The world of Bartolomeo BassanteShepherds, children and night light make up a Nativity long signed with the name Bassante, but today attributed to Antonio de Bellis.
Around 1618 - around 1650A brief life in Naples
Around 1650Dating The Adoration of the Shepherds
99 × 131 cmDimensions of the canvas
400 °CPaintings and drawings created - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
Brindisi -Naples, around 1618 - around 1650 · Neapolitan naturalism
Shepherds, children and night light make up a Nativity long signed with the name Bassante, but today attributed to Antonio de Bellis.
Bartolomeo Bassante was probably born in Brindisi around 1618 and died in Naples around 1650. Arriving as a child in the southern capital, he is described by sources as a student and imitator of José de Ribera. His career remains poorly documented and very few paintings can be established with certainty. The Adoration of the Shepherds of this collection bears, in the lower left corner, a signature in the name of Bassante. However, recent research considers it an apocryphal addition from the 18th century and the current Prado catalog attributes the work to Antonio de Bellis, possibly with the collaboration of an artist close to Agostino Beltrano. Painted around 1650 in oil on canvas, it measures 99 × 131 cm. The light coming from the Child organizes the group and reveals the faces in a naturalist register specific to Naples. The history of the painting, which went from Castiglione to Bassante then to De Bellis, shows how a signature and an ancient tradition must be compared with stylistic analysis. The "Bartolomeo Bassante" selection notably compares The Adoration of the Shepherds. His reading favors composition.
Here, the signature is not the end of the investigation: the Neapolitan light leads from Bassante towards Antonio de Bellis.
Course & style
Journey, subjects and pictorial language
Arrival in Naples
The young Bassante joins an environment dominated by Ribera and Caravaggesque naturalism. This milestone sheds light on the "Bartolomeo Bassante" collection by favoring composition.
A signed Adoration
The canvas brings together shepherds and Holy Family around a central light source.
From Bellis rather than Bassante
Current criticism considers the signature apocryphal and revises the attribution.
01
Neapolitan night
The figures emerge by degrees from a dark and tight space. This line guides a reading of "Bartolomeo Bassante" centered on composition.
02
Popular faces
Shepherds retain the harshness and attention of observed models.
03
Sacred light
The Child becomes both the center of the story and the principle of lighting.
04
Open attribution
The painting should be read as De Bellis' work historically linked to the name Bassante.
Explore by universe
A Nativity and its attribution
The Child's Light, the Shepherds, the false signature and the royal collection tell as much of the image as its story.
Child01
The bright fireplace
The sacred light brings the faces together around the newborn.
For composition. Reading of "Bartolomeo Bassante" by composition.Shepherds02
Naturalness in the face of miracle
Popular figures give Adoration its Neapolitan truth.
For emotionSignature03
Proof that has become a problem
The inscription in Bassante's name is now considered an 18th century addition.
For investigationFrom Bellis04
The current attribution
The Prado connects the painting to Antonio de Bellis, with possible collaboration.
For precisionRevised attribution05
The Adoration of the Shepherds
The Bassante signature is considered apocryphal; the Prado now attributes the painting to Antonio de Bellis.
Landmark work by Bartolomeo BassanteStyle06
Neapolitan night
The figures emerge by degrees from a dark and tight space. This line guides a reading of "Bartolomeo Bassante" centered on composition.
Reading key for Bartolomeo Bassante
Works to discover
The Adoration of the Shepherds formerly given to Bassante
A work today attributed to Antonio de Bellis, but essential for understanding the critical fortune of Bassante's name.
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Choose this reproduction linked to Bartolomeo Bassante
A medium horizontal format will preserve the circle of shepherds. A dark or ancient golden setting will accompany the Neapolitan nocturnal.
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Are the reproductions hand painted?
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