The hands and the rope give the meaning of the entire composition
Placed exactly in the low center, they connect the portrait to the invisible cradle. The braided rope introduces a flexible vertical which contrasts with the stable mass of the body.
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Vincent van Gogh · January -February 1889 · Arles
Augustine Roulin sits in a wooden armchair, her hands crossed around the rope which allows a child to be rocked off-camera. Her green dress stands out against a wallpaper loaded with white dahlias and dark scrolls, designed like a real tapestry of color.
Look at the work
The figure fills almost the entire vertical format. His arms form a large oval around the hands; the yellow rope goes down between the fingers then disappears at the lower edge, bringing the cradle into existence without ever showing it.
Behind her, white flowers, small rosettes, leaves and drop patterns are repeated on a deep green. The red-brown armchair and orange floor frame the dress, while the face remains deliberately serious and silent.
The Berceuse F507/JH1672 is a 91 × 72 cm oil on canvas painted in Arles at the beginning of 1889. This precise version is kept at the Stedelijk Museum in Amsterdam under number A 965.
Composition, touch and color
Van Gogh seeks less worldly resemblance than an image capable of evoking the calming of a lullaby. The firm contours, large green areas and floral background produce a continuous visual rhythm around the model.
Placed exactly in the low center, they connect the portrait to the invisible cradle. The braided rope introduces a flexible vertical which contrasts with the stable mass of the body.
The flowers do not move back behind Augustine: they seem to float on the same plane as his silhouette. This flattening reinforces the enveloping and almost musical role of color.
Bodice, skirt, foliage and background could merge. Brown and blue-black outlines cut them out, while variations of olive, emerald and gray maintain unity.
Documented benchmarks
References F507/JH1672, inventory A 965 and dimensions 91 × 72 cm distinguish the Stedelijk version among the five Lullabies painted by Van Gogh.
The Roulin family offered Van Gogh regular models and a friendly presence in Arles. Augustine had recently given birth to Marcelle when the painter developed this image of a rocking mother.
Correspondence indicates that the Roulins had chosen F505. Van Gogh then performed F507 as a new rehearsal, before the series reached five scenes.
In his letters, he envisages a triptych where the maternal portrait would be framed by two still lifes of sunflowers, as a consoling image intended in particular for Gauguin.
Your reproduction
The copy should preserve the low gaze, the dark green bodice, the olive skirt, the layered hands, the cradle rope, the red armchair and each group of flowers on the wallpaper.
| Title | La Berceuse, Augustine Roulin, F507 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | January-february 1889 |
| Place of creation | Arles |
| Original technique | Oil on canvas |
| Dimensions | 91 × 72 cm |
| Inventory | F507 · JH1672 · A 965 |
| Conservation | Stedelijk Museum, Amsterdam |
| Your reproduction | Handmade oil painting on canvas |
In your interior
Forest green, olive, pinkish white, earth red and braided yellow create a strong presence for a living room, bedroom or interior where textiles and botanical patterns dominate.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The heritage reproduction of the F507 version was prepared in real WebP of 2,335 × 3,000 px, without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
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