The hat organizes the ellipses
Edge, cap and black ribbon repeat concentric curves. These shapes respond to the opening of the jar and the lid of the red pot.
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Vincent van Gogh · End of November - mid-December 1881 · The Hague, Netherlands
A yellow straw hat, an earthen pipe, a bottle, a white cloth, a red pot and a rimmed jar are lined up on a dark table. Painted during the first lessons given by Anton Mauve, this work is considered by the museum to be Van Gogh's second painting.
Look at the work
The hat occupies the foreground and hides part of the containers. Its oval edge, cylindrical cap and black ribbon form the lightest structure of the composition.
Behind him, the materials are constantly changing: shiny glass of the bottle, red terracotta, pale jar surrounded by wicker, crumpled fabric and dark handle placed diagonally.
Still life with straw hat F62/JH922 is an oil on paper mounted on canvas measuring 36.5 × 53.6 cm, painted in The Hague between the end of November and mid-December 1881. The Kroeller-Müller Museum preserves it under number KM 109.323.
Composition, touch and color
The touch is even thinner and more controlled than in later works. The issue is not spectacular expression, but the translation of different surfaces using a charcoal drawing and measured layers of oil.
Edge, cap and black ribbon repeat concentric curves. These shapes respond to the opening of the jar and the lid of the red pot.
Straw, glass, fabric, terracotta and wicker do not receive the same highlights. Each object serves as a distinct exercise under a common light source.
Van Gogh first traces the contours with broad dark lines. Some still pass under thin layers, especially around the hat and containers.
Documented benchmarks
F62/JH922 and KM 109.323 identify this exceptionally early milestone. The dating retained by the Kroeller-Müller Museum placed it in The Hague, during the winter of 1881.
The painter from the Hague School made him work with color and texture from simple objects, arranged in a controlled space.
The paper has a clear, grained finish, then has been mounted on canvas. The paint remains thin, with more material only in the lights.
Van Gogh then wrote to Theo that he considered himself only at the "beginning of the beginning" of serious work with painting and the brush.
Your reproduction
The copy must preserve the yellow hat and its black ribbon, the white pipe, the crumpled linen, the bottle, the red pot, the rimmed jar and the black brown background.
| Title | Still life with straw hat, F62 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | End of November - mid-December 1881 |
| Place of creation | The Hague, Netherlands |
| Original technique | Oil on paper mounted on canvas |
| Dimensions | 36.5 × 53.6 cm |
| Inventory | F62 · JH922 · KM 109.323 |
| Conservation | Kroeller-Müller Museum, Otterlo |
| Your reproduction | Handmade oil painting on canvas |
In your interior
Straw yellow, black, terracotta, ivory and brown make up a warm still life for a library, kitchen or office.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The public domain reference has been converted into a true WebP of 3,000 × 2,109 px, without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Kröller-Müller Museum
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