The Tuileries W401 - Claude Monet

The Tuileries W401 - Claude Monet

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The Tuileries W401 - Claude Monet

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The Tuileries W401 - Claude Monet

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Claude Monet · Paris seen from the fifth floor by Victor Chocquet · Musée Marmottan Monet

The Tuileries W401hand painted reproduction

From an apartment on rue de Rivoli, the gaze plunges into the paths, ponds and groves of the Tuileries gardens. The Marsan pavilion stands on the left, cut by the edge of the painting, while the town extends into a thin clear frieze under the sky. Monet transforms the regular design of the French park into a mosaic of ochres, greens, blues and pinks.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Tuileries W401 - Claude Monet - full view
The Tuileries W401Claude Monet · 1876
1876Dating
54 × 73 cmDimensions of the original
Oil on canvasOriginal technique
4016 · Wildenstein 401Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A bird's eye view where the paths order the crowds and the foliage

The Marsan pavilion occupies the left edge like a large stony vertical crossed by blue shadows. At its feet, walks and statues are reduced to light touches. The very high horizon line reserves the majority of the canvas for the garden.

Ponds, flowerbeds and paths form successive curves and axes. The tiny figures punctuate the paths, while the trees are built in green, yellow and red-brown masses. In the distance, the roofs and monuments of Paris vibrate in a bluish mist.

The regularity of the garden provides the framework; the touches of color give each tree, statue and walker its moment of light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An exceptionally high point of view

Diving allows you to simultaneously see the routes of the park and the city. The characters lose their individuality and become accents that measure the scale of the paths.

02

The pavilion as an architectural edge

The facade is not centered: it enters from the left and acts as a vertical upright. Its mass balances the horizontal extent of the park without closing the perspective.

03

A palette from the mid-1870s

Blonde ochres, varied greens, blues and pinks are juxtaposed in short touches. The museum compares this range to that used by Monet in his scenes in Argenteuil at the same time.

Reference image

Read this specific version

The reference corresponds to the 4016 inventory of the Marmottan Monet museum, Wildenstein 401 version. The exact file available measures 1,120 × 825 px; it was converted to WebP at its original definition, without artificial enlargement.

Composition01

The horizon remains very high

This proportion is essential for the bird's eye view. Lowering the city would reduce the importance of the design of paths and groves.

Color02

The sculptures are clear accents

Their succession orders the walks, but they must not be overdefined in relation to the characters and foliage.

Matter03

Trees combine several seasons of color

Dark greens, yellow greens, reds and pinks coexist. This diversity prevents the beds from forming a single uniform layer.

Documented benchmarks

Three pieces of information specific to this work

Dated 1876, this oil on canvas measuring 54 × 73 cm is kept at the Marmottan Monet museum under inventory 4016 and classified Wildenstein 401.

Viewpoint01

198, rue de Rivoli

Victor Chocquet makes his fifth floor apartment available to Monet. This height gives the painter an unusual bird's eye view of the Tuileries and the roofs of Paris.

Together02

Four views of the same garden

The stay inspires four paintings. The Marmottan Museum describes its version as the most accomplished, particularly for the balance between the pavilion, the skyline and the order of the park.

Collection03

The Donop de Monchy donation

Eugène and Victorine Donop de Monchy gave the painting in 1940. The work, signed lower right, today bears the 4016 inventory.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Keep diving and horizon line very high.
  • Hold the flag cut by the left edge.
  • Distinguish between ponds, paths, sculptures and lawns.
  • Paint the figures like little colored touches.

Work sheet

Title The Tuileries W401
Artist Claude Monet (1840 -1926)
Date 1876
Original technique Oil on canvas
Dimensions 54 × 73 cm
Orientation Horizontal
Conservation Marmottan Monet Museum, Paris, France
Inventory 4016 · Wildenstein 401
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Marmottan Monet Museum - 4016

Presentation in your interior

A palette designed with the room

This view of Paris brings depth and movement to a living room, dining room or office. A matte gold, light oak or gray blue frame accompanies the stone of the pavilion and the diversity of foliage.

The Tuileries W401, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Garden Paintings

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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