100 paintings - rooms, workshops and lounges
The 100 most famous interiors in painting
From Van Gogh's room to the silent rooms of Hammershøi: a hundred paintings where inhabited space becomes the real subject.
The course classifies only paintings. The 99 eligible works use their Alpha images and links; Night Birds remains documentary and leads directly to the Art Institute of Chicago.
Inhabit painting
Why the interior is a laboratory of the gaze
A room imposes limits, but opens up countless possibilities. Doors, windows, mirrors, furniture and figures allow the painter to adjust light, depth and social relationships with exceptional precision.
A large interior never describes just a bedroom: it reveals a way of living, working, waiting or withdrawing from the world.
The classification balances domestic scenes, workshops, cafes, theaters, kitchens and modern rooms in order to tell a complete story of the interior space in painting.
The 100 famous interiors in pictures
Twenty-five paintings where the play becomes a theater of the gaze.
#1
Van Gogh's Room in Arles
Classified no. 1, Van Gogh's Room in Arles shows how Vincent van Gogh made the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the celebrity durable of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#2
The Meninas
Classified no. 2, Les Ménines shows how Diego Velázquez makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#3
The Arnolfini Spouses
Classified no. 3, The Arnolfini Spouses shows how Jan van Eyck makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complement what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#4
The Milkmaid
Classified no. 4, La Laitière shows how Johannes Vermeer makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#5
The Art of Painting
Classified No. 5, The Art of Painting shows how Johannes Vermeer makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the celebrity durable of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#6
A bar at Folies-Bergère
Classified no. 6, A bar at the Folies-Bergère shows how Édouard Manet makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the story the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing presence human in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#7
The Red Workshop
Classified no. 7, L'Atelier rouge shows how Henri Matisse makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface shades complement what the digital image allows to see. The link associated with the image allows you to find the corresponding file and the information available on the work.
Image and link: Alpha Reproduction.
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#8
Parquet planers
Classified no. 8, Les Raboteurs de parquet shows how Gustave Caillebotte makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. In the 19th century, apartments, workshops, cafes and theaters told the story of the new ones rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#9
The Dance Class
Classified No. 9, The Dance Class shows how Edgar Degas made the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the story new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#10
Night Birds
Ranked No. 10, Night Owls shows how Edward Hopper makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is 1942 and the technique indicated is oil on canvas. This painting remains documentary: it is not offered for reproduction and the image leads directly to the notice of the Art Institute of Chicago. The painting remains a landmark because it renews the way of representing the human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image: Art Institute of Chicago · Institutional notice.
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#11
The E-reader at the window
Ranked No. 11, The Reading Light at the Window shows how Johannes Vermeer makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, of light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#12
The concert
Ranked No. 12, The Concert shows how Johannes Vermeer makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and gazes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. From the Renaissance to the Dutch Golden Age, the bedroom and the house become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#13
The Woman with the Scales
Classified no. 13, The Woman with the Scales shows how Johannes Vermeer makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the celebrity durable of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#14
The Woman in Blue reading a letter
Classified no. 14, The Woman in Blue Reading a Letter shows how Johannes Vermeer makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#15
Woman writing a letter and her servant
Classified No. 15, Woman Writing a Letter and Her Servant shows how Johannes Vermeer makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. THE link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#16
The Music Lesson
Ranked No. 16, The Music Lesson shows how Johannes Vermeer makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, of light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#17
The Lacemaker
Classified no. 17, La Dentellière shows how Johannes Vermeer makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world that surrounds it. From the Renaissance to the Dutch golden century, the bedroom and the house became laboratories of perspective and light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because may he renew the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#18
The Astronomer
Classified no. 18, The Astronomer shows how Johannes Vermeer makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing human presence in a room. The real scale, the material and the surface nuances complement what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#19
The Love Letter
Classified no. 19, The Love Letter shows how Johannes Vermeer makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, of light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#20
Joyful company in an interior
Classified no. 20, Joyful Company in an Interior shows how Pieter de Hooch makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house becomes laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#21
Woman with a child in a pantry
Classified no. 21, Woman with a Child in a Pantry shows how Pieter de Hooch makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. From the Renaissance to the Dutch Golden Age, the bedroom and the house become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the celebrity durable of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#22
Card players in a rich interior
Ranked No. 22, Card Players in a Rich Interior shows how Pieter de Hooch makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and home become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way to represent human presence in a room.
Image and link: Alpha Reproduction.
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#23
Mother delousing her child
Classified no. 23, Mother Screaming Her Child shows how Pieter de Hooch makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complement what the digital image allows to see. The link associated with the image allows you to find the corresponding file and the information available on the work.
Image and link: Alpha Reproduction.
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#24
Elegant company in an interior
Classified No. 24, Elegant Company in an Interior shows how Gerard ter Borch makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house becomes laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#25
The letter
Classified no. 25, The Letter shows how Gerard ter Borch makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
See this reproduction →Cooking, care, reading and daily actions build a private world.
#26
The Music Lesson
Classified no. 26, The Music Lesson shows how Gerard ter Borch makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. From the Renaissance to the Dutch Golden Age, the bedroom and the house became laboratories of perspective, of light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing human presence in a room. The real scale, the material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#27
Young woman at her toilet with a servant
Classified no. 27, Young Woman at Her Toilet with a Servant shows how Gerard ter Borch makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. From the Renaissance to the Dutch Golden Age, the bedroom and the house become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what digital image allows you to see.
Image and link: Alpha Reproduction.
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#28
The hardworking Mother
Classified no. 28, La Mère laborieuse shows how Jean Siméon Chardin makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. Between classical tradition and Enlightenment, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#29
The Kitchen Handmaid
Classified no. 29, The Kitchen Handmaid shows how Jean Siméon Chardin makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. Between classical tradition and Lights, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains it lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#30
The Toton Child
Classified no. 30, L'Enfant au toton shows how Jean Siméon Chardin makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. Between classical tradition and Enlightenment, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing presence human in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#31
A woman busy sealing a letter
Classified no. 31, A woman busy sealing a letter shows how Jean Siméon Chardin makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world that surrounds it. Between classical tradition and Enlightenment, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complement what the digital image allows to see. The link associated with the image allows you to find the corresponding file and the information available on the work.
Image and link: Alpha Reproduction.
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#32
The Dissolute Family
Classified no. 32, The Dissolute Family shows how Jan Steen makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#33
Prayer before the meal
Classified no. 33, The Prayer Before the Meal shows how Jan Steen makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#34
The Interior of a Kitchen
Classified No. 34, The Interior of a Kitchen shows how Jan Steen makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#35
Interior with peasants eating and drinking
Classified No. 35, Interior with Peasants Eating and Drinking shows how Jan Steen makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house becomes laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#36
The Painter's Workshop
Classified no. 36, L'Atelier du Peinture shows how Gustave Courbet makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes an image mental: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#37
The Artist in his studio
Classified no. 37, The Artist in his studio shows how Rembrandt makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. From the Renaissance to the Dutch Golden Age, the bedroom and the house become perspective, light and social representation laboratories. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#38
Dr. Tulp's Anatomy Lesson
Classified No. 38, Doctor Tulp's Anatomy Lesson shows how Rembrandt makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#39
The Trustees of the Draper Guild
Ranked No. 39, The Trustees of the Draper Guild shows how Rembrandt makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. From the Renaissance to the Dutch Golden Age, the bedroom and the house become laboratories of perspective, light and social representation. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#40
The Death of Marat
Classified no. 40, The Death of Marat shows how Jacques-Louis David makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. Between classical tradition and Lights, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#41
The Venus of Urbino
Classified no. 41, The Venus of Urbino shows how Titian makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. Between classical tradition and Lights, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is 1538 and the technique indicated is oil on canvas, panel or fresco. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. THE tableau remains a landmark because it renews the way of representing human presence in a room.
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#42
Olympia
Classified no. 42, Olympia shows how Édouard Manet makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. In the 19th century, apartments, workshops, cafes and theaters told the story of new rhythms modernity and profoundly renew the framing. The dating chosen is 1863 and the technique indicated is oil on canvas, panel or fresco. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing human presence in a room. The scale real, the material and surface nuances complete what the digital image allows us to see.
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#43
The Great Odalisque
Classified no. 43, La Grande Odalisque shows how Jean-Auguste-Dominique Ingres makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. Between classical tradition and Lights, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is 1814 and the technique indicated is oil on canvas, panel or fresco. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the image digital allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
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#44
The Turkish Bath
Classified no. 44, The Turkish Bath shows how Jean-Auguste-Dominique Ingres makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. Between classical tradition and Enlightenment, the interior welcomes everyday life, history and the body in compositions where each object acquires a precise function. The dating chosen is 1862 and the technique indicated is oil on canvas, panel or fresco. The image and the button open the existing Alpha Reproduction file, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding file and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#45
Absinthe
Classified no. 45, L'Absinthe shows how Edgar Degas made the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the story of the new ones rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. THE tableau remains a landmark because it renews the way of representing human presence in a room.
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#46
The Cotton Office in New Orleans
Ranked No. 46, The Cotton Office in New Orleans shows how Edgar Degas made the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. In the 19th century, apartments, workshops, cafes and theaters recounted the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing presence human in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
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#47
After the bath
Classified no. 47, After the Bath shows how Edgar Degas made the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. In the 19th century, apartments, workshops, cafes and theaters recounted the new rhythms of the modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
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#48
At the milliner
Classified no. 48, Chez la milliste shows how Edgar Degas made the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the play. In the 19th century, apartments, workshops, cafes and theaters told the new rhythms of the modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#49
Rehearsal at the dance center
Classified no. 49, The Rehearsal at the Foyer of Dance shows how Edgar Degas made the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and gazes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the celebrity durable of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
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#50
The Ironer
Ranked no. 50, The Ironer shows how Edgar Degas made the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the play. In the 19th century, apartments, workshops, cafes and theaters told the new rhythms of the modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
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See this reproduction →Modernity enters performance halls and workplaces.
#51
Interior
Classified no. 51, Interior shows how Edgar Degas made the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. In the 19th century, apartments, workshops, cafes and theaters told the story of new rhythms modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
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#52
Dance at the Moulin Rouge
Classified no. 52, La Danse au Moulin-Rouge shows how Henri de Toulouse-Lautrec makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes you feel the proximity of the crowd as much as individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#53
At the Café-concert
Classified no. 53, Au Café-concert shows how Édouard Manet makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the story new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
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#54
Masked ball at the Opera
Classified no. 54, Masked Ball at the Opera shows how Édouard Manet makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and gazes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the story new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing presence human in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
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#55
Reading the Illustrated
Classified no. 55, Lecture de l'Illustré shows how Édouard Manet makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world that surrounds it. In the 19th century, apartments, workshops, cafes and theaters told the story of the new rhythms of modernity and renewed deeply framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows to see. The link associated with the image allows to find the corresponding sheet and the information available on the work.
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#56
The Lodge
Classified no. 56, La Loge shows how Pierre-Auguste Renoir makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the story new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#57
Young Girls at the piano
Classified no. 57, Young Girls at the Piano shows how Pierre-Auguste Renoir makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world that surrounds it. In the 19th century, apartments, workshops, cafes and theaters told the story of the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
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#58
In a cafe
Classified no. 58, Dans un café shows how Gustave Caillebotte makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the story new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing presence human in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
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#59
Interior, woman at the window
Classified no. 59, Interior, woman at the window shows how Gustave Caillebotte makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. In the 19th century, apartments, workshops, cafes and theaters tell the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complement what the image digital allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
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#60
Young man at the piano
Classified no. 60, Young Man at the Piano shows how Gustave Caillebotte makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world that surrounds it. In the 19th century, apartments, workshops, cafes and theaters told the story of the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#61
Stove workshop interior
Classified no. 61, Interior of a workshop on a stove shows how Gustave Caillebotte makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. In the 19th century, apartments, workshops, cafes and theaters told the story of the new ones rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. THE tableau remains a landmark because it renews the way of representing human presence in a room.
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#62
The Child's Bath
Classified no. 62, The Child's Bath shows how Mary Cassatt makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. In the 19th century, apartments, workshops, cafes and theaters recounted the new rhythms of the modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil painting. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing human presence in a room. The scale real, the material and surface nuances complete what the digital image allows us to see.
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#63
In the dressing room
Classified No. 63, In the Lodge shows how Mary Cassatt makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and manholes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters told the story of the new ones rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil painting. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
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#64
The Cup of Tea
Classified no. 64, The Cup of Tea shows how Mary Cassatt makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. In the 19th century, apartments, workshops, cafes and theaters told the story of the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil painting. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#65
Woman with a pearl necklace in a dressing room
Ranked No. 65, Woman with a Pearl Necklace in a Lodge shows how Mary Cassatt makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and gazes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. In the 19th century, apartments, workshops, cafes and theaters tell the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil painting. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the celebrity durable of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
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#66
Edward Darley's Daughters Drinks
Ranked No. 66, The Daughters of Edward Darley Boit shows how John Singer Sargent makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. In the 19th century, apartments, workshops, cafes and theaters tell the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil painting. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of representing presence human in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
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#67
Arrangement in gray and black no. 1: Whistler's mother
Classified No. 67, Arrangement in Gray and Black No. 1: Whistler's mother shows how James McNeill Whistler makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. In the 19th century, apartments, workshops, cafes and theaters tell the new rhythms of modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil painting. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the image digital allows you to see.
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#68
The Concert Singer
Ranked no. 68, The Concert Singer shows how Thomas Eakins makes the interior a pictorial subject in its own right. The room becomes a social stage. Reflections, artificial lighting, tables and gazes distribute the characters, while the framing makes the proximity of the crowd felt as much as the individual solitude. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil painting. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#69
The Cradle
Classified no. 69, Le Berceau shows how Berthe Morisot makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. In the 19th century, apartments, workshops, cafes and theaters recounted the new rhythms of the modernity and profoundly renew the framing. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
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#70
Dust in the sun's rays
Classified no. 70, Dust in the Sun's Rays shows how Vilhelm Hammershøi makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1895 -1910 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of represent human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
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#71
Interior with young woman seen from behind
Classified no. 71, Interior with young woman seen from behind shows how Vilhelm Hammershøi makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1895 -1910 and the technique indicated is pictorial technique on support. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface shades complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding file and the information available on the work.
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#72
Interior with piano and woman in black
Classified no. 72, Interior with piano and woman in black shows how Vilhelm Hammershøi makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1895 -1910 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction file, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding file and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#73
Interior, Strandgade 30
Classified no. 73, Interior, Strandgade 30 shows how Vilhelm Hammershøi makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1895 -1910 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains it lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
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#74
Rest
Classified no. 74, Repos shows how Vilhelm Hammershøi makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes one mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1895 -1910 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing presence human in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
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#75
Sun in the blind man's room
Classified no. 75, Sun in the Blind Man's Room shows how Anna Ancher makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1880 -1910 and the technique indicated is pictorial technique on support. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface shades complement what the digital image allows you to see. The link associated with the image allows you to find the corresponding file and the information available on the work.
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See this reproduction →Nordic silence, intimacy and color transform inhabited space.
#76
At the meal
Classified no. 76, Au Meal shows how Anna Ancher makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1880 -1910 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction file, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding file and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
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#77
At a sick person's bedside
Classified no. 77, At the Bedside of a Sick One shows how Michael Ancher makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes an image mental: color, silence or artificial light transform the lived space. The dating chosen is around 1880 -1910 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
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#78
Self-portrait in the workshop
Classified no. 78, Self-Portrait in the Workshop shows how Carl Larsson makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes an image mental: color, silence or artificial light transform the lived space. The dating chosen is around 1890 -1915 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing human presence in a piece. The actual scale, material and surface nuances complete what the digital image allows us to see.
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#79
Brita on the piano
Ranked No. 79, Brita on piano shows how Carl Larsson makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or light artificial transform the lived space. The dating chosen is around 1890 -1915 and the technique indicated is pictorial technique on support. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#80
The Sick Child
Classified no. 80, The Sick Child shows how Edvard Munch makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is 1885 -1886 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction file, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding file and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#81
Death in the sick room
Classified no. 81, Death in the Sick's Room shows how Edvard Munch makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is 1893 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#82
Interior of a chalet in Mora
Classified No. 82, Interior of a Chalet in Mora shows how Anders Zorn makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is around 1885 -1910 and the technique indicated is pictorial technique on support. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing the human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#83
The Green Interior
Classified no. 83, The Green Interior shows how Édouard Vuillard makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface shades complement what the image digital allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#84
The Great Interior with six characters
Classified no. 84, The Great Interior with Six Characters shows how Édouard Vuillard makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the sheet correspondent and available information about the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#85
Interior: mother and sister of the artist
Classified no. 85, Interior: mother and sister of the artist shows how Édouard Vuillard makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains it lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#86
Characters in an interior: work
Classified no. 86, Characters in an interior: the work shows how Édouard Vuillard makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of represent human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#87
Interior with Misia Natanson on piano
Classified no. 87, Interior with Misia Natanson on piano shows how Édouard Vuillard makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface shades complement what the digital image allows to see. The link associated with the image allows you to find the corresponding file and the information available on the work.
Image and link: Alpha Reproduction.
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#88
Lunch under the lamp
Classified no. 88, Lunch under the Lamp shows how Pierre Bonnard makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#89
Woman and dog at the table
Classified no. 89, Woman and Dog at the Table shows how Pierre Bonnard makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains it lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#90
In the bathroom
Classified no. 90, In the bathroom shows how Pierre Bonnard makes the interior a pictorial subject in its own right. Private life becomes a major subject. The painter observes the gestures of care, rest or meal and transforms a familiar space into the construction of light, materials and distances. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes one mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing the human presence in a room.
Image and link: Alpha Reproduction.
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#91
Interior
Classified no. 91, Interior shows how Pierre Bonnard makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes one mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface shades complement what the image digital allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#92
Pleasant, interior
Classified no. 92, Pleasant, interior shows how Henri Matisse makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#93
The Goldfish Workshop
Classified no. 93, L'Atelier aux Poissons Grands shows how Henri Matisse makes the interior a pictorial subject in its own right. The interior is a place of manufacture here. Easels, tools, furniture and professional gestures organize depth while revealing the often invisible work that animates the room. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes one mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and pictorial construction explains the celebrity durable of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#94
Eggplant interior
Classified no. 94, Interior of Eggplants shows how Henri Matisse makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a benchmark because it renews the way of represent human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#95
The Piano Lesson
Classified no. 95, The Piano Lesson shows how Henri Matisse makes the interior a pictorial subject in its own right. A concentrated gesture gives rhythm to the room. Light, furniture and intervals isolate the figure without cutting it off from the domestic world around it. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transforms the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface nuances complete what the digital image allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#96
Interior in Nice
Classified no. 96, Interior in Nice shows how Henri Matisse makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and the information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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#97
Red interior, still life on blue table
Classified no. 97, Red interior, still life on blue table shows how Henri Matisse makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This tension between inhabited space and construction pictorial explains the lasting fame of the work. The painting remains a landmark because it renews the way of representing human presence in a room.
Image and link: Alpha Reproduction.
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#98
Interior on the violin
Classified no. 98, Interior on the Violin shows how Henri Matisse makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presences, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The painting remains a landmark because it renews the way of representing the human presence in a room. The actual scale, material and surface nuances complete what the digital image allows us to see.
Image and link: Alpha Reproduction.
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#99
Interior to the dog
Classified no. 99, Interior of the Dog shows how Henri Matisse makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the room becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, material and surface shades complement what the image digital allows you to see. The link associated with the image allows you to find the corresponding sheet and the information available on the work.
Image and link: Alpha Reproduction.
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#100
Small blue interior
Classified no. 100, Little Blue Interior shows how Henri Matisse makes the interior a pictorial subject in its own right. Walls, doors, windows, carpets and furniture make up an intimate architecture. Space is not a simple decor: it regulates presence, the circulation of the gaze and the tension between opening and withdrawal. With Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper, the piece becomes a mental image: color, silence or artificial light transform the lived space. The dating chosen is Dating indicated on the sheet and the technique indicated is oil on canvas or panel. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding sheet and information available on the work. This tension between inhabited space and pictorial construction explains the lasting fame of the work.
Image and link: Alpha Reproduction.
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Three ranking criteria
Rank combines fame, historical significance and pictorial force, with control of 100 links and images.
Notoriety
The place of the painting in collective memory, museums and the history of interior painting.
Influence
Its ability to sustainably transform the representation of light, inhabited space and private life.
Balance
Centuries, schools and varied uses to avoid the domination of a single artist or a single type of piece.
A history of inhabited space
From the symbolic bedroom to the modern interior
Van Eyck, Velázquez, Vermeer and de Hooch make the piece a space of perspective, status and signs.
Chardin, Manet, Degas, Cassatt and Caillebotte then observe daily gestures, work and modern leisure activities.
Hammershøi, Vuillard, Bonnard, Matisse, Munch and Hopper finally transform the interior into silence, color or psychological tension.
Institutional sources
Check and continue
Large public collections make it possible to verify the titles, dates and contexts of these works.
Frequently asked questions
Read the interior rankings
Method, titles, genres and links: useful references for browsing the hundred paintings.
How was this top 100 established?
The ranking combines fame, historical importance, influence on the painting of interior space and diversity of periods, countries and uses of the room.
Are all works paintings?
Yes. Drawings, prints, photographs, installations and simple graphic studies were excluded.
Why are the titles in French?
The titles have been translated or Frenchified for the site's readership. The linked sheet allows you to find other forms of the title when they are available.
What's interior in painting?
It is a composition where the bedroom, workshop, kitchen, living room, café or theater really structures the subject and the gaze.
Why does Night Owls refer to the museum?
Edward Hopper died in 1967. The work remains documentary, is not offered for reproduction and leads to the official record of the Art Institute of Chicago.
Why is Vermeer very present?
Few artists have renewed light, perspective and domestic silence so much. The classification, however, balances its contribution with many other traditions.
Do the other 99 images open the Alpha store?
Yes. They use 99 existing and separate Alpha Reproduction cards, without creating duplicates.
Have the museums validated this classification?
No. This is an independent editorial selection; public collections serve as historical and documentary sources.
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