The Wildenstein 1304 version
The catalog raisonné identifies this oil on canvas from 1891 measuring 92 × 73 cm. The group of three close trunks and the light spring cast distinguish it from the autumnal or more pink variants of the series.
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Fine Art paper · magnetic wooden hangers
EMA 200 gsm paper, two pairs of magnetic wooden slats and a hanging cord.
Lifestyle illustration · indicative appearance
Magnetic wooden hangers with hanging cord.
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Rigid aluminium composite · 3 mm
Your artwork on a 3 mm aluminium composite panel. No frame, glazing or metallic border.
Lifestyle illustration · indicative appearance
3 mm aluminium composite panel with a concealed rear hanging system.
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High-gloss acrylic · 10 mm
Your artwork mounted behind 10 mm crystal-clear acrylic. Polished edges, a high-gloss surface and concealed rear mounting.
Lifestyle illustration · indicative appearance
High-gloss finish · clear polished edges · no frame or white border.
10 mm clear acrylic, polished edges and concealed rear hanging hardware.
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Budget poster · borderless
Your artwork printed on smooth 170 gsm Silk paper with water-based inks. Unframed.
Lifestyle illustration · indicative appearance
Smooth Silk paper · 170 gsm · edge-to-edge printing · unframed.
Delivered flat or rolled depending on size. Frame and fixings not included.
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Framed poster · self-assembly
Smooth Silk 150 gsm paper · high-density plastic wood-effect frame · acrylic glazing.
Lifestyle illustration · indicative appearance
Poster and frame supplied together for self-assembly.
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Claude Monet · 1891 · Private collection · W1304
Three poplars stand their trunks in front of a row of trees that curves along the Epte. Spring mixes tender greens, pinks and mauves in the foliage as well as in the reflections. This oil on canvas measuring 92 × 73 cm, today in private collection, is Wildenstein 1304.

Look at the work
The three main trees occupy the foreground and extend beyond the upper edge. Behind them, the poplars of the bank move away in a sinuous line. The reflection at the bottom of the canvas doubles some verticals, but the water remains interrupted by touches of bank and vegetation.
Spring light does not rest on a single green. Monet contrasts light yellows, bluish greens, salmon pinks and cold mauves. The trunks themselves change color with each pass and connect the bright foreground to the denser background.
In W1304, the three trees do not close the view: they give a vertical measurement to the curve of the poplars and the depth of the Epte.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The catalog raisonné identifies this oil on canvas from 1891 measuring 92 × 73 cm. The group of three close trunks and the light spring cast distinguish it from the autumnal or more pink variants of the series.
Monet worked at Les Peupliers during the summer and fall of 1891, then took up the paintings in the workshop. Each version combines the observation of a specific moment with a long work of adjusting color ratios.
The row behind the three trees creates an undulation which recedes to the right. This movement compensates for the frontality of the trunks and brings the eye into the landscape without resorting to a road or architecture.
Reference image
Only one image is used: the documented reproduction of W1304, converted into a true WebP of 803 × 1054 px at its native resolution, without any artificial enlargement.
The main trunks tilt and change thickness slightly. Making them straight and identical would remove the natural tension that animates the foreground.
Warm colors are not just decorative flowers: they circulate in the bark, foliage and reflections. They balance greens and give the feeling of light.
Water does not form a smooth mirror. The verticals reflected are fragmented by horizontal keys and by variations in current, essential to the vibration of the lower part.
Documented benchmarks
The catalog reference Les Trois Arbres, spring like an oil on canvas from 1891, 92 × 73 cm, kept in private collection under the number Wildenstein 1304.
The current location is not made public. The stable data in the sheet is therefore based on the format, date and number of the catalog raisonné.
Trees lined the river near Limetz, a few kilometers from Monet's house. The painter observes them from the shore and from his workshop boat.
The composition with three close trunks, the curved line of the background and the spring palette make it possible to recognize this precise version.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Three Trees, spring W1304 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1891 |
| Original technique | Oil on canvas |
| Dimensions | 92 × 73 cm |
| Orientation | Vertical |
| Conservation | Private collection, Non-public location |
| Inventory | Private collection · Wildenstein 1304 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Its bright greens, soft pinks and mauves bring a fresh presence to a living room, bedroom or dining room. Blonde wood, cream ceramic and some sage green textiles accompany spring without overloading the whole.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
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