Champagne · Côte des Bar · Artist's memory

Renoir in Essoyes

A house bought for Aline, a workshop at the bottom of the garden, landscapes of vineyards and a family who chooses the village as their final resting place: Essoyes tells Renoir about the places where he lived.

Houses in Essoyes painted by Pierre-Auguste Renoir
Houses in Essoyes
Renoir does not paint a tourist setting: he observes the simple volumes, the roofs and the light of a village that has become familiar.
1888First visit of Renoir to Essoyes
1896Purchase of the family home
1901Birth of Claude, known as Coco
1906Workshop construction
2017Opening of the house to the public

A place in four stages

Read Essoyes as a biography

The town not only retains a famous address. House, workshop, streets, river and cemetery form a continuous story where the man, the painter and several generations of Renoir meet.

The village

Renoir discovers a rural Champagne made of vineyards, tight houses and changing light.

The house

Purchased in 1896, it became the summer home and the center of family life.

The workshop

Built in 1906 at the bottom of the garden, it separates the painter's work from domestic hustle and bustle.

Memory

The cemetery brings together Renoir, Aline and several descendants in the village they had chosen.

The origin of the link

Aline Charigot brings Renoir back to her native village

Aline Charigot was born in Essoyes in 1859. A seamstress and model, she entered the work of Renoir before becoming his wife in 1890. Her presence very early linked the Parisian painter to Champagne: she introduced him to its landscapes, its inhabitants and a pace of life far from the salons of the capital.

The official Essoyes website places Renoir's first visit in 1888. He is seduced by the light, the hillsides and the simplicity of the village. However, this is not a definitive withdrawal from the artistic world. The family circulates between Paris, Essoyes and, later, the South. Essoyes becomes an anchor point, a place where we return and where we receive.

In Aline's portraits, Renoir never completely separates intimacy and painting. The model is at the same time wife, mother, familiar figure and plastic presence. In Essoyes, this relationship continues in the house she wanted to acquire and in the family scenes which nourish the painter's work.

Marker: Aline is also visible in The Boaters’ Lunch and serves as a model for Dance in the countryside. Her role therefore goes far beyond that of a simple mediator between Renoir and Essoyes.
Portrait of Aline Charigot by Renoir circa 1885
Portrait of Aline Charigot, circa 1885. The work is associated with Essoyes in the documentation of the Philadelphia Museum of Art. Picture: Wikimedia Commons.

Gradual adoption

From the first visit to the family home

1888

Discovery of Essoyes

Aline convinces Renoir to come to her native village. He finds landscapes, models and tranquility there.

1890

Marriage with Aline

Their union formalizes a family history already present in several major paintings.

1896

First property

The couple bought the house in Essoyes. At fifty-five, Renoir became an owner for the first time.

1906

A workshop in the garden

The new construction offers more space, light and calm for working.

1919

The choice of the final resting place

After his death in Cagnes-sur-Mer, Renoir was buried in Essoyes in accordance with his wishes.

The Family Home

A resort that has become heritage

The residence purchased in 1896 is not a museum imagined after the fact. It was a place of meals, vacations, childhood and reunions passed down to great-grandchildren.

The Ource crossing Essoyes in Champagne
The village

The Ource, the streets and the hillsides

View of the village of Essoyes painted by Renoir
The painter's gaze

The village transformed into a motif

Restored in the spirit of 1900, the house opened to the public in 2017. The presentation seeks less to reconstruct a spectacular decor than to restore a presence: furniture, circulation of rooms, kitchen, dining room and family memories make you feel the daily life. The old dining room also hosts temporary exhibitions meeting museum standards.

Above all, the house tells of a double belonging. Renoir remains the recognized painter who works with merchants, collectors and museums; in Essoyes, he also became a neighbor, father and owner. The residence gives a domestic scale to a career often summed up by major impressionist exhibitions.

The workplace

The 1906 workshop, at the bottom of the garden

Renoir had the workshop built away from home. The choice is practical: it obtains a larger room and prevents work, visitors and paintings from invading the lives of the children. The path between the two buildings materializes the transition between the family man and the artist.

The site's educational file describes a ground floor intended for the equipment and drying of the canvases. Upstairs, light becomes the main element. The visitor does not discover a frozen setting around a unique masterpiece, but the concrete conditions of the painting: space, tools, windows and relationship with the garden.

The workshop also recalls Renoir's late period. Despite the joint pain which limited his movements, he continued to paint. Essoyes is therefore not only associated with rural youth; he accompanies the artist into maturity, before the climate of the South takes on more importance.

Work architecture: storage and drying downstairs, painting and light upstairs. This simple organization allows you to understand how an artist's house becomes a tool.
Renoir's workshop in Essoyes seen from the garden
Renoir's workshop in Essoyes. Photography Gérard Janot, CC BY-SA 3.0 license, via Wikimedia Commons.
1906Separate construction of the family home.
Two levelsMaterial and drying at the bottom, light work at the top.
House of the IllustriousBoth the workshop and the house bear this heritage label.

Painting around the house

Essoyes is never a single landscape

Misty morning, spring, farms, red roofs and surrounding roads: Renoir transforms daily proximity into a laboratory of light.

"Coming a peasant in Champagne": the formula attributed to Renoir speaks of both the pleasure of the stay and his desire for a simple life, without erasing the demands of work.

A family of artists

Essoyes' memory goes beyond the painter alone

The Renoir sons extended the name in theater, cinema and ceramics. The village thus preserves the history of an artistic lineage, not just that of an impressionist master.

1885 - 1952

Pierre Renoir

A theater and cinema actor, he belongs to the first generation which transforms pictorial heritage into stage adventure.

1894 - 1979

Jean Renoir

Major filmmaker, author in particular of The Great Illusion and The Rules of the Game, he makes the family gaze a language of cinema.

1901 - 1969

Claude "Coco" Renoir

Born in Essoyes, he became a ceramist and also worked in cinema. His birth directly anchored the next generation in the village.

Last resting place

The cemetery closes the family route

None of the main members of the family died in Essoyes, but several chose to rest there. After his death in 1919 in Cagnes-sur-Mer, Renoir was buried in the village cemetery in accordance with his wishes. Two nearby burials bear family memory.

The first, decorated with a bust of Renoir created by Richard Guino, brings together the painter, his sons Pierre and Jean as well as Dido Freire, Jean's second wife. The second brings together Aline, her mother Thérèse Émilie Maire, Claude dit Coco and Claude junior, son of Pierre.

The visit therefore ends far from the workshop, but without leaving the history of creation. Painting, theater, cinema, sculpture and ceramics are symbolically found in the same village. Essoyes becomes less a sanctuary than a place of continuity.

Emphasisless memory: the official website reports this request addressed by Renoir to Jean: do not lay a stone that is too heavy, in case he still feels like walking in the countryside.
Grave of Aline and members of the Renoir family in Essoyes
One of the two family graves at the Essoyes cemetery. Image via Wikimedia Commons.

Sources and visit

Deepen Essoyes history

Family house

Purchase from 1896, transmission, restoration in the spirit of 1900 and opening to the public in 2017.

On the Renoir side →

Visit route

Cultural center, house, workshop, village and general information about the Renoir family in Essoyes.

Essoyes official website →

Aline Renoir

Marital status, birth in Essoyes, seamstress activity and marriage to Renoir.

Musée d'Orsay →

Frequently asked questions

Renoir in Essoyes in eight responses

When did Renoir discover Essoyes?

The official website places her first visit in 1888. Aline Charigot, a native of the village, introduced her to the Côte des Bar and the Champagne countryside.

Why is Renoir moving to Essoyes?

He appreciates the light, the landscapes, the tranquility and the proximity of Aline's family. Essoyes becomes a summer residence and a regular place of work.

When was the family home purchased?

Renoir and Aline bought the house in 1896. It was the painter's first property, then aged fifty-five.

When was Renoir's workshop built?

The workshop was built in 1906 at the bottom of the garden. The ground floor is used for equipment and drying; the upper floor offers bright space for painting.

Which son of Renoir was born in Essoyes?

Claude Renoir, nicknamed Coco, was born in Essoyes on August 4, 1901. He notably became a ceramist.

Where is Renoir buried?

Renoir was buried in the Essoyes cemetery after his death in 1919 in Cagnes-sur-Mer. Several members of his family rest in two neighboring graves.

Are the house and workshop visited?

Yes. They are part of the "Du Côté des Renoir" cultural route. Visiting days, times and conditions must be checked on the official website before traveling.

Which paintings by Renoir represent Essoyes?

Renoir painted many landscapes of the village and its surroundings: houses with red roofs, farms, morning views and spring scenes are among the motifs associated with Essoyes.

House, painting, transmission

In Essoyes, family life becomes a history of art

The village allows you to move from the painted landscape to the lived house, from the workshop to the works and from Renoir to his descendants. This continuity explains the strength of the place: Essoyes does not freeze the painter in an era, it shows how an environment, a wife and a family accompanied his creation.

0 comments

Leave a comment

Please note that comments must be approved before they are published.