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Olives on a Hill, F716 - Van Gogh

Olives on a Hill, F716 - Van Gogh

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Olives on a Hill, F716 - Van Gogh

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Olives on a Hill, F716 - Van Gogh
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Olives on a Hill, F716 - Van Gogh

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Vincent van Gogh · October 1889 · Saint-Rémy-de-Provence

Olives on a Hill, F716Reproduction of oil painting on canvas

Rows of olive trees rise on red-brown earth, while two trees cut by the lower edge spring yellow and green; Van Gogh transforms the slope into a succession of rhythmic curves.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Olives on a Hill F716 by Vincent van Gogh, Van Gogh Museum
Olives on a Hill, F716Vincent van Gogh · October 1889 · Van Gogh Museum, Amsterdam
October 1889Dating
33 × 40.5 cmDimensions of the original
Oil on canvasOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

The olive grove spread out on the slope

The small trees are arranged in horizontal bands that follow the relief. Their green and turquoise crowns appear as separate islets on the red ground.

In the foreground, two larger olive trees are truncated by the frame. Their ocher yellow foliage stands out on a brown curve, giving immediate depth to the small format.

Painted in Saint-Rémy in October 1889, F716 belongs to Van Gogh's extensive research into Provençal olive groves. The artist wanted to capture their moving shape and changing color from direct observation.

Composition, touch and color

Three observations specific to this painting

The Van Gogh Museum gives for s0148V1962 the references F716/JH1878 and the dimensions of 33 × 40.5 cm.

01

A slope organized in strips

The curves of the terrain pile up from bottom to top. This structure transforms the hill into an almost abstract pattern while retaining its relief.

02

Individualized trees

Each olive tree has a sinuous trunk and a crown made of curls. Variations of green prevent mechanical repetition.

03

Red versus green

The rusty earth brings out the turquoise and olive foliage; warm yellow accents connect the foreground to the background.

Documented benchmarks

Precisely identify the original work

Van Gogh returned several times to the olive trees of Saint-Rémy and gave them a major place in his work in 1889.

Series

Among the olive groves of 1889

The artist paints at least fifteen paintings dedicated to olive trees, with different formats, seasons and lighting.

Method

Work from nature

Van Gogh defends the observation of the motif against the religious compositions imagined by Gauguin and Bernard around the Garden of Olives.

Collection

F716 in Amsterdam

This small October version is kept under inventory s0148V1962 at the Van Gogh Museum.

Consult the official notice of the Van Gogh Museum →

Your reproduction

What the painter must preserve

The copy must respect the superposition of the rows, the diversity of the crowns and the contrast between red earth, turquoise greens and ocher yellows.

  • The two yellow olive trees in the foreground
  • The rows of trees on the slope
  • The red-brown earth
  • The sinuous black trunks
  • The dark band that closes the top

Work sheet

Title Olives on a Hill, F716
Artist Vincent van Gogh (1853 -1890)
Date October 1889
Place of creation Saint-Rémy-de-Provence
Original technique Oil on canvas
Dimensions 33 × 40.5 cm
Inventory Van Gogh Museum s0148V1962 · F716 · JH1878
Conservation Van Gogh Museum, Amsterdam
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A compact olive grove in earth tones

The horizontal format is suitable for a living room, kitchen or country house. Olive green, turquoise, rust and mustard go well with walnut, terracotta and linen.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The Van Gogh Museum's reproduction measured 5,793 × 4,725 px; it was reduced to 3,000 × 2,447 px and converted into a real WebP.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Olives on a Hill, F716, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Japonism Post-Impressionism Post-impressionist landscapes

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Même artiste

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Continuez avec d’autres œuvres du même artiste, sans mélanger avec les styles ou collections génériques.

Collection produit Japonism
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Voir toute la collection