Work, catalog raisonné and attribution

How many paintings did Renoir paint?

Short answer: institutions generally hold back more than 4,000 paintings. This figure is a serious order of magnitude, not a definitively closed counter: the catalog raisonné continues to evolve as works are studied, accepted or re-examined.
Madame Charpentier and her children by Pierre-Auguste Renoir in oil-painted reproduction
One work among thousands. Social portraits, like that of Madame Charpentier and her children, represent only part of a production which also includes landscapes, nudes, still lifes and leisure scenes.
More than 4,000Tables: the order of magnitude most often used.
60 yearsAbout six decades of practice, from the 1860s to 1919.
Several genresPortraits, landscapes, nudes, modern scenes and still lifes.
Living catalogThe scientific corpus is further published and gradually enriched.

Why the number varies

“More than 4,000” tables is the best answer - provided you explain what it means

The Orangerie Museum shop summarizes the extent of Renoir's work with the formula "more than 4,000 paintings". This is a useful benchmark for measuring the extraordinary fertility of the painter. However, no scientific basis today allows us to display an immutable total to the nearest unit.

Renoir worked for nearly sixty years. His paintings were sold very early, scattered around the world, passed down in private collections and sometimes documented only by a photograph or an archive. Some motifs exist in several versions; other works have been retouched, cut out, destroyed or misattributed.

The Wildenstein Plattner Institute now publishes an evolving digital catalog raisonné. The project begins with subsets, including still lifes and genre scenes, then expands as the committee reviews the files. The institute itself insists on the progressive nature of the corpus: the absence of a work in the current database is therefore not enough to conclude that it is rejected.

The good reflex consists of distinguishing three numbers: paintings traditionally attributed to Renoir, works already published in a scientific catalog and works formally examined by a committee.
Photographic portrait of Pierre-Auguste Renoir by Dornac
Pierre-Auguste Renoir photographed by Dornac. His long career and the early dispersion of his works complicate any definitive counting.

Define before counting

Table, study, variant or work on paper: the total changes with the chosen rule

In its guide, the Wildenstein Plattner Institute defines a painting by Renoir as a work whose main medium is oil and whose support is canvas, another fabric or wood. This scientific rule avoids mixing paintings with pastels, watercolors, drawings, engravings and sculptures.

1

Oil paintings

They constitute the heart of the number "more than 4,000 paintings". The medium may vary, but the oil must be the main medium.

2

Studies and variants

A second version is not a simple duplicate if painted separately. It has its own material, history and catalog number.

3

Works on paper

Pastels, watercolors and drawings belong to Renoir's work, but should not be added to the number of paintings without pointing this out.

4

The sculptures

Late sculpture forms yet another corpus, with particular questions of collaboration, models and editions.

Production over six decades

Why Renoir was able to paint so much

Renoir began by decorating porcelain before entering Charles Gleyre's studio. This artisanal training gave him great familiarity with the brush and decorative surfaces. From the 1860s, he painted almost continuously, despite the poverty of his beginnings and then the severe arthritis of his old age.

1860 - 1873

Learning

Portraits, landscapes, Fontainebleau and research carried out with Monet, Sisley and Bazille.

1874 - 1881

Impressionist years

Independent exhibitions, Parisian stages, boating and fragmented lighting.

1881 - 1890

Research period

Travels to Italy and Algeria, return of drawing and long studies for Bathers.

1890 - 1919

Late maturity

Family, familiar models, nudes, bouquets and landscapes of Collettes despite illness.

La Grenouillère painted by Pierre-Auguste Renoir in 1869
La Grenouillère, 1869: an example of a bustling landscape where water and modern leisure meet.

A work more varied than one imagines

The thousands of paintings do not form a single series of portraits

Renoir is famous for faces, bathers and party scenes, but his catalog also includes a huge number of landscapes. The Philadelphia Museum of Art highlights the importance and inventiveness of this side of his career, particularly in the 1870s and early 1880s.

The categories often overlap. A lunch on the banks of the Seine is a collective portrait, genre scene and landscape at the same time. A bather allows you to study the figure, skin color and nature. A still life can be a quick study or a painting intended for the market.

Portraits

Social orders, friends, children, professional models and family members.

Modern life

Theaters, balls, boulevards, boating and sociability of the new bourgeoisie.

Landscapes

Seine, Normandy, Guernsey, Algeria, Italy and Domaine des Collettes.

Nudes and still lifes

Bathers, odalisques, bouquets and fruits occupy an increasing place in maturity.

Modern portraits and scenes

Famous works that represent several branches of the catalog

Young girls at the piano by Pierre-Auguste Renoir
Young girls at the piano : The Musée de l'Orangerie reports at least six other versions of the subject.

Rehearsals, versions and series

The same composition can include several authentic paintings

Renoir often returns to a pattern. It changes the size, framing, position of a hand, color of a dress or degree of completion. These covers sometimes respond to an order, sometimes to research, sometimes to market demand.

The case of Young girls at the piano is revealing. The Musée de l'Orangerie mentions at least six other versions of the painting it preserves. Each must be studied as a distinct work. Adding only famous titles therefore greatly underestimates the artist's production.

Conversely, several names can designate the same table depending on the languages, inventories or sales catalogs. Counting titles found on the Internet artificially inflates the total. The catalog raisonné is used precisely to link title variants to a single object.

At Renoir, repeating a subject does not mean mechanically reproducing an image: each version remains a new painting session.

Why the exact number is difficult to establish

Authenticate without guessing

How a work enters Renoir's catalog raisonné

A signature is never enough. Counterfeiters know how to imitate a name, and Renoir did not sign all his works in the same way. The attribution is based on a coherent set of evidence: material observation, provenance, archives, old photographs, exhibitions and publications.

The Wildenstein Plattner Institute project publishes paintings studied by the former committee between 2003 and 2016 as well as those submitted, reviewed and verified since 2017. Each accepted work receives a WPI reference, accompanied by data on title, date, medium, dimensions, inscriptions and history.

1Material examination

Support, pictorial layer, dimensions, signature and condition.

2Provenance

Succession of owners and consistency of dates.

3Archive

Invoices, letters, workshop photos and merchant files.

4Bibliography

Exhibition catalogs, old sales and publications.

5Decision

Acceptance, reservation, request for additional study or rejection.

Formulation What she means Caution necessary
"Attributed to Renoir" Author's proposed, but attribution is not fully established. Do not present the work as certain.
"Renoir’s workshop" Work linked to those around you or to a workshop practice. It's not automatically an autograph painting.
"After Renoir" Copy or rework made after a known composition. The historical and market value is different.
"Included in the catalog" Work recognized in a specific scientific corpus. Check the edition, number and any updates.
The Great Bathers by Pierre-Auguste Renoir
The Great Bathers, 1884 -1887: Renoir worked for almost three years on this ambitious composition.

Number does not mean time

A painting can take an hour, several sessions or three years

A production of more than 4,000 paintings does not mean that Renoir painted each work at the same pace. Some landscapes and bouquets are executed quickly. Conversely, the Philadelphia Museum of Art recalls that it works for about three years on The Great Bathers, with numerous preparatory drawings and at least two life-size multifigure studies.

The overall figure must therefore be read with the diversity of formats and ambitions. A small panel study, a commissioned portrait and a monumental composition are three paintings, but they do not involve the same time or the same method.

This difference also explains why the material counts so much in a reproduction. A large Renoir constructed by covers and glazes cannot be understood as a simple printed image. The surface tells the duration of the work.

Reproductions highlighted

Five works to explore Renoir's major genres

To choose a reproduction, start from the genre and the atmosphere: intimate portrait, urban scene, party, boating or classic composition. An oil painting restores the flexibility of the touch and the surface variations that distinguish Renoir.

Collections highlighted

Explore Renoir, Impressionism and Known Paintings

Female portrait painted by Pierre-Auguste Renoir
Female portraits accompany Renoir's entire career, with an increasingly flexible touch in recent decades.

Painting despite arthritis

The disease slows down the body, not production

In recent years, Renoir has suffered from severe polyarthritis. His hands become deformed and he uses a wheelchair. Contrary to persistent legend, the brushes were not necessarily permanently attached to his fingers; testimonies and photographs above all show practical adaptations and the help of those around him.

However, he continued to paint in Les Collettes, in Cagnes-sur-Mer. Familiar models, bathers, bouquets and the Mediterranean landscape fuel abundant production. This persistence contributes to the exceptional number of paintings, but also to the difficulty of precisely dating certain small late works.

The catalog raisonné must then combine the material, the merchant archives, the photographs of the workshop and the family origins. The larger the corpus, the more meticulous work each certainty requires.

Frequently asked questions

Understand everything about the number of Renoir paintings

How many paintings did Renoir paint?

We generally retain more than 4,000 paintings. This is an order of magnitude, because the catalog raisonné remains evolving and not all known works have necessarily been published or re-examined according to the same criteria.

Why can't we give an exact figure?

The works are scattered, some exist in several versions and others are only known from archives. Attributions may also be confirmed, revised or rejected as research progresses.

Does the number 4,000 include drawings and pastels?

No, when we talk about paintings, we must distinguish oil paintings from drawings, pastels, watercolors, prints and sculptures. Adding all the mediums without precision produces a misleading number.

What's a catalog raisonné?

It is a scientific publication which seeks to inventory, describe, date and document the known works of an artist. It brings together provenance, exhibitions, bibliography, dimensions and material information.

Who is preparing Renoir's catalog raisonné today?

The Wildenstein Plattner Institute publishes an evolving digital project based on its Renoir committee's research, historical records, and review of submitted works.

Is a signature enough to authenticate a Renoir?

No. The signature is just a clue. The attribution is based on examination of the medium and painting, provenance, archives, old photographs, exhibitions and bibliography.

Why did Renoir paint several versions of the same subject?

He used a composition to study a pose, modify the format, respond to an order or deepen the color. Each separately painted version can constitute a distinct authentic painting.

Which reproduction of Renoir to choose?

For a friendly room, the Bal du moulin de la Galette or the Déjeuner des canoeiers are suitable. For a more intimate atmosphere, choose Femme au chat; for a refined urban palette, Les Parapluies.

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