The Prix de Rome and Italy
The royal award then five Roman years established his taste for the figure, Antiquity and landscapes of the countryside. This milestone sheds light on the "Charles-Joseph Natoire" collection by favoring the material.
1700 -1777 · French Rococo and Academy of Rome
Discover Charles-Joseph Natoire, hand reproduced in oil on canvas.
1700 -1777 · French Rococo and Academy of Rome
Born in Nîmes in 1700 into the family of a sculptor, Charles-Joseph Natoire trained in Paris with Louis Galloche then François Lemoyne. First prize in painting in 1721, he stayed at the French Academy in Rome from 1723 to 1728, where the study of Antiquity, Raphael and the Italian landscape lastingly shaped his art. Back in Paris, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of favors teaching and landscape drawing, accompanying residents in the Roman countryside. He died in Castel Gandolfo in 1777. The "Charles-Joseph Natoire" selection notably compares Manué offering a sacrifice to the Lord and Erato serenading. His reading favors the material.
Natoire unites the clarity of the story with rococo flexibility: gestures, fabrics and architectures lead the gaze without ever weighing down the scene.
Course & style
Born in Nîmes in 1700 into the family of a sculptor, Charles-Joseph Natoire trained in Paris with Louis Galloche then François Lemoyne. First prize in painting in 1721, he stayed at the French Academy in Rome from 1723 to 1728, where the study of Antiquity, Raphael and the Italian landscape lastingly shaped his art. Back in Paris, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of the History of Psyche for the Hôtel de Soubise was among the major ensembles of rococo decor. Received at the Royal Academy in 1734, he received important religious, mythological and decorative commissions. His cycle of favors teaching and landscape drawing, accompanying residents in the Roman countryside. He died in Castel Gandolfo in 1777.
The royal award then five Roman years established his taste for the figure, Antiquity and landscapes of the countryside. This milestone sheds light on the "Charles-Joseph Natoire" collection by favoring the material.
Religious commissions, cartoons and aristocratic decorations place Natoire at the forefront of Rococo painting.
Teaching, sending residents and outdoor drawing became the center of his Italian activity.
The gestures, looks and arrangement of the groups make sacred or mythological episodes immediately readable. This trait guides a reading of "Charles-Joseph Natoire" centered on the material.
Soft bodies, light draperies and light colors give the movement a typically rococo elegance.
Ceilings, door tops and cardboard boxes are designed to dialogue with architecture and ornament.
Ruins, gardens and Italian countryside nourish a free, luminous landscape design attentive to the site.
Explore by universe
Works, visual language and historical landmarks make up a journey exclusively devoted to Charles-Joseph Natoire.
The divine apparition, the offering and the amazement of the figures compose a sacred story animated by an ascending light.
Landmark work by Charles-Joseph Natoire. Reading of "Charles-Joseph Natoire" through the material.The music connects the Muses in a composition where elegant attitudes, fabrics and landscape create visual harmony.
Landmark work by Charles-Joseph NatoireThe nobility of the model is affirmed by the pose, the precious materials and a measured balance between personal presence and appearance.
Landmark work by Charles-Joseph NatoireThe words of the saints spread through a crowd whose each reaction amplifies the persuasive force of the scene.
Landmark work by Charles-Joseph NatoireThe gestures, looks and arrangement of the groups make sacred or mythological episodes immediately readable. This trait guides a reading of "Charles-Joseph Natoire" centered on the material.
Reading key for Charles-Joseph NatoireSoft bodies, light draperies and light colors give the movement a typically rococo elegance.
Reading key for Charles-Joseph NatoireWorks to discover
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