A deliberately extended first plan
The meadow imposes its rhythm before the gaze even reaches the trees. This choice gives the ordinary pattern a panoramic amplitude.
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Claude Monet · Giverny · 1888 · W1199
A blue and green meadow stretches out in front of a line of purple, pink and golden trees, under a clear spring sky. Signed Claude Monet lower right, this 65 × 92 cm oil on canvas is kept at the Kreeger Museum under number 1967.10 and corresponds to Wildenstein 1199.

Look at the work
The field occupies almost two thirds of the canvas. The trees at the bottom form a discontinuous frieze; their modest size leaves the feeling of a vast open space.
Emerald green, light blue, mauve, yellow and pink are distributed in small superimposed touches. The cold areas of the meadow sometimes seem to be flowers, sometimes reflections of light.
The landscape seems simple, but its depth is due to a very precise orchestration: wide touches in front, vibrant trees in the middle and almost weightless sky.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The meadow imposes its rhythm before the gaze even reaches the trees. This choice gives the ordinary pattern a panoramic amplitude.
Each group has a different color and height. The openings between the trunks prevent the background from closing the stage.
In the catalog raisonné, W1199 comes immediately after the Limetz Prairie. The mist gives way to clearer light and more saturated colors.
Reference image
Only one exact image of W1199 is used. The real WebP measures 1000 × 691 px and maintains the best definition available without artificial enlargement.
They create grass movement and connect the meadow to the sky. A uniform green cast would make the scene flat.
Mauves, yellows, pinks and greens should remain noticeable without producing harsh contours.
Its simplicity gives all its intensity to the field. A more contrasting sky would distract attention from the meadow.
Documented benchmarks
The Kreeger Museum preserves Prairie in Giverny, oil on canvas from 1888, approximately 65 × 92 cm, signed lower right, inventory 1967.10 and Wildenstein 1199.
The work was acquired by David and Carmen Kreeger in 1967 and has inventory number 1967.10.
Based in Giverny since 1883, Monet observed the land near his house long before the water garden became his dominant motif.
Its very extensive blue-green field, its multicolored tree line and its signature at the bottom right allow it to be precisely identified.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Meadow in Giverny W1199 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1888 |
| Original technique | Oil on canvas |
| Dimensions | 65 × 92 cm |
| Orientation | Horizontal |
| Conservation | The Kreeger Museum, Washington, DC, United States |
| Inventory | 1967.10 · Wildenstein 1199 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This cool landscape is suitable for a living room, bedroom or dining room. A sage green, pale blue or mineral pink wall and a light frame reinforce its colors.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Claude Monet
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