The world of Portraits and female figures by Berthe MorisotMorisot's women are never simple elegant motifs: face, clothing and gesture affirm an interiority that the open touch immediately makes present.
1841 - 1895Life of Berthe Morisot
1864First participation in the Show
1885Self-portrait with brush
° 423Cataloged paintings - overall estimate of the historical corpus
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1869 -1894 · Self-portrait, dress, fan and ball gown
Morisot's women are never simple elegant motifs: face, clothing and gesture affirm an interiority that the open touch immediately makes present.
Berthe Morisot develops portraiture in a complex social space. Coming from the bourgeoisie, she has close models - sisters, cousins, friends, servants and her daughter Julie - but does not benefit from the same freedom of movement as her colleagues. She transforms this limit into depth of observation. The Pink Dress combines the Albertie-Marguerite Carré model with a harmony of fabric, skin and background which does not sacrifice the person in the costume. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to Self-portrait from 1885, Morisot shows herself with a brush in her hand, dressed in dark: she directly asserts her professional identity, a rare gesture for a woman artist of her time. Her figures are often framed close to the edge, surrounded by quickly brushed backgrounds. Unfinished areas avoid the fence and circulate air around the body. The white of a dress is never neutral; it brings together mauve, blue, green and pink. Morisot pays particular attention to the way a woman spends her time: styling her hair, powdering herself, gardening, reading or simply dreaming. This silent activity gives the portrait its true modernity. The selection "Portraits and female figures by Berthe Morisot " compares Self-portrait and The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854-1935). His reading favors space.
Morisot paints the garment brilliantly, but the look remains sovereign: the figure always retains a life which is not entirely revealed.
Course & style
Journey, subjects and pictorial language
Berthe Morisot develops portraiture in a complex social space. Coming from the bourgeoisie, she has close models - sisters, cousins, friends, servants and her daughter Julie - but does not benefit from the same freedom of movement as her colleagues. She transforms this limit into depth of observation. The Pink Dress combines the Albertie-Marguerite Carré model with a harmony of fabric, skin and background which does not sacrifice the person in the costume. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to a worldly convention. Woman with a fan mobilizes the accessory without reducing the gesture to Self-portrait from 1885, Morisot shows herself with a brush in her hand, dressed in dark: she directly asserts her professional identity, a rare gesture for a woman artist of her time. Her figures are often framed close to the edge, surrounded by quickly brushed backgrounds. Unfinished areas avoid the fence and circulate air around the body. The white of a dress is never neutral; it brings together mauve, blue, green and pink. Morisot especially pays attention to the way a woman spends her time: styling her hair, powdering herself, gardening, reading or simply dreaming. This silent activity gives the portrait its true modernity.
Affirm loved ones at the Show
Mother, sisters and young women give the portrait a first dimension. This milestone sheds light on the "Portraits and female figures of Berthe Morisot" collection by favoring space.
Free the impressionist figure
Outdoors, toiletries and clothing accelerate the touch and open the contours.
Deepen interiority and matter
Julie, self-portraits and late models gain psychological density.
01
Open outline
The silhouette communicates with the background instead of being cut dryly. This line guides a reading of "Portraits and female figures of Berthe Morisot" centered on space.
02
Living clothing
The dress becomes a field of colorful touches and light.
03
Personal gesture
Fan, brush or powder locates an action without enclosing the figure.
04
Reserved look
The model maintains a distance that protects her inner life.
Explore by universe
Meet the women painted by Berthe Morisot
Self-portrait, pink dress, fan and ballroom dress combine profession, color, sociability and interiority.
Profession01
See the artist with a brush
The self-portrait clearly claims a professional identity.
For affirmation. Reading "Portraits and female figures of Berthe Morisot" through space.Color02
Unfold the pink dress
The luminous fabric structures the composition without erasing the model.
For shineGesture03
Open fan
The accessory animates the hand and the relationship with the spectator.
For eleganceCompany04
Prepare the ball
Toileting reveals the private moment around public appearance.
For the intimateArtist · Self-portrait05
Self-portrait
The brush and dark outfit assert a direct professional presence.
Landmark work of Portraits and female figures by Berthe MorisotColor · Pink dress06
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854-1935)
The garment builds a luminous harmony around the face.
Landmark work of Portraits and female figures by Berthe Morisot
Works to discover
Reproductions of female portraits by Berthe Morisot
Four active and distinct works bring together Self-portrait, The Pink Dress, Woman with a Fan and Young Woman in Ballroom.
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Choosing a female figure of Morisot
A matte gold, off-white or light wood frame and a vertical format will highlight the looks, the dresses and the visible touch.
Frequently asked questions
Before choosing your Portraits and female figures by Berthe Morisot
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore space in a reproduction of Portraits and female figures by Berthe Morisot?
The painter uses the composition, values, colors and materials visible in the chosen work from the Portraits and Female Figures collection by Berthe Morisot, with particular attention paid to space.
Can I order a work of Portraits and female figures by Berthe Morisot in a personalized format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Portraits and Female Figures by Berthe Morisot?
Detailed photographs are sent before shipping; you can request edits before sending.
Hand-painted
Photo before shipping
Touch-ups possible
Tracked FedEx shipping
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Portraits and female figures by Berthe MorisotToutes les œuvres de cette collection
Find answers to frequently asked questions and essential information about our hand-painted reproductions.
Frequently Asked Questions
These answers reassure visitors who are discovering the concept of hand-painted reproductions.
Are the reproductions hand-painted?
Yes, our reproductions are oil paintings on canvas by experienced artists. Each canvas is hand-painted, not printed.
Can I request touch-ups?
Yes. Before shipping, we send you a photo of the completed painting. You can then request adjustments if necessary.
How long does it take to receive the canvas?
The time depends on the format and complexity of the artwork. The painting generally takes several weeks, then the canvas is shipped with tracking.
Can I order a custom size?
Yes, you can choose a standard format or request a custom size adapted to your space.
Are the paintings delivered framed?
Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
Can I send my own image?
Yes. You can send us an image, a museum reference, the name of an artwork, or a photo to request a custom reproduction.
Guide to the Portraits and female figures by Berthe Morisot collection
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
Why choose a reproduction from this collection?
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
A canvas prepared for your home
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
Touch‑ups and custom requests
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.
