New York School, action painting and Color Field

Top 50 Abstract Expressionist Painters: Pollock, Rothko, Krasner and De Kooning

A guide to understanding Pollock energy, Rothko fields, Krasner force, De Kooning, Kline, Newman, Still, Frankenthaler and Mitchell.

Abstract expressionism moved the center of modern art to New York after 1945. The canvas is no longer just an image: it becomes an event, a surface of struggle, silence, color or presence. Action painting, Color Field, lyrical abstraction, collage, sculpture and international legacies compose here a story in 50 artists.

50classified artists
3internal collections
47wikipedia links
Jackson Pollock, figure majeure de l’expressionnisme abstrait

Before the grid

Why Abstract Expressionism Remains a Visual Shock

Movement brings together two great impulses: on the one hand gesture, accident, speed and matter; on the other the colored field, meditation, silence and immersion. Pollock, De Kooning or Kline make painting an action, while Rothko, Newman or Still transform color into an almost metaphysical space.

This Top 50 is not limited to the male heroic narrative. It integrates Krasner, Frankenthaler, Mitchell, Hartigan, Sobel, Sterne, Fine, Godwin, Gechtoff or DeFeo, as well as Canadian, French, Japanese and Chinese extensions linked to gestural or lyrical abstraction. Robert Motherwell, Michael Goldberg, Jules Olitski and other important figures remain benchmarks of the context, even when they are not on the map due to lack of a stable usable visual.

Top 1 to 10

New York School: gesture, colorful field and rupture

The first block brings together the figures who give abstract expressionism its historical weight: Pollock, Rothko, De Kooning, Krasner, Kline, Newman, Still, Gorky and Hofmann.

Ranks 11 to 20

Women, second generation and action painting

This section emphasizes the vitality of the gesture, the long underestimated trajectories and the passages between abstraction, figure and color.

Ranks 21 to 30

Symbols, biomorphism and Color Field

From organic shapes to colorful fields, these artists open abstract expressionism to spirituality, spot, color and space.

Ranks 31 to 40

Collage, sculpture and peripheral scenes

The movement is not limited to the great heroic gesture: collage, sculpture, material, West Coast and female figures broaden the story.

Ranks 41 to 50

International extensions and lyrical legacies

The last block connects New York to Canadian, French, Japanese and Chinese extensions of gestural and lyrical abstraction.

Method

How the 50 artists were selected

The selection starts from the historical core of the New York School, then expands towards the women of the movement, the second generation, Color Field, sculpture linked to abstract expressionism and international extensions of gestural abstraction.

The link rule remains the same: artists who died in 1956 or before refer to an internal collection; artists who died after 1956, or who are still alive, refer to Wikipedia.

Choose an entry

Where to start?

For action painting, start with Pollock, De Kooning, Krasner, Kline, Guston and Mitchell. For Color Field, look at Rothko, Newman, Still, Frankenthaler, Louis and Noland. For less expected trajectories, explore Sobel, Lewis, Delaney, Sterne, Fine, Gechtoff or DeFeo.

If you like international bridges, Riopelle, Borduas, Soulages, Mathieu, De Staël, Sugaï and Zao Wou-Ki show how the abstract gesture circulates beyond New York.

Continue

Guides, rankings and references

The web as an event

Abstract expressionism has changed the way we look at a painting: no longer just as a window, but as a physical presence, a space of projection, shock or contemplation.

From Pollock to Zao Wou-Ki, from Rothko to Mitchell, this Top 50 shows a plural movement: heroic sometimes, intimate often, crossed by gesture, color, body, memory and silence.

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