The Cimabue UniverseSacred humanized figures, more credible spaces and new emotions make Cimabue one of the decisive artists of the 13th century, between Byzantine heritage and the birth of Western naturalism.
around 1240 -1301/1302Artist's life
Florence, Assisi, Rome, Bologna and PisaMain homes
Tempera on wood, gold background, fresco and mosaicPractical
°15Works preserved or attributed today - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
around 1240 -1301/1302 · At the origins of Italian painting
Sacred humanized figures, more credible spaces and new emotions make Cimabue one of the decisive artists of the 13th century, between Byzantine heritage and the birth of Western naturalism.
Cenni di Pepo, known as Cimabue, was born in Florence around 1240 and is documented between 1272 and 1302. Information about his life remains rare, but the works attributed to him testify to an exceptional ambition. Active in Florence, Rome, Assisi, Bologna and Pisa, he works for large religious establishments, notably the Franciscans. His painted crucifixes, frescoes and monumental Maestà preserve the gold background and majesty of Byzantine tradition while giving bodies more volume, thrones architectural depth and faces more direct emotion. The Maestà of the Louvre and that of Santa Trinita at the Uffizi are among the major milestones of this transformation. Tradition makes him Giotto's master; whatever the exact nature of their relationship, Cimabue's influence on Giotto and Duccio is fundamental. Only around fifteen works are preserved or recognized today, which makes each attribution essential to the understanding of his pictorial revolution. The "Cimabue" selection notably compares Virgin and Child and Maestà de Santa Maria dei Servi. Its reading favors space.
Cimabue does not deny the icon: he opens it to space, body weight and human emotion, preparing a new history of painting.
Course & style
Journey, subjects and pictorial language
Cenni di Pepo, known as Cimabue, was born in Florence around 1240 and is documented between 1272 and 1302. Information about his life remains rare, but the works attributed to him testify to an exceptional ambition. Active in Florence, Rome, Assisi, Bologna and Pisa, he works for large religious establishments, notably the Franciscans. His painted crucifixes, frescoes and monumental Maestà preserve the gold background and majesty of Byzantine tradition while giving bodies more volume, thrones architectural depth and faces more direct emotion. The Maestà of the Louvre and that of Santa Trinita at the Uffizi are among the major milestones of this transformation. Tradition makes him Giotto's master; whatever the exact nature of their relationship, Cimabue's influence on Giotto and Duccio is fundamental. Only around fifteen works are preserved or recognized today, which makes each attribution essential to the understanding of his pictorial revolution.
The first documented works
Between Rome and Florence, Cimabue asserts a monumental way still linked to Byzantium but attentive to volume and presence. This milestone sheds light on the "Cimabue" collection by favoring space.
Assisi and the great Maestà
Franciscan frescoes, crucifixes and Virgins in majesty renew the sacred space and the expression of the figures.
Pisa and Legacy
The latest achievements confirm a decisive influence on the generation of Giotto and Duccio.
01
Volume
Degraded, folds and joints give bodies a new mass under sacred fabrics. This line guides a space-centered reading of "Cimabue".
02
Emotion
Face tilts, looks and gestures bring the religious narrative closer to human experience.
03
Space
Oblique thrones and architectures suggest a depth that is still symbolic but increasingly coherent.
04
Gold
The gold background retains the celestial dimension while the figures actually gain physical reality.
Explore by universe
Six readings specific to Cimabue
Works, visual language and historical landmarks make up a route exclusively devoted to Cimabue.
Humanized icon01
Virgin and Child
The frontal majesty is nuanced by the modeling of the faces, the relationship of the looks and the physical presence of the Child.
Cimabue's landmark work. Reading "Cimabue" through space.Virgin in majesty02
Maestà de Santa Maria dei Servi
The throne, the angels and the golden background order a solemn vision where the figure of Mary acquires weight and depth.
Cimabue's landmark workFlorentine masterpiece03
Maestà de Santa Trinita
The imposing architectural throne and the prophets placed at its base announce a more constructed pictorial space.
Cimabue's landmark workMaestà of the Louvre04
The Virgin and Child in majesty
The throne seen at an angle, the superimposed angels and the subtle models transform the icon into an inhabited space.
Cimabue's landmark workStyle05
Volume
Degraded, folds and joints give bodies a new mass under sacred fabrics. This line guides a space-centered reading of "Cimabue".
Reading key for CimabueStyle06
Emotion
Face tilts, looks and gestures bring the religious narrative closer to human experience.
Reading key for Cimabue
Works to discover
Works of Cimabue
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2
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3
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4
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Frequently asked questions
Before choosing your Cimabue
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore space in a reproduction of Cimabue?
The painter uses the composition, values, colors and materials visible in the chosen work from the Cimabue collection, with particular attention paid to space.
Can I order a work by Cimabue in a personalized format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Cimabue?
Detailed photographs are sent before shipping; you can request edits before sending.
01Une œuvre préciseNom, artiste ou référence de musée02Votre propre imagePhoto, portrait ou composition personnelle03Un format spécialDimensions adaptées à votre intérieur
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Frequently asked questions
The essential points before choosing your reproduction.
Are the reproductions hand painted?
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
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Collection guide Cimabue
Some useful guidelines for choosing a work, its format and the location that will best highlight it.
Why choose a reproduction from this collection?
This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
A canvas prepared for your interior
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
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