Framing without sky
The canvas is entirely occupied by the ground and vegetation. The clumps cut by the edges mentally extend the garden beyond the frame.
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Toile roulée
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Comprendre les formats
Vincent van Gogh · May -June 1887 · Public gardens of Asnières, near Paris
A flowerbed seen up close becomes a network of blades of grass, pink flowers and white or red butterflies, with no horizon to distract the eye.
Look at the work
Van Gogh places the viewer almost at ground level in a public garden in Asnières. Instead of ordering the landscape around a sky and a horizon, it fills the canvas with vegetation: the tufts radiate, a pink massif crosses the center and six butterflies appear between the leaves.
The keys change direction with each element. They become long and curved in the grass, short and tight in the flower bed, then light around the wings. This vocabulary of lines, nourished by impressionism, the neo-impressionism and Japanese prints, announces the more intense workmanship of the following years.
The subject fits in a corner of the garden, but the proximity, the cut framing and the variety of the touch transform this fragment into a complete landscape.
Composition, touch and color
This painting is not limited to a dominant green: its richness comes from carefully differentiated directions, thicknesses and colors.
The canvas is entirely occupied by the ground and vegetation. The clumps cut by the edges mentally extend the garden beyond the frame.
Butterflies are tiny but essential: their whites, yellows and reds punctuate the green and guide the gaze from one group of grasses to another.
The lines follow the growth of the leaves, the curve of the tufts and the outline of the flowers. Their direction builds volumes without traditional modeling.
Documented benchmarks
F460/JH1676 corresponds to the work today dated from the Parisian period, distinct from the Two White Butterflies F402 painted in Arles in 1889.
Old catalogs placed the canvas in Arles in 1889; the study of materials by the Van Gogh Museum now supports a Parisian execution in 1887.
Van Gogh worked in the public gardens of Asnières, northwest of Paris, where he experimented with a clear palette and close framing.
Long kept by the artist's family and then in several private collections, the painting was sold at Christie's in May 2024.
Your reproduction
Reproduction must make you feel the profusion without transforming the garden into a confused pattern: each family of keys has its direction and density.
| Title | Garden corner with butterflies, F460 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | May -June 1887 |
| Place of creation | Asnières Public Gardens, near Paris |
| Original technique | Oil on canvas |
| Dimensions | 50.4 × 61.4 cm |
| Inventory | F460 · JH1676 |
| Conservation | Private collection |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The horizontal format and the framing without horizon bring an almost textile presence. Deep greens, pinks and whites work well in a living room, bedroom or office combined with natural wood.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The public domain reference image was reduced to 3000 × 2381 px and then converted to WebP, without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Van Gogh and Japan
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