealing the edge of the pelvis.

The flowers are only small pink and mauve touches, sometimes almost drowned in greens. The reflections develop into soft passages of blue, pale yellow and purple gray. The whole remains luminous despite the absence of a directly represented sky.

W1688 gives water unlimited depth while reminding, through each floating sheet, that it remains a surface.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A viewpoint from the Japanese bridge

Museum Wales says Monet looks at the basin from its deck, producing a very sloping, bankless plane. The surface of the water can thus mentally extend beyond the frame.

02

Waterscapes as an obsession

In 1908, Monet described these landscapes of water and reflections as an obsession. Cardiff's version belongs to this countryside where he seeks less to describe the garden than to convey what he perceives in the changing mirror of the pond.

03

The acquisition of Gwendoline Davies

Gwendoline Davies purchased this painting in Paris in 1913 with two other Water Lilies. The group joined the Welsh national collections by bequest in 1952 and formed a major ensemble of the Davies collection.

Reference image

Read this specific version

Only one reference image is used: the official Museum Wales file, converted into a real WebP of 915 × 800 px, preserved at its native definition without artificial enlargement.

Composition01

A light center surrounded by plant crowns

The leaves form several peripheral clusters, but no continuous border. The central area must remain ample and crossed with nuances in order to maintain its aerial depth.

Color02

Milky blue, yellow green, mauve and pink

The palette is clear and cold. Yellow greens warm up the upper highlights, while mauves and pinks liven up the flowers without breaking the overall softness.

Matter03

Layered colored sails

Reflections are obtained by thin, brushed passages; the leaves receive more opaque touches. This difference in material makes it possible to distinguish what floats from what is reflected.

Documented benchmarks

Three pieces of information specific to this work

Amgueddfa Cymru - Museum Wales preserves this work under the inventory NMW A 2487; it corresponds to Wildenstein number 1688.

Identification01

Water lilies, Wildenstein 1688

This oil on canvas from 1906 measures 81.6 × 92.7 cm. It belongs to the countryside of water landscapes painted in Giverny at the beginning of the 20th century.

Collection02

National Museum Cardiff, NMW A 2487

Purchased in Paris in 1913 by Gwendoline Davies, the work entered the national collections of Wales in 1952 through her bequest.

Composition03

The basin without a bank

The high viewpoint removes the horizon and transforms the reflective surface into continuous space. Water lilies provide scale and maintain reading of the body of water.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The National Museum Cardiff version, inventory NMW A 2487
  • The original horizontal format of 81.6 × 92.7 cm
  • The blue-white center kept bright and nuanced
  • Peripheral sheets made more opaque than reflections

Work sheet

Title Water lilies W1688
Artist Claude Monet (1840 -1926)
Date 1906
Original technique Oil on canvas
Dimensions 81.6 × 92.7 cm
Orientation Horizontal
Conservation National Museum Cardiff, Cardiff, United Kingdom
Inventory NMW A 2487 · Wildenstein 1688
Your reproduction Handmade oil painting on canvas
Consult the official notice - Amgueddfa Cymru - Museum Wales

Presentation in your interior

A palette designed with the room

Milky blue, soft green, mauve and pink give this reproduction a clear and meditative presence. It is suitable for a bedroom, living room or relaxation area with ivory walls and light wood.

Water lilies W1688, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Water lilies W1688 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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