Les portraits de groupe de Rembrandt : milices, médecins et guildes
De la Leçon d’anatomie du docteur Tulp aux Syndics, Rembrandt transforme le portrait collectif en action : milices, chirurgiens, guildes, rega...
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De la Leçon d’anatomie du docteur Tulp aux Syndics, Rembrandt transforme le portrait collectif en action : milices, chirurgiens, guildes, rega...
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Des premiers portraits de Paul et Pierre au groupe tardif de 1661 : une enquête visuelle sur les apôtres de Rembrandt, son autoportrait en sai...
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Portraits de clientes, figures intimes, nus et héroïnes : comment Rembrandt peint-il Oopjen, Maria Trip, Saskia, Hendrickje, Bethsabée, Suzann...
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Ordered for Amsterdam City Hall then cut out, The Claudius Civilis Conspiracy only remains in a monumental fragment. Analysis of the oath, the...
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Analysis of the Rembrandt Mill: monumental silhouette, restored sky, reflections of the river, daily figures and eventful history of attribution.
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Long called Alexander the Great, this warrior is today identified as Pallas Athena and attributed to Rembrandt and a student. Investigation in...
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Crown, scepter, peacock, fancy costume and late touch: an analysis by Juno de Rembrandt, between established facts and hypotheses about the mo...
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In 1632, Rembrandt transposed Ovid's story into a Dutch setting: analysis of the bull in motion, luxurious costumes, the port and the gaze of ...
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Around 1631, Rembrandt transformed Proserpina's kidnapping into a struggle of gestures, light and opposing forces. Complete analysis of the my...
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Painted in 1639, the portrait probably identified with Maria Trip combines lace, pearls, jewelry and Chinese fan. An analysis of his costume, ...
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Painted by Rembrandt in 1634, Marten Soolmans and Oopjen Coppit form a unique monumental counterpart. Analysis of the couple, gestures, black ...
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Why does this young girl painted in 1645 seem so alive? An analysis of the direct gaze, gesture, window sill, impasto and uncertain identity o...
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