The laboratory on paper

Drawings and sketches by Leonardo da Vinci

Complete guide to the techniques, subjects, notebooks and major sheets of an artist who drew to see, design and understand.

Study of women's hands by Leonardo da Vinci
Study of women's hands, circa 1490, metal point and highlights, Royal Collection.
Nearly 600Drawings preserved in the Royal Collection
1473First known dated drawing: a landscape
283 foliosBrought together in the Codex Arundel
Over 40 years oldGraphic observation and experimentation

Why are they essential?

The largest part of his work

Leonardo da Vinci's recognized paintings are few in number. His drawings, on the other hand, document almost every area he studies: human figures, draperies, animals, plants, landscapes, machines, fortifications, water, optics, anatomy and cartography.

It does not clearly separate the artistic sketch from the scientific diagram. The same sheet can accommodate a head, a gear, an expense note and a hypothesis on movement. This juxtaposition is not disorder: it shows a thought which proceeds by visual comparison.

The reading key: a drawing by Leonardo can prepare a work, record an observation, test an idea or serve as a reasoning tool. Its function matters as much as its beauty.

Materials and techniques

Four ways to construct a sheet

Leonardo has a limited range of materials, but combines them with great freedom. Technical analyzes often reveal several steps invisible to the naked eye.

1

Metal tip

A stylus, often silver, traces on paper coated with an abrasive preparation. The fine line does not fade and requires great mastery.

2

Pen and ink

The quill pen allows for quick strokes, hatching and tight writing. Ferro-gallic ink, originally black, has often browned over time.

3

Sanguine and black stone

From the 1490s, red and black chalks allowed more flexible models, melted shadows and a sensitive study of flesh.

4

Washes and highlights

Diluted ink casts great shadows; white chalk illuminates tinted papers. Leonardo sometimes superimposes several mediums on the same sheet.

The big topics

From horse to whirlwind

Each subject calls for a different graphic vocabulary: construction lines for mechanics, precise contours for botany, superimposed hatching for anatomy.

Horse studies by Leonardo da Vinci
Animal movement

Horses

Measurements, profiles, musculature and gaits prepare the Sforza and Trivulzio monuments.

Star of Bethlehem and plants designed by Leonardo da Vinci
Botany

Plants

The leaves rotate around the stem and become living structures rather than ornaments.

Moving Water Studies by Leonardo da Vinci
Hydraulics · around 1510 -1513

Water, waves and obstacles

Leonardo looks for repeatable shapes: swirls, swirls, bubbles and spreading circles.

Fetus in the uterus drawn by Leonardo da Vinci
Anatomy · around 1511

The fetus

Observation, hypothesis and circular layout give this sheet exceptional strength.

Anatomical studies of the heart and vessels by Leonardo da Vinci
Cardiovascular anatomy

Heart and vessels

The drawings combine dissections, sections, diagrams and explanations of how it works.

Leonardo da Vinci's flying machine project
Mechanics of flight

Flying machines

Birdwing becomes a problem of strength, articulation and control by the human body.

Plan of Imola drawn by Leonardo da Vinci in 1502
Mapping · 1502

Map of Imola

The city is measured and reconstructed in vertical view with remarkable precision.

Study of physiognomies by Leonardo da Vinci
Physiognomies

Faces and characters

Ideal profiles, old men and distortions explore the relationship between appearance, emotion and character.

A Flood drawn by Leonardo da Vinci
Around 1517 -1518 · last period

The Flood

In eleven visionary leaves, rocks, water, wind and clouds merge into a universal catastrophe.

Leonardo da Vinci's Vitruvian Man
Vitruvian Man, metal tip, pen, ink and wash, Gallerie dell'Accademia, Venice.

How to read a sheet

Text, image and correction

A page by Leonardo is not always read from left to right nor as a completed composition. It retains the stages of research.

1
Identify the mediumMetal tip, ink or chalk indicate different speeds and functions.
2
Spot the coversDouble outlines, darker lines and wash reveal successive choices.
3
Follow the hatchingThe left-handed Leonardo often tilts his hatching in a recognizable direction, without this sign alone being enough to authenticate a leaf.
4
Link text and drawingNotes do not always caption the neighboring image; they may belong to another stage of reflection.
5
Look at the backMany leaves are drawn on both sides and were cut out, reassembled or reordered after his death.

Notebooks and codices

Scattered leaves, not finished books

The word "codex" often refers to groupings formed after Leonardo's death. The current order therefore does not always reflect its work organization.

Leaflet from Leonardo da Vinci's Codex Atlanticus
Biblioteca Ambrosiana · Milan

Codex Atlanticus

Leonardo's largest collection of texts and drawings: machines, mathematics, architecture, weapons, flight, botany and personal notes over several decades.

British Library · London

Codex Arundel

283 folios, generally dated from 1478 to 1518. The core is a collection begun in Florence in 1508, described by Leonardo himself as collected "without order" before future classification.

Victoria and Albert Museum

Codex Forster

Five notebooks bound in three volumes, circa 1487 -1505. They deal in particular with hydraulics, mechanics, measurements and geometry, with the characteristic specular writing.

Sketch, study or finished drawing?

Five functions to distinguish

01

Quick rating

A few lines capture a pose, a mechanical idea or a shape seen before it disappears.

02

Study from nature

Plant, horse, face or dissected body are observed precisely and sometimes measured.

03

Preparing a work

Draperies, hands, heads and compositions test a solution intended for a painting or sculpture.

04

Explanatory diagram

Sections, arrows, captions and multiple views seek to expose invisible functioning.

05

Standalone sheet

Some studies, such as the Floods, achieve a visual intensity that goes beyond any known utilitarian project.

06

Life-size cardboard

A large drawing can present the composition to the sponsor or prepare for its transfer to the final medium.

Where to see the originals?

Essential collections

Works on paper are fragile: they are not permanently exhibited and often appear in rotation.

Gallerie dell'Accademia

Venice preserves Vitruvian Man, rarely exhibited for conservation reasons.

See the instructions →

British Library and V&A

The Codex Arundel is digitized by the British Library; the V&A allows you to explore Codex Forsters.

Explore the Codex Forster →

Extend the discovery

From studies to paintings

These works allow us to observe how graphic research becomes gestures, faces, draperies and painted compositions.

See the entire Leonardo da Vinci collectionDiscover the collection →

Frequently asked questions

Understanding Leonardo's drawings

How many drawings by Leonardo da Vinci are preserved?

The number depends on how the double-sided sheets and assigned drawings are counted. The Royal Collection alone preserves nearly 600 drawings; other sets can be found in Paris, London, Milan, Venice, Turin and several international museums.

Why did Leonardo write from right to left?

His specular writing is probably linked to the fact that he was left-handed: writing from right to left limits hand friction on fresh ink. This is not proof of a system intended to hide all its secrets.

What is the difference between a sketch, a study and a box?

The sketch quickly captures an idea; the study delves deeper into a part or problem; cardboard is a large compositional drawing, sometimes on the scale of the final work, intended for presentation or transfer.

Is Vitruvian Man still on display in Venice?

No. The drawing is very sensitive to light and is not permanently exposed. It appears during exceptional presentations, according to the conservation requirements of the Gallerie dell'Accademia.

Were Leonardo's machines built?

Most are studies, variants or paper projects. Some mechanisms use viable principles, but a drawing does not prove that a complete machine was built or tested by Leonardo.

Can you consult your notebooks online?

Yes. The Codex Arundel is digitized by the British Library, the Codex Forster by the Victoria and Albert Museum, the Codex Atlanticus by the Biblioteca Ambrosiana and numerous drawings by the Royal Collection.

Reference sources

Images of public domain sheets via Wikimedia Commons. Dating and techniques compared to the records of conservative institutions. Last checked: July 28, 2026.

0 comments

Leave a comment

Please note that comments must be approved before they are published.