The eyelets are painted with radiant touches
Each corolla consists of small lines that start from a darker center. The serrated edges remain irregular and give the flowers a very different vibration from a drawn outline.
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Vincent van Gogh · Summer 1886 · Paris
White, pink, red and orange carnations bloom above a dark vase. Van Gogh makes them emerge from a black green background with thick material, short, radiant petals and a few green leaves which connect the bouquet to the table.
Look at the work
The two large white flowers form the luminous heart of the canvas. Around them, the salmon and red carnations are distributed in an irregular crown, while the smaller flowers are gradually lost in the background.
The cylindrical vase is not treated as a smooth object: its green, gray and black reflections are fragmented by the touch. On the table, fallen flowers and orange passages extend the bouquet into the foreground.
Vase with eyelets F245/JH1145 is an oil on canvas of 46 × 37.5 cm painted in Paris during the summer of 1886. The original belongs to the Stedelijk Museum Amsterdam under number A 2235.
Composition, touch and color
Van Gogh uses this still life as a color laboratory. Light, warm hues are never isolated: they are enhanced by the dark green, colored black and cold accents of the vase.
Each corolla consists of small lines that start from a darker center. The serrated edges remain irregular and give the flowers a very different vibration from a drawn outline.
The leaves and tall flowers appear then disappear in almost black greens. This continuity avoids the cutting effect and gives depth to the sheaf.
The vertical shape of the container holds the center of the composition. The horizontals of the table and the fallen flowers create a wide base under the upward thrust of the bouquet.
Documented benchmarks
The references F245/JH1145, the number A 2235 and the format of 46 × 37.5 cm make it possible to distinguish this canvas from the numerous carnation vases painted by Van Gogh in Paris.
In 1886, Van Gogh multiplied bouquets to clarify his palette and study chromatic oppositions. Here, whites, reds and oranges gain intensity against the black green background.
Large white corollas are large and dense; red flowers fragment more; the small buds remain almost absorbed by the leaves.
The work is also listed F245 in the De la Faille catalog and JH1145 in that of Jan Hulsker.
Your reproduction
The copy must preserve the contrast between the luminous petals and the dark background, the variety of reds, the asymmetrical arrangement of the flowers and the visible material of the vase and the table.
| Title | Vase with eyelets, F245 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | Summer 1886 |
| Place of creation | Paris |
| Original technique | Oil on canvas |
| Dimensions | 46 × 37.5 cm |
| Inventory | F245 · JH1145 · A 2235 |
| Conservation | Stedelijk Museum Amsterdam |
| Your reproduction | Handmade oil painting on canvas |
In your interior
Ivory, powder pink, brick red, olive green and colored black bring a warm presence to a dining room, entrance or wall associated with dark wood.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The public domain image has been converted to a true WebP of 1968 × 2430 px in its original resolution, without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Stedelijk Museum Amsterdam
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