The universe of Still Lifes by Piet MondrianPots, fruits, flowers and workshop objects allow Mondrian to test material, color and construction: still life becomes the discreet laboratory of his transition to abstraction.
1872 - 1944Life of Piet Mondrian
1908 - 1910Luminist brilliance of the first still lifes
1911 - 1912Two pivotal versions of the ginger pot
°1,500Paintings, drawings and studies - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1892 -1912 · Dutch workshop, pure color and transition to cubism
Pots, fruits, flowers and workshop objects allow Mondrian to test material, color and construction: still life becomes the discreet laboratory of his transition to abstraction.
Before the neoplastic grid, Piet Mondrian observes familiar objects at length. In his first Dutch still lifes, fruits, pots, dried flowers and earthenware occupy a shallow table, lit by a light which thickens the contours and makes the materials vibrate. This kind of modest appearance allows him to experiment without depending on the story. A mirror opens a secondary space, a metal reflects light, an orange imposes an almost autonomous color. Around 1908 -1910, its palette intensifies on contact with luminism: yellows, blues and reds cease to only describe and become forces. The plaster bust introduces a clear, stable mass, facing the more fragmented objects. The two versions of Still Life in a Ginger Pot, painted in 1911 then 1912, mark a decisive turning point. In the first, the modeling and colors still maintain the concrete presence of the pot; in the second, after the discovery of Cubism in Paris, the table and the containers dissolve in a network of gray and ocher planes. Mondrian, however, does not copy Picasso or Braque: he uses their language to seek a more general structure, already attracted by the vertical and the horizontal. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection Still lifes by Piet Mondrian notably compares Still Life with mirror, containers, honesty and fruit and Still Life with a plaster bust. His reading favors color.
In Mondrian, the ginger pot does not disappear: it becomes the fulcrum from which the object, space and surface learn to speak the same language.
Course & style
Journey, subjects and pictorial language
Before the neoplastic grid, Piet Mondrian observes familiar objects at length. In his first Dutch still lifes, fruits, pots, dried flowers and earthenware occupy a shallow table, lit by a light which thickens the contours and makes the materials vibrate. This kind of modest appearance allows him to experiment without depending on the story. A mirror opens a secondary space, a metal reflects light, an orange imposes an almost autonomous color. Around 1908 -1910, its palette intensifies on contact with luminism: yellows, blues and reds cease to only describe and become forces. The plaster bust introduces a clear, stable mass, facing the more fragmented objects. The two versions of Still Life in a Ginger Pot, painted in 1911 then 1912, mark a decisive turning point. In the first, the modeling and colors still maintain the concrete presence of the pot; in the second, after the discovery of Cubism in Paris, the table and the containers dissolve in a network of gray and ocher planes. Mondrian, however, does not copy Picasso or Braque: he uses their language to seek a more general structure, already attracted by the vertical and the horizontal. These works show that his abstraction is not born from a sudden rejection of reality. These works show that his abstraction is not born from a sudden rejection of reality. It results from a patient investigation carried out at the very heart of things.
Observe the materials
Objects, fruits and flowers develop a painting attentive to volume and light. This milestone illuminates the "Still Life of Piet Mondrian" collection by favoring color.
Release color
Luminism intensifies contrasts and gives each object a chromatic presence.
Build by plans
The ginger pot accompanies the transition from figuration to cubist vocabulary.
01
Tightened table
The slight recoil brings objects closer to the pictorial surface. This line guides a reading of "Still Life by Piet Mondrian" centered on color.
02
Active contour
A dark line detaches the shapes while organizing their relationship.
03
Standalone color
Orange, blue and yellow act as masses before describing a material.
04
Emerging grid
Plans, table edges and uprights announce the primacy of horizontal and vertical.
Explore by universe
Read still lifes by Piet Mondrian
Mirror, plaster and two pots of ginger reveal four ways to turn the observed object into a painting problem.
Reflection01
Double space
The mirror introduces depth, light and ambiguity into the workshop.
For wealth. Reading "Still Life by Piet Mondrian" through color.Volume02
Stabilize the plaster
The light bust opposes its silent mass to the small containers.
For presenceColor03
Affirm ginger
The first version retains the object while intensifying color ratios.
For the transitionCubism04
Dissolve without erasing
The second version reconstructs table and pot in a network of plans.
For modernityMirror workshop05
Still life with mirror, containers, honesty and fruits
Reflections, fruits and containers make up a dense space with contrasting materials.
Landmark work of Still Lifes by Piet MondrianVolume · Plaster06
Still life with a plaster bust
The light bust gives the whole thing an almost architectural stability.
Landmark work of Still Lifes by Piet Mondrian
Works to discover
Reproductions of Mondrian's still lifes
Four active and distinct works bring together the still life in the mirror, the plaster bust and the two versions of the ginger pot.
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Choosing a Still Life by Mondrian
A black, dark wood or light oak frame and a horizontal format will bring out the material of the objects such as the construction of the plans.
Frequently asked questions
Before choosing your Still Life by Piet Mondrian
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore color in a reproduction of Still Lifes by Piet Mondrian?
The painter uses the composition, values, colors and materials visible in the chosen work from Piet Mondrian's Still Lifes collection, with particular attention paid to color.
Can I order a work of Still Lifes by Piet Mondrian in a personalized format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Still Lifes by Piet Mondrian?
Detailed photographs are sent before shipping; you can request edits before sending.
Hand-painted
Photo before shipping
Touch-ups possible
Tracked FedEx shipping
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Frequently Asked Questions
These answers reassure visitors who are discovering the concept of hand-painted reproductions.
Are the reproductions hand-painted?
Yes, our reproductions are oil paintings on canvas by experienced artists. Each canvas is hand-painted, not printed.
Can I request touch-ups?
Yes. Before shipping, we send you a photo of the completed painting. You can then request adjustments if necessary.
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The time depends on the format and complexity of the artwork. The painting generally takes several weeks, then the canvas is shipped with tracking.
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Yes, you can choose a standard format or request a custom size adapted to your space.
Are the paintings delivered framed?
Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
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Guide to the Still lifes by Piet Mondrian collection
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
Why choose a reproduction from this collection?
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
A canvas prepared for your home
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
Touch‑ups and custom requests
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.
