100 watercolors - light, water and paper
The 100 most famous watercolors in art history
From the precision of Dürer to the mists of Turner, then to the colors of Klee, Macke and Cézanne: a hundred sheets which tell the story of the autonomy won by watercolor.
The course only classifies works where watercolor plays a major role. The 100 Alpha Reproduction images and sheets are distinct, without duplicates.
Paint with water
How did watercolor gain its autonomy?
Watercolor was long associated with study and travel. Dürer, Turner, Blake, Cézanne, Sargent and the moderns have made it a complete language, based on the light of paper.
Watercolor does not cover light: it lets it pass through pigments and back from paper.
The ranking brings together landscapes, visions, figures and still lifes to follow five centuries of invention, from the Renaissance to the avant-gardes of the 20th century.
Enter the rankingThe 100 most famous watercolors in pictures
From Dürer to Turner, watercolor gains its autonomy through observation and light.
#1
The Blue Roller Wing
Ranked No. 1, The Blue Roller Wing shows how Albrecht Dürer transforms watercolor into a pictorial experience. Dürer uses the transparency of water, the precision of the brush and sometimes gouache to give plants, landscapes and animals an almost tactile presence. During the Renaissance, watercolor already established itself as an autonomous medium of observation, capable of competing with easel painting. The dating chosen is around 1500 and the technique indicated is watercolor and gouache on parchment. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha
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#2
The Trefilerie on the Pegnitz, near Nuremberg
Classified No. 2, La Tréfilerie sur la Pegnitz, near Nuremberg shows how Albrecht Dürer transforms watercolor into a pictorial experience. Dürer used the transparency of water, the precision of the brush and sometimes gouache to give plants, landscapes and animals an almost tactile presence. During the Renaissance, watercolor already established itself as an autonomous medium of observation, capable of competing with easel painting. The dating chosen was around 1494 and the technique indicated was watercolor and gouache on paper. The dating chosen was around 1494 and the technique indicated was watercolor and gouache on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is around 1494 and the technique indicated is watercolor and gouache on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction
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#3
The Kalchreuth Valley
Classified No. 3, The Kalchreuth Valley shows how Albrecht Dürer transforms watercolor into a pictorial experience. Dürer uses the transparency of water, the precision of the brush and sometimes gouache to give plants, landscapes and animals an almost tactile presence. During the Renaissance, watercolor already established itself as an autonomous medium of observation, capable of competing with easel painting. The dating chosen is around 1495 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, the transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, the transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The
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#4
Celestial view
Ranked No. 4, Celestial View shows how Albrecht Dürer transforms watercolor into a pictorial experience. Dürer uses the transparency of water, the precision of the brush and sometimes gouache to give plants, landscapes and animals an almost tactile presence. During the Renaissance, watercolor already established itself as an autonomous medium of observation, capable of competing with easel painting. The dating chosen is 1525 and the technique indicated is watercolor and ink on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet,
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#5
Regattas in Cowes
Classified No. 5, Regattas in Cowes shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1827 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of pigments and grain of the support complete what the digital image allows us to see.
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#6
The Port of Margate
Classified No. 6, The Port of Margate shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1835 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The
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#7
The Castle of Cilgerran
Classified No. 7, Cilgerran Castle shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1798 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what
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#8
View of Margate Beach
Classified No. 8, View of Margate Beach shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The
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#9
Sailboats at sunset in front of the domes of a city, probably Venice
Classified No. 9, Sailboats at sunset in front of the domes of a city, probably Venice shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. In the British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating
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#10
Scene in the south of France
Classified No. 10, Scene in the South of France shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1830 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to
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#11
The Port of Portsmouth, Hampshire
Ranked No. 11, The Port of Portsmouth, Hampshire shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1824 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the
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#12
San Benedetto seen towards Fusina
Classified no. 12, San Benedetto seen in the direction of Fusina shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is 1843 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating
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#13
Brighton Hanging Pier
Classified No. 13, Brighton's Hanging Pier shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1828 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the
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#14
View of the Colne at Moor Park
Classified No. 14, View of the Colne at Moor Park shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1830 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale
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#15
The Rhine Falls in Schaffhausen
Classified no. 15, The Rhine Falls in Schaffhausen shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1806 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, the transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating
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#16
Dunbar Castle
Classified No. 16, Dunbar Castle shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1822 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding Alpha sheet and the information available on the work. This economy of means allows you to
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#17
Ehrenbreitstein, Germany
Classified No. 17, Ehrenbreitstein, Germany shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of pigments and grain of the support complete what the digital image allows us to see.
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#18
Aqueduct and waterfall near Rome
Classified No. 18, Aqueduct and Waterfall near Rome shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1819 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale,
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#19
Italian scene with boats and characters
Classified No. 19, Italian Scene with Boats and Characters shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1835 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet
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#20
Town on the Rhine with bridge and castle at sunrise
Classified No. 20, City on the Rhine with Bridge and Castle at Sunrise shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha sheet Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Reproduction sheet, used without creating a duplicate in the store
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#21
Sunset
Classified No. 21, Sunset shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the
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#22
Venice, Italy
Classified No. 22, Venice, Italy shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments
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#23
The Grand Canal in Venice
Classified No. 23, The Grand Canal in Venice shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1840 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the
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#24
Dunnottar Castle, Kincardineshire
Classified No. 24, Dunnottar Castle, Kincardineshire shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1830 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the
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#25
Church of Saint Mary of Dover
Classified No. 25, St. Mary's Church in Dover shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1825 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, the transparency of the pigments and the grain of the support complete what the digital image allows us to see.
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#26
Lake Lauerz with Schwyz and the Mythens
Classified no. 26, Lake Lauerz with Schwyz and the Mythens shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1842 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between
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#27
Dunstanburgh Castle at sunrise after a stormy night
Classified No. 27, Dunstanburgh Castle at sunrise after a stormy night shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1798 and the technique indicated is watercolor on paper. The dating chosen is around 1798 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a
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#28
Small craft near warship
Classified No. 28, Small Boats Near a Warship shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1795 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image
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#29
A lime kiln, perhaps at Briton Ferry
Classified No. 29, A Lime Oven, perhaps at Briton Ferry shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1795 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in
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#30
Romanesque church interior
Classified No. 30, Interior of a Romanesque Church shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1795 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency
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#31
Moonlight, study at Millbank
Classified No. 31, Clair de lune, study at Millbank shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1797 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet
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#32
The Caernarfon Castle
Classified no. 32, Caernarfon Castle shows how JMW Turner transforms watercolor into a pictorial experience. Turner circulates light in paper: white reserves, superimposed washes and dissolved colors transform the observed landscape into a mobile atmosphere. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1799 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and
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#33
The great red dragon and the woman clothed with the sun (Revelation 12:1-4)
Classified No. 33, The Great Red Dragon and the Woman Clothed with the Sun (Revelation 12:1-4) shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the
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#34
The Great Red Dragon and the Beast of the Sea
Ranked No. 34, The Great Red Dragon and the Beast of the Sea shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store.
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#35
The great Red Dragon and the Woman Clothed in the Sun
Classified No. 35, The Great Red Dragon and the Woman Clothed in the Sun shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store
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#36
Jacob's Ladder
Classified No. 36, Jacob's Ladder shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha
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#37
Satan calling his legions (from John Milton's "Paradise Lost")
Ranked No. 37, Satan Calling His Legions (from John Milton's "Paradise Lost") shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1808 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate
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#38
The twenty-four old men laying down their crowns before the divine throne
Classified No. 38, The Twenty-Four Old Men Placing Their Crowns Before the Divine Throne shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The dating chosen is around 1805 and the technique indicated is watercolor, pen and ink on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without
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#39
The Whore of Babylon
Classified No. 39, The Prostitute of Babylon shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1809 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, the transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see.
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#40
Béatrice speaks to Dante from the car
Classified No. 40, Beatrice speaks to Dante from the car shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1824 and the technique indicated is watercolor and ink on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button
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#41
Eve naming the birds
Classified No. 41, Eve Naming Birds shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1810 and the technique indicated is watercolor and ink on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet
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#42
Adam names the beasts
Classified No. 42, Adam Names Beasts shows how William Blake transforms watercolor into a pictorial experience. Blake combines pen, ink and watercolor to unite poetic vision, biblical narration and inner color in an image conceived as a revelation. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is around 1810 and the technique indicated is watercolor and ink on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, the transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void:
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#43
Angelus Novus
Classified No. 43, Angelus Novus shows how Paul Klee transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and flat colored areas free composition from literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1920 and the technique indicated is transfer to oil and watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction
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#44
Chirping machine
Classified No. 44, Chirping Machine shows how Paul Klee transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1922 and the technique indicated is transfer to oil, watercolor and ink on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Ex
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#45
Magic of fish
Classified No. 45, Magic of Fish shows how Paul Klee transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and flat colored surfaces free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1925 and the technique indicated is oil and watercolor on canvas mounted on panel. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the
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#46
The Golden Fish
Ranked No. 46, The Golden Fish shows how Paul Klee transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1925 and the technique indicated is oil and watercolor on paper mounted on cardboard. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1925 and the technique indicated is oil and watercolor on paper mounted on cardboard. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in
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#47
Fire at the full moon
Classified No. 47, Fire at the Full Moon shows how Paul Klee transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1933 and the technique indicated is watercolor on color with glue, prepared canvas. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and
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#48
Floral myth
Classified No. 48, Floral Myth shows how Paul Klee transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1918 and the technique indicated is watercolor on prepared gauze, mounted on cardboard. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in
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#49
Hammamet with its mosque
Classified no. 49, Hammamet with its mosque shows how Paul Klee transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, its superpositions and its accidents to open new paths to color. The dating chosen is 1914 and the technique indicated is watercolor and graphite on paper mounted on cardboard. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The dating chosen is 1914 and the technique indicated is watercolor and graphite on paper mounted on cardboard. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image
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#50
Kairouan I
Classified No. 50, Kairouan I shows how August Macke transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1914 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in
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See this reproduction →Sargent and Homer capture landscapes, ports and architecture with new mobility.
#51
Tunisian landscape with seated Arab
Classified No. 51, Tunisian Landscape with Seated Arabic shows how August Macke transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1914 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing
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#52
Woman in a street in Tunis
Classified No. 52, Woman on a Street in Tunis shows how August Macke transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1914 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and
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#53
Tunisian port
Classified No. 53, Tunisian Port shows how August Macke transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and flat colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths for color. The dating chosen is 1914 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. This economy of means explains the lasting freshness of the work and its place in the
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#54
Landscape near Hammamet
Classified No. 54, Landscape Near Hammamet shows how August Macke transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1914 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of pigments and grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, respiration and active interval between colors. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you
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#55
Terrace of the country house in Saint-Germain
Classified No. 55, Terrace of the Country House in Saint-Germain shows how August Macke transforms watercolor into a pictorial experience. Watercolor here becomes a modern laboratory: transparencies, signs and colored areas free the composition from the literal imitation of the world. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1914 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating
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#56
The Simplon pass
Classified No. 56, The Simplon Pass shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1911 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding Alpha sheet and the information available on the work. This economy of means makes it possible to find the corresponding Alpha sheet and the information available on the work. This economy of means
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#57
View of the mountain in Bormio (sketchbook of Switzerland 1869)
Classified No. 57, Mountain View in Bormio (Swiss sketchbook 1869) shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1869 and the technique indicated is watercolor on paper. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1869 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The dating chosen is 1869 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and the
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#58
Uri Bay, Brunnen (Swiss sketchbook 1870)
Classified No. 58, Uri Bay, Brunnen (Swiss sketchbook 1870) shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1870 and the technique indicated is watercolor on paper. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1870 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1870 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1870 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1870 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1870 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void:
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#59
Open door, Morocco
Classified No. 59, Open Door, Morocco shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the
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#60
Moorish buildings in the sun
Classified No. 60, Moorish Buildings in the Sun shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha
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#61
Moorish buildings on cloudy days
Classified No. 61, Moorish Buildings in Cloudy Weather shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The visible paper is not a void: it
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#62
Spanish landscape
Classified No. 62, Spanish Landscape shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a
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#63
A Spanish Madonna
Classified No. 63, A Spanish Madonna shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the
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#64
Court, Tetouan, Morocco
Classified No. 64, Court, Tetouan, Morocco shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha
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#65
White walls in the sun, Morocco
Classified No. 65, White Walls in the Sun, Morocco shows how John Singer Sargent transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work
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#66
An Adirondack lake
Classified No. 66, A Lake in the Adirondacks shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1870 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete
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#67
Beaver Mountain in the Adirondacks, Minerva, New York
Classified No. 67, Beaver Mountain in the Adirondacks, Minerva, New York shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1870 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the
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#68
Hunter in the Adirondacks
Classified No. 68, Hunter in the Adirondacks shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1892 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The link associated with the image allows you to find the corresponding Alpha sheet and the information available on the work. This economy of means makes it possible to find the
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#69
The Port of Gloucester
Ranked No. 69, The Port of Gloucester shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1873 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of pigments and grain of the support complete what the digital image
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#70
Gloucester mackerel fleet at sunset
Ranked No. 70, Gloucester's Fleet of Mackerel at Sunset shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves matter as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1884 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1884 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1884 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is 1884 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see.
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#71
Gloucester mackerel fleet at dawn
Classified No. 71, Gloucester Mackerel Fleet at Dawn shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1884 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The
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#72
Sandy beach with waves
Ranked No. 72, Sandy Beach with Waves shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Rep
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#73
Rocky coast and gulls
Classified No. 73, Rocky Coast and Gulls shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of pigments and grain of the support complete what the digital image allows us to see.
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#74
By the sea
Classified No. 74, By the Sea shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1880 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between
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#75
The Brides Trail, White Mountains
Classified No. 75, The Trail of Bridles, White Mountains shows how Winslow Homer transforms watercolor into a pictorial experience. The speed of the medium captures air, water and the movements of light. Paper reserves count as much as the keys placed. In the 19th century, artists used its mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is 1868 and the technique indicated is watercolor on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the
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See this reproduction →Cézanne, Schiele and Rossetti reveal construction, line and transparency.
#76
Kettle and fruit
Classified no. 76, Kettle and Fruits shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the motif while renewing the modern construction of the image. The dating chosen is around 1900 and the technique indicated is watercolor and graphite on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and
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#77
Seven apples
Classified No. 77, Seven Apples shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the motif while renewing the modern construction of the image. The dating chosen is around 1878 and the technique indicated is watercolor and graphite on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its
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#78
Pottery, cup and fruit on a white tablecloth
Classified No. 78, Pottery, Cup and Fruits on a White Tablecloth shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1900 and the technique indicated is watercolor and graphite on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in
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#79
Two fruits
Classified no. 79, Two Fruits shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between the colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1885 and the technique indicated is watercolor and graphite on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale
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#80
Apricots and cherries on a plate
Classified No. 80, Apricots and Cherries on a Plate shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1885 and the technique indicated is watercolor and graphite on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The
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#81
The Reversed Basket
Classified no. 81, The Reversed Basket shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between the colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the motif while renewing the modern construction of the image. The dating chosen is around 1877 and the technique indicated is watercolor and graphite on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the
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#82
Sugar bowl, pears and blue cup
Classified no. 82, Sucrier, pears and blue cup shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1900 and the technique indicated is watercolor and graphite on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, respiration and active interval between colors. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the
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#83
River corner
Classified no. 83, Coin de rivière shows how Paul Cézanne transforms watercolor into a pictorial experience. Cézanne constructs the form in separate touches and lets the paper breathe between the colors, transforming the visible unfinished into a principle of composition. In the 19th century, artists used his mobility to work in front of the pattern while renewing the modern construction of the image. The dating chosen is around 1905 and the technique indicated is watercolor and graphite on paper. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows us to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet
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#84
Girl standing, back view
Classified No. 84, Girl Standing, Back View shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1910 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction,
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#85
Young girl sitting with a ponytail
Classified No. 85, Young Girl Sitting with a Ponytail shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1910 and the technique indicated is watercolor and pencil on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the
Image and link: Alpha Reproduction.
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#86
Young naked girl sitting, shirt on her head
Classified No. 86, Young Naked Girl Seated, the shirt on her head shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while the watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, its superpositions and its accidents to open new paths to color. The dating chosen is 1910 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without
Image and link: Alpha Reproduction.
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#87
Naked self-portrait with grimace
Classified No. 87, Naked Self-Portrait with Grimace shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1910 and the technique indicated is watercolor, gouache and pencil on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used
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#88
Self-portrait with eyelid lowered
Classified No. 88, Self-Portrait with Eyelid Down shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1910 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Rep
Image and link: Alpha Reproduction.
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#89
Naked girl with outstretched arms
Classified No. 89, Naked Girl with Outstretched Arms shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1910 and the technique indicated is watercolor and pencil on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history of watercolor. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. This economy of means explains the lasting freshness of the work and its place in the history
Image and link: Alpha Reproduction.
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#90
Seated male nude (Self-portrait)
Classified No. 90, Seated Male Nude (Self-Portrait) shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1910 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet
Image and link: Alpha Reproduction.
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#91
Naked woman standing with arms crossed
Classified No. 91, Naked Woman Standing with Arms Crossed shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while the watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new avenues for color. The dating chosen is 1910 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used
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#92
Black haired girl with upturned skirt
Classified No. 92, Black-haired Girl with Raised Skirt shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while the watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1911 and the technique indicated is watercolor and pencil on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without
Image and link: Alpha Reproduction.
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#93
Naked squatting in black shoes and stockings, seen from behind
Classified No. 93, Crouching Nude in Black Shoes and Stockings, Back View shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1912 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The dating chosen is 1912 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image and button open the existing Alpha Reproduction sheet, used without creating duplicates in the store. The image
Image and link: Alpha Reproduction.
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#94
Naked standing with orange drape
Classified No. 94, Standing Nude with Orange Draped shows how Egon Schiele transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. At the beginning of the 20th century, Klee, Macke and Schiele exploited its spontaneity, superpositions and accidents to open new paths to color. The dating chosen is 1914 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void: it becomes light, breathing and active interval between colors. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used without creating a duplicate in the store. The image and the button open the Alpha Reproduction sheet existing, used
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#95
Golden water
Classified no. 95, Eau Dorée shows how Dante Gabriel Rossetti transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is 1858 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, the transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open
Image and link: Alpha Reproduction.
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#96
Sir Galahad at the ruined chapel
Classified No. 96, Sir Galahad at the Ruined Chapel shows how Dante Gabriel Rossetti transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is 1859 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button
Image and link: Alpha Reproduction.
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#97
Mary in the house of Saint John
Classified no. 97, Marie in the House of Saint John shows how Dante Gabriel Rossetti transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is 1858 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction
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#98
Dante's Love
Classified no. 98, Dante's Love shows how Dante Gabriel Rossetti transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is 1860 and the technique indicated is watercolor and gouache on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The image and the button open the Alpha sheet Existing reproduction, used without creating a duplicate in the store. The visible paper is not a void: it becomes light, breathing and active interval between colors. The real scale, the transparency of the pigments and the grain of the support complete what the digital image allows you to see. The visible paper is not a void:
Image and link: Alpha Reproduction.
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#99
Lucretia Borgia
Classified no. 99, Lucrèce Borgia shows how Dante Gabriel Rossetti transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is 1861 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The actual scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The real scale, transparency of the pigments and the grain of the support complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button complete what the digital image allows you to see. The image and the button open the existing Alpha Reproduction sheet,
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#100
Beatrice's greeting
Classified no. 100, Béatrice's Salutation shows how Dante Gabriel Rossetti transforms watercolor into a pictorial experience. The line structures the figure while watercolor brings flesh, substance and emotional intensity without masking the grain of the support. In British tradition, watercolor becomes a major language of landscape, travel and poetic imagination. The dating chosen is 1859 and the technique indicated is watercolor on paper. The image and button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Reproduction sheet, used without creating a duplicate in the store. The image and the button open the existing Alpha Rep
Image and link: Alpha Reproduction.
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Three ranking criteria
Rank combines fame, historical significance and symbolic force, with control of 100 links and images.
Notoriety
The place of the work in collective memory, collections and the international history of watercolor.
Technique
Watercolor must play a major role in the light, color and construction of the work, including in mixed media.
Balance
Landscapes, visions, portraits and experiments tell the story of several centuries of creation on paper.
A history of watercolor
From resurgent study to modern color
Dürer revealed from the Renaissance that watercolor could observe a wing, a valley or an architecture with new precision and autonomy.
Turner and Blake then expand the medium to atmospheric landscape, travel and poetic vision.
Cézanne, Sargent, Homer, Klee, Macke and Schiele finally make visible paper an essential player in modernity.
Sources and catalog
Check and continue
The images and ranking buttons open the 100 corresponding Alpha Reproduction files. The public collections complete the historical context of the works.
Frequently asked questions
Understand watercolor classification
Method, mixed media, titles and links: useful references for browsing the hundred watercolors.
How was this top 100 established?
The ranking combines fame, historical importance, mastery of the medium and diversity of national traditions.
Are all works watercolors?
Yes. Oils alone, prints, photographs and drawings without coloring have been excluded. Mixed media remains accepted when watercolor plays a major role.
Why is Turner important?
Turner took landscape watercolor to a technical and poetic peak, notably through his luminous washes and his reserves of paper.
Why include mixed media?
Dürer, Blake, Klee or Schiele often combine watercolor, gouache, ink, graphite or transfer. This combination fully belongs to the history of the medium.
Are the titles presented in French?
Yes. Foreign titles have been translated into French when usage permits.
Do the 100 images open the Alpha store?
Yes. They use 100 existing and separate Alpha Reproduction cards, without creating duplicates.
How were the images controlled?
Each title, image, artist and link have been reconciled in the catalog before publication.
Have the museums validated this classification?
No. This is an independent editorial selection based on the notoriety and history of watercolor.
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