A chiaroscuro inherited from traditional still life
The bottom absorbs almost all accessories and projects the pheasant forward. This organization is reminiscent of Chardin while reinforcing the tactile effect of the feathers.
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Fine Art paper · magnetic wooden hangers
EMA 200 gsm paper, two pairs of magnetic wooden slats and a hanging cord.
Lifestyle illustration · indicative appearance
Magnetic wooden hangers with hanging cord.
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Rigid aluminium composite · 3 mm
Your artwork on a 3 mm aluminium composite panel. No frame, glazing or metallic border.
Lifestyle illustration · indicative appearance
3 mm aluminium composite panel with a concealed rear hanging system.
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High-gloss acrylic · 10 mm
Your artwork mounted behind 10 mm crystal-clear acrylic. Polished edges, a high-gloss surface and concealed rear mounting.
Lifestyle illustration · indicative appearance
High-gloss finish · clear polished edges · no frame or white border.
10 mm clear acrylic, polished edges and concealed rear hanging hardware.
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Budget poster · borderless
Your artwork printed on smooth 170 gsm Silk paper with water-based inks. Unframed.
Lifestyle illustration · indicative appearance
Smooth Silk paper · 170 gsm · edge-to-edge printing · unframed.
Delivered flat or rolled depending on size. Frame and fixings not included.
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Economy delivery included. Charged in EUR. Local import charges may apply.
Framed poster · self-assembly
Smooth Silk 150 gsm paper · high-density plastic wood-effect frame · acrylic glazing.
Lifestyle illustration · indicative appearance
Poster and frame supplied together for self-assembly.
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Claude Monet · A pheasant and hunting accessories in chiaroscuro · Rouen Museum of Fine Arts
A pheasant lies on the carved edge of a table, its red, speckled plumage lit against a large black green curtain. A basket of bottles, glass and a powder horn emerge from the shadows. Around 1861, Monet composed one of his oldest preserved paintings, still close to Chardin and Troyon but already very free in the treatment of feathers.

Look at the work
The bird rests diagonally, its head falling beyond the right edge of the table. Its light wing rises above a back spotted with red, brown and white. The curve of the body concentrates the light in the center of the format.
Behind him, the wicker basket, bottles and stemmed glass merge with the dark green curtain. On the left, the powder horn and its cord introduce a light and oblique shape. The sculpted edge of the table closes the composition with a brown band.
The hunting decor remains picturesque, but the quick touch of plumage already makes the painted material the real center of interest.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The bottom absorbs almost all accessories and projects the pheasant forward. This organization is reminiscent of Chardin while reinforcing the tactile effect of the feathers.
The Rouen notice emphasizes that the canvas appears in places in the crop. These reserves and rapid gestures suggest volume and silkiness without a smooth finish.
The powder horn and its green cord reappear in the great composition of 1862. The connection shows how Monet then developed a repertoire of still lifes of game.
Reference image
The visual corresponds to Still life with pheasant, circa 1861, MNR 637, deposit D.1954.5.1 in Rouen and Wildenstein catalog 7. The unique WebP measures 453 × 548 px, maximum definition of the exact public file available, without artificial enlargement.
Small white and red spots describe the back, while the wing and frill are rendered by wider passages. These changes of rhythm must be maintained.
Bottle greens, browns and grays suggest folds and accessories. A blocked bottom would remove the depth and the basket.
Its brown moldings and warm reflections carry the bird. Excessively detailing them would distract attention from the plumage.
Documented benchmarks
Painted around 1861, this oil on canvas measures 76 × 62 cm. Listed Wildenstein 7, it bears the number MNR 637 and is deposited at the Museum of Fine Arts in Rouen under inventory D.1954.5.1.
Issue W7 precedes the great landscapes that will establish its reputation. Monet was only around twenty years old when he approached this traditional subject with already personal material.
The museum brings together the composition of Chardin's large still lifes and Troyon's animal art, which Monet had admired since the Salon of 1859.
Discovered in Bavaria in 1949 then repatriated, the painting falls under the MNR system. It has been entrusted to the Rouen museum since 1954 pending possible restitution.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Still life with pheasant W7 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | around 1861 |
| Original technique | Oil on canvas |
| Dimensions | 76 × 62 cm |
| Orientation | Vertical |
| Conservation | Musée d'Orsay, on deposit at the Museum of Fine Arts in Rouen, Rouen, France |
| Inventory | MNR 637 · D.1954.5.1 · Wildenstein 7 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This still life is suitable for a dining room, library or interior with character. A walnut, patinated black or bronze frame extends its chiaroscuro; a pale ocher, deep green or warm gray wall reveals the pheasant.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explorez les sujets et styles associés à cette reproduction.
Compare the finishes
Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A clean, frameless canvas presentation. Choose the canvas edge finish in the configurator.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Printed canvas
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Même artiste
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