The world of Post-Impressionist Cities and Modern LifeThe post-impressionist city becomes a system of flows: station, street, lighting, leisure and solitude are reconstructed by the point, the flatness or the framing.
1880s -1914Main period of the collection
Station, street, interiorThree scenes of urban modernity
Light & circulationTwo forces that transform the gaze
300,000 300,000Works created by associated artists - combined overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
1880s -1914 · Street, train station, crowds and urban interior
The post-impressionist city becomes a system of flows: station, street, lighting, leisure and solitude are reconstructed by the point, the flatness or the framing.
Post-impressionist artists inherit the modern city painted by Manet, Degas, Monet or Caillebotte, but they refuse to give a common vision of it. Maximilien Luce applies the division of tones to stations, construction sites and popular streets: smoke, stone and movement become a luminous vibration, while his scenes linked to the Commune preserve a political memory. Vallotton cuts streets, passers-by and interiors with sharp flat areas and unexpected angles; the city appears clear, orderly and psychologically distant. Toulouse-Lautrec observes theater, café-concert and prostitution with a line influenced by Japanese prints. Vuillard and Bonnard move it modernity in the apartment, the boulevard seen from above or the relationship between interior and street. The city is therefore no longer just a setting. It transforms the speed of the gaze, the distance between people, the rhythms of work and the border between public spectacle and private life. The selection "Cities and modern post-impressionist life" notably compares La Gare de l'Est and Une rue de Paris in May 1871. Its reading favors the material.
The post-impressionist city can no longer be grasped at a single glance: point, angle and flat area reflect competing experiences of the same space.
Course & style
Journey, subjects and pictorial language
Inherit the impressionist city
Boulevard, train station and leisure remain central but change language. This milestone sheds light on the "Post-Impressionist Cities and Modern Life" collection by favoring the material.
Divide or synthesize the urban scene
Neo-impressionists and Nabis oppose vibration of the point and force of the flat.
Harden modern rhythms
Industry, crowds and speed announce the avant-gardes of the new century.
01
Brightpoint
The divided touch distributes air, smoke and movement throughout the scene. This line guides a reading of "Post-Impressionist Cities and Modern Life" centered on the material.
02
High angle
Window or balcony transforms the street into an organized surface.
03
Cut-out silhouette
Passerby becomes a quick sign rather than a portrait.
04
Porous interior
Curtain, window and door connect private space and public circulation.
Explore by universe
Cross station, political memory, street and stroll
The four active works make the city a place of transportation, history and daily observation.
Station01
Painting industrial energy
Roads, steam and architecture concentrate modern speed.
For the movement. Reading "Post-Impressionist Cities and Modern Life" through the material.Memory02
Include the conflict in the streets
Luce connects Parisian space to the traces of 1871.
For historyStreet03
Build a visual corridor
In Cagnes, Vallotton simplifies facades and roads into clear plans.
For spaceStroll04
Observe without possessing
The urban gaze passes through brief scenes and strangers.
For experienceParis · Luce05
The Gare de l’Est
Gare de l'Est transforms steam, metal and travelers into neo-impressionist vibration.
Landmark work of Post-Impressionist Cities and Modern Life1871 · Luce06
A street in Paris in May 1871
The Parisian street carries a political memory that light does not dissolve.
Landmark work of Post-Impressionist Cities and Modern Life
Works to discover
Four visions of the post-impressionist city
Two scenes from Luce and two streets from Vallotton confront transport, history and urban geometry.
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Choose a reproduction of a post-impressionist city
A black, oak or fine metal frame and a horizontal format will enhance the perspectives of streets and train stations; more vertical compositions work well in an entrance.
Frequently asked questions
Before choosing your Post-Impressionist Cities and Modern Life
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How can we restore the material in a reproduction of post-impressionist cities and modern life?
The painter uses the composition, values, colors and materials visible in the chosen work from the Post-Impressionist Cities and Modern Life collection, with particular attention paid to the material.
Can I order a work from Post-Impressionist Cities and Modern Life in a custom format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How can I validate my reproduction of Post-Impressionist Cities and Modern Life?
Detailed photographs are sent before shipping; you can request edits before sending.
Hand-painted
Photo before shipping
Touch-ups possible
Tracked FedEx shipping
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Frequently Asked Questions
These answers reassure visitors who are discovering the concept of hand-painted reproductions.
Are the reproductions hand-painted?
Yes, our reproductions are oil paintings on canvas by experienced artists. Each canvas is hand-painted, not printed.
Can I request touch-ups?
Yes. Before shipping, we send you a photo of the completed painting. You can then request adjustments if necessary.
How long does it take to receive the canvas?
The time depends on the format and complexity of the artwork. The painting generally takes several weeks, then the canvas is shipped with tracking.
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Yes, you can choose a standard format or request a custom size adapted to your space.
Are the paintings delivered framed?
Depending on the options available, the canvas can be delivered alone, mounted on a stretcher, or prepared for framing. Details are indicated on the product page.
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Yes. You can send us an image, a museum reference, the name of an artwork, or a photo to request a custom reproduction.
Guide to the Post-Impressionist towns and modern life collection
Some guidelines for choosing a reproduction from this collection, comparing similar styles, and preparing your order.
Why choose a reproduction from this collection?
This selection brings together artworks designed for art lovers who want to recapture the spirit of a famous painting in a hand-painted canvas. Each reproduction can be adapted to the desired format and validated by photo before shipping.
A canvas prepared for your home
The available formats allow the artwork to be adapted to a living room, bedroom, office, or a more specific decorative project. The painting is executed in oil on canvas with particular attention to colors, textures, and overall balance.
Touch‑ups and custom requests
If you are looking for a similar artwork, a similar artist, or a specific format, you can ask for advice. Reproductions can be adjusted before shipping thanks to photo validation.
