Amboise · Val de Loire · tour guide verified on July 30, 2026

Le Clos Lucé in Amboise

The final resting place of Leonardo da Vinci - three French years between painting, parties, engineering and projects for Francis I.

400 meters from the royal castle of Amboise, this brick and tuffeau residence today brings together Leonardo's room, his restored workshops, models, a park of life-size machines and immersive galleries.

Real facade of the Château du Clos Lucé in Amboise
The essential point: le Clos Lucé is not a museum of original paintings. His strength lies elsewhere: entering the house where Leonardo lived from 1516 to his death, then understanding his projects through space, models and landscape.
Leonardo's stay1516 - 1519
Death at Clos LucéMay 2, 1519
Current routeCastle + park + galleries
Recommended duration1:30 a.m. to 3 a.m

The short answer

Why is Clos Lucé unique?

Because it does not only tell Leonardo: it preserves the precise place where he lived, received his visitors, worked for Francis I and ended his life.

The visit juxtaposes three levels that must be clearly distinguished: the historic residence, the modern restitutions workshops and machines, then one interpretive park inspired by his drawings. This distinction avoids confusing period objects, reconstructed decorations and inventions made several centuries later.

Emotion

The bedroom

The place where Leonardo died on May 2, 1519, with a view towards the royal castle.

Understanding

The workshops

Painting, drawing, sculpture and engineering united in the spirit of a bottega.

Experience

The park

Twenty life-size models, bridges and handling machines.

Context

Amboise

The proximity of the court explains Leonardo's place in the France of François I.

Eight centuries in a few dates

From Château du Cloux to Léonard's home

Clos Lucé was not born as a museum. The medieval estate was transformed into a royal residence, then became Leonardo's French laboratory for three years. Its current history is based as much on the conservation of the building as on a long work of restitution.

1471

The Château du Cloux

Louis XI offered the estate to Étienne le Loup, who had the residence built in brick and tuffeau stone.

1490

Royal residence

Charles VIII bought the place and transformed it into a pleasure castle. The oratory is associated with Anne of Brittany.

1516

Arrival of Leonardo

At 64, Leonardo crossed the Alps with Francesco Melzi and Battista de Villanis, accompanied by paintings and manuscripts.

1517

The Cardinal of Aragon

Antonio de Beatis describes the visit and points out three paintings shown by Leonardo in his home.

1519

The last day

Leonardo died in his room on May 2. He was then buried in Amboise.

17th century

Le Clos Lucé

Château du Cloux takes the name we know it by today.

1854

Saint Bris family

The family acquires the property and gradually begins its preservation.

Since 1954

Transmission to the public

Restoration, opening, cultural park and galleries transformed the place into Leonardo's interpretation center.

Aerial view of Clos Lucé in Amboise
The estate seen from the sky. The mansion is surrounded by gardens; the royal castle of Amboise is located about 400 meters away. This proximity makes the frequency of exchanges with the court credible, without proving the underground passage of the legend.
Leonardo da Vinci's room at Clos Lucé and four-poster bed
The room attributed to Leonardo. The current decor helps restore the atmosphere of an early 16th century residence; it should not be assumed that each piece of furniture personally belonged to him.

I · The memory stage

The room, the oratory and the look towards Amboise

The room constitutes the emotional center of the visit. According to the historical tradition of the place, Leonardo died there on May 2, 1519. From the windows, the gaze meets the silhouette of the royal castle: geography tells better than any anecdote its proximity to the courtyard.

The oratory of Anne of Brittany recalls that the residence has a history prior to Leonardo. Its painted vault and the Annunciation fresco, attributed by the site to the students of its workshop, make the link between royal residence, private devotion and Italian culture.

To watch: the tuffeau frames, the fireplaces, the light of the windows and the relationship between small private rooms and royal representation. Clos Lucé is an inhabited house before being a scenographic tour.
Workshop restored by Leonardo da Vinci at Clos Lucé
Workshop returned. The equestrian model recalls the immense Sforza project, never cast in bronze, and shows how sculpture, drawing and mechanics respond to each other.

II · Thinking with your hands

Painting, sculpture and engineering workshops

The workspaces do not claim to freeze an exact photograph from 1517. They offer a restitution of the material universe of an artist-engineer: pigments, panels, drawings, models, instruments and studies reconstruct the idea of one bottega multidisciplinary.

The official website announces a collection of forty models made with the assistance of IBM from Leonardo's drawings, supplemented by six 3D animations. Their interest is not to prove that each machine was built in the 16th century, but to translate into volumes the mechanisms observed on paper.

How to look at a model?

  • locate the drawing or codex that serves as the starting point;
  • separate the mechanical principle from modern reconstruction;
  • observe how force, rotation, lever and transmission are combined;
  • ask yourself what materials would have been available around 1500.
Guide to inventionsThe Sforza horse
Leonardo's real garden at Clos Lucé
The real garden. The park creates an interpretive landscape: plants, water, rocks, reproductions and machines put Leonardo's ideas on a walker's scale.

III · An open-air museum

Leonardo da Vinci Park

In the wooded park, twenty life-size models translate Leonardo's drawings into physical experiences. The visitor can enter the tank, examine the aerial screw, follow the movement of a paddle wheel or understand Archimedes' screw.

The route extends by several bridges: self-supporting, turning, on stilts, on two levels and the Golden Horn bridge. Translucent canvases several meters high hang faces, bodies and studies in the trees. The garden thus becomes a traversable notebook page.

The right rhythm: don't try to photograph every machine. Choose three - one for flight, one for water, one for war - and take the time to understand their movement.

1516 -1519 · work for the king

What did Leonardo do during his last years?

Le Clos Lucé is not an inactive retreat. Leonardo receives the title of "First painter, engineer and architect to the King" and an annual pension of one thousand crowns. His health perhaps limits certain gestures, but his intellectual role remains central.

Painting

Resume the works

He probably keeps and continues to work Saint Anne and Saint John the Baptist. Studies of drapes on French paper dated 1517 -1518 extend this research.

Architecture

Romorantin

For Francis I, he imagined a palace and an ideal city, with circulation, water and organization of the territory. The project will not be carried out.

Hydraulics

The Loire landscape

His manuscripts bear witness to studies of regional water and hydrography, continuing an ancient obsession with flows.

Holidays

Staging the court

Léonard designs shows and devices for several festivals, including the "Fête du Paradis" mentioned by Clos Lucé.

Chambord

A cautious influence

The centered plan and the double revolution staircase recall his research. The influence is plausible and often discussed, but does not make him the documented architect of the castle.

Transmission

Melzi and the manuscripts

Francesco Melzi accompanies Leonardo, inherits his papers and will play an essential role in the transmission of the future Treatise on painting.

Why Leonardo comes to FranceFrancis I and LeonardoMelzi and the Workshop

Three masterpieces documented at Clos Lucé

The Mona Lisa, Saint Anne and Saint John the Baptist

On October 10, 1517, Cardinal Louis of Aragon visited Leonardo. His secretary Antonio de Beatis describes three paintings shown by the artist. They allow us to imagine an extraordinary scene: the most famous works of the Louvre today brought together in the rooms of a house in Amboise.

Important: the originals are no longer at Clos Lucé. Current devices allow us to talk about it and see reproductions of it, while authentic paintings are kept in Paris.

To see the originals: plan the Louvre in Paris. To understand the context of their latest transformations, Clos Lucé, on the other hand, offers something that no museum room replaces: the final workplace.

Information verified on July 30, 2026

Prepare your visit to Clos Lucé

Address2 rue du Clos Lucé
37400 Amboise

About 400 m walk from the royal castle.

Schedules9 a.m. - 8 p.m. in July - August

9 a.m. - 7 p.m. from February to June and from September to October; reduced hours in winter.

Standard ticket€20 adult · €15 from 7 to 18 years old

2026 prices displayed excluding temporary exhibition; under 7 years free.

Recommended time1:30 a.m. to 3 a.m

Set aside more time with temporary exhibition, children or lunch on site.

Recommended route in 2 hours 30 minutes

45 min · castle

Start with the house

Bedroom, oratory, kitchen and living spaces first give a human scale to the story.

45 min · workshops and galleries

Understand the work

Connect paintings, drawings, models and projects before going out to the machines.

60 min · park

Finish outside

Choose a few mechanisms, cross the bridges and give the garden time.

Seasonal advice: in summer, start early with the interiors before the crowds, then save the park for the second part. In rainy weather, reverse according to the lull. The ticket office closes one hour before the site.
Official websiteHours and accessRates

Frequently asked questions

Visit and understand Clos Lucé

Why is Clos Lucé associated with Leonardo da Vinci?

Francis I and Louise of Savoy invite Leonardo to France. He settled at Clos Lucé in the fall of 1516 with Francesco Melzi and his servant Battista de Villanis, then lived and worked there until his death on May 2, 1519.

Did Leonardo da Vinci really die at Clos Lucé?

Yes. The sources and the official website place his death in his room at Clos Lucé on May 2, 1519. On the other hand, the scene where he expires in the arms of François I is part of the tradition popularized by Vasari: the king was then in Saint-Germain -en-Laye.

Are there any original works by Leonardo at Clos Lucé?

Clos Lucé is above all a historic residence and an interpretation center. We see restitutions, facsimiles, models and immersive devices. The three paintings documented on site in 1517 - The Mona Lisa, Saint Anne and Saint Jean Baptiste - are today in the Louvre.

What should you see first at Clos Lucé?

Leonardo's room, Anne of Brittany's oratory, the restored workshops, the collection of models, the park with its life-size machines and the Leonardo da Vinci painter and architect Galleries.

How long does it take to visit Clos Lucé?

The official website recommends around 1 hour 30 minutes for the castle, park and galleries, and up to 3 hours if we add the temporary exhibition and a slower discovery of the gardens.

Is Clos Lucé suitable for children?

Yes. The park offers life-size machines that can be observed or operated depending on the devices, bridges, sound terminals and fun tours. The visit is particularly interesting from the age when the child can connect a drawing to its mechanism.

Does the underground between Clos Lucé and Château d'Amboise exist?

An entrance is visible at Clos Lucé, but the idea of a complete passage taken daily by François I is presented by the site itself as a legend. We must distinguish the preserved entrance from the romantic story.

Can we visit Clos Lucé and the royal castle of Amboise on the same day?

Yes. Both sites are approximately 400 meters apart on foot. One day allows you to visit the royal castle in the morning, then Clos Lucé in the afternoon, or the opposite depending on the times and crowds.

What paintings had Leonardo brought to France?

The testimony of Antonio de Beatis and the story of Clos Lucé make it possible to identify the Mona Lisa, the Virgin, the Child Jesus and Saint Anne and Saint John the Baptist. These three paintings belong today to the Louvre collections.

Official sources and photo credits

Château du Clos Lucé - history and must-sees · Leonardo da Vinci at Clos Lucé · Leonardo da Vinci Park · Offers and visit durations · Access and timetables · Prices 2026.

Free photographs hosted on Shopify after verification: Wikimedia Commons - Manoir du Clos Lucé, interiors and invention models. Authors and licenses appear on the source sheets, in particular Fab5669, Ceridwen, Als33120, Château du Clos Lucé /Léonard de Serres and VIGNERON.

Practical information verified on July 30, 2026. Opening hours, prices, exhibitions and access terms may change: consult the official website before traveling.

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