Portrait of Poly W1122 - Claude Monet

Portrait of Poly W1122 - Claude Monet

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Portrait of Poly W1122 - Claude Monet

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Portrait of Poly W1122 - Claude Monet
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Portrait of Poly W1122 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · Belle-Île · 1886 · W1122

Portrait of Poly W1122hand painted reproduction

Poly, fisherman and porter of Monet in Belle-Île, stands three-quarters tall in a large black hat and a blue-green sweater. His face, reddened by the outdoors, emerges from a dark beard, with a direct gaze but without worldly pose. Painted in 1886, this oil on canvas measuring 74 × 53 cm is kept at the Marmottan Monet museum under number 5023 and corresponds to Wildenstein 1122.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Portrait of Poly W1122 - Claude Monet - full view
Portrait of Poly W1122Claude Monet · 1886
1886Dating
74 × 53 cmDimensions of the original
Oil on canvasOriginal technique
5023 · Wildenstein 1122Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A fisherman from Belle-Île paints with the frankness of a live study

The silhouette fills the height of the canvas. The bust turns slightly, while the face returns to the viewer. The hat and beard form a dark mass around the eyes and illuminated cheekbones.

The jacket and sweater combine blue, green, purple and black in thick touches. The beige and gray background remains very free, without decoration. This neutrality focuses all attention on the physical presence of the model.

Monet paints Poly as he paints a rock of Belle-Île: in masses, temperatures and visible brushstrokes, but here the material serves an intensely human resemblance.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A look taken between reserve and assurance

The eyes return to the viewer while the body remains sideways. This dissociation avoids official frontality and preserves the spontaneity of the session.

02

Clothes built by color

Blues, greens and purples shape the sweater without any apparent prior design. The folds are born from changes in value and direction of the brush.

03

A background left voluntarily open

The clear passages around the hat and shoulders do not describe any interior. They isolate the model while keeping the speed of execution visible.

Reference image

Read this specific version

The only reference image comes from the Marmottan Monet Museum collection file. It was encoded as a real WebP of 1,500 × 2,074 px, without artificial enlargement.

Composition01

Keep the big black hat

Its width and position structure the top of the portrait and reinforce the maritime identity of the model.

Color02

Preserve facial reds

The cheekbones and nose should keep their warm accents in the middle of the dark beard and cold background.

Matter03

Keep the blue green sweater very textured

Its visible touches give the bust its weight and should not be smoothed into uniform clothing.

Documented benchmarks

Three pieces of information specific to this work

The Marmottan Monet Museum documents Portrait of Poly, oil on canvas from 1886, 74 × 53 cm, inventory 5023 and catalog Wildenstein 1122.

Model01

Hippolyte Guillaume, nicknamed Poly

A lobster fisherman in Belle-Île, he helped Monet transport his equipment to the coast and also worked for the Australian painter John Peter Russell.

Session02

A portrait painted during a rainy day

On November 17, 1886, prevented from going out to work in front of the sea, Monet had Poly pose and described a very similar study to Alice Hoschedé.

Conservation03

A painting kept by Monet in Giverny

The painter does not sell this portrait and keeps it in his studio. He then entered the Marmottan Monet museum with the ensemble transmitted by Michel Monet.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1122 version
  • Hippolyte Guillaume known as Poly
  • The black hat and the beard
  • The blue green sweater painted in touches

Work sheet

Title Portrait of Poly W1122
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 74 × 53 cm
Orientation Vertical
Conservation Marmottan Monet Museum, Paris, France
Inventory 5023 · Wildenstein 1122
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum · 5023

Presentation in your interior

A palette designed with the room

This vertical portrait is suitable for a bookcase, office or entrance. A warm gray, deep blue or terracotta wall and a dark frame emphasize its intensity.

Portrait of Poly W1122, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

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Fine Art print

A precise pigment print on finely textured Hahnemühle German Etching 310 gsm paper.

Surface
Matte, softly textured archival art paper
Presentation
Unframed, classic frame or Box frame
Creation
Printed to order in 1 to 4 business days.
Delivery
Tracked standard delivery; timing is calculated for the destination selected in the configurator.

Ideal for nuanced detail, subtle tones and an elegant paper finish.

These visuals compare presentation and material. Colour can vary slightly with screen settings and photographic lighting.

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