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Charing Cross Bridge, Lyon W1524 - Claude Monet

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Charing Cross Bridge, Lyon W1524 - Claude Monet

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Charing Cross Bridge, Lyon W1524 - Claude Monet

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Charing Cross Bridge, Lyon W1524 - Claude Monet

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Claude Monet · 1903 · Musée des Beaux-Arts de Lyon · W1524

Charing Cross Bridge, Lyon W1524hand painted reproduction

Charing Cross Bridge crosses a silver-pink Thames almost in the middle of the painting. On the right, the towers of Parliament emerge like two blue shadows; in the center, a small boat breaks the flicker of the water. The mist connects the sky, architecture and reflections in an extremely pale range where every slight difference in color becomes significant.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Charing Cross Bridge, Lyon W1524 - Claude Monet - full view
Charing Cross Bridge, Lyon W1524Claude Monet · 1903
1903Dating
73.4 × 100.3 cmDimensions of the original
Oil on canvasOriginal technique
B 1725 · Wildenstein 1524Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The bridge and the Parliament appear as two different degrees in the same pink mist

The sky occupies the upper half and mixes powder pink, pearl gray, lavender and a few yellows. The towers of Westminster stand on the right without a firm outline. Near the bridge, whiter smoke signals the passage of trains and suggests the bank behind them.

The blue-green apron divides the canvas into two strips. Beneath it, the piles descend into water covered with small touches of cream and pink. A slightly off-center dark boat provides the only figurative accent in the foreground, while a blue-purple bank closes the lower right corner.

The composition is due to tiny gaps: a slightly colder blue is enough to make a tower, a pile or a boat emerge from the fog.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Charing Cross Bridge, Lyon W1524 - Claude Monet
01

A Parliament reduced to two verticals

The towers should not become too dark. They are painted transparent blue gray and remain surrounded by pink, like an image perceived through several layers of humid air.

02

A horizontal bridge almost without drawing

The apron is a slightly irregular blue-green stripe. The piles are short and extend immediately into the water, where their reflections mingle with the clear flickers.

03

A Thames made of fragmented light

The white, cream, pink and mauve touches are small but not regular. Their density increases under the deck and around the boat, which builds depth without a precise shoreline.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Parliament and the smoke of the train - detail of Charing Cross Bridge, Lyon W1524 - Claude Monet
Parliament and the smoke from the trainThe crop shows the blue towers of Westminster in a gray pink sky. Further down, the white and purple plumes merge with the bridge deck.
The boat and the silver pink reflections - detail of Charing Cross Bridge, Lyon W1524 - Claude Monet
The boat and the silver pink reflectionsIn the center of the Thames, the small dark boat is surrounded by touches of cream, pink and lavender. The blue-purple mass of the right bank balances this isolated accent.

The entire view available and controlled measures 1013 × 813 px. The details of 600 × 600 px and 620 × 560 px remain at their native definition, without enlargement. The Museum of Fine Arts of Lyon also offers a gigapixel reader to examine the work; the three media in the file are real decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Lyon B 1725, Wildenstein 1524

The Museum of Fine Arts of Lyon titles the work Charing Cross Bridge, the Thames and the date 1903. This oil on canvas measures 73.4 × 100.3 cm and corresponds to number 1524 of the Wildenstein catalog.

Collection02

The Raymond Koechlin legacy of 1933

The work joined the Lyon collections thanks to the legacy of Raymond Koechlin in 1933. It bears the inventory number B 1725 and constitutes one of the museum's major impressionist paintings.

London series03

Studies resumed in Giverny before the 1904 exhibition

Monet observed Charing Cross Bridge from the Savoy Hotel during his stays in London. He then reworked the paintings in his studio and presented the series at Durand-Ruel in 1904, making atmospheric variation the real subject of the whole.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Museum of Fine Arts of Lyon, B 1725 and W1524
  • The original ratio of 73.4 × 100.3 cm
  • The towers of Parliament kept very pale in the mist
  • The sparkle of the Thames painted without mechanical dots or excessive contrast

Work sheet

Title Charing Cross Bridge, Lyon W1524
Artist Claude Monet (1840 -1926)
Date 1903
Original technique Oil on canvas
Dimensions 73.4 × 100.3 cm
Orientation Horizontal
Conservation Museum of Fine Arts of Lyon, Lyon, France
Inventory B 1725 · Wildenstein 1524
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum of Fine Arts of Lyon

Presentation in your interior

A palette designed with the room

Ash pink, lavender, mist blue, sea green and cream white produce a muffled light. This horizontal reproduction accompanies light interiors, pearl or linen gray walls and soft materials, above a console or sofa.

Charing Cross Bridge, Lyon W1524, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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