Villa Klimt in Vienna
A hidden workshop in a villa, a reconstructed rose garden and the last creative years of Gustav Klimt: history of the place, works to connect and 2026 tour guide.
What Klimt actually knew
In 1911, Gustav Klimt left his former studio at Josefstädter Strasse, which was slated for demolition. His friend the painter Felix Albrecht Harta helped him find a small garden house in Hietzing, then still very green. The address is Feldmühlgasse 9; it would later become number 11.
The building is modest: a single-storey Biedermeier pavilion, surrounded by fruit trees, flowers and rose bushes. Klimt installed large windows there to obtain more regular working light. He transferred his furniture designed by Josef Hoffmann, his Japanese prints, his Asian and African objects, his fabrics and his countless drawings.
This is not a family home in the usual sense. Klimt keeps his Viennese apartment and uses Feldmühlgasse as a work, reception and collection space. It is here that his late language opens up to more frank colors, backgrounds animated by patterns and compositions often left visible in their process.
From the workshop to the museum
The place is not set in stone in 1918. Its history combines creation, architectural transformation, persecution, oblivion and heritage preservation.
The garden house becomes his last workshop.
Exterior, reception and work room are documented.
Klimt died in February; several paintings remain unfinished.
A neo-baroque residence envelops the old pavilion.
The Jewish family owner was driven out by Nazi persecution.
After restitution, the family sold the villa to the Republic of Austria.
The restoration makes the workshop in the villa readable.
A house within a house
Comparing the historical photograph and the current facade allows you to immediately understand why the term "Villa Klimt" needs to be explained.
The core of the ground floor
The plan of the old pavilion was integrated into the expansion. It is this material survival that makes the place exceptional.
The two major pieces
The reception and the work room were reconstructed using photographs, testimonies and samples of objects.
The villa from 1923
The first floor, exterior volumes and living room belong to the history of the owners who lived here after Klimt.
Watch a method, not a movie set
The heart of the visit is the work room. The large window to the north illuminates without producing too violent contrasts. The easels remind us that at the time of the 1917 photograph, The bride and The Fan Woman were still visible in the workshop.
The furniture attributed to the circle of Josef Hoffmann and the Wiener Werkstätte is not a simple luxury: it organizes circulation, seating, storage and presentation of objects. Klimt works surrounded by textiles, Japanese prints, Chinese paintings and ethnographic objects whose motifs migrate to his late portraits.
What to observe
- window size and orientation, essential for model light;
- proximity to paintings, drawings and objects, far from a perfectly ordered workshop;
- the difference between documented elements, faithful reconstructions and educational staging;
- the relationship between collectibles and funds Friederike Beer or of The Fan Woman.
Receive templates and sponsors
The reception room reminds us that Klimt did not work isolated from the world. Models, collectors and sponsors entered a carefully composed environment: geometric furniture, carpets, works on paper and Asian objects.
This piece allows you to read late portraits as the result of a Viennese network. A Wiener Werkstätte dress, a family commission, a collected object and the freedom of the painter meet in the same image.
Eleven paintings to connect to the place
The first seven belong directly to the last period of the workshop. The four gardens extend the visit by showing how Klimt transforms flowers, paths and foliage into almost textile surfaces.
1912Portrait of Adèle Bloch-Bauer IIAdèle's second portrait abandons the large field of gold for a carpet of flowers, cold colors and vertical rhythms.
See hand painted reproduction →
1916Portrait of Friederike Maria BeerThe Wiener Werkstätte's dress and the Asian patterns at the back show how the workshop becomes a visual reserve.
See hand painted reproduction →
1917 -1918 · unfinishedThe brideRemaining on the easel upon Klimt's death, the work reveals the passages between preparatory drawing, painted bodies and areas still open.
See hand painted reproduction →
1917 - 1918The Fan WomanCompleted in the last period, the figure blends into an environment of flowers, birds and patterns inspired by Asia.
See hand painted reproduction →
1917 -1918 · unfinishedAdam and EveThe female nude is very advanced while Adam remains more fragmentary: incompleteness makes the process visible.
See hand painted reproduction →
1917 -1918 · unfinishedPortrait of Johanna StaudeThe graphic blouse, red mouth and blue background give the portrait an almost modern immediacy.
See hand painted reproduction →
1917 -1918 · unfinishedPortrait of Amalie ZuckerkandlThe face and pose are constructed, but the background still reveals the hesitations and reservations of the canvas.
See hand painted reproduction →
1912Orchard with rose bushesThis canvas is often compared to the workshop garden: rose bushes, fruit trees and the junction of the path correspond to old photographs.
See hand painted reproduction →
1906Sunflower gardenA square green wall where the yellow flower becomes a point of energy within a dense surface.
See hand painted reproduction →
1916Garden path with chickensThe path, the house and the chickens are absorbed by the rhythm of the garden; the space becomes almost organic.
See hand painted reproduction →
1905 - 1907Flower gardenAn early example of how Klimt transforms a flower plot into a colorful constellation.
See hand painted reproduction →Roses, fruit trees and reconstruction
The current garden should not be presented as an intact setting from 1912. It is a documented evocation, carried out from photographs, of the beloved plants of Klimt and surviving ancient rose bushes.
The vast garden explains why Klimt described the place as a countryside on the outskirts of Vienna.
The official website reports twenty-two plants resulting from the work of spreading the historic rose.
Orchard with rose bushes is the canvas most directly associated with the private garden of Feldmühlgasse.
The café opens on weekends in good weather, usually from 10 a.m. to 6 p.m.
The Klein family and history after Klimt
The 1923 villa also belongs to the history of the Klein family, a Viennese Jewish family who acquired the property during the work. In 1939, the Kleins had to flee Austria under Nazi persecution. After 1945, the villa and part of the looted land were returned, but the family did not return to settle there. She sold the property to the Austrian state in 1957.
The exhibition Klimt Lost expands this story to the destiny of collectors and works: paintings stolen, returned, destroyed or still missing. It avoids a purely decorative visit and reminds us that Klimt's global fame was built in the midst of human and heritage losses.
The place then served as a school, then remained empty. At the end of the 20th century, the threat of sale or demolition provoked a citizen campaign. The restoration of 2011 -2012 finally made the studio accessible and readable without erasing the later villa.
The living room belongs to the 1923 villa
The large living room on the first floor is not a room where Klimt painted. It belongs to the transformation of the house carried out after his death. This distinction is essential: the museum does not seek to make people believe that the entire interior is "authentic Klimt".
The living room tells the story of the owners' domestic life in the 1920s and the neo-baroque architecture that envelops the old workshop. The doors help divide the space, while the exterior staircase and porch give the villa its current silhouette.
Timetables, tickets and access
Information verified on the official website on July 23, 2026. Museums can change timetables, prices and guided tours: always check the official page before departure.
Feldmühlgasse 11
1130 Wien, in the 13th arrondissement, Hietzing.
Map and information →Wednesday - Sunday
From January 7 to December 30, from 10 a.m. to 6 p.m., as well as public holidays.
Check schedules →U4 or tram 10
U4 Unter-St.-Veit then about 3 minutes on foot; tram 10 Verbindungsbahn then about 100 meters.
Vienna.info sheet →Accessible villa and garden
Access without steps, adapted toilets and assistance dogs accepted.
Official details →
A simple and coherent itinerary
Villa Klimt is off-center from the major museums in the center. Take the opportunity to build a half-day in the neighborhood rather than making a quick return trip.
10 a.m. · Villa Klimt
Start at the opening. Browse the introduction, reception room, workshop and Klimt Lost without crowds.
11:30 a.m. · Garden
Compare roses and paths to Orchard with rose bushes. In season and in good weather, take a break at the café.
12:30 · Hietzing
Walk around the neighborhood and reach Schönbrunn Park. The contrast between artist's withdrawal and imperial decor is instructive.
Afternoon · Cemetery
If you wish to extend the biography, Hietzing Cemetery preserves Klimt's grave. Check directions and times.
Extend the visit with the works
The links below point to active collections verified in the store. They allow you to compare late portraits, golden period, Belvedere ensembles and general work by Klimt.
Adèle, Friederike, Johanna, Amalie and the great figures of Viennese society.
Explore the collection →21 WORKSThe golden periodCompare Byzantine gold to the freer colors of the later period.
Explore the collection →3 WORKSAdèle Bloch-BauerFrom the first golden portrait to the second portrait painted in Feldmühlgasse.
Explore the collection →74 WORKSBelvedere GalleryPrepare a visit to the Viennese collections around Klimt and its time.
Explore the collection →4 WORKSJudith of KlimtFace, gold, sensuality and power: another milestone in the painter's evolution.
Explore the collection →140 WORKSAll KlimtsPortraits, landscapes, gardens, allegories and decorative compositions.
See the entire collection →Prepare and deepen
Practical information comes from the official website of the Villa and the Vienna Tourist Office. The history of the workshop is cross-referenced with the Gustav Klimt database and the Google Arts & Culture file of the Villa.
Workshop, villa from 1923, Klein family, restoration, garden, roses and Klimt Lost exhibition.
Consult the source → VISIT 2026Villa Klimt · practical informationTimetables, prices, guided tours, accessibility and public transport.
Consult the source → RESEARCHGustav Klimt Database · FeldmühlgasseInstallation from 1911, photographs by Moriz Nähr, furniture, collection of objects and latest works.
Consult the source → OFFICIAL TOURISMVienna.info · Klimt VillaGarden of 6,000 m², reconstruction of the studio, prices, City Card and accessibility.
Consult the source → VISUAL FILEGoogle Arts & Culture · The Klimt VillaHistorical photographs, transformation from 1923, reconstruction and rose garden.
Consult the source → VIRTUAL TOURGoogle Arts & Culture · Klimt VillaDigital tour of the exterior and spaces of Villa Klimt.
Consult the source →Twelve questions before the visit
Is Villa Klimt the house where Gustav Klimt lived?
No. Klimt did not live there as in a main residence: he rented and used the small garden house as a workshop from 1911 to 1918. The neo-baroque villa visible today was built around and above this workshop after his death.
Did Klimt know the villa in its current state?
No. The current building was completed in 1923. Klimt experienced a low garden house, on one level, photographed by Moriz Nähr in 1917 -1918.
What do we actually see inside?
The route shows in particular the reception room and the workshop reconstructed from photographs by Moriz Nähr, descriptions and original samples. The place also explains the models, sponsors, lost works and history of the house.
Are there any original paintings by Klimt in the Villa?
The Villa is first and foremost a place of memory, a workshop reconstruction and a documentary exhibition space. For a large collection of original paintings, the Belvedere and the Leopold Museum are more suitable. Check the temporary exhibition before your visit.
How many works did Klimt create in this workshop?
Villa Klimt indicates more than fifty paintings, and several institutional sources give the figure of 51. Adèle Bloch-Bauer II, Friederike Beer, The Bride, Adam and Eve and The Woman with the Fan belong to this last period.
Is the garden what Klimt knew?
This is an evocation and partial reconstruction, not a garden that has remained intact since 1918. Ancient rose bushes have survived and been used to recreate the "Villa Klimt rose".
When to visit Villa Klimt in 2026?
The official page announces an opening from January 7 to December 30, 2026, Wednesday to Sunday and public holidays, from 10 a.m. to 6 p.m. As times may change, check the official website before traveling.
How to get to Villa Klimt?
The address is Feldmühlgasse 11, 1130 Vienna. The official website recommends metro U4 to Unter-St.-Veit, then about a three-minute walk, or tram 10 to Verbindungsbahn.
Is Villa Klimt wheelchair accessible?
Yes. The official website indicates that the Villa and the garden are accessible without steps, with adapted toilets. Assistance dogs are allowed.
How much time to allow?
Allow approximately 1 hour 30 minutes for the Villa, workshop and garden. Add 30-45 minutes if you're taking a guided tour, take time to read the Klimt Lost exhibit, or enjoy seasonal garden coffee.
Why is the Klimt Lost exhibition important?
It places the works in the lives of their owners, often persecuted by the Nazis, and deals with spoliations, restitutions, disappearances and losses. It prevents the place from being reduced to a simple artist's decor.
Can we combine the Villa with Schönbrunn?
Yes. Both sites are in Hietzing. Half a day can combine Villa Klimt, Schönbrunn Park and, depending on the time available, Hietzing Cemetery where Klimt is buried.
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