One hundred works · rhythm, color and abstraction
The 100known paintings that tell the storySophie Taeuber-Arp
From Zurich to Paris, Taeuber-Arp makes squares, circles and lines dance with an elegance that makes geometry almost undisciplined - politely, of course.
Composition with rectangles and circles1930 · Kunstmuseum Basel
Dancer, teacher, textile designer, interior designer and painter, Sophie Taeuber-Arp belongs to the rare artists who have made the boundaries between disciplines frankly useless. This journey brings together his paintings and colorful compositions on paper, from the vertical-horizontal frame to the free lines of his last years.
Sophie Taeuber-Arp
Composition with rectangles and circles
Dated 1930: the circles catch the eye, with a very calculated lightness. Here, the squares stabilize the surface, with a very calculated lightness.
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Sophie Taeuber-Arp
Composition with arm circles and rectangles
Dated 1930: the diagonals speed up reading, with very calculated lightness. Here, the lines open several paths, with very calculated lightness.
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Sophie Taeuber-Arp
Composition with three circles and two rectangles
Dated 1931: the squares stabilize the surface, with a very calculated lightness. Here, the curves soften the grid, with a very calculated lightness.
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Sophie Taeuber-Arp
Composition with rectangles and circles (1931, version 2)
Dated 1931: the colors move the center, with a very calculated lightness. Here, the diagonals speed up reading, with a very calculated lightness.
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Sophie Taeuber-Arp
Hectic circles
Dated 1934: intervals set the tempo, with very calculated lightness. Here, the intervals set the tempo, with very calculated lightness.
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Sophie Taeuber-Arp
Triptych. Vertical-horizontal composition with reciprocal triangles
Dated c. 1918: the lines open several paths, with a very calculated lightness. Here, the contrasts awaken the frame, with a very calculated lightness.
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Sophie Taeuber-Arp
Two circles, planes and crosses
Dated 1931: the shots create depth, with very calculated lightness. Here, the circles catch the eye, with a very calculated lightness.
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Sophie Taeuber-Arp
Four spaces with plans, circles and crosses
Dated 1932: the contrasts awaken the frame, with a very calculated lightness. Here, the colors move the center, with a very calculated lightness.
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Sophie Taeuber-Arp
Composition with angular arm circles in lines and planes
Dated 1930: the curves soften the grid, with a very calculated lightness. Here, the planes create depth, with a very calculated lightness.
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Sophie Taeuber-Arp
Composition with circles, small circles and rectangles
Dated 1930: the shapes seem to change place, with a very calculated lightness. Here, the shapes seem to change place, with a very calculated lightness.
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Sophie Taeuber-Arp
Vertical composition with circles, squares and rectangles
Dated 1930: the circles catch the eye, without sacrificing artisanal precision. Here, the squares stabilize the surface, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Composition (two discs cut by one line)*
Dated 1931: the diagonals speed up reading, without sacrificing artisanal precision. Here, the lines open several paths, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Point-to-point triangles, rectangle, squares, bars
Dated 1931: the squares stabilize the surface, without sacrificing artisanal precision. Here, the curves soften the grid, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Broken cross. Vertical composition
Dated 1932: colors move the center, without sacrificing artisanal precision. Here, the diagonals speed up reading, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Broken cross composition
Dated 1932: intervals set the tempo, without sacrificing artisanal precision. Here, intervals set the tempo, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Composition with coincident squares, rectangles and circles
Dated 1939: the lines open several paths, without sacrificing artisanal precision. Here, contrasts awaken the frame, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Composition with rectangles, squares and circle blocks
Dated 1939: the plans create depth, without sacrificing artisanal precision. Here, the circles catch the eye, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Fresco aus dem Zürcher Dada Pantheon*
Dated 1920: contrasts awaken the frame, without sacrificing artisanal precision. Here, the colors move the center, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Circle Picture*
Dated 1931: the curves soften the grid, without sacrificing artisanal precision. Here, the plans create depth, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Circle Picture* (1933, version 2)
Dated 1933: shapes seem to change place, without sacrificing artisanal precision. Here, the shapes seem to change place, without sacrificing artisanal precision.
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Sophie Taeuber-Arp
Animated Circle Picture*
Dated 1935: the circles hold the eye, in a deliberately fragile balance. Here, the squares stabilize the surface, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Circles and bars
Dated 1934: the diagonals accelerate reading, in a deliberately fragile balance. Here, the lines open several paths, in a deliberately fragile balance.
See the work![[Balance], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-023.webp?v=1786443842)
Sophie Taeuber-Arp
[Balance]
Dated 1932: the squares stabilize the surface, in a deliberately fragile balance. Here, the curves soften the grid, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Balance (1932 version)
Dated 1932: the colors move the center, in a deliberately fragile balance. Here, the diagonals accelerate reading, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Balance (1932, version 2)
Dated 1932: intervals give the tempo, in a deliberately fragile balance. Here, the intervals give the tempo, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Balance (1932, version 3)
Dated 1932: the lines open several paths, in a deliberately fragile balance. Here, the contrasts awaken the plot, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Red plane balance
Dated 1932: the plans create depth, in a deliberately fragile balance. Here, the circles catch the eye, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Balance (1934 version)
Dated 1934: contrasts awaken the frame, in a deliberately fragile balance. Here, the colors move the center, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Lost lines against a chaotic background
Dated 1939: the curves soften the grid, in a deliberately fragile balance. Here, the planes create depth, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Lost Lines on a Chaotic Background (1939, version 2)
Dated 1939: the shapes seem to change place, in a deliberately fragile balance. Here, the shapes seem to change place, in a deliberately fragile balance.
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Sophie Taeuber-Arp
Summer lines
Dated 1942: the circles catch the eye, with an almost musical clarity. Here, the squares stabilize the surface, with an almost musical clarity.
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Sophie Taeuber-Arp
Plans, bars and undulating lines
Dated 1942: the diagonals speed up reading, with almost musical clarity. Here, the lines open several paths, with almost musical clarity.
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Sophie Taeuber-Arp
Two Triangles*
Dated 1931: the squares stabilize the surface, with almost musical clarity. Here, the curves soften the grid, with almost musical clarity.
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Sophie Taeuber-Arp
Reciprocal planes and triangles
Dated 1931: the colors move the center, with almost musical clarity. Here, the diagonals speed up reading, with almost musical clarity.
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Sophie Taeuber-Arp
Six spaces with four small crosses
Dated 1932: intervals set the tempo, with almost musical clarity. Here, the intervals set the tempo, with almost musical clarity.
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Sophie Taeuber-Arp
Four spaces with broken crosses
Dated 1932: the lines open several paths, with almost musical clarity. Here, the contrasts awaken the plot, with an almost musical clarity.
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Sophie Taeuber-Arp
Composition*
Dated 1928: the shots create depth, with almost musical clarity. Here, the circles catch the eye, with almost musical clarity.
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Sophie Taeuber-Arp
Composition* (1930, version 2)
Dated 1930: the contrasts awaken the plot, with an almost musical clarity. Here, the colors move the center, with an almost musical clarity.
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Sophie Taeuber-Arp
Vertical composition*
Dated 1931: the curves soften the grid, with almost musical clarity. Here, the shots create depth, with almost musical clarity.
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Sophie Taeuber-Arp
Composition in three parts*
Dated 1933: the shapes seem to change place, with almost musical clarity. Here, the shapes seem to change place, with almost musical clarity.
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Sophie Taeuber-Arp
Composition* (1935, version 3)
Dated 1935: the circles hold the eye, without ever freezing the movement. Here, the squares stabilize the surface, without ever freezing the movement.
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Sophie Taeuber-Arp
Composition* (1935, version 4)
Dated 1935: the diagonals speed up reading, without ever freezing the movement. Here, the lines open several paths, without ever freezing the movement.
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Sophie Taeuber-Arp
Large triangle. Vertical-horizontal composition
Dated 1916: the squares stabilize the surface, without ever freezing the movement. Here, the curves soften the grid, without ever freezing the movement.
See the work![[Still Life], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-044.webp?v=1786443931)
Sophie Taeuber-Arp
[Still Life]
Dated 1910: colors move the center, without ever freezing the movement. Here, the diagonals speed up reading, without ever freezing the movement.
See the work![[Still Life] (1910, version 2), painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-045.webp?v=1786443934)
Sophie Taeuber-Arp
[Still Life] (1910, version 2)
Dated 1910: intervals set the tempo, without ever freezing the movement. Here, the intervals set the tempo, without ever freezing the movement.
See the work![[Drawing], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-046.webp?v=1786443938)
Sophie Taeuber-Arp
[Drawing]
Dated 1915 -1917: the lines open several paths, without ever freezing the movement. Here, contrasts awaken the frame, without ever freezing the movement.
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Sophie Taeuber-Arp
Characters*
Dated 1928: the shots create depth, without ever freezing the movement. Here, the circles hold the eye, without ever freezing the movement.
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Sophie Taeuber-Arp
Characters* (1928, version 2)
Dated 1928: contrasts awaken the frame, without ever freezing the movement. Here, the colors move the center, without ever freezing the movement.
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Sophie Taeuber-Arp
Black Ground, White, Blue, Red, and Gray Forms*
Dated 1931/1934: the curves soften the grid, without ever freezing the movement. Here, the planes create depth, without ever freezing the movement.
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Sophie Taeuber-Arp
Staggering
Dated 1934: the shapes seem to change place, without ever freezing the movement. Here, the shapes seem to change place, without ever freezing the movement.
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Sophie Taeuber-Arp
Staggering (1934, version 2)
Dated 1934: the circles hold the eye, according to a gently unpredictable logic. Here, the squares stabilize the surface, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Staggering (1934, version 3)
Dated 1934: the diagonals speed up reading, according to a gently unpredictable logic. Here, the lines open several paths, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Curved profiled plans
Dated 1935: squares stabilize the surface, according to a gently unpredictable logic. Here, the curves soften the grid, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Yellow shape
Dated 1935: colors move the center, according to a gently unpredictable logic. Here, the diagonals speed up reading, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Six spaces in sunny shades
Dated 1938: intervals set the tempo, according to a gently unpredictable logic. Here, intervals set the tempo, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Twelve plan spaces, angular bands and circle blocks
Dated 1939: the lines open several paths, according to a gently unpredictable logic. Here, the contrasts awaken the plot, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Six distinct spaces
Dated 1939: the shots create depth, according to a gently unpredictable logic. Here, the circles hold the eye, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Color scaling
Dated 1939: contrasts awaken the frame, according to a gently unpredictable logic. Here, the colors move the center, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Brightly colored bow on chaotic background
Dated 1940: the curves soften the grid, according to a gently unpredictable logic. Here, the planes create depth, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Dynamic construction, spiral and diagonal penetration
Dated 1942: shapes seem to change place, according to a gently unpredictable logic. Here, the shapes seem to change place, according to a gently unpredictable logic.
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Sophie Taeuber-Arp
Vertical-horizontal composition
Dated 1915 -1916: the circles catch the eye, in a pocket architecture. Here, the squares stabilize the surface, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition on white background
Dated 1915 -1916: diagonals speed up reading, in a pocket architecture. Here, the lines open several paths, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition on white background (1915 -1916, version 2)
Dated 1915 -1916: squares stabilize the surface, in a pocket architecture. Here, the curves soften the grid, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition (1916, version 2)
Dated 1916: colors move the center, in a pocket architecture. Here, the diagonals speed up reading, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition (design for a stained-glass window for the apartment of André Horn, Strasbourg)
Dated c. 1916 -1928: intervals set the tempo, in a pocket architecture. Here, intervals set the tempo, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition (design for stained-glass panels for the apartment of André Horn, Strasbourg)
Dated c. 1916 -1928: lines open several paths, in a pocket architecture. Here, contrasts awaken the plot, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition (1916 -1918 version)
Dated 1916 -1918: the plans create depth, in a pocket architecture. Here, the circles catch the eye, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition (1916, version 3)
Dated 1916: contrasts awaken the frame, in a pocket architecture. Here, the colors move the center, in a pocket architecture.
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Sophie Taeuber-Arp
Abstract pattern. Vertical-horizontal composition
Dated 1918: the curves soften the grid, in a pocket architecture. Here, the plans create depth, in a pocket architecture.
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Sophie Taeuber-Arp
Vertical-horizontal composition with reciprocal triangles (corresponding to the triptych)
Dated 1918: shapes seem to change place, in a pocket architecture. Here, the shapes seem to change place, in a pocket architecture.
See the work![[Vertical-horizontal composition with object elements], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-071.webp?v=1786444044)
Sophie Taeuber-Arp
[Vertical-horizontal composition with object elements]
Dated 1919 -1938: the circles catch the eye, with discreet geometric humor. Here, the squares stabilize the surface, with discreet geometric humor.
See the work![[Vertical-horizontal composition with object elements] (c. 1919 -1938, version 2), painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-072.webp?v=1786444048)
Sophie Taeuber-Arp
[Vertical-horizontal composition with object elements] (c. 1919 -1938, version 2)
Dated c. 1919 -1938: the diagonals speed up reading, with discreet geometric humor. Here, the lines open several paths, with discreet geometric humor.
See the work![[Vertical-Horizontal Composition (Fragment, used for a tapestry)], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-073.webp?v=1786444052)
Sophie Taeuber-Arp
[Vertical-Horizontal Composition (Fragment, used for a tapestry)]
Dated c. 1916 -1925: the squares stabilize the surface, with discreet geometric humor. Here, the curves soften the grid, with discreet geometric humor.
See the work![[Vertical-Horizontal Composition], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-074.webp?v=1786444055)
Sophie Taeuber-Arp
[Vertical-Horizontal Composition]
Dated 1916: the colors move the center, with discreet geometric humor. Here, the diagonals speed up reading, with discreet geometric humor.
See the work![[Composition with Stacked Triangles (Fragment, used for a tapestry)], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-075.webp?v=1786444059)
Sophie Taeuber-Arp
[Composition with Stacked Triangles (Fragment, used for a tapestry)]
Dated c. 1916 -1925: intervals set the tempo, with discreet geometric humor. Here, the intervals set the tempo, with discreet geometric humor.
See the work![[Multicolored semi-circle], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-076.webp?v=1786444075)
Sophie Taeuber-Arp
[Multicolored half circle]
Dated c. 1917: the lines open several paths, with discreet geometric humor. Here, the contrasts awaken the plot, with discreet geometric humor.
See the work![[Composition (Fragment, used for a tapestry)], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-077.webp?v=1786444078)
Sophie Taeuber-Arp
[Composition (Fragment, used for a tapestry)]
Dated c. 1916 -1925: the shots create depth, with discreet geometric humor. Here, the circles catch the eye, with discreet geometric humor.
See the work![[Composition with geometric forms and light blue circle (Fragment, used for a tapestry)], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-078.webp?v=1786444082)
Sophie Taeuber-Arp
[Composition with geometric forms and light blue circle (Fragment, used for a tapestry)]
Dated c. 1916 -1925: contrasts awaken the plot, with discreet geometric humor. Here, the colors move the center, with discreet geometric humor.
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Sophie Taeuber-Arp
Composition (1916 version)
Dated 1916: the curves soften the grid, with discreet geometric humor. Here, the shots create depth, with discreet geometric humor.
See the work![[Composition with Diagonals and Small Transparent Circle (Fragment, used for a tapestry)], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-080.webp?v=1786444088)
Sophie Taeuber-Arp
[Composition with Diagonals and Small Transparent Circle (Fragment, used for a tapestry)]
Dated c. 1916 -1925: shapes seem to change place, with discreet geometric humor. Here, the shapes seem to change place, with discreet geometric humor.
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Sophie Taeuber-Arp
Abstract pattern (masks). Vertical-horizontal composition
Dated 1917: the circles hold the eye, keeping the hand visible. Here, the squares stabilize the surface, keeping the hand visible.
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Sophie Taeuber-Arp
Elementary shapes in vertical-horizontal composition
Dated 1917: the diagonals speed up reading, keeping the hand visible. Here, the lines open several paths, keeping the hand visible.
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Sophie Taeuber-Arp
Elementary forms in vertical-horizontal composition (1917, version 2)
Dated 1917: the squares stabilize the surface, keeping the hand visible. Here, the curves soften the grid, keeping the hand visible.
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Sophie Taeuber-Arp
Elementary forms in vertical-horizontal composition (1917, version 3)
Dated 1917: colors move the center, keeping the hand visible. Here, the diagonals speed up reading, keeping the hand visible.
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Sophie Taeuber-Arp
Abstract pattern (knights). Vertical-horizontal composition
Dated 1917: intervals set the tempo, keeping the hand visible. Here, intervals set the tempo, keeping the hand visible.
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Sophie Taeuber-Arp
Elementary shapes. Vertical-horizontal composition
Dated 1917: the lines open several paths, keeping the hand visible. Here, the contrasts awaken the frame, keeping the hand visible.
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Sophie Taeuber-Arp
Abstract pattern (boat). Vertical-horizontal composition
Dated 1917: the plans create depth, keeping the hand visible. Here, the circles hold the eye, keeping the hand visible.
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Sophie Taeuber-Arp
Abstract pattern (boat). Vertical-horizontal composition (1917, version 2)
Dated 1917: contrasts awaken the frame, keeping the hand visible. Here, the colors move the center, keeping the hand visible.
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Sophie Taeuber-Arp
Various elements in vertical-horizontal composition
Dated 1918: the curves soften the grid, keeping the hand visible. Here, the planes create depth, keeping the hand visible.
See the work![[Composition with U-form], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-090.webp?v=1786444121)
Sophie Taeuber-Arp
[Composition with U-form]
Dated 1918: shapes seem to change place, keeping the hand visible. Here, the shapes seem to change place, keeping the hand visible.
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Sophie Taeuber-Arp
Composition with curved bands
Dated 1918: the circles hold the eye, at a flexible and clear cadence. Here, the squares stabilize the surface, at a flexible and clear cadence.
See the work![[Composition] (c. 1918, version 2), painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-092.webp?v=1786444133)
Sophie Taeuber-Arp
[Composition] (c. 1918, version 2)
Dated c. 1918: the diagonals accelerate reading, at a flexible and clear cadence. Here, the lines open several paths, at a flexible and clear cadence.
See the work![[Composition with hoop patterns or Horizontal-vertical composition], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-093.webp?v=1786444136)
Sophie Taeuber-Arp
[Arch patterned composition or horizontal-vertical composition]
Dated c. 1918: the squares stabilize the surface, at a flexible and clear cadence. Here, the curves soften the grid, at a flexible and clear cadence.
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Sophie Taeuber-Arp
Composition in quadrangular spots
Dated 1920: the colors move the center, at a soft and sharp cadence. Here, the diagonals accelerate reading, at a soft and sharp cadence.
See the work![[Composition] (1920, version 3), painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-095.webp?v=1786444144)
Sophie Taeuber-Arp
[Composition] (1920, version 3)
Dated 1920: the intervals give the tempo, according to a flexible and clear cadence. Here, the intervals give the tempo, according to a flexible and clear cadence.
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Sophie Taeuber-Arp
Composition in quadrangular, polychrome, dense spots
Dated 1920: the lines open several paths, according to a flexible and clear cadence. Here, the contrasts awaken the frame, according to a flexible and clear cadence.
See the work![[Untitled (Design for an embroidery)], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-097.webp?v=1786444150)
Sophie Taeuber-Arp
[Untitled (Design for an embroidery)]
Dated 1915 -1917: the planes create depth, according to a flexible and clear cadence. Here, the circles hold the gaze, according to a flexible and clear cadence.
See the work![[Fragment], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-098.webp?v=1786444156)
Sophie Taeuber-Arp
[Fragment]
Dated c. 1916 -1922: contrasts awaken the frame, according to a supple and clear cadence. Here, the colors move the center, according to a supple and clear cadence.
See the work![[Untitled (Design for an embroidery)] (1916 -1917, version 2), painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-099.webp?v=1786444159)
Sophie Taeuber-Arp
[Untitled (Design for an embroidery)] (1916 -1917, version 2)
Dated 1916 -1917: the curves soften the grid, according to a flexible and clear cadence. Here, the planes create depth, according to a flexible and clear cadence.
See the work![[Untitled (Nasturtium flowers)], painting by Sophie Taeuber-Arp](https://cdn.shopify.com/s/files/1/0549/9656/6169/files/sophie-taeuber-arp-top100-100.webp?v=1786444162)
Sophie Taeuber-Arp
[Untitled (Nasturtium flowers)]
Dated 1910: the shapes seem to change place, according to a flexible and clear cadence. Here, the shapes seem to change place, according to a flexible and clear cadence.
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