Portrait of youth between Paris and travel
First orders and family circle establish a flexible manner. This milestone sheds light on the "Mademoiselle by John Singer Sargent" collection by favoring the story.
1879 -1905 · Youth, identity and international elegance
Discover Mademoiselle by John Singer Sargent, hand reproduced in oil on canvas.
1879 -1905 · Youth, identity and international elegance
In French-speaking catalogs, many portraits of John Singer Sargent retain the address "Mademoiselle" followed by the model's name. This title marks both a social status, an age and the presentation conventions of the end of the 19th century. Mathilde Townsend, Grace Woodhouse, Violet Sargent, Suzanne Poirson or Béatrice Townsend belong to different family and international circles. Sargent does not apply a single formula to them. A dark background can reinforce a light face; a white dress opens the space; a hand, a flower or the orientation of the bust regulates the distance to the viewer. Violet Sargent does not apply a single formula to them. A dark background can reinforce a light face; a white dress opens the space; a hand, a flower or the orientation of the bust regulates the distance to the viewer. Violet Sargent offers the painter a particular family proximity, while that the portraits of sponsors require a balance between resemblance and social representation. Together, these effigies also allow us to question the vocabulary of the title: "Mademoiselle" says almost nothing about the character, the background or the choices of the model. The painting, through the look and pose, restores precisely what the social formula leaves aside. The selection "Mademoiselle by John Singer Sargent" notably compares Mademoiselle Mathilde Townsend and Mademoiselle Grace Woodhouse. His reading favors the story.
The word "Mademoiselle" classifies the model; Sargent's portrait immediately works to restore a presence that escapes this category alone.
Course & style
In French-speaking catalogs, many portraits of John Singer Sargent retain the address "Mademoiselle" followed by the model's name. This title marks both a social status, an age and the presentation conventions of the end of the 19th century. Mathilde Townsend, Grace Woodhouse, Violet Sargent, Suzanne Poirson or Béatrice Townsend belong to different family and international circles. Sargent does not apply a single formula to them. A dark background can reinforce a light face; a white dress opens the space; a hand, a flower or the orientation of the bust regulates the distance to the viewer. Violet Sargent does not apply a single formula to them. A dark background can reinforce a light face; a white dress opens the space; a hand, a flower or the orientation of the bust regulates the distance to the viewer. Violet Sargent offers the painter a particular family proximity, while that the portraits of sponsors require a balance between resemblance and social representation. Together, these effigies also allow us to question the vocabulary of the title: "Mademoiselle" says almost nothing about the character, the background or the choices of the model. Painting, through gaze and pose, restores precisely what the social formula leaves aside.
First orders and family circle establish a flexible manner. This milestone sheds light on the "Mademoiselle by John Singer Sargent" collection by favoring the story.
London and transatlantic clientele are multiplying the young models named.
Posterity restores biographies and identities behind social conventions.
Each model establishes a different relationship with the viewer. This trait guides a story-centered reading of "Mademoiselle by John Singer Sargent".
The large textile mass organizes installation and light.
Tight, rested or active fingers nuance facial confidence.
The reduced space allows the character to dominate worldly signs.
Explore by universe
Mathilde Townsend, Grace Woodhouse, Violet Sargent and Suzanne Poirson show command, social background, family proximity and temperament.
The pose articulates youth, status and awareness of being looked at.
For identity. Reading of "Mademoiselle by John Singer Sargent" through the story.Clothing and background define a specific elegance rather than a generic model.
For nuanceThe painter's sister allows a more direct and less ceremonial relationship.
For the intimateThe face and hands give personality beyond the formula of the title.
For presenceMathilde Townsend combines worldly status and attentive presence.
Mademoiselle's landmark work by John Singer SargentGrace Woodhouse stands out for the precise relationship between dress, background and look.
Mademoiselle's landmark work by John Singer SargentWorks to discover
Mathilde Townsend, Grace Woodhouse, Violet Sargent and Suzanne Poirson make up four distinct identities behind the same company address.




Our method
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
A black, walnut, discreet gold or off-white frame depending on the dress and a vertical format will bring out the pose and liveliness of the face.
Frequently asked questions
Yes. Each reproduction is hand painted in oil on canvas, without printing.
The painter takes up the composition, values, colors and materials visible in the chosen work from the Mademoiselle collection by John Singer Sargent, with particular attention paid to the story.
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
Detailed photographs are sent before shipping; you can request edits before sending.
Custom reproduction
Send us an image, a museum reference, or the name of an artwork: we can create a custom reproduction.
Buying guide
From your choice to delivery, you stay in control thanks to photo validation and included retouching.
Select it painting and the dimensions adapted to your interior.
Your reproduction is made by hand, in painting at theoil on canvas.
You receive a photo and can request up to 7 sets of edits.
After validation, it is protected, rolled and sent with FedEx tracking.
Advice & guarantees
Simple answers on the painting by hand, formats, alterations and delivery of your reproduction.
The essential points before choosing your reproduction.
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
The estimated date is displayed near the buy button. It includes the time of painting, your photo validation then FedEx tracked delivery.
Yes, you can choose a standard format or request a custom size adapted to your space.
Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
Yes. You can send us an image, a museum reference, the name of an artwork, or a photo to request a custom reproduction.
Some useful guidelines for choosing a work, its format and the location that will best highlight it.
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.