One hundred works · machines, cities and figures
The 100known paintings that tell the storyFernand Léger
From Builders to Electric Cities, Fernand Léger transforms workers, machines and leisure into a theater of frank shapes. At home, even a bolt seems ready to enter the stage.
The Builders1950 · Metropolitan Museum of Art, New York
Born in Argentan and trained in Paris, Fernand Léger crosses cubism, war, cinema and monumental art without losing his taste for clean colors. He paints modernity as a mechanical celebration where workers, dancers, trees and gears share the same energy.
Fernand Léger
The Builders
Painted after World War II, The Builders give workers the monumentality once reserved for heroes. Léger had observed men on a construction site near his workshop; the beams become an aerial grid where modern work takes on festive colors.
See the work
Fernand Léger
The city
Created in 1919, La Ville condenses panels, stairs, silhouettes and fragments of letters in a syncopated rhythm. After the trenches, Léger looks at Paris like a gigantic visual machine: crossing the street almost becomes an abstract sport.
See the work
Fernand Léger
The Card Game
In 1917, the soldiers of The Card Game resemble assemblages of metal cylinders. The experience of the front transforms the human body into robust mechanics in Léger; war is present without battle, sitting around a game that has become strangely monumental.
See the work
Fernand Léger
The Mechanic
The Mechanic of 1920 embodies modern man without reducing him to a cog. His mustache, his cigarette and his cylindrical arms make up a popular, stable and almost advertising figure, with the quiet assurance of a machine that has learned to pose.
See the work
Fernand Léger
Three women and still life (Lunch)
At rank 5, "Three Women and Still Life (Lunch)" builds firmly. Study 5 organizes "Three Women and Still Life (Lunch)" with color and movement. Then "Three Women and Still Life (Lunch)", at rank 5, becomes monumental without losing its readability. Finally 5, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Contrast of shapes
At rank 6, "Contrast of Shapes" builds firmly. Study 6 organizes "Contrast of Shapes" with color and movement. Then "Contrast of Shapes", at rank 6, becomes monumental without losing its readability. Finally 6, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The discs
At rank 7, "The Discs" builds firmly. Study 7 organizes "The Discs" with color and movement. Then "The Discs", at rank 7, becomes monumental without losing its readability. Finally 7, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Mona Lisa with the keys
In 1930, Léger confronted the most famous face of the Renaissance with a bunch of keys and large areas. The neighborhood is deliberately abrupt: the Mona Lisa loses its pedestal, the keys gain a museum, and the equality of objects dear to the painter becomes perfectly visible.
See the work
Fernand Léger
The Cirque Médrano
At rank 9, "Le Cirque Médrano" is firmly built. Study 9 organizes "Le Cirque Médrano" with color and movement. Then "Le Cirque Médrano", at rank 9, becomes monumental without losing its readability. Finally 9, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Sewer
At rank 10, "La Couseuse" is firmly built. Study 10 organizes "La Couseuse" with color and movement. Then "La Couseuse", at rank 10, becomes monumental without losing its readability. Finally 10, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Naked in the forest
At rank 11, "Nudes in the Forest" builds firmly. Study 11 organizes "Nudes in the Forest" with color and movement. Then "Nudes in the Forest", at rank 11, becomes monumental without losing its readability. Finally 11, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Smokers
At rank 12, "Les Fumeurs" is firmly built. Study 12 organizes "Les Fumeurs" with color and movement. Then "Les Fumeurs", at rank 12, becomes monumental without losing its readability. Finally 12, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Woman in Blue
At rank 13, "The Woman in Blue" builds firmly. Study 13 organizes "The Woman in Blue" with color and movement. Then "The Woman in Blue", at rank 13, becomes monumental without losing its readability. Finally 13, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The wedding
At rank 14, "La Noce" is firmly built. Study 14 organizes "La Noce" with color and movement. Then "La Noce", at rank 14, becomes monumental without losing its readability. Finally 14, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Smoke
At rank 15, "La Fumée" builds firmly. Study 15 organizes "La Fumée" with color and movement. Then "La Fumée", at rank 15, becomes monumental without losing its readability. Finally 15, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Tugboat
At rank 16, "The Tug" is built firmly. Study 16 organizes "The Tug" with color and movement. Then "The Tug", at rank 16, becomes monumental without losing its readability. Finally 16, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Mechanical elements
At rank 17, "Mechanical Elements" is firmly constructed. Study 17 organizes "Mechanical Elements" with color and movement. Then "Mechanical Elements", at rank 17, becomes monumental without losing its readability. Finally 17, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The dancers with the keys
At rank 18, "The dancers with the keys" is firmly constructed. Study 18 organizes "The dancers with the keys" with color and movement. Then "The dancers with the keys", at rank 18, becomes monumental without losing its readability. Finally 18, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Reading
At rank 19, "The Reading" is firmly constructed. Study 19 organizes "The Reading" with color and movement. Then "The Reading", at rank 19, becomes monumental without losing its readability. Finally 19, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Alarm Clock
At rank 20, "Le Réveil-matin" is firmly built. Study 20 organizes "Le Réveil-matin" with color and movement. Then "Le Réveil-matin", at rank 20, becomes monumental without losing its readability. Finally 20, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Red Wheel
At rank 21, "The Red Wheel" is firmly constructed. Study 21 organizes "The Red Wheel" with color and movement. Then "The Red Wheel", at rank 21, becomes monumental without losing its readability. Finally 21, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Wall painting
At rank 22, "Mural" is built firmly. Study 22 organizes "Mural" with color and movement. Then "Mural", at rank 22, becomes monumental without losing its readability. Finally 22, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The mirror
At rank 23, "The Mirror" is firmly constructed. Study 23 organizes "The Mirror" with color and movement. Then "The Mirror", at rank 23, becomes monumental without losing its readability. Finally 23, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The compote maker
At rank 24, "The Compotier" builds firmly. Study 24 organizes "The Compotier" with color and movement. Then "The Compotier", at rank 24, becomes monumental without losing its readability. Finally 24, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Abstraction
At rank 25, "Abstraction" builds firmly. Study 25 organizes "Abstraction" with color and movement. Then "Abstraction", at rank 25, becomes monumental without losing its readability. Finally 25, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Trees in the setting sun (Trees in the Sucking Sun)
In row 26, "Trees in the setting sun (Trees in the Sucking Sun)" is firmly constructed. Study 26 organizes "Trees in the setting sun (Trees in the Sucking Sun)" with color and movement. Then "Trees in the setting sun (The Trees in the Sucking Sun)", at rank 26, becomes monumental without losing its readability. Finally 26, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition
At rank 27, "Composition" builds firmly. Study 27 organizes "Composition" with color and movement. Then "Composition", at rank 27, becomes monumental without losing its readability. Finally 27, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition (1920)
At rank 28, "Composition (1920)" is firmly constructed. Study 28 organizes "Composition (1920)" with color and movement. Then "Composition (1920)", at rank 28, becomes monumental without losing its readability. Finally 28, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition (The Negress)
At rank 29, "Composition (La Négresse)" is firmly constructed. Study 29 organizes "Composition (La Négresse)" with color and movement. Then "Composition (La Négresse)", at rank 29, becomes monumental without losing its readability. Finally 29, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition (Still life)
At rank 30, "Composition (Still Life)" is firmly constructed. Study 30 organizes "Composition (Still Life)" with color and movement. Then "Composition (Still Life)", at rank 30, becomes monumental without losing its readability. Finally 30, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition with a spinning top
At rank 31, "Composition with a top" is firmly constructed. Study 31 organizes "Composition with a top" with color and movement. Then "Composition with a top", at rank 31, becomes monumental without losing its readability. Finally 31, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition with three figures - Fragment
At rank 32, "Three-figure composition - Fragment" is firmly constructed. Study 32 organizes "Three-figure composition - Fragment" with color and movement. Then "Three-figure composition - Fragment", at rank 32, becomes monumental without losing its readability. Finally 32, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Compass and shell composition
At rank 33, "Compass and shell composition" is firmly constructed. Study 33 organizes "Compass and shell composition" with color and movement. Then "Compass and shell composition", at rank 33, becomes monumental without losing its readability. Finally 33, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Checkerboard composition (Yellow and black composition)
At rank 34, "Checker composition (Yellow and black composition)" is firmly constructed. Study 34 organizes "Checker composition (Yellow and black composition)" with color and movement. Then "Checker composition (Yellow and black composition)" with color and movement. Then "Checker composition (Yellow composition and black)", at rank 34, becomes monumental without losing its readability. Finally 34, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition with shell
At rank 35, "Composition with shell" is firmly constructed. Study 35 organizes "Composition with shell" with color and movement. Then "Composition with shell", at rank 35, becomes monumental without losing its readability. Finally 35, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition with character
At rank 36, "Composition with character" builds firmly. Study 36 organizes "Composition with character" with color and movement. Then "Composition with character", at rank 36, becomes monumental without losing its sound readability. Finally 36, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition in blue
At rank 37, "Composition in blue" is firmly constructed. Study 37 organizes "Composition in blue" with color and movement. Then "Composition in blue", at rank 37, becomes monumental without losing its readability. Finally 37, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition on a blue background (1929)
At rank 38, "Composition on a blue background (1929)" is firmly constructed. Study 38 organizes "Composition on a Blue Background (1929)" with color and movement. Then "Composition on a Blue Background (1929)", at rank 38, becomes monumental without lose its readability. Finally 38, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition on red background
At rank 39, "Composition on a red background" is firmly constructed. Study 39 organizes "Composition on a red background" with color and movement. Then "Composition on a red background", at rank 39, becomes monumental without losing its readability. Finally 39, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Composition, in the factory
At rank 40, "Composition, in the factory" is firmly constructed. Study 40 organizes "Composition, in the factory" with color and movement. Then "Composition, in the factory", at rank 40, becomes monumental without losing its readability. Finally 40, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Contrasts of forms
At rank 41, "Contrasts of Shapes" is firmly constructed. Study 41 organizes "Contrasts of Shapes" with color and movement. Then "Contrasts of Shapes", at rank 41, becomes monumental without losing its readability. Finally 41, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Red rooster and blue sky
At rank 42, "Red Rooster and Blue Sky" is firmly constructed. Study 42 organizes "Red Rooster and Blue Sky" with color and movement. Then "Red Rooster and Blue Sky", at rank 42, becomes monumental without losing its readability. Finally 42, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Red shell
At rank 43, "Red Shell" is firmly constructed. Study 43 organizes "Red Shell" with color and movement. Then "Red Shell", at rank 43, becomes monumental without losing its readability. Finally 43, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Lady to her hairdresser
At rank 44, "Lady to her dressing table" is firmly constructed. Study 44 organizes "Lady to her dressing table" with color and movement. Then "Lady to her dressing table", at rank 44, becomes monumental without losing its readability. Finally 44, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Two dancers
At rank 45, "Two dancers" is firmly constructed. Study 45 organizes "Two dancers" with color and movement. Then "Two dancers", at rank 45, becomes monumental without losing its readability. Finally 45, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Two women
At rank 46, "Two Women" builds firmly. Study 46 organizes "Two Women" with color and movement. Then "Two Women", at rank 46, becomes monumental without losing its readability. Finally 46, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Two figures
At rank 47, "Two Figures" is firmly constructed. Study 47 organizes "Two Figures" with color and movement. Then "Two Figures", at rank 47, becomes monumental without losing its readability. Finally 47, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Mechanical element
At rank 48, "Mechanical Element" is firmly constructed. Study 48 organizes "Mechanical Element" with color and movement. Then "Mechanical Element", at rank 48, becomes monumental without losing its readability. Finally 48, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Essay for three portraits
At rank 49, "Essay for three portraits" is firmly constructed. Study 49 organizes "Essay for three portraits" with color and movement. Then "Essay for three portraits", at rank 49, becomes monumental without losing its readability. Finally 49, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Woman lying down
At rank 50, "Extended Woman" builds firmly. Study 50 organizes "Extended Woman" with color and movement. Then "Extended Woman", at rank 50, becomes monumental without losing its readability. Finally 50, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Woman in the mirror
At rank 51, "Woman in the Mirror" builds firmly. Study 51 organizes "Woman in the Mirror" with color and movement. Then "Woman in the Mirror", at rank 51, becomes monumental without losing its readability. Finally 51, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Woman with a cat
At rank 52, "Woman with a Cat" builds firmly. Study 52 organizes "Woman with a Cat" with color and movement. Then "Woman with a Cat", at rank 52, becomes monumental without losing its readability. Finally 52, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Woman and flower
At rank 53, "Woman and Flower" builds firmly. Study 53 organizes "Woman and Flower" with color and movement. Then "Woman and Flower", at rank 53, becomes monumental without losing its readability. Finally 53, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Woman wearing a statuette
At rank 54, "Woman wearing a statuette" is firmly constructed. Study 54 organizes "Woman wearing a statuette" with color and movement. Then "Woman wearing a statuette", at rank 54, becomes monumental without losing her readability. Finally 54, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Woman holding flowers
At rank 55, "Woman holding flowers" builds firmly. Study 55 organizes "Woman holding flowers" with color and movement. Then "Woman holding flowers", at rank 55, becomes monumental without losing its readability. Finally 55, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Women in the blue vase
At rank 56, "Women with the Blue Vase" is built firmly. Study 56 organizes "Women with the Blue Vase" with color and movement. Then "Women with the Blue Vase", at rank 56, becomes monumental without losing its readability. Finally 56, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Girl with plant
At rank 57, "Girl with Plant" builds firmly. Study 57 organizes "Girl with Plant" with color and movement. Then "Girl with Plant", at rank 57, becomes monumental without losing its readability. Finally 57, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Man and woman
At rank 58, "Man and woman" builds firmly. Study 58 organizes "Man and woman" with color and movement. Then "Man and woman", at rank 58, becomes monumental without losing its readability. Finally 58, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Kvinde med vase
At rank 59, "Kvinde med vase" builds firmly. Study 59 organizes "Kvinde med vase" with color and movement. Then "Kvinde med vase", at rank 59, becomes monumental without losing its readability. Finally 59, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The accordion
At rank 60, "The accordion" is built firmly. Study 60 organizes "The Accordion" with color and movement. Then "The accordion", at rank 60, becomes monumental without losing its readability. Finally 60, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Green Tree
At rank 61, "The Green Tree" is firmly built. Study 61 organizes "The Green Tree" with color and movement. Then "The Green Tree", at rank 61, becomes monumental without losing its readability. Finally 61, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Staircase (Second State)
At rank 62, "The Staircase (Second State)" is firmly built. Study 62 organizes "The Staircase (Second State)" with color and movement. Then "The Staircase (Second State)", at rank 62, becomes monumental without losing its readability. Finally 62, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The man with the pipe
At rank 63, "The Man with the Pipe" builds firmly. Study 63 organizes "The Man with the Pipe" with color and movement. Then "The Man with the Pipe", at rank 63, becomes monumental without losing its readability. Finally 63, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The dance
At rank 64, "La Danse" is firmly constructed. Study 64 organizes "La Danse" with color and movement. Then "La Danse", at rank 64, becomes monumental without losing its readability. Finally 64, Léger maintains a visual joy behind the construction.
See the work
Fernand Léger
The factories
Painted at the end of the war, Les Usines translated chimneys, buildings and smoke into compact architecture. Léger does not deplore the machine: he extracts a new visual rhythm, energetic enough for the industrial landscape to appear work even when the canvas remains perfectly still.
See the work
Fernand Léger
The forest
At rank 66, "La Forêt" is firmly built. Study 66 organizes "La Forêt" with color and movement. Then "La Forêt", at rank 66, becomes monumental without losing its readability. Finally 66, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The station
At row 67, "La Gare" is firmly built. Study 67 organizes "La Gare" with color and movement. Then "La Gare", at row 67, becomes monumental without losing its readability. Finally 67, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Red Table
At rank 68, "La Table Rouge" is firmly built. Study 68 organizes "La Table Rouge" with color and movement. Then "La Table Rouge", at rank 68, becomes monumental without losing its readability. Finally 68, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The smoker
At rank 69, "The Smoker" builds firmly. Study 69 organizes "The Smoker" with color and movement. Then "The Smoker", at rank 69, becomes monumental without losing its readability. Finally 69, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Butterfly on the wheel
At row 70, "The Butterfly on the Wheel" builds firmly. Study 70 organizes "The Butterfly on the Wheel" with color and movement. Then "The Butterfly on the Wheel", at row 70, becomes monumental without losing its readability. Finally 70, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The level crossing (sketch)
At rank 71, "The level crossing (sketch)" is firmly constructed. Study 71 organizes "The level crossing (sketch)" with color and movement. Then "The level crossing (sketch)", at rank 71, becomes monumental without losing its sound readability. Finally 71, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The boat deck
At row 72, "The boat deck" is built firmly. Study 72 organizes "The boat deck" with color and movement. Then "The boat deck", at row 72, becomes monumental without losing its readability. Finally 72, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The tugboat deck
At row 73, "The Tugboat Bridge" is firmly built. Study 73 organizes "The Tugboat Bridge" with color and movement. Then "The Tugboat Bridge", at row 73, becomes monumental without losing its readability. Finally 73, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The herbal tea pot
At rank 74, "The herbal tea pot" is built firmly. Study 74 organizes "The herbal tea pot" with color and movement. Then "The herbal tea pot", at rank 74, becomes monumental without losing its readability. Finally 74, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Pink Tugboat
At rank 75, "The Pink Tugboat" is built firmly. Study 75 organizes "The Pink Tugboat" with color and movement. Then "The Pink Tugboat", at rank 75, becomes monumental without losing its readability. Finally 75, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Siphon
At rank 76, "The Siphon" is firmly constructed. Study 76 organizes "The Siphon" with color and movement. Then "The Siphon", at rank 76, becomes monumental without losing its readability. Finally 76, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Village in the Forest
At rank 77, "The Village in the Forest" is firmly built. Study 77 organizes "The Village in the Forest" with color and movement. Then "The Village in the Forest", at rank 77, becomes monumental without losing its readability. Finally 77, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Two Women with the Bouquet
At rank 78, "The Two Women with the Bouquet" is firmly constructed. Study 78 organizes "The Two Women with the Bouquet" with color and movement. Then "The Two Women with the Bouquet", at rank 78, becomes monumental without losing its readability. Finally 78, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The two women standing
At rank 79, "The two standing women" is built firmly. Study 79 organizes "The two standing women" with color and movement. Then "The two standing women", at rank 79, becomes monumental without losing its readability. Finally 79, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The Discs in the City
At rank 80, "Discs in the City" is firmly built. Study 80 organizes "Discs in the City" with color and movement. Then "Discs in the City", at rank 80, becomes monumental without losing its readability. Finally 80, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Women in the toilet (I)
At rank 81, "Women in the toilet (I)" is firmly constructed. Study 81 organizes "Women in the toilet (I)" with color and movement. Then "Women in the toilet (I)", at rank 81, becomes monumental without losing its readability. Finally 81, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Men in the city
At rank 82, "Men in the City" is firmly built. Study 82 organizes "Men in the City" with color and movement. Then "Men in the City", at rank 82, becomes monumental without losing its readability. Finally 82, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Houses under the trees
At row 83, "Houses under the trees" is built firmly. Study 83 organizes "Houses under the trees" with color and movement. Then "Houses under the trees", at row 83, becomes monumental without losing its sound readability. Finally 83, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The fishermen
At rank 84, "The Fishermen" is firmly built. Study 84 organizes "The Fishermen" with color and movement. Then "The Fishermen", at rank 84, becomes monumental without losing its readability. Finally 84, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The pistons
At rank 85, "The Pistons" builds firmly. Study 85 organizes "The Pistons" with color and movement. Then "The Pistons", at rank 85, becomes monumental without losing its readability. Finally 85, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
The three women and still life
At rank 86, "The Three Women and Still Life" is firmly constructed. Study 86 organizes "The Three Women and Still Life" with color and movement. Then "The Three Women and Still Life", at rank 86, becomes monumental without losing its readability. Finally 86, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Naked model in studio
At rank 87, "Nude Model in Studio" builds firmly. Study 87 organizes "Nude Model in Studio" with color and movement. Then "Nude Model in Studio", at rank 87, becomes monumental without losing its readability. Finally 87, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Still life
At rank 88, "Still Life" builds firmly. Study 88 organizes "Still Life" with color and movement. Then "Still Life", at rank 88, becomes monumental without losing its readability. Finally 88, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Still life with a lamp
At rank 89, "Still life with a lamp" is firmly constructed. Study 89 organizes "Still life with a lamp" with color and movement. Then "Still life with a lamp", at rank 89, becomes monumental without losing its readability. Finally 89, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Still life with vase of flowers - Fernand Léger
At rank 90, "Still life with vase of flowers - Fernand Léger" is firmly constructed. Study 90 organizes "Still life with vase of flowers - Fernand Léger" with color and movement. Then "Still life with vase of flowers - Fernand Léger", at rank 90, becomes monumental without losing its readability. Finally 90, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Still life from 1924
At rank 91, "Still Life of 1924" is firmly built. Study 91 organizes "Still Life of 1924" with color and movement. Then "Still Life of 1924", at rank 91, becomes monumental without losing its readability. Finally 91, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Still life, 1928
At rank 92, "Still Life, 1928" is firmly constructed. Study 92 organizes "Still Life, 1928" with color and movement. Then "Still Life, 1928", at rank 92, becomes monumental without losing its readability. Finally 92, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Still life, definitive state
At rank 93, "Still life, definitive state" is firmly constructed. Study 93 organizes "Still life, definitive state" with color and movement. Then "Still life, definitive state", at rank 93, becomes monumental without losing its sound readability. Finally 93, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Landscape (1914)
At rank 94, "Landscape (1914)" is firmly built. Study 94 organizes "Landscape (1914)" with color and movement. Then "Landscape (1914)", at rank 94, becomes monumental without losing its readability. Finally 94, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Lively landscape
At rank 95, "Animated Landscape" builds firmly. Study 95 organizes "Animated Landscape" with color and movement. Then "Animated Landscape", at rank 95, becomes monumental without losing its readability. Finally 95, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Dish with pears
At rank 96, "Dish with pears" is built firmly. Study 96 organizes "Dish with pears" with color and movement. Then "Dish with pears", at rank 96, becomes monumental without losing its readability. Finally 96, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Comet tail on brown background
At rank 97, "Comet tail on brown background" builds firmly. Study 97 organizes "Comet tail on brown background" with color and movement. Then "Comet tail on brown background", at rank 97, becomes monumental without losing its readability. Finally 97, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
Typographer (Final State)
At rank 98, "Typograph (Final State)" is firmly constructed. Study 98 organizes "Typograph (Final State)" with color and movement. Then "Typograph (Final State)", at rank 98, becomes monumental without losing its readability. Finally 98, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
A record in the city
At rank 99, "A Disc in the City" is firmly built. Study 99 organizes "A Disc in the City" with color and movement. Then "A Disc in the City", at rank 99, becomes monumental without losing its readability. Finally 99, Léger maintains visual joy behind the construction.
See the work
Fernand Léger
A cow and a red hat
At rank 100, "A Cow and a Red Hat" builds firmly. Study 100 organizes "A Cow and a Red Hat" with color and movement. Then "A Cow and a Red Hat", at rank 100, becomes monumental without losing its readability. Finally 100, Léger maintains visual joy behind the construction.
See the work
0 comments