Self-portrait with pipe and straw hat, F524 - Van Gogh

Self-portrait with pipe and straw hat, F524 - Van Gogh

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Self-portrait with pipe and straw hat, F524 - Van Gogh

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Self-portrait with pipe and straw hat, F524 - Van Gogh
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Self-portrait with pipe and straw hat, F524 - Van Gogh

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Vincent van Gogh · September -October 1887 · Paris

Self-portrait with pipe and straw hat, F524Reproduction of oil painting on canvas

Under a large yellow hat, Van Gogh fixes his reflection with a pipe at the corner of his lips. His red beard and very worked face contrast with the blue blouse and the background placed in large, fast areas.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Self-portrait with pipe and straw hat, F524 - Vincent van Gogh in a blue blouse in front of a dark background
Self-portrait with pipe and straw hat, F524Vincent van Gogh · September -October 1887 · Van Gogh Museum, Amsterdam
September - October 1887Dating
41.9 × 30.1 cmDimensions of the original
Oil on canvasOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

A free self-portrait where the face remains the only point of high precision

The painter shows himself by three quarters, the edge of the hat almost cutting the forehead. The pipe goes down to the left and introduces a small dark diagonal in the middle of the skin and beard tones.

The turquoise blouse is reduced to a few widely brushed folds. The blue-gray background mixed with brown remains just as open, while the eyes, nose, mouth and facial hair accumulate small touches.

Self-portrait with pipe and straw hat is an oil on canvas of 41.9 × 30.1 cm painted in Paris in September - October 1887. The work F524/JH1565 is kept at the Van Gogh Museum under the number s0163V1962.

Composition, touch and color

Three observations specific to this painting

The Van Gogh Museum sees this sketched canvas as proof of the rapid progress made in Paris. The summer palette and free touch demonstrate impressionist influence, but Van Gogh still modulates the face with particular attention.

01

The hat and blouse are built in large areas

Their contours remain readable, but the interior is not detailed fiber by fiber. A few yellow or blue bands are enough to define the material and the light.

02

The face concentrates small variations in tone

Pink, ocher, green, gray and blue follow one another around the eyes and nose. This density holds the gaze in the center of a deliberately more summary canvas elsewhere.

03

The pipe subtly unbalances the frontality

Its pipe goes down to one side and breaks the symmetry of the beard. The accessory also gives a familiar image of the painter at work, wearing an outdoor hat.

Documented benchmarks

Precisely identify the original work

F524/JH1565, inventory s0163V1962 and the format of 41.9 × 30.1 cm identify this precise Parisian version among the numerous self-portraits with hat or pipe.

Mirror

Van Gogh becomes his own model by economy

Models are expensive, he buys a good mirror and multiplies self-portraits to practice rendering heads, skin tones and expressions.

Progress

A touch released after the discovery of the Impressionists

The large colored areas and light palette show how far his painting has strayed from the dark tones of the Dutch period.

Contrast

A study that is both quick and careful

The garment and the background remain almost in a sketchy state, while the face and beard receive a careful succession of distinct tones.

Consult the official notice of the Van Gogh Museum →

Your reproduction

What the painter must preserve

The copy must retain the large yellow hat, the inclined pipe, the direct gaze, the multiple colors of the face, the red beard and the large blue touches of the blouse.

  • The large yellow straw hat
  • The dark pipe at the corner of the lips
  • The direct gaze under the edge of the hat
  • The red beard with green and blue touches
  • The widely brushed turquoise blouse

Work sheet

Title Self-portrait with pipe and straw hat, F524
Artist Vincent van Gogh (1853 -1890)
Date September - October 1887
Place of creation Paris
Original technique Oil on canvas
Dimensions 41.9 × 30.1 cm
Inventory F524· JH1565· s0163V1962
Conservation Van Gogh Museum, Amsterdam
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A luminous, direct and deliberately unfinished self-portrait

Straw yellow, petrol blue, turquoise, red and gray-brown give a lively presence to an office, a library or an interior dedicated to artists.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The official high definition image from the Van Gogh Museum was prepared as a real WebP of 2,186 × 3,000 px.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Self-portrait with pipe and straw hat, F524, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
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Tirage Fine Art

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Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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