Alexander the Great attributed to Rembrandt: armor, identity and debates
Long called Alexander the Great, this warrior is today identified as Pallas Athena and attributed to Rembrandt and a student. Investigation in...
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Long called Alexander the Great, this warrior is today identified as Pallas Athena and attributed to Rembrandt and a student. Investigation in...
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Crown, scepter, peacock, fancy costume and late touch: an analysis by Juno de Rembrandt, between established facts and hypotheses about the mo...
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Rembrandt transforms Ganymede into a terrified child: analysis of the myth, the cry, the cherries, the urine, the eagle and the disturbing hum...
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Bellona and Minerva embody two forms of power in Rembrandt: visible warfare, strategic wisdom, armor, feminine attributes and identities.
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Around 1631, Rembrandt transformed Proserpina's kidnapping into a struggle of gestures, light and opposing forces. Complete analysis of the my...
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Around 1636 -1638, Rembrandt transformed the apparition of "Mene, mene, tekel, upharsin" into a theater of light. Analysis of the inscription,...
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Around 1656 -1657, Rembrandt painted a young reader probably identified with his son Titus. Analysis of the lowered gaze, the book, the light ...
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Painted in 1639, the portrait probably identified with Maria Trip combines lace, pearls, jewelry and Chinese fan. An analysis of his costume, ...
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Painted by Rembrandt in 1634, Marten Soolmans and Oopjen Coppit form a unique monumental counterpart. Analysis of the couple, gestures, black ...
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Why does this young girl painted in 1645 seem so alive? An analysis of the direct gaze, gesture, window sill, impasto and uncertain identity o...
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Who is the mysterious young armed horseman painted around 1655? A visual investigation into his costume, landscape, attribution history, and t...
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A father welcomes his son on his knees: complete analysis of Rembrandt's late masterpiece, its light, its symbols, its material and its histor...
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